THEGAYUK

Tag: UK

  • THEATRE REVIEW | La Cage Aux Folles

    THEATRE REVIEW | La Cage Aux Folles

    ★★★ | La Cage Aux Folles

    La Cage aux Folles Theatre tour review
    CREDIT: Pamela Raith

    You’ve probably heard of or seen this musical in some form or other. You might know it as the 90’s Robin Williams/Nathan Lane comedy film The Birdcage, the original French farce and subsequent film version from the 70s or the often revived 80’s Broadway musical.

    It’s a queer little story in more ways than one. Drag queen Albin and his long-term lover Georges run a nightclub in St Tropez. Georges’ son (from a drunken one night stand) who they’ve raised together wants to bring home his fiancée and her ultra-conservative parents. There’s one condition, though. Albin must be hidden away for fear of embarrassing their son with his high camp ways. 

    Famously launching the gay anthem ‘I Am What I Am” onto the world, this is a musical that emerged during a storm of reawakened prejudice amidst the AIDS crisis yet managed to lure thousands of people into seeing a heartwarming and fun show about gay men in a committed relationship. It revved up an astonishing reaction in an army of straight men dragged along by their wives and girlfriends who then ended up dancing in the aisles and cheering on a flamboyant and camp main character as he fought against prejudice. Quite a feat.

    La Cage aux Folles Theatre tour review
    CREDIT: Pamela Raith

    This touring production is a bit of a paradox. It feels undercooked and underwhelming in parts and there’s a distinct lack of comic timing from swathes of the cast. In spite of this, it’s also incredibly good fun. Yes, it’s like a night at ‘Funny Girls” in Blackpool. Yes, it’s more Danny La Rue in pantomime than RuPaul. Yes, the drag queens would certainly get a dressing down from Michelle Visage for sloppy padding but it’s got an infectious charm nonetheless.

    John Partridge (best known for his role as Christian Clarke in Eastenders) as Albin shows his musical theatre pedigree and belts out a tune with panache. He’s also not a bad ad-libber (although be warned, public transport users. The show overruns due to this). The sets are stylish but wobbly. The costumes are glitzy and although the plot is absurd it’s tolerable. Forget production values and all that stuff though. All in all, it’s a fun night and the audience at The New Wimbledon Theatre were ecstatic.

    ‘La Cage aux Folles” is on a national tour throughout 2017, book tickets here

  • Lucy Spraggan hurt in vicious attack after Brighton gig

    Singer-songwriter Lucy Spaggan was attacked after a gig in Brighton, leaving her with cuts and bruises.

    Lucy Spraggan, who came to fame during X Factor in 2012, published a picture of her clutching a clump of her hair and face full of cuts and bruises after she left a gig in Brighton.

    Lucy, along with her wife and her guitarist were assaulted by people unknown which left her with whiplash and cuts and bruises on her face. She told her fans on Twitter that Sussex Police had been informed and had been “amazing”.

    Talking about her attack she said,

    “Was attacked tonight after the show inBrightonn, along with my guitarist and wife.
    #SussexPolice have been amazing and are pursuing a charge.

    “Got a bit of whiplash and a few bruises but we’re all good. Scary shit, man. Be safe out there!”

     

  • Physical homophobic attack on two men in Oxford

    Police investigators in Oxford are appealing to the general public for information after two men were verbally and physically attacked in Oxford in February.

    Thames Valley police are appealing for information following a verbal attack on two men in Oxford on the 15th February, at 3 AM in the morning, following Valentine’s day.

    On 15 February at around 3 AM, three people were driving along Park End Street when they began to shout homophobic abuse at a man and his friends who were out on the street.

    The car then stopped and an alleged physical altercation took place between two offenders and the victim before the offenders escaped in their vehicle.

    This is the second homophobic incident recorded for Valentine’s night. The first was a physical assault on two boyfriends on a London-bound train in Ealing.

    Fortunately, the victim, a 29-year-old man, did not sustain any injuries during the incident.

    Investigating officer, PC Barry Duplock, based at Cowley Police station, said,

    “We would like to hear from anyone who may have witnessed this incident or recognises these people or the car as they may have information which is vital to the investigation.”

    If you have any information please contact PC Duplock via the Thames Valley Police Enquiry Centre on 101.

    If you have any information relating to this case, please call 101 quoting reference ‘43170045600’, or contact Crimestoppers anonymously.

  • THEATRE REVIEW | Yank! The Musical

    ★★★★ | Yank! The Musical

    Yank! The Musical review
    credit Anthony Robling

    Manchester’s Hope Mill Theatre is the perfect setting for this MGM-style musical which is performed with style and honesty.

    This new musical, written by brothers David and Joseph Zellnik, is having its premiere at the Hope Mill Theatre in Manchester. It is an apt location for this innovative piece which buckles the trend of new pop-musicals. Yank! is billed as World War II love story. While ostensibly this is true – it’s actually much more than it gives itself credit for.

    The show centres around Stu, a young gay man, who is drafted into the army to fight in the Second World War. He struggles to find his literal and metaphorical place amongst the pseudo-masculine military men – a mission which is only complicated by his complex relationship with his fellow squadron Mitch.

    Musically and stylistically, Yank! has all the makings of the classic MGM musical. Though the second act goes to places which are considerably more candid and poignant that you might expect from a show consisting of tap-dancing men in khaki.

    Scott Hunter plays the timid Stu with a fragile believability and Barnaby Hughes’ Mitch has all the charisma you’d expect from an, albeit untraditional, leading man. The ensemble cast are also strong all-rounders and support the principle cast in moments of hilarity and sincerity alike.

    Despite the show being set almost 80 years ago, the tropes of this new musical are as current as ever. Substitute the frontline with a school playground, workplace or a homophobic family home, and you’ll see that the struggles of young gay men are not confined to the stories of history.

    The tropes surrounding institutions and homophobia couldn’t be more timely. In recent years we’ve seen the legalisation of gay marriage, the story of Alan Turing been turned into a Hollywood film, and scores of gay men being posthumously pardoned for sexual offence crimes.

    Baker, the show’s director, said that he didn’t want these stories to get lost from history. With this charming new musical hopefully set to become a staple of musical theatre repertoire, the story of Stu and Mitch, and the men they represent, will hopefully live on for years to come.

    Yank! The Musical plays at the Hope Mill Theatre until 8th April 2017

  • THEATRE REVIEW | One Love: The Bob Marley Musical, The Birmingham Rep

    ★★★★★ | One Love: The Bob Marley Musical

    Played with your heartstrings and lullabied your soul

    © Helen Maybanks

    Few names exist in the music industry where sparks have spread like wildfire across the world. Bob Marley was certainly the sensation that reached many people around the globe, and the feeling that ripples still decades later. Bob’s vision, talent and style have made him an eternal flame.

    The Birmingham Rep hosted ‘One Love: The Bob Marley Musical’, and an epic event it was! Written and directed by Kwambe Kwei Armah, ‘One Love’ celebrates the icon Bob Marley in a delicate, timeless and memorable way. Through the history of his early music career to his later achievements, the audience were transported on a journey evoking nostalgia and emotion from the depths of your core.

    Mitchell Brunings played Bob Marley in an effervescent way that drew you in instantly, and commanded the stage with mastery and ‘next-level’ leadership, as the remaining characters shone around him; upscaling the standard of the production. It was a flawless performance by Mitchell. As an ensemble, every artist was terrific and invested every ounce of energy into every move and musical note. Alexia Khadime who played Rita Marley was the second star of the show second to Mitchell Brunings, with her gifted musical range and was absolutely captivating in her acting. Alexia really added to the drama and darkness of the story and handled emotion expertly.

    The Redemption Song was my favourite moment in the show as the track was beautifully arranged to illustrate the moment Bob Marley’s life turned 360 degrees, returning to his routes.

    ULTZ designed the production and a vision that was fitting with the ambition of the show. Using multimedia against sets, creating moments in time with real footage corresponding with key events shown in the musical. People need to see this show for the education, entertainment and the ride down memory lane were as sweet as guava jelly!

     

  • THEATRE REVIEW | Dr Frankenstein – National Tour

    THEATRE REVIEW | Dr Frankenstein – National Tour

    ★★ | Dr Frankenstein – National Tour

    In a reimagining of the classic tale, Dr Victoria Frankenstein shuns her family as she relentlessly pursues her quest for knowledge and in her exploration of the part of existence where life and death meet. In her experiments with bringing the dead back to life, she creates a creature, which overpowers her and escapes. Haunted by her creation and by her guilt, her life begins to unravel as the creature returns a little too close to home.

    Photo Credit: Pamela Raith

    Mary Shelley’s definitive work is one which is firmly cemented in popular culture and one which is not easy to present with an original slant, which Northern Stage have tried to do. There were numerous themes of conflict portrayed within the production, with Victoria shunning religion in favour of science; her pursuit of knowledge at the cost of her compassion and the sacrifice of others for the preservation of one’s own interests. As the story arc progressed, there was something bittersweet in the way in which it takes a monster to make Victoria more human; despite how she treats her family and the way in which her self-driven ambition is ultimately self-destructive.

    Utilising a quasi-steampunk style set and, at times, some effective lighting; there was a relatively competent performance from Polly Frame as Dr Victoria Frankenstein; and whilst Ed Gaughan’s portrayal of the Creature was physically engaging, the way in which the creature spoke made many of his lines indiscernible. However, the closing scene was one which did carry some emotional weight and did bring the characters journey to a definitive and tender end.

    But sadly, the production overall was one which was never really hit its stride. The re-imagining of Dr Frankenstein as a female had such potential; but the struggles of Victoria to carve a path into the male-dominated medical profession or the challenges faced by her in breaking with the conventional female role was never really advanced, which, in the end, resulted in adding nothing of significance to the story. The timeline of the narrative was often unclear, with no clear demarcation between shifts in scenes or timeframes; and an intrusive sound design dominated the first act. But the biggest issue was that the production just lacked atmosphere and dramatic tension. A heavy reliance on the relationships between the Frankenstein family members meant for a limited narrative progression and the all too brief appearance of the creature throughout meant that the production felt more like a family drama than a gothic horror.

    Whilst there are some interesting themes on offer and despite a handful of redeeming features, this feels like a missed opportunity, and it is a genuine shame that the production never really achieves its potential, in what could have been a wholly refreshing and original take on a classic tale.

    Dr Frankenstein plays at the Sheffield Crucible Theatre (www.sheffieldtheatres.co.uk) until 15th March 2017  before continuing on its national tour. Visit www.northernstage.co.uk/whats-on/dr-frankenstein-tour for further details.

     

     

  • Man fighting for his life after being punched outside gay bar in London

    Man fighting for his life after being punched outside gay bar in London

    A man is fighting for his life after an alleged “one punch” attack outside a gay bar in central London.

    Admiral Duncan
    CREDIT: TheGayUK

    A man has been hospitalised and reportedly fighting for his life after been knocked unconscious outside the Admiral Duncan gay pub in Soho, London. According to witnesses, a fight broke out before the 39-year-old man was allegedly punched, just once, before falling to the ground where he lay unconscious.

    The victim was drinking with friends inside the pub before the alleged attack. An ambulance was called and the victim was taken to a nearby hospital.

    His condition has been reported as critical but stable.

    ALSO READ:

     

    The Metropolitan Police are not treating this attack as a homophobic crime and arrested a 23-year-old in the early hours of this morning (16th March) on suspicion of GBH. They said, “He remains in custody at an east London police station”.

     

     

  • Man fined for shouting homophobic abuse in Glasgow

    A man has been fined after shouting homophobic abuse toward a group of people in Glasgow.

    © claudiodivizia Depositphotos

    Thomas Morin, 66, was handed a £500 fine by the Glasgow Sheriff Court after pleading guilty to shouting homophobic abuse at a number of people in Glasgow at the Queen Street station on the 4th March.

    Appearing in court six days later the man was fined £500 after he pleaded guilty.

    Arresting officer PC Alan Kavanagh, said,

     “Targeting anyone with intimidating abuse because of who they are is disgusting and we will never tolerate it. Our officers were patrolling the station when we heard his comments so were quickly able to detain him and bring him before the courts. 

    “I am pleased that Morin was handed this fine and I hope he thinks again before acting in such an offensive way.

    “If anyone ever experiences homophobic or hate related abuse I would encourage them to report it to BTP. You can send a text discreetly to 61016 and we will investigate”.

  • Another “homophobic” assault on London’s transport system

    Another “homophobic” assault on London’s transport system

    Police are looking to speak to a man in connection with a “homophobic” and “racist” incident in London.

    british transport police pimlico homophobia

    British Transport Police are looking to speaking to a man in connection to an incident in London, which they are calling a ” homophobic and racist incident”.

    Two members of the public were allegedly subjected to homophobic and racist language during the incident which took place on Friday 10th March.

    The police report that an elderly man was pushed off a train, and members of the public who tried to intervene were abused with homophobic and racist language. A man travelling on the service apparently became loud and abusive and pushed an elderly man from the train at Victoria.

    ALSO READ:

     

    The report states that members of the public, a 33-year-old man and a 22-year-old woman, challenged the offender’s behaviour and the man verbally used them with racist and homophobic language.

    The incident happened on Friday 10 March at around 1.30pm, on the Victoria line southbound between Green Park and Pimlico.

    Officers would like to speak to the man shown in the CCTV image as he may have information which could help with the investigation.

    If you recognise him, please contact British Transport Police by calling 0800 40 50 40 or text information to 61016, quoting reference number 194 11/03/17.

  • FIRST LOOK | Gay musical YANK! pictures

    FIRST LOOK | Gay musical YANK! pictures

    War-time gay love story Yank! has released its first look pictures… and they look incredible!

    credit Anthony Robling

    The long-awaited European Premiere of war-time love story Yank! is now open and running preview performances in Manchester ahead of its official opening on Wednesday evening at the Hope Mill Theatre, already standing ovations have taken place at each of the five preview performances.

    The musical will run until Saturday 8 April at Hope Mill Theatre.

    credit Anthony Robling

    The musical tells a gay love story set in the midst of World War Two. Based on the real history and events of WW2, it focuses on the life of Stu, a scared Mid-Western youngster who is called up to serve in the forces in 1943. He becomes a photographer for Yank Magazine, the journal ‘for and by the servicemen’. The musical explores what it means to be a man, and what it is to fall in love and struggle.

    credit Anthony Robling
  • THEATRE REVIEW | Southern Baptist Sissies, Above the Stag Theatre, London

    THEATRE REVIEW | Southern Baptist Sissies, Above the Stag Theatre, London

    ★★★★★ | Southern Baptist Sissies, Above the Stag Theatre, London

    There’s something in the holy water at a Baptist Church in Dallas, Texas because all of the boys there are gay. And they’re not the only ones who have a story to tell. It all unravels in Southern Baptist Sissies, the new show at Above the Stage Theatre.

    Southern Baptist Sissies is actually two shows in one. Four boys live in a religious community where they spend their days praying and the rest of the time all they can think about are other boys! Then in a very hilarious, emotional and witty way, we see these boys grow up to become young men, full of passion, love and in one case, regret. Separately there are scenes set in a gay drag bar where two barflies have a conversation about their lives, their adventures and their regrets while the young men from the church segments portray other characters in the bar. It’s genius!!!

    Southern Baptist Sissies cleverly intertwines both stories while we get to know a bit about each character. Mark (Jason Kirk) does an outstanding job as the narrator who is also in love with the very sexy and muscular TJ (Daniel Klemens), whose other character is a sexy go go boy in the gay drag bar. James Phoon is a revelation as Benny, the most feminine of the boys, yet as alter ego Miss Iona Taylor, he’s the star of the show at the drag bar. The scene where’s he’s disrobing while pouring his heart out is absolutely stunning. And last but not least there is Andrew (Hugh O’Donnell), a sensitive young man who unfortunately has a very disapproving mother (Janet Prince). Don Cotter (as Preston) and Julie Ross (as Odette) are brilliant as the couple who exchange stories at the bar; two older people looking back at the past while contemplating what’s left of their future, with Preston always ogling the young men in the bar. It’s all fantastically put together in a fab script by Del Shores and superb direction by Gene David Kirk.

    After a few mediocre shows, Above the Stag has really upped their game with this show. It’s funny, relevant, emotional and at the end literally had the audience in tears. There are still tickets left for a few performances – BOOK THEM NOW – it’s a show you definitely don’t want to miss! If, and when, this show sells out, hopefully Above the Stag will be able to re-stage it when they move to a larger venue just down the road. More people really need to see this show.

    For tickets, please go to:

    http://www.abovethestag.com/shows/