Author: Chris Bridges

  • THEATRE | Bug

    Bug | James Norton and Kate Fleetwood star in the 20th anniversary production of Tracy Letts’ Bug.

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  • 5 Top Reasons It’s Good To Be Gay

    5 Top Reasons It’s Good To Be Gay

    I was thinking about all this nonsense from Russia with the laws that, in part, make sure that people are banned from ‘promoting’ gay lifestyles to juveniles.

    Not dissimilar in parts to the laws that I grew up with, in the 1980s, whereby Section 28 ensured that schoolchildren weren’t allowed to have homosexuality ‘promoted’ for them.

    Well, f**k it all. I’ve decided that it’s time we did promote homosexuality.

    I’m composing an advert right now and here are my top 5 selling points (to be read out in a 1950’s radio announcer style):

    1) Double Your Wardrobe:

    Chaps: Short of clothes? Then why not go gay? Canny homosexuals can ensure that they always have plenty of decent slacks and jaunty shirts, provided they couple up with a man of similar height and waistline. Just beware that he doesn’t have a mean streak and don’t get mayonnaise on his cashmere as this could cause World War III.

    2) Develop Style and Taste

    The world of fashion, theatre and arts is full of those dashing young Gaylords. Why not join them. You too could be decorating your swanky apartment with Designers’ Guild wallpapers and doing quite cunning things with your eclectic collections of crockery that make your men friends green with envy.

    3) Appreciate divas:

    Why limit yourself to Indie pop, thrash metal and gangsta rap? There’s a whole world of undiscovered angst out there and it’s wearing gold sequined frocks. From Dusty to Mariah: you’ll learn a whole new warbling style and be a musical genius in any public house quiz.

    4) Find your G-spot:

    It appears that Mother Nature played a nasty little trick and the male G-spot is in the back passage of most decent law abiding chaps. Naturally one can discover this without the aid of a male chum and with the use of a device of some sort but why not share the experience with a like-minded fellow?

    5) Save time and money:

    Grindr Fails

    Tired of wining and dining a charming young filly only to end up home alone and rather frustrated? Then why not go gay? Save time and money on getting your sexual gratification with a variety of clever methods that these homos have come up with. From cruising grounds to phone apps; there’s no preamble for these innovative young men. One quick type of a few rather Anglo-Saxon words and you can be relieving your manly urges leaving plenty of time for oiling that lawnmower or sorting out your tools in the shed.

    Apologies for the stereotypes: this is totally tongue in cheek. Being gay is no problem for me. I’m lucky, I know, that I work in a place where it’s easily accepted that I’m gay, live in a cosmopolitan big city and have a circle of accepting friends.

    Spare a thought for those places where the laws are draconian and plain evil and stay politically active.

  • BOOK REVIEW | Unbecoming by Jenny Downham

    Seventeen-year-old Katie is in a state of turmoil.

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  • COLUMN | Sticks And Stones

    I got called a faggot on the bus home last week. I was quite amused actually. It felt so retro and dated. I’ve almost grown to love some of these quaint old words for what I am. Maybe I’d have liked it less had I been alone at night somewhere less crowded.

    I was with my partner on the bus and a group of six teenage boys were misbehaving, shouting out remarks and jumping across the aisle punching each other. To summarise, I got a bit uppity when they started talking about girls they’d like to bang (their words) and how they’d go for the ones who couldn’t fight back and would just lie there and take it against their will.

    I have these moments when I see red (usually in cinemas, on public transport or when I get bad service) and struggle to hold my tongue. I contain my anger and am usually quite assertive and reasoned. I attack the issue like I’m a middle class woman in M and S complaining to a young whippersnapper of a boy about a bad lettuce, cold and aloof.

    Naturally they called me a faggot amongst other things. They would do. It’s the easiest target and requires no wit or thought and although I’m not over the top camp, I’m easily identifiable as gay. Had I been fat or old then that would have been mentioned as an insult. We’re allowed to call people fat or old too as well as shout homophobic remarks. The word itself didn’t offend me although the venom it was spat out with took me back slightly. They surmised that I took it up the arse (good guess boys!) and had a backside like a wizard’s sleeve (bad guess and unoriginal cliché). I generally just felt that they were making idiots of themselves and felt faintly amused but maybe I should have been more angry and affronted?

    I spent much of my teenage years having names shouted at me at school by other children and occasionally by teachers. It was the 1980s. Homophobia came as standard. I came out aged 15 at a comprehensive school in the Midlands. It was going to happen. Were you to ask me my nickname at school I would reply Poof or Gaylord. I always laugh it off (and tried to at the time) but it was actually not much fun at all and at times left me feeling vulnerable, despised and tearful. My parents also had a cache of anti-gay names they’d hurl at the TV when Boy George was on Top of the Pops or bandy about at the dinner table. That was never very comfortable either.

    Working in a shop in my teens, there was a regular customer who’d come in to try to shoplift. If I spotted him and got in his way he’d shout “Yo! Battyman!” I didn’t know the term and thought it was an affectionate nickname so would always wave back and smile.

    I still get a knee jerk reaction when I hear homophobic terms. They take me back and raise a tiny hackle or two. I’ve tried owning them and that works to an extent. Calling myself queer or poofter does have a strong disempowering effect on the words. My friends affectionately call me names too which is fine by me. Who can blame them if I call them myself or my friends too? I recently posted a photo of myself on a social networking site wearing a cravat (it was vintage chic, before you start getting funny about it). The comments generally followed the theme of “You are so GAY!” I’m not sure that’s an insult. Is there anything wrong with being gay? I am gay. It’s a fact. Maybe there’s something wrong with wearing a cravat, but it did match my blazer well and bought out my eyes.

    My pet hate currently is the use of the word “gay” to denote “crap”. It sends out a terrible message and is regressive in every way. I hate how people in the media have got away with using it too. I wince when I hear people on the bus calling things gay. I once asked an acquaintance who used the word in that context what she meant and she said by saying gay she meant “crap”. Goodness that made me feel warm inside. I avoid her now.

    Words do have a lot of power and the old saying is wrong. Names can hurt you just like sticks and stones but maybe in different ways. Look at the statistics of mental illness, suicide and drug and alcohol abuse in gay people and consider what it is makes us prone to these problems. It doesn’t take much thinking to see that the undercurrent of both explicit and implicit homophobia is a major culprit.

    I’m not 15 anymore. I can cope with name calling better than before. The thing is though, I’d really rather not cope with it at all.

    Chris Bridges is a regular writer for TheGayUK and also writes more of his observations on his blog: http://www.gayboyinterrupted.blogspot.co.uk/

  • The Boystown Series by Jake Biondi

    Looking for a steamy page-turner for your summer holidays? Jake Biondi’s Boystown series are proving to be popular with readers in the United States and Europe.

    Whether you’re sweltering in San Tropez or freezing in a gale in Blackpool; this series with its hot male cover stars and cliff-hanging plots is sure to crank up the heat. Biondi started writing the books as a regular serial (much like Dickens and Maupin; although they were in newspapers rather than online) but the popularity of the stories led him to launch them in book format.

    Chicago’s Boystown is one of the most diverse and lively neighbourhoods in the country with something for everyone. It’s no wonder that Jesse Morgan and Cole O’Brien chose to live there upon graduating from college. Ready to begin the next phase of their lives in an exciting new city, Jesse and Cole quickly find themselves at the centre of a new group of friends. Joyelle and Derek Mancini have been happily married for years but Derek is harbouring a secret that could tear them apart. Derek’s brother Emmett is about to discover that his boyfriend Keith Colgan has a past that will haunt them both.

    Long time couple Logan Pryce and Max Taylor must face a crisis that neither of them expected. Before they realise it, Jesse and Cole find themselves at the centre of it all in the adult playground known as Boystown.

  • FILM REVIEW | 52 Tuesdays, Uplifting and Optimism For Trans Issues

    The closing gala film of the B.F.I. Flare LGBT film festival was an inspired choice and a fitting end to a spectacular program with a wide range of films including the premiere of Lilting with Ben Whishaw and James Franco’s intriguing Interior Leather Bar. The festival attracted huge audiences, great acclaim and was sponsored by big names such as American Airlines, showing how industry now has a commitment to supporting LGBT people.

    ★★★★

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  • BOOK REVIEW: The Half Life of Hannah by Nick Alexander

    If your first love came back to offer you everything you ever dreamed of, what would you do?

    ★★★

    Hannah is thirty-eight and the happily married mother of eleven-year-old Luke. Her marriage is reassuringly stable, and after fifteen years she has managed to push the wild dreams of youth from her mind and concentrate on the everyday satisfactions of here and now. The first half of her life hasn’t been as exciting as she had hoped, but then, she reckons, whose has? When she succeeds in convincing husband Cliff to rent a villa in the south of France for a summer vacation with her sister Jill and gay friend Tristan, she’s expecting little more than a pleasant few weeks with her family. But they each have their own baggage – their own secrets – ready to explode on this not-so-relaxing holiday in France. When a phone call at the villa announces the imminent arrival of a ghost from her past, the ambiance is transformed into a raging sea of jealousy as Hannah is forced to question everything she thought she knew and believed. But is she brave enough to take the life-changing decisions her future happiness requires?

     

    Kindle chart-topping author Nick Alexander’s work has crossed from his incisive gay themed novels to this series that is more mainstream and a little frothier. It’s a welcome distraction from the world but isn’t exactly going to cause seismic shifts in your consciousness. It’s a great holiday read, absorbing, slightly silly in parts but fun the read. There’s even a pivotal role played by Grindr; something you don’t often see in mainstream fiction. Good characterization and sound narrative make this a book worth a look at.

     

    “The Half Life of Hannah” is part of a series and the sequel “Other Halves” is available to buy or download too.

     

  • THEATRE REVIEW | Radiant Vermin, Soho Theatre, London

    ★★★★ | Radiant Vermin, Soho Theatre, London

    “I want this house. Oh, yes, I know there’ll be problems. But at least we’ll have the hope of things getting better. Isn’t that the least we owe our child? Hope.”

    Jill and Ollie: a seemingly ordinary couple, trapped in poor housing on a rough estate, unable to get on the property ladder. They want to tell you about how they found their dream home and some of the things they did in order to get it. It’s a beautiful house. They know you might find some of the things they did shocking and horrible but they want to explain. They deserve that chance, at least. It may well be that you understand more than you initially think you do, too.

    Philip Ridley’s plays are often visceral and dark with skilful humour leading the viewer subtly down dark routes too often brutal and sharp conclusions. This play is no exception with a hilarious and seemingly light-hearted satire on consumerism and the lengths we’re willing to go to acquire things. That’s till things get nasty and the gruesome secrets come out with Jill and Ollie’s suburban niceties peeling away to reveal deadly secrets.

    The sublime Gemma Whelan, star of Ridley’s last play, “Dark Vanilla Jungle”, puts on another brilliant performance as the seemingly naïve and sweet, Jill. She’s ably supported by hapless and sweet Sean Michael Verey (Pramface) as wholesome Ollie and Amanda Daniels as the Mephistophelean Miss Dee.

    A stark white set supports the raw action in this play that is perhaps one of Ridley’s most accessible. It’s a piece that’ll make you laugh, squirm and shudder and ultimately question your own motivations and desires. What would you do for a rapid induction hob, a four-man Jacuzzi and a flat screen TV? The Soho Theatre has yet again managed to put on something truly original and contemporary that suits beautifully in our current cultural landscape.

    Radiant Vermin runs until the 12th of April 2015

    Buy tickets here: http://sohotheatre.com/whats-on/radiant-vermin

  • THEATRE REVIEW | Yarico, London Theatre Workshop

    ★★ | Yarico, London Theatre Workshop

    Yarico, an Amerindian beauty, is a young woman with a fierce, independent spirit. Bored of the monotonous routine of small island life, she longs to escape. When Inkle, the third son of a British merchant is shipwrecked on her island, he faces certain death at the hands of the islanders. Yarico intervenes and saves him from his fate, marking the beginning of a story that ultimately takes them to the island of Barbados where fate has a horrific surprise in store for her.

    This new musical is based on a true story that fired the world’s imagination and contributed to a social movement against the slave trade. It’s a story of great historical significance that has been told from the 17th century onwards and one that caused a change in attitudes towards slavery.

    Sadly, the musical doesn’t quite do justice to the power of the underlying story. Performing a musical in a small space has inherent difficulties and the staging of this piece doesn’t lend itself to an intimate theatre. The performers are bawdy, expressive and, at times, brash. In a larger venue this would work but in this case, it made the action seem like a pantomime at times. There are some very powerful musical numbers but equally, there are some incredibly weak ones and the dialogue is also very hit and miss, leaving a mixed bag of a show. The humour is often juvenile, dated and laden with double-entendres; failing to raise more than the occasional titter and a few tumbleweed moments on the night I saw the show.

    Credit to the leads though: Newcomer Liberty Buckland as Yarico gives an exceptional performance in a vehicle way beneath her fine acting and vocal talents. The very able Tori Allen-Martin does her best to enliven a weak role as Yarico’s friend Nono and Alex Spinney shows fine vocal performances if slightly less polished acting skills at times.

    Ultimately this felt like a musical that had potential but failed to deliver. It didn’t seem to know what it was: an educational story, a love story or a bawdy romp? None of these elements quite worked and they certainly didn’t gel in a story that was at times rushed and unconvincing.

    In spite of all of this, it’s worth going along just to see Liberty Buckland who is surely bound for great things.

    Yarico runs until the 14th of March 2015

    Buy tickets here: http://londontheatreworkshop.co.uk/yarico/

  • THEATRE REVIEW | She Loves Me, Landor Theatre

    ★★ | She Loves Me, Landor Theatre

    Mistaken identity has long been the theme of love stories. This love story centres round a perfume shop in Budapest where two sparring employees unwittingly exchange love letters via a lonely-hearts advertisement. Sound familiar?

    The musical was based on a play that inspired “The Shop Around the Corner” and the Tom Hanks and Meg Ryan film You’ve Got Mail.

    Staging a musical in a small space like The Landor is fraught with difficulties and is a challenge that the team always rise to. One of the issues is that in a fringe venue there isn’t the scope for a huge dazzling set, scores of dancers and big choreographed routines. This puts the focus back onto the musical itself. In the case of their previous triumphs, such as “Damn Yankees”, this isn’t a problem. Where the musical is as weak as this one, with lacklustre and forgettable songs, lame comedy and a tedious plot, it simply doesn’t work at all and makes for dull viewing.

    There are lots of positive aspects to the production. “Britain’s Got Talent” finalist Charlotte Jaconelli makes a dazzling stage debut and has a superb voice as well as a lot of acting talent. Equally, Matthew Wellman is a singing sensation with a beautiful voice and Emily Lynn also puts in a great performance. Indeed, the whole cast work incredibly hard to make this work. The Art Nouveau inspired set is well thought and cunningly used.

    This production tries really hard but ultimately; the source material is so weak that the efforts of the team can’t revive this dated corpse of a show.

    She Loves Me is at the Landor Theatre until the 7th of March 2015.
    http://www.landortheatre.co.uk/index.php/booking-office/musicals/she-loves-me-93/

  • THEATRE REVIEW | Gods and Monsters, Southwark Playhouse

    ★★★★★ | Gods and Monsters, Southwark Playhouse

    It’s the late 1950s and ageing Hollywood director, James Whale, best known for his iconic Frankenstein films, is languishing in his Los Angeles house.

    Whale is incapacitated by a series of strokes that have left him frail and prone to crippling headaches, dark moods and memory lapses. In spite of his infirmity, he hasn’t lost any of his impish ways with young men, persuading them to swim in his pool or pose naked for portraits. Old habits die hard. Unashamedly gay in an era of repression, Whale is a singular and striking personality. Enter pneumatically muscular new gardener, Clayton Boone who becomes the object of Whale’s lust and an unlikely player in the final drama of his life.

    Whale’s life is told in a series of flashbacks that happen alongside the on-going drama; portraying the story of his childhood in a working-class family in Dudley through his horrific World War One experiences to his Hollywood career.

    The play is based on the 1995 novel Father of Frankenstein written by Christopher Bram. The the same source material was used for the 1998 Oscar-winning film, “Gods And Monsters”, starring Ian McKellen, Lynn Redgrave and Brendan Fraser. The story works as well as a stage play also.

    In terms of script, performance and production values this is a triumphant piece of theatre. Seasoned actor, Ian Gelder is magnificent as Whale. His performance hits a fine balance between comedy and tragedy and is subtly nuanced. The script is tight and in spite of the intensity of the subject matter the play never drags and is filled with finely written comedic moments. Excessively muscled newcomer Will Austin takes on the role of Boone with a surprisingly fine performance. He manages to portray a man with unexpected depths with gentle empathy and sensitivity.

    The intimate space of Southwark Playhouse and the cunning lighting, sound and set design add extra dimensions to the performance also. I must also mention that the play contains male nudity (if the fine acting and script doesn’t grab your attention then three different male nudes might).

    This really is a stand out production in London theatre and a must see.

    Buy tickets here: http://southwarkplayhouse.co.uk/the-large/gods-and-monsters/