Tag: UK

  • Homophobic Crimes Up Nearly 20 Per Cent In London

    Homophobic Crimes Up Nearly 20 Per Cent In London

    Statistics from the Metropolitan Police show that homophobic crime has soared nearly 20 per cent in one year.

    CREDIT: ©-ronfromyork-Depositphotos
    CREDIT: ©-ronfromyork-Depositphotos

    Homophobic or anti-LGBT crimes in London have risen nearly 20 per cent from March 2015 to March 2016 a report out from the Metropolitan Police shows today.

    In total 1861 crimes were reported in London 2015 to 2016 compared with 1559 the year before.

    The rise accounts for a 19.4 per cent increase.

    Whilst some boroughs have managed to decrease the number of homophobic crimes by up to 20 per cent like Merton, some boroughs like Haringey have seen a 259 per cent rise in anti-LGBT crime.


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    The Met believes these increases are down to a range of factors, including improvements in crime recording, willingness of victims to report hate crime, world events, improved awareness of Met staff to identify these offences and support provided by more than 900 specialist hate crime investigators and our work with partners to support victims. 

    Assistant Commissioner Helen King, Territorial Policing said,

     “London is a major, much visited, vibrant and growing capital city with diverse policing needs and is one of the safest global cities in the world. It is for this reason that people from other countries invest millions of pounds in London. There are not many capital cities in the world with such low rates of serious crime, such as murder and gun crime. 

    “The Met is continuing to work with partners, businesses and the public to reduce the number of offences taking place. Our officers have spent the last year conducting both pro active operations and preventative work in order to reduce crime, better support victims and build more engagement with communities. 

    “We will continue to keep up our intensified focus on areas such as violence where we have seen a rise in recorded offences. We must not lose sight of the reductions we have achieved over the last five years.” 

  • THEATRE REVIEW | Haram Iran

    THEATRE REVIEW | Haram Iran

    ★★★★★ | Haram Iran

    CREDIT: Above The Stag
    CREDIT: Above The Stag

    Two young men were publicly hanged in a square in Mashhad, Iran on 19th July 2005. The new play Haram Iran tells this horrific story.

    Ayaz Marhoni and Mahmoud Asgari were both teenage boys who liked to hang out together. But it was suspected that these two young men had a homosexual affair, though the true nature of their crime had never actually been confirmed. But they were publicly executed after being convicted on the trumped up charges of raping a 13-year old boy.

    The Above the Stag theatre in Vauxhall has produced a play that re-enacts and tries to give credence and understanding to the story of these two young men, and their lives, and their execution. It’s an amazing and relevant play.

    Ayaz (Viraj Juneja) and Mahmoud (Andrei Costin) play ball, study together and hang out at Ayaz’s house. They’re fast becoming good friends, enough so that it makes Fareed (Merch Husey) jealous. Mahmoud spends a lot of time at Ayaz’s house, in his bedroom, just hanging out. Ayaz is obsessed with books, books that his mother (Silvana Malmone) has illegally kept as she’s not allowed to have them because of Sharia law.


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    Ayaz is most enraptured by The Catcher in the Rye, and he reads passages of the book to Mahmoud. Some of the passages are sexual, making the young men a bit turned on. One day Ayaz notices huge marks on Mahmoud’s back, caused by whippings inflicted on him by his father. Ayaz rubs oil on Mahmoud’s back, but it’s this act, witnessed by Fareed, which causes their downfall. Ayaz is initially charged with corrupting, and penetrating Mahmoud, is thrown in jail, and repeatedly raped by the prison guard (Fanos Xenofos). Eventually they are both charged with consensual homosexual acts and the judge (George Savvides) punishes them to death.


    ALSO READ: Gay Air France flight attendants fear for their lives if forced to travel to newly opened route to Iran


    Haram Iran is a hugely important play that highlights the brutality and injustice that these two young innocent men endured in Iran. While not every scene in Haram Iran might not have actually taken place, what is fact is the murder at the hands of the Iranian government of these two young men.

    Directed by Gene David Kirk with brutal and emotional intensity, Haram Iran was written by Lawyer Jay Paul Deratany, who happened to find the story online. And each member of the cast are excellent. Juneja and Costin are both very believable as Ayez and Mahmoud, young and innocent but punished nonetheless. Maimone as Ayaz’s mother is superb in her role. Xenofos is very scary (and a bit too believable) as the prison guard who shows no mercy, while and Savvides is downright cold, mean and heartless as the judge.

    Haram Iran is a brutal yet delicate story of two young men who didn’t deserve to die because of who they were.

    Haram Iran plays at Above The Stag until the 1st May 2016

  • THEATRE REVIEW| Twelfth Night, Birmingham Rep

    THEATRE REVIEW| Twelfth Night, Birmingham Rep

    ★★★★★ | Twelfth Night

    If Adventure Time were to come up with an episode of Twelfth Night, what was seen last night, created by Filter theatre company, would be what you would see. A lunatic, ‘filter-less’, bold and a surprising production that literally got you on your feet playing with balls.

    CREDIT: Pr Supplied
    CREDIT: Pr Supplied

    Nerves start to unsettle when one gets an invitation to watch ‘another’ production of Twelfth Night by William Shakespeare. But those were soon soothed when we walked in to The House of the Birmingham Repertory Theatre to come upon what looked like a set for a band. If one could sum up Filter’s creation, it would be: ‘A Shakespeare Rave’. My leg certainly didn’t stop bobbing up and down to the music.

    The quadruple –threat cast multi- part and multi-instrument played with energy that was coming from the power sockets. Electric like no other. Harry Jardine, who played Orsino and Aguecheek must have got his muscles from the rehearsals, for he was continuously running, summersaulting switching characters so efficiently that one would get dizzy after a few blinks of an eye. Effortless performance and Harry still managed to speak in blank verse to an excellent standard. Ferdy Roberts, who redirected Twelfth Night alongside Oliver Dimsdale, played Malvolio to a degree of mastery. The ‘don’t-know-what-you’re-going-to-get’ type actor kept the audience on their toes, as Ferdy sauntered around as Malvolio capturing the danger of the character. At the same time, rocking out with his air guitar solo, and stripping off to his yellow stockings which capitalised the ‘b’ of bold. Dan Poole as Toby Belch was hilarious and had comedic timing down to a ‘t’. Olivia Darnley who played Olivia was funny and charming, and did formidably well in the scenes where she tried to seduce the male characters. All in all, everyone had an incredible talent that brought the show alive, ingredients of which have led me to see this as my favourite Twelfth Night production I have ever seen!

    The highlight for me was when Harry as Aguecheek asked/made me get on stage with the rest of the cast. He did this because I missed his Velcro cap when throwing the ball at his head. So, Harry kindly allowed me another chance, but I missed again. In the end I had to wear a cap like his to which the audience were given balls to throw at us. I loved it! This tour should be a sell-out and where dates need to be bolted on for more to see!

    Twelfth Night plays at The Birmingham Rep until the 16th April 2016, 0121 236 4455

  • THEATRE REVIEW | Tom: A Story of Tom Jones – Sheffield Theatres And National Tour

    THEATRE REVIEW | Tom: A Story of Tom Jones – Sheffield Theatres And National Tour

    ★★ | Tom: A Story Of Tom Jones

    Tom – A story of Tom Jones tells the tale of the early days of the legendary singer and the struggle he faced as he moves from the green, green grass of home to the big city lights of London in search of his big break. Constantly supported by his wife, Linda, Tom struggles with self-doubt and frustration as he pursues his dream in this musical biography.

    Photo Credit - Simon Gough
    Photo Credit – Simon Gough

    The show was presented nicely enough, with projected backdrops and some well-staged, if simplistic, musical numbers; all held together by a good vocal and physical performance from Kit Orton as the Welsh crooner. The songs were inconspicuously slotted in to the show, and flowed naturally within the story, rather than feeling shoehorned in; and the live band added both atmosphere and energy.

    Despite this, the show just had too many flaws to allow it to hang together. The show is primarily narrative based, so those expecting a run through of Tom’s greatest hits will be disappointed. The songs were just too few and far between, and consisted primarily of a collection of cover versions of 60’s hits or songs which were not always instantly associated with Tom Jones by the casual observer. It’s only after the best part of two hours has passed does the show provide the songs which the audience most likely came to hear, and only then in a closing mini concert consisting of four or five numbers.

    The show demonstrates the drive and ambition that is needed to succeed and the determination by both Tom and his wife Linda to hit the big time. Underneath it all, there is a story of self-belief and about paying your dues to achieve your ambitions, but the constant cycle of Tom threatening to quit and his wife urging him to keep going seemed to be on a perpetual loop, with all dramatic tension lost given that we all know he makes it in the end.

    The problem with the show is not the performances, staging or direction, but rather the writing, which has a narrative which just doesn’t have enough about it to ever really drive the show forward. The show focusses on Tom, his relationship with his wife and his struggle to make it, but the reality is that this story is one which is just to too bland and repetitive to make the narrative interesting, especially when compared to other similar musicals such as Soul Sister – The Tina Turner Story, Jersey Boys or Buddy!. In a lifetime career of a legendary singer with so many highlights in it, it feels like a missed opportunity to restrict the story to the narrow focus of repeatedly gigging in working men’s clubs.

    That said, the audience was packed full of Tom Jones fans, and there were more whoops and cheers from them than you can shake your pelvis at. The show clearly appealed to Tom’s dedicated fan base and they thoroughly enjoyed it. It’s a show which will no doubt thrill existing fans of the singer, but unfortunately is unlikely to have a much broader appeal than that.

    Tom – The Story of Tom Jones – The Musical is currently at Sheffield Theatres until 16th April 2016  before continuing on its national tour until the 4th June 2016. Visit the show’s website for further details at www.tomthemusical.co.uk/

     

  • THEATRE REVIEW | In the Bar of a Tokyo Hotel

    ★★★ | In the Bar of a Tokyo Hotel

    CREDIT: Scott Rylander

    A middle-aged woman sits in a bar in a Tokyo hotel waiting for her husband; knocking back cocktails, sexually harassing the waiter and throwing out barbed comments. Her speech is unfiltered and whilst lyrical at times is also staccato and brutal at others. She sits well within the ranks of Tennessee Williams’ characters: a brittle yet beautiful monster who is bemoaning the onset of old age and so tightly coiled that an unravelling of some sort is inevitable. In short, she’s simultaneously a joy and a horror to watch.

    Tennessee Williams’ late play “In the Bar of a Tokyo Hotel” was met with a hostile critical reaction when it was first staged in 1969 and has rarely been produced since. It’s a shame that this work has floundered out of sight, as there’s much merit to it, despite its flaws. Written at the start of his final descent into addiction and depression’ it’s an unusual play with absurd elements and strange patterns of speech. The characters are unsympathetic at times, the dialogue isn’t easy to follow and the interactions are surreal. Yet, it’s also a very funny play in parts and there are moving aspects to the scenario. As the play progresses it becomes easier to fall into the patterns of the dialogue.

    Director Robert Chevara has bravely mounted this version and done so with aplomb. The movement and rhythm is perfectly captured in his use of a well-chosen cast and a stylish set. The great Linda Marlowe plays Miriam with spiky coolness and is pitch perfect. She careers round the vertiginously steep stage on heels like a terrifying Gorgon crushing everyone in her path yet flashing hints of her underlying vulnerability. Andrew Koji is desperately handsome as the deadpan barman, gritting his teeth as Miriam shamelessly fondles him. Alan Turkington puts over the waspish campness of Leonard with style. Yet beneath all this lies an imperfect play that just doesn’t quite rise to the occasion.

    If you’re a fan of Williams’ work then this play is an interesting addition to the body of his work. Within the period piece hallucinatory style there are echoes of characters, themes and styles that will be familiar. If you’re a newcomer to his work then it’s still worth a try.

    Even at his less than best Williams is a monumental writer and always worth revisiting.

    In the Bar of a Tokyo Hotel plays at Charing Cross Theatre until the 14th May 2016

    @chrisb715

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  • COMMENT | Music Festivals… Where Are All The Women?

    Music makes the bourgeoisie and the rebel…do what?

    Politics. Equality. Sexism. The relentless back and forth of politically correct bitching.
    Petitions. Laws. Rights. Non stop nagging to get us all involved and care.

    Old Minorities. New minorities. Cultural appropriation. The jaded activist’s burnout, versus
    the relative innocence of maturing in a culture with previously hard won rights.

    Do you ever hear: ‘Women got the vote didn’t they? It’s female priests AND Bishops nowadays, right?. Gays can marry. If you shout ‘faggot’ it’s a hate crime. No one has to sit at the back of the bus. Give it all a rest!’

    Where do you stand? Do you care? Are you tired of being made to care? What is the the actual state of affairs regarding what has been achieved compared to what we feel about those achievements? How much do we all agree about where the new battle lines are to be drawn?

    Well, regardless of one’s apathy or militancy, we are actually doing well – in terms of the acquisition of rights, the enshrining of them in law and, perhaps more importantly, how we all think about these things.

    Few members of the public would tolerate the once familiar ‘No Blacks, Dogs or Irish’ signs in a news agent’s window, and, signally, they cannot be replaced with a modern ‘No Syrians, Muslims or Intersex’ sign either; notwithstanding the threat of terrorism, general ignorance, or the wide appeal of UKIP.

    We have the incredible luxury of campaigning for our quality of life rather than struggling for life itself. So, should we still be campaigning for those inequalities that yet exist or rather leave it all to an embittered vanguard of old warriors?

    Maybe. However, aside from the hand wringing of middle-class guilt, what can we, in these politically fatigued, media saturated times, actually do? When we turn to the funded mechanisms of social change all we seem to see is corruption and in-fighting.

    Well it seems to me that Stonewall gave us the gift of fun to go with our freedom fighting… and fun is a pivotal part of any Pride. We can now, sometimes, change the world with a light hearted touch and have a good time doing it.

    Right then: festivals and charity shops: The modern answer is to… Have fun, chill out and change the world through music. Enjoy consumerism, spend less and look good.

    Turn up the volume. No sarcasm here: the contributions that have been made by raising awareness and generating finance from these sources is undeniable.

    However, apparently there is an ‘elephant in the room’. An ugly fact, we’re told, regarding live music events…

    ‘In 2015 the major festivals displayed a massive gender imbalance. Of the 87 acts that were announced, 78 were all male, 3 were female and 6 were mixed groups. That was an 89.8% all male line up’.

    We were all too busy having fun to notice. This misrepresentation does need to change. Or do we think the great pop divas: Lady Gaga, Madonna, et al, are the only examples of prime female musicianship out there? Maybe women just can’t cut the musical mustard when it comes to ‘serious’ rock? Somehow I doubt that, but the numbers are telling us that something strange is going on.
    Well, someone has come up with a controversial response to this state of affairs:

    Pandorafest.

    In July 2016, Pandorafest will be ‘the UK’s first music festival to ‘focus on celebrating women artists and female musicianship across all genres’. Touted as LGBTQI friendly, it is a ‘one day, world class, live music event featuring female singer/songwriters, women musicians and female fronted bands playing across two stages’.

    Male artists are welcome as band members but the focus is definitely on the ladies. Announced as family friendly and LGBTI friendly. It is NOT a women only attendance event, but rather ‘a traditional festival that simply redresses the imbalance of represented performers, with men, women and every other shade of the spectator spectrum all welcome’.

    As all festivals should be.

    It will be located in Scotland. There will be music, stalls, food and drink; all the usual fun of a fest combined with the addictive joy of doing the right thing by supporting women musicians and celebrating female musicianship… Sounds great….

    Controversial, I’d said earlier. Well, if you don’t think it is, then fine, Pandorafest is for you.

    But it’s not so fluffy if you’re a struggling male artist or band. The festival scene is VERY competitive. There are guys out there that would sell their organs to get a shot at the mainstage of a decent event. For them it’s business, a chance to get some career changing publicity, to show the world what they can do.

    And there’s a brand new player in the ever growing British festival scene. But it doesn’t want them. However good they are. Whatever they have to say.

    Can we truly only combat discrimination by discriminating against the majority? If we’re drawing up new battle lines we should be careful,this time round.

    Perhaps Pandorafest will have a charity shop stall?

    Opinions expressed in this article may not reflect those of THEGAYUK, its management or editorial teams. If you’d like to comment or write a comment, opinion or blog piece, please click here.

  • Murder Suspect Of Gay Cop Has Virtual Court Appearance

    Murder Suspect Of Gay Cop Has Virtual Court Appearance

    A man has appeared in custody via virtual court at Bromley Magistrates’ Court in connection to the murder of Gordon Semple.

    CREDIT: Facebook
    CREDIT: Facebook

    A 49-year-old charged with the murder of an openly gay police officer in London has appeared in custody via virtual court at Bromley Magistrates’ Court. 

    No indication of plea was given.

    Stefano Brizzi was remanded in custody and will appear at the Old Bailey on the 13th April. Mr. Brizzi was wearing a grey prison issue tracksuit, as he confirmed his name, age and address via video link from Lewisham Police Station.

    Detectives working on the case are now satisfied that the remains found at an address in London are those of Gordon Semple, 59, who went missing on the 1st April.

    Earlier today Mr. Semple’s brother paid a painful tribute to Mr. Semple and spoke about their heartbreaking loss.

    He said,

    On behalf of Gordon’s partner Gary, my wife Maureen, Gordon’s nephew Paul, niece Kerry and I, I would like to thank everyone for their kind thoughts during the past dreadful week. It has been a terrible time for us all, especially Gary.

    I would also like to thank Oliver Westbury for setting up “Gordon Semple, 59 missing” Facebook appeal page and also other cousins and nephews who tried to find Gordon.

    Gordon will be sadly missed by all of his immediate family, his colleagues in the Met Police, former Bank of Scotland colleagues in Inverness & London, Friends from his Tartan Army Days, but most of all the hardest loss is for Gary at this time.

    Gordon was a much loved Partner, Brother, Brother-in-Law, Uncle & Cousin and our world will be a worse place without him.


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    A post-mortem exam was carried out on the 8th April but the cause of death has yet to be established. A further post-mortem is to be carried out on the 13th April.

    Detectives are treating his death as a murder.

    Detective Chief Inspector Cliff Lyons, from the Homicide and Major Crime Command, who is leading the investigation into Gordon’s murder, said:

    “I am keen to trace a man who went to Brizzi’s flat in Southwark Street on Friday, 1 April at about 15:00. He was there for only one minute, and did not go inside, but it is incredibly important that we speak to him.

    “If you are that man please come forward and call us on 020 8721 4961. I will treat what you tell me with sensitivity and confidentiality – please get in touch with us I need to talk to you.”

  • Scottish Greens Back Calls For LGBT Inclusivity Training In Schools

    The Scottish Green Party have announced their support for LGBT+ inclusive education in schools.

    CREDIT: Edinburgh Greens : CC Flickr

    The Scottish Greens have backed a campaign by Time For Inclusive Education (TIE) which aims to introduce teacher training in LGBT+ inclusivity for Scottish schools in an effort to tackle homophobia and transphobia in the classroom.

    The campaign which has been founded by Jordan Daly and Liam Stevenson has already been praised by Scotland’s First Minster Nicola Sturgeon who last week said,

    “I think what Time for Inclusive Education are doing is impressive and I hope that whoever forms the next Scottish Government will work with them, as we will.”

     


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    Speaking about TIE in an interview with Common Space, co-convener of the Scottish Greens Patrick Harvie said:

    “During the next session of the Scottish Parliament we have to see real progress. We wouldn’t even be in that position, of understanding how that progress had to happen, if it hadn’t been for the TIE campaign getting the ball rolling. It really is inspiring, the work they have done.”

    The comment comes following an upsurge in national debate around the topic of LGBT+ inclusive education as a result of TIE, which recently saw Nicola Sturgeon state that she was impressed by the campaigners, and committed to working with them within the next parliament as she admitted that “more has to be done” on LGBT+ inclusion within education.

    Commenting on the news, a spokesperson for TIE stated:

    “It is fantastic to gather more political support for our campaign. We are pleased that the Scottish Greens have adopted our aims and committed to a clear strategy for tackling LGBT-phobia in schools. With the amount of positivity coming from Scottish political parties around this issue, the next parliament looks to be very progressive on LGBT+ equality – particularly focussed on inclusive education.”

    The Scottish Greens are the second major political party to support the campaign, following the unanimous passing of a motion in support of TIE by SNP members at the party’s spring conference earlier this month, which committed the SNP to creating an education system that is fully inclusive of LGBT+ identities and relationships within the next parliament, in order to promote a “safe, equal and accepting environment for all of Scotland’s young people”.

    All party leaders, with the exception of UKIP’s David Coburn, have agreed with TIE’s calls for a commitment to improving accessibility to LGBT+ specific teacher training, with Patrick Harvie specifically highlighting that faith schools must not be exempt from any strategy proposals.

  • Family and Partner Of Slain Gay Cop Mourn His Death

    Family and Partner Of Slain Gay Cop Mourn His Death

    The family and partner of Gordon Semple have released a heartbreaking message on Facebook mourning the tragic loss.

    Gordon Semple
    CREDIT: Metropolitan Police

    The family and partner of Gordon Semple whose body was discovered in London after an extensive public appeal by the Metropolitan Police have released a heartbreaking message paying tribute to the openly gay PC saying that he would be sadly missed by his family, partner and co-workers in the Met.

    Police were called to an address in Greenwich after a concern member of the public reported a foul odour emanating from the scene.

    A man has been charged with Mr. Semple’s murder.

     


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    Mr Semple’s brother wrote,

    On behalf of Gordon’s partner Gary, my wife Maureen, Gordon’s nephew Paul, niece Kerry and I, I would like to thank everyone for their kind thoughts during the past dreadful week. It has been a terrible time for us all, especially Gary.

    I would also like to thank Oliver Westbury for setting up “Gordon Semple, 59 missing” Facebook appeal page and also other cousins and nephews who tried to find Gordon.

    Gordon will be sadly missed by all of his immediate family, his colleagues in the Met Police, former Bank of Scotland colleagues in Inverness & London, Friends from his Tartan Army Days, but most of all the hardest loss is for Gary at this time.

    Gordon was a much loved Partner, Brother, Brother-in-Law, Uncle & Cousin and our world will be a worse place without him.

    It would be appreciated if the family is given time to grieve privately.

     

    Police are not speculating on the cause of death and added,

    A post-mortem will be held in due course, and until that has taken place we will not speculate on the cause of death.

  • Police Confirmed The Death Of Gay London Police Officer

    Police Confirmed The Death Of Gay London Police Officer

    Police have confirmed that human remains found in London are that of  officer Gordon Semple, who was openly gay.

    Gordon Semple
    CREDIT: Metropolitan Police

    Police in London have issued a statement that human remains found are those of an openly gay PC, Gordon Semple, 59. who was reported missing on the 1st April 2016.

    Commander Alison Newcomb released a statement saying that the Metropolitan police were not able to speculate on the cause of Mr. Semple’s death, but a man has been arrested after human remains were found at Peabody Estate in Southwark Street, SE1.


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    Police were called the scene when a member of the public got in contact with the police after confirms of a foul odour coming from the scene.

    “At this point I do not wish to speculate on what has happened.

    “… a forensic search started at the address and is ongoing. It will take some time for us to complete that work. It is a vital search for evidence. I would like to thank the local residents for their patience and support.

    “My thoughts are with Gordon’s family and friends at this time of personal tragedy. I would ask that they are given the space and privacy they need to come to terms with this development.

    “This is a very sad day for Gordon’s colleagues. There are many officers who have served London alongside Gordon during his 30 year career who will acutely feel his loss.”

    Police are not speculating on the cause of death and added,

    A post-mortem will be held in due course, and until that has taken place we will not speculate on the cause of death.

  • Russell Tovey To Join Cast Of Heartbreaking Play Angels In America

    Russell Tovey To Join Cast Of Heartbreaking Play Angels In America

    Russell Tovey is apparently joining the cast of a National Theatre production of Angels In America.

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