THEGAYUK

Tag: Movie Genre Drama

All movie reviews for films in the Drama genre

  • FILM REVIEW | Hidden Away, A Spanish Teenage Gay Love Story

    Don’t be fooled into thinking that Hidden Away is just another boy meets boy love story with a less than great cover photo of its two male leads. It’s a very well told and acted Spanish teenage gay love story that’s very heartwarming and enduring as well. ★★★★

    Hidden Away is not told as a simple coming of age story, and it’s not told in chronological order, which makes understanding and piecing the film together a bit confusing. Director Mikel Rueda has decided to tell the story in a way in which is supposedly meant for the viewer to put themselves into the characters shoes. So it opens with Ibrahim, a 14-year-old young man, walking along the road hitchhiking, escaping from something which we won’t know until the very end. He’s from Morocco, but had gone to Spain a few years back looking for a better future. He’s been living in shelters, hoping to get his official papers so that he can stay in Spain. He lives in Bilbao, fully settled, attending school and living in a shelter for boys just like him. Then there is Rafa, also 14, Spanish, living with his parents. Rafa hangs out with boys just like himself, yet there’s one thing different about Rafa. He doesn’t like girls. There is one girl in particular who practically throws herself at him, but he just doesn’t reciprocate, much to the horror of his friends. Even though Ibrahim and Rafa’s paths initially cross (at one point in a club urinal), they don’t meet until a bit later in the film. And there’s a spark. A spark that at first betells an evolving and very close friendship between the young men, but then evolves into more than that. While there is no actual sex scenes in this film, Rafa and Ibrahim’s bond appears to be more than just physical, it’s emotional as well.

    Ibrahim gets mixed up with a local gang that gets him to sell drugs, while Rafa whiles away the time looking for any reason to be with him. They initially bond over a cigarette, but their friendship, and romance, blossoms after they spend a day together hanging out and going bowling. It’s a relationship that we know is too good to be true. And when Ibrahim receives a letter from the government wanting to extradite him back to Morocco, he sees no other way but to run away, with Rafa by his side.

    It’s the performances that make this film fantastic. German Alcaruz as Rafa brings an innocence to his part, a young man who knows what he wants and doesn’t care what his friends think. His facial expressions will melt your heart – Alcarazu gives a believable and touching performance. Adil Koukouh is also very good as Ibrahim. He’s bigger and more mature looking than Rafa, but he also has a special something that makes Rafa’s attraction to him seem very credible. Also very very good is Joseba Ugalde as Rafa’s best friend Guille. He knows he’s losing Rafa to Ibrahim and he’s OK with it, even when Rafa and Ibrahim have to go on the run, there’s a very touching scene when Rafa and Guille say goodbye to each and Guille tells Rafa that’s he doesn’t quite understand what is going on.

    Hidden Away is a bit difficult to comprehend in the beginning as the scenes do jump around, and the subtitles on this film are quite small and at times hard to read, but stick with it till the very end and you will be rewarded with a love story that’s unique in it’s telling and at it’s very core is a film that tells the story of young love, young love that we’ve all experienced.

    Hidden Away is now available to buy on DVD.

     

    by Tim Baros

  • FILM REVIEW | Hidden Away, A Spanish Teenage Gay Love Story

    Don’t be fooled into thinking that Hidden Away is just another boy meets boy love story with a less than great cover photo of its two male leads. It’s a very well told and acted Spanish teenage gay love story that’s very heartwarming and enduring as well. ★★★★

    Hidden Away is not told as a simple coming of age story, and it’s not told in chronological order, which makes understanding and piecing the film together a bit confusing. Director Mikel Rueda has decided to tell the story in a way in which is supposedly meant for the viewer to put themselves into the characters shoes. So it opens with Ibrahim, a 14-year-old young man, walking along the road hitchhiking, escaping from something which we won’t know until the very end. He’s from Morocco, but had gone to Spain a few years back looking for a better future. He’s been living in shelters, hoping to get his official papers so that he can stay in Spain. He lives in Bilbao, fully settled, attending school and living in a shelter for boys just like him. Then there is Rafa, also 14, Spanish, living with his parents. Rafa hangs out with boys just like himself, yet there’s one thing different about Rafa. He doesn’t like girls. There is one girl in particular who practically throws herself at him, but he just doesn’t reciprocate, much to the horror of his friends. Even though Ibrahim and Rafa’s paths initially cross (at one point in a club urinal), they don’t meet until a bit later in the film. And there’s a spark. A spark that at first betells an evolving and very close friendship between the young men, but then evolves into more than that. While there is no actual sex scenes in this film, Rafa and Ibrahim’s bond appears to be more than just physical, it’s emotional as well.

    Ibrahim gets mixed up with a local gang that gets him to sell drugs, while Rafa whiles away the time looking for any reason to be with him. They initially bond over a cigarette, but their friendship, and romance, blossoms after they spend a day together hanging out and going bowling. It’s a relationship that we know is too good to be true. And when Ibrahim receives a letter from the government wanting to extradite him back to Morocco, he sees no other way but to run away, with Rafa by his side.

    It’s the performances that make this film fantastic. German Alcaruz as Rafa brings an innocence to his part, a young man who knows what he wants and doesn’t care what his friends think. His facial expressions will melt your heart – Alcarazu gives a believable and touching performance. Adil Koukouh is also very good as Ibrahim. He’s bigger and more mature looking than Rafa, but he also has a special something that makes Rafa’s attraction to him seem very credible. Also very very good is Joseba Ugalde as Rafa’s best friend Guille. He knows he’s losing Rafa to Ibrahim and he’s OK with it, even when Rafa and Ibrahim have to go on the run, there’s a very touching scene when Rafa and Guille say goodbye to each and Guille tells Rafa that’s he doesn’t quite understand what is going on.

    Hidden Away is a bit difficult to comprehend in the beginning as the scenes do jump around, and the subtitles on this film are quite small and at times hard to read, but stick with it till the very end and you will be rewarded with a love story that’s unique in it’s telling and at it’s very core is a film that tells the story of young love, young love that we’ve all experienced.

    Available to by from Amazon

     

  • FILM REVIEW: From Beginning To End

    There is good taste, and then there is incest.

    It’s surprising that we can sit and watch a lot of suspect and even deviant behaviour amongst (consenting) adults on the silver screen, but this is one topic that we feel is just a tad too icky even for us. Especially when it comes in the form of a melodramatic Brazilian telenova that is short on both substance as well as clothing, and is to all intents and purpose nothing more than a pretty piece of soft porn.

    It starts with two young half brothers, one 6 years old and the other 12, who are a little too close to each other for our comfort zone, and for their mother too who suspects there may be more here than what meets the eye. Flash-forward to the boys as grown men, one of the fathers dies, then the mother passes away too, and the boys seek solace in each other. Well that’s their excuse as they have barely stopped lusting after each other since they were kids.

    We are convinced that it’s not just lust, but real love, which is put to the test when the younger brother who is a potential Olympic swimming champion is told by his coach that he must move abroad to train. To Russia no less. Oh come on coach, you mean to tell us there are no decent swimming pools closer to Brazil?

    Love conquers all though and even a very pretty girl cannot steal the old brother away from his one true love, and this all plays out to a rather deafening over-laden heavy strings soundtrack. And we guess they will happily ever after? Who knows? More importantly, who cares?

    Why see it at all? Well the boys/men are rather stunning beefcakes that even with this limited script prove that they can actually act, and also writhe around naked together looking very sexy but without doing the act (it’s soft porn after all). It was a big box office hit in Brazil when it was released in 2009, and it has now surfaced on Amazon where you can waste £4.49 and more importantly 90 minutes of your time.

     

  • FILM REVIEW: Girlhood

    Life is pretty bleak in this concrete jungle of soulless tower blocks of shabby apartments on this housing complex in a poor rundown suburb of Paris.

    Sixteen-year-old Marieme is hoping that one day she will break out of there so for a better life so she does her school work, plays American football, and then goes home to look after her younger siblings whilst her mother is out all hours doing cleaning jobs to keep the family together.

    However when Marieme learns that her grades are not enough to continue high school she gives up being a good girl and falls in with a gang of three girls who seem to wreak havoc wherever they go. At first, Marieme sits on the sidelines observing the girls led by a real toughie who calls herself Lady, but she soon gets drawn into their questionable activities when they slack off school every day. She swaps her braids for a more glam look and starts copying their more outrageous dress style. It’s not long until she is the one menacing other kids on their way to school to relieve them of every cent they have to fund the gang’s nefarious agenda.

    They use the money to check into a hotel to try on all the clothes they have stolen from the mall, get wasted on a diet of booze and pot noodles, and give a full rendition of Rihanna’s Diamonds. It’s their idea of a high life, sad as it is.

    Things change when Lady gets roundly beaten in a fight with a member of another gang, so an emboldened Marieme … known by the girls as Vic … steps up to the plate and takes on the victor and beats her up. It delights Djibril one of her brother’s friends who she has been hooking up with in secret, but it infuriates her bully of a brother, and when he threatens her, she knows it is time to leave home.

    In this situation the only way out is to start selling drugs, which she does for another gang in return for a share in a safe house in another neighbourhood. As tough she has become, this is very much a man’s world, and despite all her efforts, she is still a girl.

    It’s the third feature from French filmmaker Céline Sciamma and although it doesn’t quite have the same resonance of her award-winning Tomboy but it does nevertheless pack a powerful punch. It’s a bleak grim reality that these tough bad girls inhabit and come-of-age in but Sciamma does at least infuse it with a glimmer of hope…. and some compassion too. It’s zillion years away from the cosy life of Boyhood!

  • FILM REVIEW | Wild Tales

    ★★★★★ | Wild Tales

    Pretty model Isabel is on a business trip and strikes up a conversation with a gentleman the other side of the aisle of the plane.

    They quickly discover that they have a mutual acquaintance in Gabriel Pasternak who Isabel used to date and whom the man had once turned down for a College Grant. The woman seated in the row in front hears their conversation and proffers up that she once taught this same Gabriel Pasternak. Very quickly they establish that everyone on board had some sort of dealings with Gabriel, most of which had not ended happily, and they also discover that he had not only gifted them all their plane tickets but was one of the crew on board.

    This is first of six extraordinary and wonderfully wicked hilarious short stories that all end badly and have one thing in common. I.e. vengeance. Created by Argentinian filmmaker Damián Szifrón each one is magically bizarre and all, nothing less than brilliant, show his delightfully warped imagination

    In the second tale called ‘The Rats’ which is set in a remote roadside diner, the waitress discovers that her sole customer that night is a loan shark who had driven her father to kill himself. The cook, a tough female ex-con, declares that merely rebuking the man is not enough and she is determined that this will be his last meal ever. It’s followed ‘Road to Hell’ which is the bloodiest episode of the set, with its tale of road rage that so gets out of control when an arrogant hot-shot yuppie in an expensive Audi tries to belittle a country redneck in his beat up wreck. The fourth of Szifrón’s yarns ‘Bombita’ is about an unfortunate demolition engineer who is having a really bad day. His car is impounded when he stops for one brief moment to pick up a birthday cake for his young daughter. He is forced to pay a hefty fine to the rude staff at the compound to retrieve it, and then gets screamed at by his wife for completely missing the child’s party. It’s the last straw for her and she demands a divorce and so his car is towed away again and he literally explodes.

    The penultimate tale is the only really serious one that is totally devoid of any humour. It’s the story of a very wealthy family whose son has killed a pregnant woman in a hit-and-run accident and they try and bribe their gardener to take the rap instead. Their ploy almost falls apart when everybody, including the Police, seems to want to ensure that they get the heftiest share of the hush money.

    The rather spectacular finale has the very apt title ‘Till Death Do Us Part. It’s set at a Jewish wedding reception where the bride loses her big smile when she suddenly discovers that her groom has been having carnal knowledge with a very pretty younger girl in his office. The bride loses it big time and is determined that not only will her new husband suffer, so too will his family and inevitably all the guests too in an outrageous seemingly endless slapstick performance.

    The pace never lets up in the entire 2 hours that for once just flies by as you sit on the edge on your seat unable to even guess what could possibly happen next. What is really quite delicious though is Szifrón’s subversive humour which sets this unique piece really apart and must be a major contributing factor in the movie getting a Best Foreign Picture Oscar Nomination. It also benefitted from an excellent cast, a stunning soundtrack from Gustavo Santaolalla, and the fact that it had the Almodovar Brothers as its Producers.

    Wild Tales is really one wild ride that you will not want to miss. In UK cinemas now.

  • FILM REVIEW: Drink Me

    ★★★ | Drink Me

    Young gay couple James and Andy seem to have everything, especially an extremely busy sex life.

    Life in the rather comfortable house they share couldn’t be more perfect and James wants to make it all even more permanent by getting down on his knees and proposing marriage. However timing is everything and Andy fesses up that he has just been laid off from his job, which puts a dampener on any ideas of paying for an expensive wedding right now.

    After he has trouble finding new work, money gets tight for the couple so James suggests taking in a lodger. Sebastian a handsome stranger moves in and all seems well until housebound Andy realises that the new member of the household is hiding a secret. He suspects that Sebastian could be the killer who has been stalking the streets of their neighbourhood and responsible for so many people seemingly disappearing into thin air. He will not have to wait long to find out the truth.

    This brand new thriller made on a micro-budget on by husband & husband team Daniel & Richard Mansfield is a rare genre i.e. gay vampire drama. Strangely enough it is not nearly as frightening as the overly dramatic soundtrack intonates it should be, and the slight plot unfurls at such a slow pace that there are neither any real scares nor surprises. It does however possess more male full frontal nudity than I have ever seen outside of a porn movie, and full credit to both director and cast, as they ensure that most of it is highly erotic.

    The movie following on from The Secret Path that the Mansfields made last year proves again that this young couple of talented British gay filmmakers are definitely a pair well worth watching.

     

  • FILM REVIEW: Tin

    This innovative independent film takes a simple storyline of intrigue and shenanigans and gives it a slight twist and does so on a micro-budget.

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  • FILM REVIEW | Brotherhood

    ★★★★★ | Brotherhood

    Lars is a young Danish soldier who is resentful because he has been thrown out of the Army after being accused of making a pass at some of his men.

    Frustrated at being back home with his pushy interfering mother, and at a loose end and unsure of where his life is going, he becomes easy prey for a local gang of xenophobic neo-Nazi thugs looking for new recruits. Although somewhat reluctant at first, he naïvely allows himself to be drawn into the group and is soon recognised by the leaders as being a brighter than average convert who they want to install as a fully-fledged member.

    Lars’ quick rise through the ranks doesn’t sit well with everyone, particularly as he is foisted onto the group’s hard-nutted lieutenant Jimmy who is bitterly resentful of Lars for usurping the position that he felt his psychotic brother should have got received. The angry Jimmy is ordered to be his trainer but the hate he shows however soon turns into lust, which ultimately turns to love in this most unlikely setting.

    This award-winning movie shows the sheer brutality, and the depth and bitterness of the far right’s racism and homophobia in a powerful and moving way. It’s both explicit and shocking and its subject matter is unquestionably disturbing, but the way that this drama unfolds, juxtaposing vitriolic violence and hatred with its edge of tenderness in the love that comes through, makes this film totally unmissable.

  • FILM REVIEW | Drown, a film that sinks to new depths

    ★ | Drown

    Three lifeguards pal around until things turn ugly one night in the new film ‘Drown.’

    ‘Drown’ is a film with very ugly overtones. And it’s not even a positive portrayal of a young gay man who continues to get beaten up and up by an evil homophobic asshole. Handsome Jack Matthews plays Phil. He’s the newby lifeguard in a team that includes the unpredictable and very volatile Len (Matt Levett). They form a trio with fellow lifeguard nick-named Meat (Harry Cook), and together all three bond, in some sort of strange way.

    Len has some kind of strange fascination for Phil, it’s either because Phil is gay and Len doesn’t like it or because Len is secretly attracted to Phil, though won’t admit it to himself. Len is also jealous of Meat, because of his very large penis (not shown unfortunately). But when Phil beats Len in a Lifeguard competition, it causes Len to fume with anger and more jealously because he was beaten by a homosexual.

    Len’s anger grows even more after Phil’s very handsome boyfriend Tom (Sam Anderson) enters the picture.

    Drown is told in flashbacks beginning with their night out to celebrate Phil’s win. But it’s a night out that turns out to be both dangerous, and extremely absurd.

    In flashbacks taking us away from that night out, we see Len beating Phil up, but Phil denies Len ever doing so, and we’re not told why. Surely an extremely homophobic lifeguard with sadistic tendencies needs to be shown the door? And perhaps arrested? Meat is an accomplice to Len’s evil doings – he’s the bitch that Len seems to desperately want. Len even orders Meat to take off injured Phil’s clothes off on a deserted beach? Including his underwear. And most of the time the dialogue is ridiculous, especially in the moments when Len and Meat are discussing Meat’s large penis.

    I was just hoping Len would either put it in his mouth or take it up his arse, just to relieve some of his sexual anxiety. And while there are beautiful images of the men swimming, and sunsets, and a woman who swims and swims out to the ocean with the likelihood that she won’t be coming back used as a metaphor for Len’s personality, it all makes for a highly uncomfortable and almost unwatchable 93-minute film.

    Available from Amazon

    Order Drown from Amazon | Amazon Instant | iTunes

  • FILM REVIEW | 50 Shades Of Grey From A Gay Perpective

    ★★★★ | 50 Shades Of Grey

    Since its release in 2012 in book form, the Fifty Shades trilogy has been destined to hit the big screen; and this Valentine’s Day the first finally did, starring the delicious Jamie Dornan and beautiful Dakota Johnson as the leads, and a supporting cast, including Eloise Mumford, Luke Grimes, and pop ‘singer’ Rita Ora. All in all, the film was great if you haven’t read the books. If you have, prepare to be (ever so slightly) disappointed!

    The film, based on the novel of the same name, follows the story of Christian, a BDSM-made sex God played by Dornan, and Anastasia (“just Ana”) Steele, naive student of English Literature. from their first meeting at Grey’s workplace to Ana’s departure after being belted by the dreamy Christian Grey. Throughout the film, the relationships between the characters are explored; including Ana and roommate Kate, played by the radiant Eloise Mumford. The plot highly differs from the book, but still gets across a few key points.

    Despite following a straight relationship, the film is still to be enjoyed by the LGBT+ community. Although we don’t see much of Dakota and Jamie’s bodies, what we do see is sure to not disappoint! For the ladies, we have Ana undressing constantly, desperately, showing her lady bits. For the men, we have Christian’s deliciously peachy bottom shown sporadically throughout the film. The film also inspires new things for the bedroom for all couples – ranging from the use of floggers, not spontaneous fumbles in your garden shed.

    Most of the cast is pleasing, though. For me, Eloise Mumford’s portrayal of Kate Kavanagh is the best performance in the film. Luke Grimes does well in his brief appearances as Christian’s brother, Elliott – and also gives the film a sexy rugged feeling. On the down side, the casting of Rita Ora as his sister, Mia, is the most disappointing casting of the film. Her four lines would be missed if you moved.

    The film, which isn’t as good as its paper counterpart, can be enjoyed by all, and has many pleasing qualities, although many down sides feature, especially the fact that neither Ana or Grey have gay fantasies. The film is set to be released on DVD and Bluray on May 8, 2015, and can still be seen in a few cinemas.

  • FILM REVIEW | Blind

    Blond thirty-something year old Ingrid has lost her sight abruptly to an undiagnosed condition and now, depressed and unsettled, she just whiles away in the stark white high-rise apartment in Oslo that she shares with Morton her architect husband.

    ★★

    She refuses to ever venture outside at all and actually suspects that Morton actually sneaks back in the middle of the day and just spies on her silently. In the deliberate and slow pace at the start of this story we see Ingrid sitting with her laptop on the window sill peering out into the void and we are not sure what she is up to as we hear her thoughts in the voice-over.

    Turns out that she is actually writing a piece of fiction that she vividly imagines as she sits there in her darkness.  At the centre of her story is Elin a single mother who has recently moved to the city from Sweden and lives in an apartment building opposite the one that Einar lives in and spies on her all the time when he is not engrossed watching pornography on his computer. And then Ingrid writes her husband into the piece, and that’s when the movie goes in a totally different direction mixing imagination with reality.

    Saying it gets complicated is a gross understatement especially when the pace steps up with Ingrid’s imagination running wild and Elin, also blond and not physically dissimilar, starts dating Morton and goes blind too. For once I had no idea what to make of this all when I viewed it at Sundance last year, but people around me were quick to compare it to a Charlie Kaufman movie (Eternal Sunshine of The Spotless Mind, Adapation + Being John Malkovitch) which I guess makes a lot of sense.

    The reason that it was on my ‘watchlist’ in the first place is its because it’s the directing debut of writer Eskil Vogt who was responsible for one of my favourite movies of 2013 Oslo, August 31st.