THEGAYUK

Tag: London News

All the latest from London, the capital of the UK, home to the UK’s largest gay community.

  • Ariana Grande fans plead for London dates to be cancelled

    Fans who are due to attend a concert at London’s o2 have pleaded with the venue to cancel the show.

    Fans have called upon o2 to cancel a forthcoming Ariana Grande show following the horrific bombing of Manchester Arena, where she was performing on Monday evening. A suicide bomber entered the Manchester Arena at the end of her concert and detonated his explosives in one of the foyers of the venue. The explosion killed 22 and injured a further 59 people.

    The 02 have issued a statement saying that they are “in contact with the tour promoters” regarding a final decision on whether Ariana’s tour, Dangerous Woman, will continue with its two London dates at the 02.

    She is due to perform at the world-famous London venue on the 25th and 26th of May.

    In response to their statement, fans have urged the venue to cancel the show, saying that “no way will Ari be able to perform” whilst another added, “She needs f**king time, people are so selfish honestly. It’s important for her to rest and try to calm down after all this happened.”

    Some fans were concerned that Ariana would feel obliged to perform for her fans but were quick to point out that they would rather the 23-year-old singer take “time off to heal” and they “wouldn’t expect anyone to perform after that shock”.

     

     

     

     

  • THEATRE REVIEW | 5 Guys Chillin’, Kings Head Theatre, London

    ★★★ | 5 Guys Chillin’, Kings Head Theatre, London

    5 guys chilling kings head theatre review

    There’s a chemsex party taking place at the King’s Head Theatre. No, it’s not an actual party – It’s the returning show 5 Guys Chillin’.

    In the comforts of the living room of J (David Palmstrom) and M (George Fletcher), them and three other guys (actually men) are enjoying each other as well as the drugs on the table in order to experience the highs, and in some cases, the lows, of what gay men (not all gay men) are getting into nowadays; drugs and sex and more drugs and in some cases unsafe sex in private house parties.

    B (Gareth Watkins) and R (Tom Ratcliffe) are a bit of an unmatched couple; R is very young but not so innocent, while muscular big daddy B is experienced and likes it any which way and loose. And the last one to arrive at the party is Pakistani PJ (George Bull). He’s a bit unsure as to why he’s there, but slowly gets into the action. But he’s got a story to tell the other guys; he’s actually married with a young child because it’s what is expected in his culture. Besides him, all the guys have stories to tell; B’s story is particularly vivid as he recounts the time he was spit roasted in Berlin where sexual diseases were not discussed. It’s all a lot to take in; the play’s honesty and brutal nature is scary because know all know these types of gay men, and parties, do actually exist.

    And all the actors should be admired for performing such an in your face play shedding emotions as well as bravely shedding their clothes. Writer and Director Peter Darney seems to have gotten the tone and characters right, but luckily I wouldn’t know because I’ve never been and don’t plan to go to one of these parties.

    5 Guys Chillin’ plays at Kings Head Theatre  until June 3rd 

     

  • THEATRE REVIEW | La Strada – Sheffield Theatres and London’s West End

    ★★★ |  La Strada – Sheffield Theatres and London’s West End

    Based on the film by Frederico Felini, La Strada is set in the heart of the Italian Countryside, and tells the story of the Gelsomina, who becomes the assistant to a travelling showman, Zampano, as they move from town to town trying to earn their keep. But things change when they join a travelling circus and they meet Il Matto, a clown, who teaches Gelsomina that there is more to life than her current existence and encourages her to find herself.

    La Strada is a show with a very European flavour and a real feel for the source material, being Fellini’s classic 1950’s Italian film. The music is a broadly uplifting fusion of gypsy, jazz and folk, providing a jaunty soundtrack which melts into the story rather than providing standalone moments, and whilst the show is billed as a musical, it would perhaps be better pitched as a drama with musical interludes.

    Overall, the show carried with it an impressive presentation. Sally Cookson’s direction is distinctive and stylish, with a slew of innovative theatrical techniques, carefully choreographed movement and almost constant activity on and around the stage. The set has a feeling of 1950’s European cinema, with its muted colour pallet and its use of shadows and silhouettes, and the provision of the on-stage musicians added a nice touch. Feeling almost cinematic in its staging, the show does has a certain magic about the way in which it presents itself.

    La Strada boasts a large international cast, led by Audrey Brisson and whilst the performances were functional, they never really excelled. The story is filled with pathos and it is bold in its attempt to portray what is effectively a road movie on a single, static set. The pacing of the show is very slow and the narrative is thin, almost only allowing the audience to glimpse snapshots of the character’s lives, rather than allow them to join them on their journey;  which is where the production struggled overall and where the emotional punch of Fellini’s film was somewhat lost

    La Strada is a show which is a luxurious, visual feast, but one which has a low-key narrative, and a steady pace; and is a more high-brow musical  for people seeking an alternative to the saccharine-coated West End extravaganzas or the traditional staples of musical theatre. It is very much style over substance, but may well reward the patient audience member.

    La Strada is currently at Sheffield Lyceum Theatres (www.sheffieldtheatres.co.uk) until 27th May 2017, before transferring to the West End, playing at The Other Palace in London from the 30th May to the 8th July 2017. Visit www.theotherpalace.co.uk/whats-on/la-strada for details.

     

  • THEATRE REVIEW | The Faulty Towers Dining Experience, London

    ★★★★

    | The Faulty Towers Dining Experience, Kingsway Hotel, London

    The Faulty Towers Dining Experience review

    Believe it or not, I’ve never seen an episode of Faulty Towers. I knew that it is a British television institution, a classic, yet I’ve just never got around to watching it (plus I’m a bit too young to remember when it originally aired on television). So I didn’t know what to expect when I went to the Faulty Towers Dining Experience.

    It was hilarious! Taking place in the dining room at Kingsway Hotel in Covent Garden, the Faulty Towers Dining Experience is an interactive and immersive theatre at its best. Of course, there is a meal that’s included in the experience, but it’s all about the show that is unravelling (and falling apart) right before your very eyes as you’re tucking into your leek and potato soup – that is if Manuel hasn’t taken it from you.

    If you don’t know much about the television show, which would be hard to believe, it is about characters in a fictional hotel in the seaside town of Torquay. First off there is owner Basil Fawlty – a true Englishman – and his wife Sybil, who orders him around but she’s the one who wears the pants in the relationship. And then there is Manual – a short in stature Spanish waiter who practically speaks no English and gets the instructions from Basil all wrong. So it’s these characters from the show that you get to ‘enjoy’ your dining experience with.

    The show starts immediately when Basil (played by Benedict Holme) tells Manuel (Anthony Clegg as an exact replica to the Manuel played by Andrew Sachs) to take the glasses away, of course, Manuel takes people’s glasses off their faces and not the drink glasses! Then Basil tells Manuel to pass out the peanuts, so Manuel literally passes out the peanuts. It’s one thing after another, and once you sit down in the Faulty restaurant it’s only a matter of time until Manual interferes with you – he turns your napkin into a bib, tosses rolls around the room, does somersaults, and spends the entire time misunderstanding and misinterpreting everything Basils says. Lucky for us it’s Sybil (Suzanna Hughes) who manages, a bit, to keep the entire dinner from melting into complete chaos! It’s very physical comedy, but it’s also physical for the attendee because you’re laughing very hard and out loud too! It was the unlucky few who found a set of teeth in their soup – gags like this that make the whole thing hilariously fun and funny! No person is spared, and god forbid if you are celebrating a birthday or anniversary – you will get a special gift from Sybil – and boy is it special! It’s an experience that you will not forget – just don’t mention the war!!!

    It was a treat to be transported back to the 1970’s with being part of Fawlty Towers Dining Experience. The trepidation that you might be picked on was real and you almost expect the soup to end up on your lap? Sybil was so like the television character down to the scary laugh, while Manuel was brilliant and made the whole show so very reminiscent of the television snow. What a great way to spend a two and a half hours – to be part of this experience makes me want to watch the television series now.

    Tickets for the Fawlty Towers Dining Experience can be bought here:

    http://www.torquaysuitetheatre.com

    If you have any questions on the show, there is a Frequently Asked Questions on the first page.
    The London shows, held in the Torquay Suite Theatre at the Kingsway Hall Hotel, are held throughout the year, while there is also a version that tours the UK as well as Australia and the rest of the world. Yes, this is how popular this show is – continuously playing much to the delight of the television show’s fans – it’s the world’s most successful comedy dining show of it’s kind and now it’s time for you to experience yourself too!

  • THEATRE REVIEW | Judy, The Arts Theatre

    ★★★★★ | Judy!, The Arts Theatre

    Judy! review at the Arts Theatre London

    If you were off from gay school the week that they covered gay icons then this is the play for you. If you’re already well versed in Garland mania then you’ll love this too. Judy is a potted history of the life of Judy Garland told with wit and warmth from the clever perspective of having three Judy Garlands on stage at different points in her life.

    Judy Garland was the child stage actress and star of pappy films who hit the big time after landing the role of Dorothy in the iconic film ‘The Wizard of Oz’. Her frenetic delivery on stage, her fragility and her belting unique voice made her a public favourite in spite of her flakiness, late stage arrivals and occasional no-shows. Behind the spotlight, she was a troubled figure and the familiar story of the Hollywood legend played out: psychiatric problems, drug and alcohol abuse, multiple marriages and an untimely death from a Barbiturate overdose aged 47 in London in 1969.

    Ray Rackham presents us with three Judys. Firstly we have hard drinking and waspish middle-aged Judy struggling to keep her temper, plagued by debts and desperately trying to make a failing TV show work. Secondly, we have pill-popping mid-life Judy: mother to Liza Minnelli, box office poison, about to risk everything by embarking on marriage number three and throwing all her remaining cash into a risky venture of a grand show on Broadway. Finally, we have awkward teenage Judy, dominated by her pushy show business mother and being used and abused by the film studios.

    The device works well and showcases not only a number of songs but manages to portray both uplifting and funny side of Garland as well as the not so joyous times. There’s a cast of twelve with cast members doubling up as the live band too. Oh and the Judys? They’re pitch perfect and totally on point both in mannerisms and vocal style. They’ve clearly had great direction from Ray Rackham (part of the team behind the hit musical ‘Apartment 40c’) and spent a lot of time on YouTube studying Ms Garland’s unique style.

    This is a great show in its third incarnation after successful runs as ‘Through the Mill’ at London Theatre Workshop and Southwark Playhouse. It a piece that’s tightly written and will both move you and fill you with equal parts of joy and sadness. Go see it.

    Judy! runs at The Arts Theatre until 17th June 217

  • Teenager charged with rape

    Police investigating a rape in Roe Green Park off Kingsbury Road, NW9 on Tuesday, 16 May, have charged a teenager.

    A 13-year-old boy from north London who was arrested on Wednesday, 17 May, was charged on Thursday, 18 May with one count of rape of a male under 13; one count of causing or inciting a child under 13 into sexual activity and one count of kidnap.

    He will appear in custody at Willesden Magistrate’s Court on Friday 19 May.

    Officers from the Met’s Sexual Offences, Exploitation and Child Abuse Command are investigating.

    reporting: Metropolitan Police

  • THEATRE REVIEW | Kings Cross [Remix], Camden People’s Theatre, London

    ★★★★ | Kings Cross [Remix], Camden People’s Theatre, London

    Take a journey to 1980’s London, specifically the King’s Cross area, through the storytelling of Tom Marshman, in the new show Kings Cross [Remix]. The one-man show, at the Camden People’s Theatre, is a tour de force performance by Marshman, too young to remember the stories he’s telling, yet he tells them so vividly, with such authority and believability that he makes us actually believe he was there.

    Through the use of video and audio tape recordings of the people who were actually around during those times, Marshman weaves together these stories in a 60-minute show to great effect. He talks about the long gone disco Bagely’s nightclub, the denizens of King Cross including the hookers and the club kids, a unique story about the late and great Leigh Bowery, and grainy video footage of the once popular gay bar and club The Bell (this footage can also be found on Youtube). But Marshman also transports us to this decade when lots of our fellow friends were dying of AIDS, and one audio clip of a man who is a patient representative at a local clinic remembers the days when gay men were diagnosed with GRID (Gay Related Immune Deficiency) and were in their last days as there no hope for them. Marshman also chillingly brings up the arrival of patient zero – the man who introduced HIV into England. This and more is all told with the songs of Donna Summers’ “Last Dance” and lots of other disco classics as the soundtrack, and footage of Jimmy Somerville in his early days who can now be found from time to time drinking at his local bar Central Station. Marshman’s show celebrates a time when the scene in Kings Cross was more fun but also a bit dangerous and not posh as it is now. I

    It’s a great show and Marshman does a very good job in telling these stories.

     

    Kings Cross (Remix) plays at Camden’s People’s Theatre until 26th May.

  • THEATRE REVIEW | Room, Theatre Royal Stratford East, London

    ★★★ | Room, Theatre Royal Stratford East, London

    Theatre review of Room at Theatre Royal Stratford East

    The story of a mother and son held captive in a room was so beautifully and emotionally told in last year’s film Room. There is now a stage adaptation of that Oscar-winning film playing at Theatre Royal Stratford East.

    Emma Donoghue, who wrote the book in which the film was based on, also wrote the stage adaptation, and it’s an interesting one. The stage show mimics the plot of the movie, however, more elements are added to it. First off, there’s a narrator who speaks out loud the thoughts of 5-year old Jake (ably played by Harrison Wilding on the night I saw it); it’s Jack’s perspective this show is told from (as in the book); and surprisingly the show is also told via songs – effective at times but a bit inappropriate at other times.

    Room, in case you missed the film, is about a woman and her son who are being held hostage by a man simply known as Old Nick (Liam McKenna). The mother, Ma (excellently played by Witney White), has been imprisoned by him for seven years. Ma and Jack are unable to leave the room, locked in by the man who is Jack’s father who takes his liberties with Ma whenever he wants. And Ma has to be ever so grateful when he brings her and Jack the staples and necessities they need to live on. But it’s Jack who has adapted to living in the room – it’s all he knows. He also knows to hide in the wardrobe when Old Nick comes to visit – it’s these time that the show takes, to great effect, a dark and eerie tone. It’s complemented by the set – a room in the middle of the stage – that cleverly swings around when Nick is ‘visiting’ – so we see Jack’s frightened viewpoint from the wardrobe – which is also his bed – it’s expertly thought out. Jack’s thoughts come via the narration by Fela Lufadeju – Big Jack – who is Little Jacks’ voice and his conscience. It’s narration that at times is cute and funny and at times very serious, but it also does get in the way of the very dramatic story unfolding on stage.

    Without giving too much away, and as mentioned above, the rest of story plays out in similar parallel with the movie, with the second half taking place in a home (as opposed to a room), where Ma and Jack have to adjust to life outside the room. It’s with the help of Ma’s mother (a good performance by Lucy Tregar) that shifts the second half into another gear, a bit slower and less intense than the first, but dramatic nonetheless.

    Room has elements that work and don’t work. Room’s premise is very theatrical, with the whole story being told inside four walls, which this production excellently shows. In the first room there are the items that Jack has named (plant, TV, etc..), then there’s a hospital room, and then on to Grandma’s house, it’s a set superbly designed by Lily Arnold. And there is also excellent use of lighting and visuals on the walls that are characters and images seen through the eyes of a child. The cast does a very good job and it’s a helluva emotional show to be performing seven times a week (three young actors take turns playing the role of Jack). But the use of Big Jack is a device that doesn’t quite work, and some of the songs (music by Kathryn Joseph) in the second half just don’t quite work with the dark theme of the show. Nonetheless, if you loved the movie and read the book, then this is must-see theatre, and only it’s playing until June 3rd.

    Room plays at Royal Theatre Stratford East until the 3rd June 2017. Other dates include:

    Dundee Rep
    13 June – 17 June 2017
    01382 223530
    www.dundeerep.co.uk

    Abbey Theatre, Dublin
    24 June – 22 July 2017
    +353 (0) 1 87 87 222
    www.abbeytheatre.ie

     

  • THEATRE REVIEW | Salomé, National Theatre, London

    THEATRE REVIEW | Salomé, National Theatre, London

    ★★★★| Salomé, National Theatre, London

    Johan Persson

    It was always going to be hard to produce a version of Salomé on the stage. It’s a story that’s mythical, biblical, violent, and perhaps a bit confusing. A new version of the show is now playing at The National Theatre, and it’s executed beautifully.

    Staged by Director Yael Farber, this version of Salomé, at a short 110 minutes with no interval, will mesmerize you but may also confuse you as the story is told through song and dance and imagery and hebrew, and lots of sand and water. But it’s the story of Salomé who was born the daughter of Herodia who was a princess of the Herodian Dynasty of Judea during the time of the Roman Empire. Salomé, as you may or may not know, is infamous for receiving the head of John the Baptist. Played in this show by Isabella Nefar, Salome is not very respected, stands naked on the stage, has sand thrown all over her, but it’s at the end that she’s redeemed and resurrected, but the road to get there is an intense one.

    A character by the name of Nameless (Olwen Fouéré) tells the story of Salomé, as Salomé the character doesn’t speak, and takes place in Roman occupied Judea. She’s yelled at and ridiculed by her stepfather Herod (Paul Chahidi), but finds something, perhaps a kindred spirit, in Iokanaan – John the Baptist (Ramzi Choukair).

    But it’s not just the story, it’s the design of the show, by Susan Hilferty, that takes us on a journey, or perhaps better worded – on a ride – a ride that’s both luminous and heavenly, with lighting that adds mystery and darkness. It’s also the haunting vocals and chanting of Israeli folk musician Yasmin Levy and Syrian soprano Lubana Al Quntar that will take your breathe away. Their vocals that accompany the story told on stage is the most memorable part of the show – their voices are out of this world, and listening to them is well worth the price of the ticket.

    Salomé will be broadcast by NT Live on Thursday 22 June 2017. For further details visit NTLive.com

    Below is a list of connected talks and events for Salomé:
    Acts of Violence and Salomé, Monday 12 June, Cottesloe Room, 2-5pm
    Mothers/Daughters/Sisters, Wednesday 21 June, Cottesloe Room, 6-7pm
    Yaël Farber, Friday 14 July, Olivier Theatre, 6-6.45pm

    To buy tickets, please go here:
    https://www.nationaltheatre.org.uk

  • REVIEW | Liza Sings Streisand

    REVIEW | Liza Sings Streisand

    ★★★★★ | Liza Sings Streisand

    It’s a lot of gay men’s wet dream to see the words “Liza Sings Streisand’. Before you get too excited though, n this instance it is Liza with a Zee singing the back catalogue of Barbra but it’s a thoroughly British Liza, Ms Pulman who’s a member of Fascinating Aida. Don’t let the fact it’s not Minnelli disappoint too much though.

    This Liza has got style oozing out of her pores and a belting set of lungs that do justice to Barbra in a lovingly curated cabaret show.

    This isn’t ‘Stars in Your Eyes’. She doesn’t come out with crimped hair, a false nose and a Brooklyn accent and to be fair, why would she? We know that Barbra is busy in her underground shopping mall viewing her antique collection so a loving tribute is better than an imitation. Liza Pulman is very English and beautifully poised. Dressed to kill in stylish gowns and backed by a six piece band, she starts out with a few brief reminisces about Streisand, recapping some of her career highs. She’s comes across as warm, knowledgeable but definitely more Home Counties than New York.

    The primary attraction though is her musical output. She captures Barbra’s style perfectly and it’s no surprise, given her voice, when Liza talks about her own past and operatic training. She’s clearly a Barbra mega-fan and has studied Streisand’s style and rhythmic anomalies. She’s also taken care in choosing a wide range of songs with a few Broadway numbers, as well a sweep through the decades. There are also some musical re-arrangements done in full Barbra style that actually work really well.

    Liza is touring the UK through till November with return visits to The Crazy Coqs at Zedel in Piccadilly in May and June. She’s a treat for jaded eardrums and a great night out for any Streisand fans.

     

    Find out more http://www.lizapulman.com/liza-sings-streisand/

  • RESTAURANT REVIEW | Stuzzico, London

    RESTAURANT REVIEW | Stuzzico, London

    ★★★★ | Stuzzico, London


    Do you want to eat food and drink wine that is authentic to the Puglia region of Southern Italy? Then Stuzzico is the place for you.

    Tucked away in a section of London called Connaught Village, steps away from Marble Arch and the Middle Eastern restaurants of Edgeware Road, Stuzzico, as small as it is, is a stand out.

    Luca, one of the proprietors, will great you with a warm Italian smile and will recommend dishes and especially wine that superbly complement each other.
    It’s smallish menu will allow you to try various specialities of the Puglia region, but it all depends on what you fancy; fish, meat and/or pasta. My dining companion and I had a taste of it all!

    We started out with a glass of prosecco and red wine, pretty standard stuff, but the best was yet to come.

    The Octopus starter was well cooked, meaty and cleverly drenched in artichoke sauce – at £13.50 worth every bite. The Malloreddus pasta sausage ragout was uniquely served with shell pasta and was a nice size portion as a starter yet it could’ve used more meat (£14.50). The main courses, however, were stunning. The CONIGLIO, LARDO DI COLONNATA, FAGIOLINI – rabbit – was very tender, a generous portion, and not tough as rabbit usually is. Served with a load of green beans, it was very flavoursome (a bargain at £18.50). The Yellowfin tuna steak (TAGLIATA DI TONNO PINNA GIALLA), was superb. Served as six large slices, it didn’t really taste fishy at all and came with a dollop of the never eaten before black olive sauce and beautifully shredded leak, baby heritage carrots topped with sundried tomato powder, and served warm! The tuna was meaty, fresh, and superb! I highly recommend it. But it was the wine that Luca recommended to go with our main courses that was par excellence!

    I had the Re Manfredi (Basilicata) and it was smooth, sweet and tasted a bit like lemon water. White gold in colour, I enquired where I can buy a whole bottle – it was that good. Luca informed us that this wine, and some others on the menu, can’t be bought at any store in London as he gets it direct from Italy. He has personally sourced wine from Southern Italy – it was very very good!

    Stuzzico’s deserts offer something for everyone. I recommend the blood orange cheesecake – Cheesecake Arancia Rossa E Cantucci – it’s divine. The Cantucci E Vin Santo – almond biscuits – served with raspberries on top with heavy cream, was heavenly.

    There’s a lot more to Stuzzico’s menu – starters include fava beans purée soup, grilled king prawns, tuna tartare, first courses include lobster, and main courses such as monkfish, brill, Tomahawk beef steak, veal and beef fillet with additional sides such as spinach, potatoes, salad, broccoli, and courgettes. And no matter what you order, it’s going to be cooked delicately, with care, and will be very very delicious. This 26 seat restaurant needs to be visited to be tasted, for you need to eat for yourself to see and feel the comforts of Stuzzico’s regional Italian cooking and to meet Luca who’s probably the nicest guy this side of town. Him and co-owner Franco de Todaro are passionate about serving the very best food and wine, and they succeed! Stuzzico is an Italian word which means to tease and to tantalise – and that is exactly what they do!

    Tel: 020 7262 9122

    https://www.stuzzico.co.uk

    Email: stuzzico@stuzzico.co.uk
    Address: Connaught Village,  24 Kendal Street, London W2 2AW
    Tube: Marble Arch, Edgware Rd, Paddington, Lancaster Gate

    Price rating: ££££

    Opening Hours:
    ​Mon to Friday:
    8am – 4pm & 6:30-10:30pm
    Saturday:
    8am – 4pm & 6:30-10:30pm
    ​Sunday:
    9am – 4pm
    ​Closed on Bank Holidays