Category: Review

  • THEATRE REVIEW | Party

    THEATRE REVIEW | Party

    ★★★★ | Party at Above The Stag

    CREDIT: PBGStudios
    CREDIT: PBGStudios

    There’s a party going on in Vauxhall and you’re all invited!

    Party, a play at the Above the Stag theatre, is about seven gay men who get together one evening to hang out, chat, be together, and basically talk about sex, as gay men do! And what a party it is! It involves alcohol, lots of alcohol, where seven handsome and hunky guys pretty much up for anything, play a game called Fact or Fantasy, a bit like Truth or Date, which involves, of course, male nudity – all taking place in a cozy living room.

    Party, written by David Dillon in 1992, originally ran in Chicago before moving to New York, and has even been produced internationally.

    For this version, directed by Gene David Kirk, the party, and action, takes place in a British man’s living room, with references to British culture, news, and the requisite British accents! It’s the home of Kevin (Nic Kyle), who is letting out his extra bedroom to Peter (Stefan Gough). In attendance at the party are dancer Brian (Jamie Firth), teacher Ray (Ben Kavanagh), Philip (Lucas Livesy), James (Sam Goodchild) and young and innocent Andy (Tom Leach). They’re all friends, good friends, but when they decide to play Fact or Fiction, a game where one man is to tell the truth, lie, or act out someone else’s fantasy, secrets are revealed, as well as skin, lots of skin, in a game where being shy is not an option! And it’s Ray who steals the show with best lines – he actually berates Andy for not knowing who ‘Barbra’ is or how to tell the difference between a cast album and a soundtrack. Peter reveals, during the game, that he’s got a secret crush with one of the men, while Brian is sexy and he knows it, and is the first to strip off. It’s a party in this intimate theatre where the audience feels like they’re right in the middle.

    Party is 100 minutes of very funny jokes, lively atmosphere, and laugh out loud comedy. It’s play which celebrates gay men who enjoy the company of other gay men, sexual attraction or not. And all the actors deserve praise, and courage, for baring it all – it’s exciting and done in good taste. This is one party you definitely don’t want to miss.

    Party plays at Above The Stag until October 30th

  • Film Review | Theo & Hugo – sexually charged and romantic

    ★★★★ | Theo & Hugo

    Two men meet at one of Paris’ most popular, and notorious, gay sex clubs, and then embark on an evening with lots of twist and turns, in the new film Theo & Hugo.

    You might think you’re watching a gay porn film as the first 20 minutes of Theo & Hugo is full-on man-to-man action – erections and anal sex are all on full display, filmed at L’Impact – a naked gay sex club in the Marais district in Paris. Theo & Hugo, In French, with English subtitles, is shot in real-time, and it’s in that club where Theo and Hugo meet, at exactly 4:27 a.m., amongst the writhing and moaning group of men who are all enjoying each others’ company.

    While there, Theo and Hugo connect sexually, intimately, and emotionally. They then decide to leave the club together to carry on their night with each other. But what wasn’t discussed while they were having unsafe sex at the club was the use of a condom to prevent HIV transmission, as Hugo (Francois Nambot) tells Theo (Geoffrey Couët) that he is HIV+.

    What transpires after is a rollercoaster of a night for both of them, when Theo goes to the hospital to get PEP (Post-exposure prophylaxis), a medication that should kill any traces of the virus that might be in his system.

    Romantically, and responsibly, Hugo joins him there. They then wander the streets of Paris, on a night that could turn out to be either very romantic or very tragic, with the ramifications of HIV staring them right in the face, and the possibility that their encounter could be more than just an encounter.

    Is Theo & Hugo a porn film or is it a film with an important message? This is something that you will have to decide, but nonetheless, it’s guerrilla and gay filmmaking at its finest. And Kudos go to the actors for ‘baring it all’ in scenes that are relevant to the message of the film, and to writers and directors Olivier Ducastel and Jacques Martineau for bravely, and successfully, having the balls to make this controversial, yet romantic and engaging film.

  • THEATRE REVIEW | Punkplay

    ★★★ | Punkplay

    punkplay at the Southwark Playhouse
    CREDIT: Helen Murray

    “…there are no actual rules except the ones we choose to live under. You need to eat, drink water, sleep now and then. The rest is negotiable.”

    There’s a celebration of punk this year in London. But what exactly is ‘punk”? A 40 year-old music genre, a lifestyle choice or a way of thinking? Commerce would have you believe it’s a look that you can emulate by spending cash on the high street. It’s way more complex than any of those definitions. “punkplay” relates Punk to the lives of two teenage boys who are feeling conflicted and struggling to see how they fit into 1980’s American society.

    Duck’s father wants him to enlist in the army to learn discipline and awkward and ungainly Mickey wants to find where he fits into the scheme of things and snog the face off schoolmate Sue Giki. He’s also keen to learn about sex from Duck. The boys linger in Mickey’s bedroom, making up band names, calling each other faggots and surrendering to feelings of disaffected rage. They’re on roller-skates too, all the way through the play. Don’t ponder this one too much. It makes sense by the end. They fight over a girl, insult each other and French kiss: usual teenage boy stuff.

    It’s hard to capture the anarchic and chaotic feel of punk without resorting to clichés but the mostly novice team here have managed to do this with verve and a resounding freshness. It’s uncomfortable viewing, claustrophobic and raucous with bursts of comedy. Naturally, there are blasts of music as the boys riff on an electric guitar and hammer at drums.

    This isn’t a play that will suit everyone but it has a soul and a message and it’s one that grabs the viewer. It’s one of those plays that gains something from being reflected upon and the ending redeems everything that went before. There’s a peculiar beauty to the piece and it has a witty symmetry. The play left me thinking of how “punk” relates to “queerness” and gay identity. Lack of rules and negotiable norms? I’ll take some of that.

    Punkplay runs at the Southwark Playhouse until the 1st October

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  • THEATRE REVIEW | Vanities: The Musical

    THEATRE REVIEW | Vanities: The Musical

    ★★★★ | Vanities: The Musical

    Imagine an afternoon Channel 5 film full of ‘women’s issues’. Or one of those novels that you take on holiday, read, instantly forget and then leave in the hotel room when it’s over. Syrupy sweet and wholesome but emotionally stirring on some levels. Predictable yet mildly intriguing and easy to digest but enjoyable nonetheless. That’s “Vanities” in summary. Oh, I almost forgot to mention: it’s also tremendous fun.

    Review of Vanties the musical
    CREDIT: Pamela Raith

     

    The story follows the friendship between three women through being High School cheerleaders in 1963 (yes, it’s American. Very American), living together in a sorority house at university in Dallas, reuniting in their late twenties in New York and finally meeting again as they are hitting 40 back in Texas. Joanne is traditional and wants to be a wife and mother, Kathy is driven and organised and wants a career as a sports teacher and Mary just wants adventure (a.k.a. sex and travel). There we have it in three handy female stereotypes: earth mother, career woman and bitch/whore. Naturally. There’s infidelity, hurt, alcoholism and nervous breakdowns plus the odd abortion, betrayal and blazing row. It’s soapy, light and watchable.

    There are, however, various qualities that elevate Vanities above this form. Firstly, the songs: they’re almost a parody, aping the girl groups of the 60s and 70s with tones of Bacharach, The Supremes and The Shangri-Las. Kirschenbaum’s lyrics are witty and amusing and although they’re not the most memorable riffs, they’re easy to listen to, raise a smile and work well in the context. Racky Plews’ choreography echoes the styling of the music and there are some moves worthy of a lip-syncing runner-up in RuPaul’s Drag Race.

    Secondly: the cast. Lizzy Connolly, Ashleigh Gray (a previous Elpheba in the Wicked U.K. tour) and the lovely Lauren Samuels (who was award nominated for ‘Bend It Like Beckham’) are all equally strong and carry the show with ease.

    Thirdly, the staging: the tiny space of Trafalgar Studios 2 is transformed into a shifting, overtly feminine space full of the cluttered paraphernalia of girlhood. The show works well at such close quarters, given the minuscule cast and scrutinised emotion.

    A 2009 sickly saccharine musical that was based on a 1974 Broadway comedy and that has never managed to hit this side of the pond? It may not sound like the best proposition for a good night out. Sit back, relax and this hollering, dancing all female group will show you just how wrong that assumption would be. Just don’t take your straight male friends. I’m not entirely sure that they’re going to ‘get’ this one. School of Rock or Groundhog Day, anyone?

    Vanities: The Musical plays at the Trafalgar Studios until 1st October 2016

    Follow Chris Bridges on Twitter

  • FILM REVIEW | Mechanic Resurrection

    MECHANIC RESURRECTION – The sexiest man alive is back in the sequel to his 2011 actioner which itself came from the 1972 original- testosterone level turned up to 11.

    Nutshell – Jason Statham returns to one of his many movie franchises. Retired and in hiding (so far so Jason Bourne) he is forced to travel the world to commit three impossible assassinations to rescue the love of his life (shame it is not a guy – surely this guy must be in the closet). From Rio to Thailand to Sydney and beyond mayhem and incredible stunts is the the ultimate outcome.

    Running Time – 98 minutes; Certificate – 15.

    Tagline – “Four Continents, Three Kills; They Hired Him, They Betrayed Him, They Will Pay”.

    The Gay UK Factor – The Stath gets his shirt off in all his films but here he goes mad. Basically there are very few scenes here where he actually has his clothes on so not so much a movie for your wank bank as a movie that will entirely destroy your right arm. Jason turns up as a prisoner, security guard, repairman, soldier, in a suit, swimming trunks etc etc in a 2016 version of the Village People with added chest hair.

    Cast – Jason Statham, Jessica Alba, Tommy Lee Jones, Michelle Yeoh and a endless line of muscle hunks to get sweaty with in mano et mano action for the whole duration.

    Key Player – These movies are star vehicles, basically if Jason wasn’t in it then it would simply not be made and here he has one of his biggest budgets ever in a film which is wholly tailored to his strengths – number one of which is his huge schlong – clearly visible on the beach and in the underwater scenes – then of course there are the gratuitous lingering ass shots.

    Budget – $40 Million, These films never make their money back at cinemas but from DVD and TV and this bigger production than normal will be no different.

    Best Bit – 0.20 mins; Where you get the start of 15 straight minutes of the Sath’s nipples on a Phuket beach.

    Worst Bit – 1.32 mins; The big surprise twist or reveal at the end is pretty pathetic and a real let down – let’s just say this is no Usual Suspects or Sixth Sense knock out blow – he should have got his prick out instead now that would have been a closer.

    Little Secret – If you are ever in LA, Jason works out quietly and sweats like mad at the Gold’s Gym right by LAX airport so make sure you make that your gym of choice for your trip and join the queue to see him naked and soaped up in the open showers.

    Movie Mistake – The watch which is so key to the story is missing from Jason’s wrists in thousands of scenes throughout the film – very strange for such an important macguffin. Hey Ho this is his application for the part of Bond with two sequences even filmed in former Bond famous locations.

    Further Viewing – Seeing as Jason holds the world record for the most number of Movie franchises ever with eight you are spoiled for choice. Try Spy, The Transporter 2, Lock Stock and Two Smoking Barrels, The Expendables 3, Crank 2 and Fast & Furious 7 or any film with a number in it.

    Any Good – As Formulaic as ever with the only new thing here being the huge globetrotting going on (the location scout deserves a pay rise) and of course the increased Statham flesh count. A movie for straight guys to live out and hide their gay fantasies and for gay guys to freeze frame for years to come.

    Rating – 74%

  • RESTAURANT REVIEW | Pharmacy 2

    RESTAURANT REVIEW | Pharmacy 2

    Now open until 2am on Saturdays for ‘Summer Lates’

    Pharmacy_2

    South of the Old Smoke’s river is becoming ain’t-no-thing-but-a-chicken-wing trendier by the week. The Tate Modern’s new pyramid Switch House has opened its awe-inspiring 360ᵒ viewing terrace; Canadian apparel brand Kit and Ace’s new boutique resides in Borough Market; and Damien Hirst and Mark Hix’s new venture – Pharmacy 2 (P2) – situated above Newport Street Gallery in Vauxhall (NSG), Hirst’s very own gallery exhibiting Damien’s personal collection from the likes of Banksy, Tracey Emin and Picasso. P2 hosts Saturday ‘Summer Lates’ night where the dripping-in-Hirst-decor eatery pumps out club grooves from 10pm until 2am with a DJ on the reins.

    Nowadays, you can’t hit the south side of the Millennium Bridge unless you’re sporting a beard, spray-on jeans and a whole menagerie of flaming birds tattooed across the back of your neck.

    Super-ish cool, hip and roughly happening kids that we are at TheGayUK – we thought we’d better slip into our skinnies and take a butchers.

    Our first artist of call: Jeff Koons, whose work currently dominates the NSG. Obvs a fave of Mr Hirst’s, he owns the whole collection here bar two pieces. A giant Balloon Monkey, oversized mound of rainbow Play-Doh and Inflatable animals intwined in household objects and each other. Just imagine if Willy Wonka didn’t have a sweet tooth.

    It was a long-term ambition of Damien’s to own a gallery and share his art wares – entry is free. Don’t miss Made in Heaven in the ‘no photos aloud’ room – see-no-evil emoji monkey.

    Appetites dosed up, we sauntered up the Fun-House-esque spiral staircase to the restaurant and were greeted as if we were clutching a Wonka Gold Ticket – a hot-chocolate welcome.

    Our waiter diagnosed parched palates and swiftly remedied with an Espresso Martini: Merlet c2 Café and espresso at £9 – and a Temperley Sour: Somerset Cider Brandy 3 years, Somerset Pomona Burrow Hill apple juice, lemon and egg white at £9.50. The martini was rich and aromatic with a firm head – just the medicine. Glüwein spices, ripe apples with zesty undertones made the West Country infused sharpener quite the positive anesthetic.

    If the staff at our local Boots had half the enthusiasm and knowledge as well as following P2’s smart dress sense we’d look forward to lining up for prescriptions.

    Our waiter administered direction – we started with Brick à l’oeuf de canard with rose harissa at £6.95 – do you remember when granny couldn’t get the Sunday Yorkshires to rise? A light half-frisby, crispy wafer pastry covering a runny egg – lively peppers and chilli from the harissa was the perfect cardiac-stimulant to complete the simple Tunisian plate. Tasty.

    The next starter: Pockstones Estate grouse on Yorkshire toast with bilberries and chanterelles at £12.50. The cure of the night, and one that should be sold over the counter. The tender bird is infused with woody overtones and hints of sweet gamey partridge – fruity aromas from the mushrooms, and bitter but intense currant flavours merge beautifully to make the ideal antidote.

    As you would expect from Damo, you’re surrounded by medicine cabinets, Hirst’s butterfly Kaleidoscope paintings and mosaics of pills – this is an adverse drug experience – beats any operating room. Capsule-ating – make an appointment with your GP.

    Pharmacy_2_interior_1_Prudence_Cuming_Associates__2H_Restaurant_Ltd._All_rights_reserved_2016

    The serum recommend to accompany our mains: Beaujolais “Vieilles Vignes”, Domaine de la Rocaillère, Burgundy, France, 2014 at £30.50. Hints of gusto Noël with savage strawberries and a modest oak bouquet – a sophisticated and well balanced bottle of plonk.

    For our mains: Torbay monkfish tail curry with onion bhaji at £16.95, and Peter Hannan’s barbecued sugar-pit rib of beef with Lambridge Farm pea salad at £18.95. The fish was succulent and the aromas were infectious – but lacking in symptoms of India – basic vital signs of flavour. In some cases braised beef can cause nausea and vomiting – quite the contrary here. Hix knows how to cook cow. Once through the syrupy barbecue coating, you’re met with a pink and supple meat – a wholegrain mustard injects tart and completes the dish.

    Throughout the evening a steady stream of well attired patients entered the premises – creating a natural buzz – no extra pharmaceuticals needed. Towards the end of our meal the DJ became the central nervous system bestowing a club/bar feel.

    ‘Summer Lates’ and Jeff Koons exhibition both finish 16th October. We prescribe a good dose of both.

     

    Reviewed by: Thabian Sutherland

    Address: Pharmacy 2 Restaurant, Newport Street, London, SE11 6AJ

    Phone: 0203 141 9333

    Website: www.pharmacyrestaurant.com

    Star Rating:  ★★★★★ (explained)

    Every Saturday Newport Street Gallery is open from 10am-10pm (last entry at 9:45pm).
    ‘Summer Lates’ at Pharmacy 2 will run from 10pm-2am (starting Saturday 30 July) until the close of the Jeff Koons show on 16 October.

    The next “late” is on the 24th September.

    Pharmacy 2 is open all-day serving breakfast / brunch, lunch and dinner.

  • THEATRE REVIEW | The Naked Magicians

    THEATRE REVIEW | The Naked Magicians

    ★★★★ | The Naked Magicians

    The Naked Magicians

    A naughty and funny magic show with full nudity!

    There are two men who get their kit off every night near Trafalgar Square, and I recommend that you go have a peek!!!

    These two men are Mike Tyler and Christopher Wayne, and they are starring in a new show at Trafalgar Studios called The Naked Magicians. Having seen the show, I can vouch that they do indeed take off all of their clothes (except for the strap that holds the microphone battery!).

    Directly from the Edinburgh Fringe Festival, Tyler and Wayne are two Aussies who’ve been performing as naked magicians all over the world for over two years, so they’re both used to baring all in front of an audience. But their charm and cheekiness in the way they strip is unique, and best of all, lots of fun.

    Both men are actual real-life magicians (and not strippers) and their show features all sorts of magic tricks. Ninety minutes in length, the handsome gents perform tricks such as pretending to smash an audience members mobile phone, using an inflatable penis to get members of the audience to reveal their porn names (name of street you grew up on and the name of a pet) while already having it written down, card tricks galore, and of course the disappearing clothes trick, are all part and parcel of what they do. Of course, any magic show wouldn’t be a magic show without audience participation, and some lucky (?) members of the audience get the chance to go on stage and help the men to ‘perform’ their magic. Since this boisterous magic show is R-rated, the humour and the jokes, are for an adult audience, so if you’re prudish, go see Aladdin instead! And near the end of the show, the buffed men wear top hats, not on their heads, but hats that are strategically placed and in which an audience member is tasked with holding the hat in place while Christopher performs some rope tricks. It’s hilarious! By the time the men attempt to get themselves out of straightjackets (tied by two audience members), they are practically naked, but it’s the hungry audience who wants to, and gets to, see more, and they definitely get to see more.

    The Naked Magicians takes magic to a whole new naughty level and it’s a level where you want to be at!

    The Naked Magicians plays at Trafalgar Studios until 24th September

     

  • HOTEL REVIEW | Hilton Garden Inn Customs House

    HOTEL REVIEW | Hilton Garden Inn Customs House

    The newest Hilton Hotel in Dublin is the recently acquired Hilton Garden Inn at Customs House. Situated on the river, on the edge of the financial district, the hotel is easy to find from the airport as well as being conveniently situated for shopping and dining.

    Holiday Inn Dublin

    The hotel boasts 239 spacious rooms, each with a 40-inch TV screen and mini-bar. The minibar can be stocked easily from a large selection of items at the ‘pavilion pantry’ in the foyer 24 hours a day.
    The professional and helpful hotel staff are able to assist you with finding your way around town, though public transport choices are also easy to find near the hotel, with local buses stopping just outside the main door, and the tram system running along the street behind. To help you sort through the many dining options the city has to offer, there is a Dublin Dining magazine including all the restaurants in the city and a map showing their locations.

    The hotel itself is a short 20 – 30-minute walk from most of the inner city areas such as Temple Bar, Grafton Street (Dublin’s most famous shopping street), EPIC Ireland museum is within 5 minutes’ walk, and much of Dublin’s main shopping areas are within 20 minutes.

    The rooms themselves are spacious with a large comfortable bed, television screen with multiple channels from both Ireland and the UK. The bathrooms are bright and well appointed.

    Aaron_Holloway-GI_kingwithview_698x390_FitToBoxSmallDimension_Center

    The hotel is a short walk from the majority of Dublin’s gay bars, of which there are a few to choose from, with The George being the only one open past 12pm every night of the week with live drag acts, however it is simple enough to order an Uber and get there quicker for about 5 euro.

    It’s a quick cab ride to the area of Temple Bar, where you can find hundreds of restaurants of various styles and varieties. It’s a good idea to check the traffic situation as mid-to-late afternoon traffic runs peak hour right past the hotel, and it might actually be quicker to walk.

    To find out more about the hotel, or to make reservations, visit their website.

    Following Aaron Holloway on Twitter

  • BOOK REVIEW | The History Of Us

    BOOK REVIEW | The History Of Us

    Jonathan Harvey is a writer with stature. He penned the gay classic Beautiful Thing and writes for Coronation Street as well as creating the high camp sit-coms Gimme Gimme Gimme and Beautiful People. Sadly, this novel doesn’t live up to his prior reputation.

    The History of Us Book review

     

    Based in Harvey’s hometown of Liverpool, the story follows three friends at two points in time. In 1985, teenage Adam is dreaming of a writing career, Jocelyn wants to be a singer whilst Kathleen’s dreams are a bit more mundane: she wants to be an embalmer. It’s all mooning over boys (Adam’s gay), mooching around and listening to Alison Moyet in teenage bedrooms. Fast-forward to 2015 and Adam’s writing career has floundered, Kathleen is a failed flight attendant who has a drink problem and Jocelyn has met a sticky end after a career as a professional bitch and celebrity Twitter troll (think Katy Hopkins but meaner).

    The strongest sections of the book are the in the first half where the narrative switches between the back streets of Liverpool and Adam and Kathleen’s current lives in London. The humour is twisted and wry and when it works raises the odd snigger but never a real belly laugh. The problem comes in with the arc of the story line. It starts to peter out and feels woolly and unfocused and the humour drops down a notch or two until by the end of the novel it’s non-existent. This gradual shedding away of the comedy to reveal something darker would work well if the story line didn’t fizzle out along with it.

    Harvey’s knack is often in presenting unsympathetic characters but the ones in this novel feel wooden and tired. The story switches between characters but their individual voices don’t feel strong enough to carry the plot. It’s a book that doesn’t find its place at all. It sits neither as effective comedy, drama or thriller.

    A disappointing dud of a book.

    Out 8th September 2016, Order from Amazon

    Follow Chris Bridges on Twitter

  • THEATRE REVIEW | Britten in Brooklyn, Wilton’s Music Hall, London

    THEATRE REVIEW | Britten in Brooklyn, Wilton’s Music Hall, London

    ★★ | Britten in Brooklyn

    CREDIT: Darren Bell
    CREDIT: Darren Bell

     

    During the early years of World War Two, Benjamin Britten lived in exile in a townhouse in New York with his friend, the poet W.H. Auden and a shifting cast of artists and writers. The composer was criticised by the British press for his ‘avoidance’ of the war and faced a tribunal for conscientious objection on his return in 1942. Whereas Auden embraced his sexuality and was having an affair with a younger man, Britten was still struggling somewhat with his in the oppressive environment of 1940s England. Add to this mix some of the other residents: bisexual writer Carson McCullers hiding out from her husband, hitting the bottle and chasing after women and burlesque stripper Gypsy Rose Lee, trying to write a crime thriller. The potential for a fascinating story is all there on a plate. Sadly, writer Zoe Lewis and director Oli Rose have somehow made a dull play out of an intriguing piece of history.

    The play feels oddly old fashioned (and not in a good way). There’s something twee and tedious about the drunken party games and fumbling. The cast seem like they’re in a void and in spite of Cecilia Carey’s excellent set there’s no atmosphere at all. The four lead actors try to recreate a thriving Bohemian arts scene of hedonistic parties (which isn’t easy with four people) and instead it feels like a staid afternoon tea that anyone in their right mind would exit sharply. There’s a whole ‘You don’t have to be mad to work here but it helps!” and “Looks how eccentric we all are!” vibe that actually just feels incredibly tiresome.

    The venue of Wilton’s Music Hall (a Grade 2 star listed music hall from 1859) is gorgeous and is an echoing chamber of a space. Dom James’ sound design is beautiful when it’s in evidence: clanging boat engines, New York traffic in the background and distant music. Sadly, this isn’t very often and for most of the play the actors have no backing at all, adding to the strangely sterile environment.

    The saving grace of the play is Ryan Sampson who gives a strong central performance as Britten. He’s convincing in his vulnerability and manages to show glimpses of pain through a veneer of genteel awkwardness. The actors playing Gypsy Rose Lee (Sadie Frost), Auden and McCullers also perform ably but are saddled with a lacklustre script that feels two-dimensional.

    If you know a little about these fascinating characters then you’ll leave knowing about as much as when you came in. If you know nothing at all then you’ll be perplexed. It’s a shame that this didn’t pull it off. As the strippers told Gypsy “You Gotta Get a Gimmick”. Maybe the team here should heed that advice.

    Follow Chris Bridges on Twitter

  • FILM REVIEW | Chicklit – a film about Mommy Porn and BDSM!

    FILM REVIEW | Chicklit – a film about Mommy Porn and BDSM!

    ★★★★ | Chicklit

    Four men try to cash in on the Fifty Shades of Grey phenomenon by writing their own racy novel in order to save a local pub in the new film Chicklit.

    Chicklit
    SWCP

    Set in a small village in Norfolk, the whole town seems to be reading She Came in Chains, a new BDSM book by author Lady Lovelorn, including local newspaper editor David Rose’s (Christian McKay) wife Jen (Caroline Catz).

    So when the local pub is faced with closing unless a buyer can come up with £300,000 to save it, Rose has an idea – why don’t him and his pals write their own racy novel. So he enlists his card game buddies – pub manager Chris (Tom Palmer), school teacher Justin (David Troughton) and local bookstore owner Marcus (Miles Jupp – who owns the bookstore with his partner Geoffrey – James Wilby), to each write their own section of a ‘mommy porn’ novel in the hopes that they can get someone to publish it.

    Well, David contacts London book agents Bonar and Law (John Hurt and Eileen Atkins), who are very interested in representing the book the men have called Love Let Her. They get a publishing deal but with one caveat, they need to have the author available to do book tours and signings. So David enlists his struggling actress sister-in-law Zoe (Dakota Blue Richards) to play the part of the ‘author’ of the book. But with the book becoming a success, it’s harder and harder for them to keep the book’s real authors a secret, and even more so when Zoe starts getting tired of promoting something that is not hers.

    Ii is a cute and funny take on chick literature and how almost anyone with an imagination and a computer can write a saucy novel. Filmed like a 1970’s style television show in a small English village with typical local characters, it’s a film that’s both charming and cute. Hurt and Atkins almost steal the movie as the uproarious book agents while the delightful music of Alex Britten (related to Director Tony Brtten who also wrote the film with Oliver Britten – it’s a family affair), who sings as part of the pub’s house band, adds a nice touch. This film is recommended because it’s cute and doesn’t take itself too seriously.