Category: Entertainment

  • Gay Sports Films On Netflix

    Netflix has a couple of LGBTI films about sports.

    Other Genres: BIOPICS | CRIME | COMEDY | DRAG | DRAMA | DOCUMENTARY | LESBIAN | ROMANTIC | TRANS | SPORTS | ALL LGBT FILMS ON NETFLIX

     

    Game Face

    Released: 2015
    Length: 1 Hour 35 Minutes
    Description: The documentary follows the struggle of a transgender MMA fighter and a gay basketball player for acceptance in sports.
    Netflix User Rating: ★★★★★
    TheGayUK Rating: (not rated yet)

    To Russia With Love

    This documentary follows the media frenzy leading up to the 2014 Winter Olympic Games, as LGBT athletes and activists confront Russia’s anti-gay laws.
    Released: 2014
    Length: 1 Hour 19 Mins
    Certificate: G
    Netflix User Rating: ★★★★
    TheGayUK Rating: (Not Rated)

  • Ben Whishaw’s London Spy Misses Out On Bafta

    Ben Whishaw’s London Spy Misses Out On Bafta

    The highly acclaimed British drama, London Spy has missed out on winning a Bafta.

    CREDIT: (C) WTTV Limited - Photographer: Joss Barratt
    CREDIT: (C) WTTV Limited – Photographer: Joss Barratt

    The highly acclaimed London Spy, starring Ben Whishaw has missed out winning a Bafta after This Is England ’90 won best the Mini Series for Channel 4.

    The series was also up against The Enfield Haunting for Sky Living and Doctor Foster for BBC One.

    London Spy was the gripping gay spy drama about two men who became romantically involved after a chance meeting in London. The series starred Ben Whishaw, Jim Broadbent, Mark Gatiss and Charlotte Rampling.

    Meanwhile Transparent, starring Arrested Development’s Jeffrey Tambor won Best International for Amazon Prime.

  • Amazon’s Transparent Wins Bafta

    Amazon’s Transparent has won a Bafta.

    The second series of US export Transparent, starring Jeffrey Tambor has picked up a gong at this year’s Bafta Awards. The Bafta win follows the programme’s success in the Emmys in the US, where it picked up two awards.

    The series picked up the International award beating The Good Wife. Transparent was also up against Narcos (Netflix) and Spinal (Canal +).

    Transparent is the critically acclaimed comedy series which follow the lives of a family as the father (Tambor) makes the transition from male to female.

    Transparent is an original production for Amazon’s streaming service, Amazon Prime.

    ALSO READ: Is Binge Watching The Future Of TV?

  • FILM REVIEW | Evolution

    FILM REVIEW | Evolution

    ★★★★ | Evolution

    Young boys and their mothers are the only inhabitants in a seaside town in the highly unusual film ‘Evolution.’

    CREDIT: Metrodome
    CREDIT: Metrodome

    It’s a world without men, a world where each woman has one son, where they all live in similar white-washed yet minimalistic homes, right off the coastal rocks of an unnamed country.

    It’s here where Nicholas (Max Brebant) lives with his mom (Julie-Marie Parmentier). She feeds him a greenish-like goulash soup at every meal, and also makes sure he takes his medication. She takes Nicholas to play along the rocks of the ocean with the other boys in town, each with their mothers close at hand. But at the heart of soul of this community is a hospital, staffed entirely by women, where all the boys are eventually hospitalized. It’s here at this hospital where the boys are subject to strange medical treatments that perhaps undermine the role of evolution. They are given shots in their stomach, administered to them while they lie strapped to a bed, females nurses surrounding them, with no emotion, all white, and wearing white. What does it all mean? What are the boys being given? And why does Nicholas’ mother, along with the other mothers, venture late at night next to the ocean and writhe naked with each other in the rocks?

    French with English subtitles, ‘Evolution’ messes with our head with the idea that evolution (the beginning of life) is created by women, and that perhaps God is woman. Its imagery, tone and darkness reveals too much yet not enough. It’s a film that leaves the viewer attempting to interpret what they’ve just seen, what they’ve just witnessed.

    Evolution’, directed by Lucille Hadzihalilovic, is a film that she says is steeped in elements from her childhood. The barren landscapes, a faceless hospital, and the rough seas gives us a dreamlike haze into a world of innocence, beauty and cruelty.

    It’s film that’s not easy to watch – there are big gaps of silence, and the ending may be a bit confusing, but upon watching it you’ll get the idea of what message the film is attempting to deliver.

    It’s beautiful yet strange.

     

  • COMMENT | Is Binge Watching The Future Of TV?

    I’ve recently found myself slipping into an alarming condition – binge watching. I know, I know, it’s hardly life threatening in terms of health…but if left unchecked, could be relationship threatening!

    Ok, let’s start at the beginning – what is binge watching? According to the Oxford Dictionary, it’s a verb (that’s a “doing” word – all that education wasn’t wasted) and originated back in the early 1990s with terms like binge drinking, binge eating, etc. Binge seems to be something we add to words to make them sound bad, or as a warning.

    So, back to binge watching, where we define the phrase as watching multiple episodes of a programme/series in one sitting. Netflix did a quick survey back in 2014 and found that 73% of its viewers defined it as watching at least 2-3 episodes in a single sitting, typically of the same series – and this is my definition too.

    It’s only right that Netflix is mentioned as it feels like one of the main “suppliers” to binge watchers worldwide – think about it and pre-streaming, the only way to binge watch was to buy the physical DVD or (even further back) video.

    Now, however, things have changed substantially and we have Now TV, Amazon Prime, Netflix, and lots more streaming services coming online that supply us with what we want, when we want it – entire series of programmes in a single sitting, immediately.

    So what’s the appeal? Why do we do it? How did we lose that glorious anticipation we felt when we were so into a new series, we couldn’t wait for the next episode – but did?

    Let’s be honest, there are some series so popular that they aren’t released as a series in totality – whether this is due to contractual restrictions or simply to keep you coming back next week, it doesn’t matter. We can still have access to the entire back catalogue and enjoy classic moments in between new episodes – yes “Game of Thrones”, I’m looking at you.

    So, while I love the concept and appeal of fresh episodes each week – think “The Night Manager” – I also love the feeling of making a new discovery or reacting to a recommendation and watching as many episodes as possible to keep that theme or storyline going.

    As an example, I missed ‘Looking” when it first came out but based on friends recommendations and the fact that Murray Bartlett (Dom) is a cutie-pie with a nice bum, I bought the 2 series available via iTunes and binge watched them. I couldn’t stop – simply because I’d found characters that I liked (mostly) and storylines that interested me and I now owned both series so had access to watch as much or as little as I wanted. My addictive personality meant that 2 series lasted about a day and a half, but what a glorious day and a half!

     

    I’ve found myself doing it with other programmes too – am part way through season 2 of “How To Get Away With Murder” (OMG!) and me and my partner are watching a couple of episodes per evening rather than watch TV. This is after watching season 1 via Netflix in a couple of sittings. This is where binge watching comes into its own – it you haven’t watched this programme, its a complex murder mystery played out over a season, with multiple characters and storylines interweaving and, if I’m honest, I would have lost the plot if I’d had to wait too long between single episodes. But by binge watching, I was able to keep on track and really enjoy the series.

    I can’t help but feel that our viewing habits are changing enormously and this has to have an impact of the future of TV as we know it. On demand and catch-up play such a huge part in my current viewing habits – and it would seem, in the lives of my friends (on and off line).

    I recently asked a simple question across my social media platforms and got the same answer. The question? Do you binge watch? The answer – a resounding yes, but for a variety of reasons. These ranged from sheer boredom to catching up on a series you’ve missed, or re-watching an old series you love.

    My reasons for doing it? All of the above! I work from home mainly and as this can be quite lonely and quiet at times, like to have some noise on – I dislike radio, and as a control freak (of sorts) don’t like someone else choosing my music or chatter, so I like being able to put something on in the background and dip in and out between emails, spreadsheets and WebEx’s.

    I recently watched 8 series/seasons of The Big Bang Theory while involved in a soul-destroying admin task…some may say watching a single episode is soul-destroying but I quite liked the canned laughter and jokes.

    So, the upshot is that I feel binge watching is becoming the norm and a good way to play catch-up for series you may have missed or been recommended by friends/family. As more of us change our lifestyles and work patterns, the traditionally way to view programmes has to change too and, so far, its not doing too bad a job.

    Got to go now, there’s 7 seasons of Buffy on Netflix and they ain’t gonna watch themselves…

     

    Opinions expressed in this article may not reflect those of THEGAYUK, its management or editorial teams. If you’d like to comment or write a comment, opinion or blog piece, please click here.

  • FILM REVIEW | Henry Gamble’s Birthday Party

    FILM REVIEW | Henry Gamble’s Birthday Party

    ★★★★ | Henry Gamble’s Birthday Party

    PR SUPPLIED
    PR SUPPLIED

    It’s Henry Gambles’ birthday and we’re all invited to the party!

    It’s the new DVD/VOD release called ‘Henry Gamble’s Birthday Party’ where the viewer is an attendee at Henry’s birthday party – or at least that’s what it feels like while watching the film. Henry Gamble (an excellent Cole Doman) it turning 17 years old and his family is throwing him a barbecue pool party at their very nice home. Gamble’s family, including his mother Kat (Elizabeth Laidlaw), father Bob (Pat Healy) and collegiate sister Autumn (Nina Ganet), are a religious Christian family where Bob is a pastor and their circle of friends are mostly from the church community, including Henry’s friends.

    But it’s Henry’s big day, and lots of people come to the party. But each member of the Gamble family are struggling with issues that may go against their belief in the church. Kat confesses to Nina that she had an affair with a close family friend who was terminally ill, Nina, meanwhile, is having trouble with a guy she likes (and whom she slept with – a no no in her religions’ beliefs), but she’s angry at him for not being in contact. And Henry is not struggling with but accepting the fact that he is gay. So theirs, and lots of other friends’ issues come to the fray during the party. It’s lots of splashing around the pool, with the young lithe teenagers in their skimpy bathing suits offending one of the older female attendees, while the son of the wife of the husband who Kat had an affair with is having a hard time coming to grips with the death of his father. But all these people come together for Henry, he’s the nicest guy around, goodlooking enough so that the girls fancy him and the young men want to be his friend, including closeted young Logan (Daniel Kyri), who likes Logan but has a hard time penetrating into his circle of friends. It makes for a lot of celebration and drama in this 86-minute movie.

    Henry Gamble’s Birthday Party’ is a coming out story that’s not, forgive the pun, all preachy about being accepted for being gay. It’s a celebration and a masterfully directed film not just about a young man who happens to be coming out of the closet but also about the Evangelical Christian community. And Director Stephen Cone masterfully interweaves several stories going on at the same time that’s not a bit confusing but provides an element of actually being there and eavesdropping on everybody’s conversations. Doman is a true find at Henry Gamble. His face (and smile) practically lights up the screen – he’s a natural and hopefully will have a very successful acting career in his future. But credit goes to award-winning filmmaker Cone (who also wrote the script) for creating a film that makes it a fun experience to be a part of. Bring your swimsuit.

    HENRY GAMBLE’S BIRTHDAY PARTY debuts May 3, 2016 across all digital platforms including iTunes, Vimeo On Demand, and WolfeOnDemand.com.

    BUY NOW ON AMAZON

     

  • THEATRE REVIEW | Saucy Jack and the Space Vixens

    ★★ | Saucy Jack and the Space Vixens

    CREDIT: Will_Frost

    Saucy Jack and the Space Vixens is billed as an inter-galactic disco extravaganza that explodes all around you. Well something exploded, or backfired. Think all-singing, trying-to-dance Battlestar Galactica meets Mad Max, throw in some glitter, silver lamé and a few other odds and sods from another solar-system’s secondhand dressing-up box.

    In amongst magnetosphere-of-madness is a wannabe poet cosmic Cyclops, a zodiac German doctor impersonator, a metallic-headed basque-sporting Medusa with two klingons in tow – the vixen trio. And thrust into the starlight as if she just landed from another planet, Chesty Prospects (Sophie Cordwell James): imagine Cheryl Fernandez-Versini trying to pull-off ‘fierce’, with a live vocal performance wearing a studded bra and stardust. Light years from close.

    Confused? So were we. There’s a serial killer, and these super-fashion crime-fighters from a groovier galaxy with a mission to fight crime and liberate the universe harnessing the Power of Disco. Or, a dark-matter Rocky-Horror-esque disco blended with a whole sphere of amateur cabaret.

    The production lifted off quite well but gravity kicked in and it landed flat on Uranus. The concept is fun but the stage time could have been halved, and for some, more rehearsal time added.

    Saucy Jack and the Space Vixens  plays at The Kingshead Theatre until 21st May

  • 60 SECOND FILM REVIEW | The Jungle Book

    60 SECOND FILM REVIEW | The Jungle Book

    THE JUNGLE BOOK – Live action version of Disney’s 50-year-old classic and boy does it look good.

     ©2016 Disney Enterprises, Inc. All Rights Reserved.
    ©2016 Disney Enterprises, Inc. All Rights Reserved.

    Nutshell – Rudyard Kipling’s book was adapted into the 1967 cartoon movie classic which was Walt Disney’s last film before he died. It turned into a perennial favourite thanks to its great jazz tunes tastefully reprised here and superb story and entertainment value. Here we have just one actor Mowgli and an array of computer generated characters, phenomenal backgrounds enlivened by the obligatory list of superstar voices. There is a lot of action here throughout the film to appeal to the modern audience coupled with some great comedy and boy does it work on every front big time. A movie for kids, big kids and everyone else that just wants a good honest fun commercial thrill ride with a heart of gold.

    Time – 106 mins and man is it crammed from opening chase to closing showdown;

    Certificate – PG it’s a family movie of course – it will become a TV holiday staple.

    Tagline – ‘The Legend Will Never Be The Same’ – This follows Disney’s successful run of reproducing its animated standards in live action format. We have had Alice In wonderland, Cinderella, Snow White & last month’s The Huntsman and Maleficent (Sleeping Beauty) and every one has been massively more successful than the original so expect the same here.

    THE GAY UK FACTOR – Don’t be silly, there is nothing here for your willy or libido, yes there are bears, giant phallic stakes and mano on mano action but get your head out of the gutter this is pure clean fun. Just switch your Scruff off and put your Grindr on mute and relive your childhood you can visit the gay bar on your way home for your jollies.

    Cast – Debutant Neel Sethi as boycub Mowgli, then the stars step in – Bill Murray as Baloo, Scarlett Johansson as Kaa the snake, Idris Elba as villainous tiger Sheer Khan, Ben Kingsley as Panther Bagheera, Christopher Walken singing as ape supremo King Louie and so on through Gary Shandling, Lupita Nyong’o, Sam Raimi and even the director himself Jon Favreau.

    Key Player – ‘Trust in me’ everyone is superb with one exception see below but the movie is dominated by Bill Murray’s Baloo. He is funny, sad, heroic and just what you want him to be. He was allowed to ad lib through his scenes and unusually for an effectively computer generated cartoon he was able to do voices acting alongside the other characters in particular Mowgli and it so works probably only been bettered by Robin William’s Genie in Aladdin.

    Budget – We are in big bollocks territory here with a mega budget of $175 million. No worries though – after 2 weeks it had made over $300 million and it still needs to open in many territories so a lot more moolah to come for this one – it will make a big stack of Rupees and it could surpass Batman v Superman to become the biggest hit of 2016 so far.

    Best Bit – 0.51 mins; There are so many great set pieces and they get everyone just right. Therefore you could pick the exciting first chase by Sheer Khan through the grasslands involving a ‘tribute’ stampede or you could pick the sad moment when Baloo has to lie or the excellent moment when Mowgli becomes the hero of the Elephants. All superb but you will really feel the true magic when you see a little boy floating down a stream banging out the beat to a very familiar tune on a big bears chest where you will be heading straight back to your childhood with the biggest of smiles on your face as if Tom Daley’s Speedos have just fallen off mid dive.

    Worst Bit – 0.02 mins; The very live looking animals take some getting used to when they start speaking – it just seems weird but you soon accept it and then along comes Bagheera the panther. Ben Kingsley is a great actor and has a very distinctive voice but it is so posh and Oxbridge that coming out of a wild animal or a big cat just seems as wrong as Donald Trump’s haircut.

    Little Secret – There were two Jungle Books in production at the same time with this and the forthcoming Jungle Book Origins (plus a Tarzan film too). Disney won the race and is raking in the cash but as we have seen with two asteroid movies at the same time, two volcano movies, two Truman Capote movies or two Terrorists taking the White House films etc it does not mean that the film that comes out second suffers it just has to make sure it is damn good. This was Gary Shandling’s last movie he finished – one month before he died.

    Movie Mistake – So so many but in a kid’s film does it matter. The animals are all over the place as the film is set in the Indian jungle but we seem to have species from around the globe. African Elephants ? Sumatran orangutans ? Chinese Wolves ? Himalayan Bears ? Peccary’s and Red Eyed Frog’s from whole Continents away and so it goes on. The snake Kaa is 5 times larger than any Indian species ever found and King Louie is even more out of proportion roughly 10 times bigger than any monkey ever. The scars, wounds and bee stings on Mowgli appear and disappear so often that we lost count.

    Awards – Nobody has ever won for voice work alone so it won’t happen for individuals and it won’t get nominated in animated categories as it doesn’t fit the criteria so just prizes for the excellent technical team possibly.

    Further Viewing – The Jungle Book (1967), Babe, Scrooges, Alice In Wonderland, The Lion King, The Jungle Book (1994), The Jungle Book 2, next years Jungle Book Origins, Greystoke : Lord Of The Apes, Disney’s Tarzan, The Legend Of Tarzan (Out this Summer), Tarzan Of The Apes...

    Any Good – Of course it is. Disney is getting really good at delivering these live versions of animated classics and this was probably the most sacred cow and the hardest to do as the cast are almost all animals. Jon Favreau the director delivers big time with every minute put to good use and so much great action and suspense. It looks so damn good too and kids will watch the DVD over and over again and with so much going on that adults will like that won’t drive you as crazy as multi repeats of say Frozen or The Lego Movie.

    Rating – 15/100 (15th out of the last 100 films reviewed with 1 being Gay UK filmatic ejaculatery heaven and 100 being as much fun as a Tottenham Hotspur Premiership Victory party)

     

  • THEATRE REVIEW | Abominations

    THEATRE REVIEW | Abominations

    ★★ | Abominations

    CREDIT: Robert Piwko / www.robertpiwko.co.uk

    CREDIT: Robert Piwko / www.robertpiwko.co.uk

    Jeff is a married man with a fetish for wrestling. He’s walked out on his religious but shrewish wife and is hiding out in his hometown in southern England where he’s having a fumble with grieving youngster Malcolm. By coincidence, Malcolm’s boss is Jeff’s Biblical claptrap spouting father.

    Is a play about a secretly gay married man still relevant in 2016? Sadly it is. It’d be naïve to think that being gay in contemporary British society was accepted by everyone and that gay men weren’t still suppressing their sexuality and trying to hide in plain sight. Any foray into gay life will tell you that the phenomenon of the closeted gay man is still very much present. You can’t spend more than five minutes on a hook-up app, the Internet or in a sauna without tripping over a married man or two. The issues in the play are still prevalent. Gay men might be able to marry and public opinion might have moved on but people are still prejudiced and still spout obscure parts of religious tracts to justify this. Some people are still so affected by the prejudices of others that they suppress their natures and try to be things that they aren’t.

    In spite of this there’s something dated feeling about “Abominations”.

    The problem with the play isn’t the subject matter but the dialogue and characterisation. Whilst Jeff feels generally convincingly drawn and credible, his wife feels like a two-dimensional throwback to a dated sit-com. Malcolm is an earnest ukulele-playing buffoon who reveals few other character traits than naivety and rather than endearing, is more of an irritant. The dialogue is stilted and quaint at times. Scenes are short with awkward shuffling pauses. In spite of some well-drawn sections the sum of the play is much less than its parts and fails to gel. The comedy often falls flat and sits awkwardly with the more intense and better-written scenes.

    The saving grace of the piece has to be the stunning central performance from Alexander Hulme as Jeff. He handles the part with style, imbuing the character with credibility and hinting at the shifting emotional landscape of a man unravelling. He’s all swagger and brittle chav charm but manages to give glimpses of something deeper and darker with a softer core. He’s also very easy on the eye and displays a lot of flesh that distracts the viewer. In the midst of the play there are some genuinely moving scenes between Jeff and his father and Gary Heron displays some fine acting that ably supports Hulme in his role.

    This is definitely a play that had potential and there are glimpses of unrealised style and impact. The well-written lines stand out and there are scenes that have real power. Sadly, the finished overall product felt almost as tired and lacklustre as the location of the theatre: Camden High Street.

    Abominations plays at the Etcetera Theatre Until the 29th of May 2016

     

     

     

     

  • THEATRE REVIEW | The Father, Birmingham Rep

    ★★★★★ | Delicately humorous and emotionally charged.

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  • Eurovision Ban On Welsh Flag Causes Outrage

    Eurovision Ban On Welsh Flag Causes Outrage

    Organisers of the Eurovision Song Contest have been criticised by the Welsh Lib Dems after the Welsh flag was banned.

    (more…)