THEGAYUK

Tag: Birmingham News

Get the latest LGBT+ Birmingham news from THEGAYUK. Breaking news, features and interviews from the gay community in Birmingham in the UK.

  • Afternoon Tea Review | Lost and Found, Birmingham

    ★★★★ | Gentleman’s Afternoon Tea and Tipples

    Afternoon Tea is a delightful, British experience which we do not often do. The fresh sandwiches, the warm scones, the ever-flowing tea and the high-end service is something of a treat nowadays. The Gentleman’s Afternoon Tea at Lost and Found takes all you know about tea and cranks it up a notch – and all for just £18.95 per person.

    To start off our afternoon marathon, we were greeted with a glass of prosecco each with a raspberry, and Josh provided us a warm and friendly service throughout. The menu for the Gentleman’s Afternoon Tea consists of meaty, bulky and monster sandwiches which were packed with flavour and you could taste the freshness with every bite. Crispy chicken and chorizo on a ginormous baguette halved was spectacular – fresh rocket and well-cooked chicken with just the right amount of chorizo that let the southern style chicken take centre stage. The glazed ham and homemade chutney baguette was very rich on the palate and the sweetness of the chutney really complemented the meat with an added crunch from the lettuce. The egg, mustard and cress sandwich was a really nice light and fluffy mix to the board. My favourite thing that went in my mouth, though, was the scotch eggs – what a highlight! The egg was cooked perfectly and freshly which had the yolk running and put your knife through, with delicious batter and pork paste full of flavour and the combination together sent fireworks. The feta cheese and caramelised onion pastry was another delicate yet fierce competitor for the palate. The pork scratching on chilli jam was okay, I found the scratching too hard to chew and it was just one on each ramekin with loads of chilli sauce underneath – not sure how I feel about this one. The scones were average, did not really stand out as a feature, but popcorn Tiffin was superb. The teapot was very big which meant we probably got about 5 cups each which was enough to go with until the food-athon was over.

    You can opt for any of the Afternoon Teas and attach a Tipple, where you select from one of the three cocktails to spice up the experience for an extra £5. It is definitely worth doing that.

    In the end, it was too much and we had to admit defeat – doggy-bagging half of the crispy chicken and chorizo baguette and two Tiffin cakes. I must say, I had the sandwich for my lunch the day after and it was equally as tasty and fresh as the day before. It shows that good ingredients and care is put into the afternoon tea platters. Presentation wise, it could have been more ornate considering the grandiose nature of Lost and Found with its botanical themes in the décor. I was half expecting some leaves to contribute to the aesthetics, but the whole tea was served on one slate board. It looked great, but I could have done with separating the cakes from the sandwiches for practicality.

     

  • THEATRE REVIEW | The Play That Goes Wrong, The Birmingham Rep

    ★★★★★ – Dangerous, jaw-dropping and comedy genius!

    Mischief Theatre, in role as The Cornley Polytechnic Drama Society, brought to the Birmingham Rep stage an uproariously funny murder mystery entitled The Murder at Haversham Manor and it went south, literally.

    The Play That Goes Wrong was a comedic masterpiece, like its successor Peter Pan, Goes Wrong, with dangerous and risky tricks that left audiences clutching on to their seats as pieces of stage fell off and got thrown around, sometimes missing the actors by inches. The actors were so efficient in everything they did, from balancing three objects across two body parts, to expertly delivering their lines while dodging canvasses, candelabras and each other. What was sublime about The Play That Goes Wrong was that if ever you have seen an amateur, or a badly produced professional, play, this show embodies the different mistakes and disasters that have occurred in the former shows. There’ll be a moment where you cannot help but recall a bad production where sets had fallen down or actors had genuinely forgotten lines and asked for “line” throughout entire speeches.

    Jason Callender who plays Jonathan playing Charles Haversham was brilliant. His gag was always turning up at the wrong point in the play, revealing the ending every time. It was very comedic, too, when Jonathan was rarely allowed to play dead, for actors clumsily walked on him, sat on him, or fell on him. He made the audience laugh at his every entrance, and I chiefly loved his sneaking off stage wriggling subtly on the floor as if to kid the audience that we couldn’t see him depart. Patrick Warner who plays Chris playing Inspector Carter was a comedy genius. Every reaction was crafted to perfection, and his lines were well-timed with the action. The audience hung on to every word he said. He played the director too, so it was particularly hilarious when, under his breath, he would mutter a direction to understudies that had come on to fill in for a part. Ham acting is a feature often prominent in amateur murder mystery productions, and Alastair Kirton playing Max playing Cecil Haversham did a sterling job showcasing this. Max’s sawing the air with his hands and over dramatising his role while stopping to smile as the audience laughed during one of his lines, was incredibly entertaining. When Max changed role to be the Gardener he flashed his clothes to tell it was still him, and that he had returned, but as a different character. Absolutely hilarious. Lastly, Natasha Culley as Sandra Wilkinson enacting the role of Florence Colleymoore was a treat. Sandra was everything that had ever gone wrong with acting all sewn together in one actress. Her ticks, shallow demeanour, and not able to improvise without direction, was a great feast for the senses. Her overproduction of movement as she spoke, too, was hilarious. Overall, each cast member contributed to one of funniest nights I’ve had this year.

    The Play That Goes Wrong was especially entertaining for the set was a safety hazard, as the study, built atop of the drawing room, with no rails or support, collapsed gradually while the actors were still on there. It eventually fell down while an actor was under it, but the dexterity by which the actors moved and positioned themselves, made the accidents sort of safe, and we could exhale once again.

    Mischief Theatre is like Alton Towers, you queue to get on, you get several scares, and then you want to hop on again and again.

    The Play That Goes Wrong is playing at The Birmingham Rep until 24th June

  • Gay Sporting Icon and Olympic Gold Medallist Honoured With Blue Plaque

    Gay Sporting Icon and Olympic Gold Medallist Honoured With Blue Plaque

    One man’s determination to revive the reputation of a gay sporting icon and Olympic gold medallist has paid off with the news that the forgotten hero is to be honoured by a prestigious Blue Plaque.

    In 1976, Birmingham-born John Curry made figure skating history at the Winter Olympics taking home two gold medals for team GB and becoming a sporting hero, winning BBC Sports Personality of the Year. But in the years that followed, Curry slowly slipped out of the public consciousness after he was famously ‘outed’ in the German tabloid press, and his untimely death in 1994 left a generation completely unaware of his achievements.

    Actor and writer Tony Timberlake embarked on a personal journey to change this, first through his one-man show, Looking for John, which premiered at Birmingham Repertory Theatre last November and secondly by nominating John Curry, with the support of The REP Theatre to be honoured with a Blue Plaque in his home city.

    The Lord Mayor of Birmingham, Cllr Carl Rice and John Curry’s brother, Andrew, unveiled the Blue Plaque, awarded by Birmingham Civic Society, in honour of John’s achievements on Monday, May 15th. John grew up in Acocks Green, Birmingham and the plaque will feature on the house where he was born at 946 Warwick Road, now Arden Lodge Residential Home.

    Tony Timberlake said.

    “Getting recognition for John Curry has been a labour of love. Watching him win Olympic gold forty years ago had a huge impact on me as a youngster and it’s never left me. My play Looking for John made me think about John’s legacy – how he changed the world of figure skating and how he never denied who he was in his personal life. I felt he deserved to be remembered and celebrated again in the city where he was born and then died. I’m thrilled that John Curry will be celebrated once more and remembered forever in this way.”

    John Curry OBE (1949 – 1994) was a world champion ice skater and gold medal winner at the 1976 Winter Olympic Games. He was born in Acocks Green and first learnt to skate at Solihull Ice Rink.

    Gavin Orton, Chairman of Birmingham Civic Society said,

    “Towards the end of last year the Society received a nomination from Tony Timberlake and the Birmingham Rep for a Blue Plaque to John Curry.  The REP were about to premiere a play, Looking for John, directed by Tessa Walker, an Associate Director at The REP, and written and performed by the actor, Tony Timberlake. This nomination was supported by the Lord Mayor and we are delighted to be honouring John’s achievements today.”

    The Birmingham Civic Society has been responsible for erecting Blue Plaques in the city since 1953 and there are currently over 80 around the city.  The society receives several nominations every year and there’s currently a waiting list of over 20 years. To be honoured with a Blue Plaque, a person must have been born, lived or worked in the city and have achieved greatness, by, for example, making a significant contribution to their community or by excelling in their career.

    Tony Timberlake’s play – Looking for John will be at The Assembly, Edinburgh as part of the 2017 Edinburgh Fringe from 3 – 20 August 2017.

  • THEATRE REVIEW | Tommy The Musical, Birmingham Rep

    ★★★★ thrilling and emotional

    One of the most influential UK rock and roll bands, The Who were formed in 1964 in Shepherd’s Bush, London. In 1969 The Who created a unique concept album called Tommy, and it quickly became a cultural fete. In 1975, Ken Russell adapted the album into one of the best and biggest films with an all-star cast starring Tina Turner, Elton John, Eric Clapton, Jack Nicholson, and more.

    New Wolsey Theatre and Ramps on the Moon collaborated to bring to life Tommy The Musical to the main stage as a daring musical. The Who’s Tommy musical was a sad, gritty and powerful tale about a boy who is ‘deaf, blind and dumb’ and at the mercy of Uncle Ernie (Garry Robson) who ‘fiddled about’ with him at night; Cousin Kevin (Lukus Alexander) who bullied and taunted Tommy, and a thug of a stepdad Frank (Alim Jayda), relentlessly trying to ‘solve’ Tommy’s disabilities.

    Tommy The Musical, directed by Kerry Michael, was extra special for it allowed the opportunity for actors who are D/deaf, disabled and non-disabled to work together to produce an eerie and fantastic production with all-audience accessibility. Through embedded audio description, creative captioning and integrated British Sign Language, everyone could engage and be a part of the musical.

    Tommy (William Grint) was phenomenal. William really brought to life the chronicles of Tommy’s life and was sublime in the delivery. What Tommy went through, was hard and gruelling, and William did an amazing job showcasing the outcomes of so much abuse. His two voices (Julian Capolei and Matthew Jacobs-Morgan) were perfect for Tommy’s voice, in particular, Julian’s voice, which was so powerful and pleasing to the ear. Tommy’s mother, Nora (Donna Mullings) was also formidable, really conveying emotion without speaking a lot, and when she did, it was potent and emotionally charged. The best voice in the production was the actor playing Nora’s voice (Shekinah McFarlane).

    The outstanding performer of The Who’s Tommy was Acid Queen (Peter Straker). In the film, Acid Queen is played Tina Turner, and for this production, it was a man dressed in drag, which was a very progressive touch to the production. Peter’s voice was stunning and his overall performance was commanding – this was the highlight for me.

    This is an excellent idea, and we need to see more theatre productions reflecting stories through actors who are physically affected by the context of the plays.

     

  • THEATRE REVIEW | To Sir, With Love, The Birmingham Rep

    ★★★★ – What theatre is all about!

    Photo Credit – Graeme Braidwood

    Adapted by Ayub Khan-din for Birmingham, To Sir, With Love had its natural charm and appeal to the audience of The Rep. The local, ‘banterous’ fun was well appreciated and received for many laughs were heard in the auditorium. What also impressed me, and I found highly commendable, was the extent to which The Birmingham Rep invested their efforts into nurturing young, new and home-grown talent via The Young Rep Company.

    Every young person shone and were utterly convincing in the roles they played, conveying a variety of emotions with much maturity. Charlie Mills who played Denham, stood out for his aggressive demeanour at the start, and the 360 degree turn at the end. His transition from delinquent to amicable was very warming to witness. Alice McGowan portraying Pamela performed with delicateness but fierceness too and, though her part was smaller, Alice really invested her time to move elegantly and speak with natural flair in-line with the character’s traits. Eden Peppercorn, who played Monica, did really well in contributing to the chaos and challenge of Mr Braithwaite’s initial classes. Her subtle change of heart was well developed and endearing too. Phillip Morris, local actor who trained at Birmingham School of Acting, did a sterling job, to the point of gripping the audience all the way through while fully harnessing the moments and challenges in which his character found himself in. Phillip Morris was a star of the play, and I believe this opportunity granted by The Rep will no doubt further his career in the theatre industry.

    I really loved the thorny fun had between the characters of Mr Weston and Clinty, played by Matt Crosby and Polly Lister respectively. Polly really embodied the locality of the adaption through her West Midlands accent, and she was much joyful to watch, with exquisite comedic timing. Matt was a treat to watch too, and he must have channelled a teacher he knew, because his portrayal of Mr West really made me, and I’m sure others, reminisce, not very fondly, teachers from our pasts; or for those in the profession, education staff would probably relate too.

    Plays are instrumental to teach people their own history. To Sir, With Love did just that. It gave us flavours of the past mixed with contemporary seasoning. It was a feast to be lapped up! Using young talent really made the production special and very memorable, and I hope to see the young actors on stage again soon, as they so deserve it!

    Running until 6 May.

  • HOTEL REVIEW | Hotel Du Vin, Birmingham

    ★★★★★ | Hotel Du Vin, Birmingham

    If you’re looking for a gorgeous, sumptuous, sexy stay in the heart of Birmingham, make Hotel Du Vin your port of call.

    Deluxe suite

    Located in the centre of Birmingham, Hotel Du Vin is perfectly placed for access to the theatres, restaurants and shopping centres, including the City’s famous Bullring complex, which houses the ever-popular Selfridges. The hotel itself is actually situated in Birmingham’s financial district, in an old Victorian eye hospital, lovingly and rather expensively restored to excellent standards. A true icon in the heart of the hustle and bustle.

    Birmingham’s gay scene is just under a mile away and around a 20-minute walk, but don’t let that hold you back from booking one of their extraordinarily appointed and super cool rooms, which ooze continental European-style embellishments throughout, giving the overall vibe of French romance and Italian passion.

    There are 66 rooms in total and are all named after premiere wine houses and their products, because of the building’s heritage and its former usage as a hospital, the rooms are large, the ceilings are high and the huge windows look down onto the back streets of central Birmingham.

    https://www.flickr.com/photos/hdv-gallery/6910504499/in/album-72157629403657749/

    As standard, rooms are fitted with monsoon showers over its baths, Nespresso machines and Egyptian linens. The room we stayed in was Penfolds, which boasted the biggest bed we had ever seen.

    Lux is the first and last word at Hotel Du Vin, with every need perfectly executed. Here you’ll find all the standards of modern living, good strong WIFI, room service, laundry, fitness centre, sauna and steam room.

    Make sure you take a bite to eat in the Bistro for a truly superb meal, read our full review here.

    Staff were very friendly and very helpful and perfectly handled our check-in and check out and with prices from £89 your stay won’t make your eyes water.

    CHURCH STREET, BIRMINGHAM, B3 2NR UNITED KINGDOM 01217943005

  • TRAVEL GUIDE | Gay Guide To Birmingham

    TRAVEL GUIDE | Gay Guide To Birmingham

    BIRMINGHAM is a vibrant hub of old and new buildings nestled between landscaped zones of paved walkways, water features and one of the largest gay scenes in the UK.

    CREDIt: Tupungato / Bigstock

    If you’re looking for a weekend break then you’ll find plenty to do here from the bountiful shopping malls and markets, home to some of the best-loved retailers, to the small market traders offering a wide range of household, clothing, and party goods, to the fully charged nightlife. With nine gay bars and clubs to choose from, a few of which serve great food, you’ll be pressed not to find a place to enjoy a cosy pint, watch some cabaret or dance till the early hours.

    It’s not all just about shopping and clubbing though, Birmingham has a wide range of restaurants offering celebrity branded eateries, favourite chains and a whole global cuisine on offer including the famous Birmingham curry – Do check out the Hen and Chickens, 0121 236 3121 which serves not only the best curry in town (TripAdvisor) but also a range of Asian, barbecue, pub and grill for those friends who prefer something different.

    Birmingham is also the home to a number of theatres including the REP, with a wide season of plays, comedy and drama and the Birmingham Hippodrome bringing you the best of the UK’s national tours such as Matthew Bourne’s Swan Lake, One Man, Two Guvnors and Wicked.

    If you’re looking for something a little more cultured then do pay a visit to the delightful Birmingham Museum and Art Gallery. There’s a wide varied collection to see dating back 200,000 years to the present day, including Pre-Raphaelite art, wrapped Mummies and a detailed look at the history of Birmingham and how over the years it’s grown into one of the UK’s best-loved cities.

     

    Recent facelifts have ensured that Birmingham is a fresh city to eat sleep and play in. The only question is, can you fit it all in with just one weekend?

    Editor’s choice in gay bars:
    SIDE WALK bar and restaurant is located on the busy Hurst Street and serves a wide variety of great affordable food for lunch and dinner. Their vegetarian burger deserves a personal nod of appreciation as does the friendly helpful bar staff who all help to make Sidewalk a relaxed and enjoyable atmosphere during the day with the party tunes picking up the pace in the evenings. With walls stripped back to brick and wooden floors there’s a cool pop-up club vibe about the place. Certainly worth a visit.

    THE LOFT LOUNGE is another venue for good food at reasonable prices. Table service is on offer both in the main dining area to the rear or if full, as we found out – which is always a good sign, then the helpful staff will happily find and serve you at any of the comfy sofas or tables around the rest of the bar. A great place to meet friends for both everyday and special occasions with a more relaxed atmosphere during the daytime before the party starts in the evenings.

    Other bars:

    Equator Bar Address: 123 Hurst Street, B5 6SE Telephone: 0121 622 5077 Website: equatorbar.co.uk Twitter: @EquatorBar

    Eden Address: 116 Sherlock Street, B5 6NB Telephone: 0121 622 1953  Website: TheEdenBar.co.uk

    Bar Jester Address: 42 Holloway Circus, B1 1EG Telephone: 0121 643 8344 Website: BarJester.co.uk

    Missing Address: 48 Bromsgrove Street, B5 6NU Telephone: 0121 622 4256 Website: MissingBar.co.uk Twitter: @MissingPartyBar

    The Wellington Hotel Address: 72 Bristol Street, B5 7AH Telephone: 0121 622 2592

    Club DV8 Address: 16 Kent Street, B5 6RD Telephone: 0121 622 1060 Website: ClubDV8.co.uk

    Nightingale Club Address: Essex House, Kent Street, B5 6RD Telephone: 0121 622 1718 Website: Nightingaleclub.co.uk Twitter: @Nightingale Club

    Fountain Inn Address: 102 Wrentham Street, B5 6QL Telephone: 0121 622 1452 Website: TheFountainInn.com

    The Village Inn Address: 152 Hurst Street, B5 6RY Telephone: 0121 622 4742 Website: VillageBirmingham.co.uk

    What is there to do in Birmingham?

    ASTON HALL Trinity Road, Aston, Birmingham, B6 6JD Tel: +44 (0)121 675 4722

    Entry: Charges apply to house only. Gardens, grounds and visitor facilities are free to all visitors.

    Adults £4
    Concessions £3
    Children under 16 FREE
    Free entry on the first Sunday of the month.
    Opening Times: Aston Hall opens again on Saturday 12 April 2014.

    THE REP Centenary Square, Birmingham, B1 2EP
    Tel: +44 (0)121 236 4455

    BIRMINGHAM HIPPODROME Hurst Street, Birmingham, B5 4TB
    Tel: +44 (0)844 338 5000

    BIRMINGHAM MUSEUM & ART GALLERY
    Chamberlain Square, Birmingham, B3 3DH Tel: +44 (0)121 303 1966
    Entry: Free entrance.
    Some exhibitions and events may charge.

    BBC BIRMINGHAM TOURS Do you fancy yourself as a TV presenter? Visit BBC Birmingham’s Public Space at The Mailbox and have a go at presenting the news and a weather forecast. Take a look through the window into the television gallery. This is where the BBC Midlands Today team choose shots, cue the studio and keep everything on air!

    If you’d like to get inside the television gallery and see it up close, a studio tour is for you.

    Guides will take you into BBC Birmingham and show you around the state-of-the-art studios.

    Tours last approximately 1.5 hours and give you a fascinating insight into the world of broadcasting. Do Visit: bbc. co. uk/tours for more information BBC Birmingham The Mailbox Birmingham B1 1RF Tel: +44 (0)370 901 1227

    Where is the shopping Birmingham?

    SHOPPING If you’re the kinda guy that just loves to shop, then Birmingham has it all from large retailers like Selfridges and Harvey Nichols to small market stall owners selling a wide variety of household goods, pet foods and party supplies.
    The shopping areas are well planned out, open and pedestrian friendly so you get a good chance to explore the city by foot.
    There’s plenty of opportunity to stop for a bite to eat. With over 150 restaurants and coffee shops you’re bound to find something to fuel the next round of shopping and with bus and rail transport close by you’ll soon have the bags home.
    Be sure to also check out Chinatown just the other side of the markets nestled in Southside close to the gay scene.

    BULLRING This much-photographed part of the building with its circular disk covered curved walls is the home to Selfridges. Explore the rest of the building and you’ll find over 160 retail shops and restaurants. This modern art of the city blends with the old St Martin church perfectly without even looking out of place. A real treat for shoppers in the heart of Birmingham.

    THE BULL RING MARKET is a large indoor market with traders calling out for you to buy their goods. There’s plenty of bargains to be had and a wide selection to see from fabrics, pet foods, cosmetics, CDs and DVDs, old console games, and a personal highlight of ours – the party shop. Every coloured wig, mask, costume, make-up is all here for Pride events or your usual weekend party outfit

     

    Where’s good to stay in Birmingham?

    We can recommend:

    Hotel La Tour and the Hotel Du Vin

  • THEATRE REVIEW | One Love: The Bob Marley Musical, The Birmingham Rep

    ★★★★★ | One Love: The Bob Marley Musical

    Played with your heartstrings and lullabied your soul

    © Helen Maybanks

    Few names exist in the music industry where sparks have spread like wildfire across the world. Bob Marley was certainly the sensation that reached many people around the globe, and the feeling that ripples still decades later. Bob’s vision, talent and style have made him an eternal flame.

    The Birmingham Rep hosted ‘One Love: The Bob Marley Musical’, and an epic event it was! Written and directed by Kwambe Kwei Armah, ‘One Love’ celebrates the icon Bob Marley in a delicate, timeless and memorable way. Through the history of his early music career to his later achievements, the audience were transported on a journey evoking nostalgia and emotion from the depths of your core.

    Mitchell Brunings played Bob Marley in an effervescent way that drew you in instantly, and commanded the stage with mastery and ‘next-level’ leadership, as the remaining characters shone around him; upscaling the standard of the production. It was a flawless performance by Mitchell. As an ensemble, every artist was terrific and invested every ounce of energy into every move and musical note. Alexia Khadime who played Rita Marley was the second star of the show second to Mitchell Brunings, with her gifted musical range and was absolutely captivating in her acting. Alexia really added to the drama and darkness of the story and handled emotion expertly.

    The Redemption Song was my favourite moment in the show as the track was beautifully arranged to illustrate the moment Bob Marley’s life turned 360 degrees, returning to his routes.

    ULTZ designed the production and a vision that was fitting with the ambition of the show. Using multimedia against sets, creating moments in time with real footage corresponding with key events shown in the musical. People need to see this show for the education, entertainment and the ride down memory lane were as sweet as guava jelly!

     

  • THEATRE REVIEW | Cirque Berserk, Birmingham Rep

    THEATRE REVIEW | Cirque Berserk, Birmingham Rep

    Dangerous, daring but a little spark-less  ★★★

    ©circusphotographer.com

    This is the second time that I have seen Cirque Berserk at the Birmingham Rep, and I have mixed feelings. Mostly, I really enjoyed the acts, and there were moments that got you on the edge of your seat, gasping in horror; but others that made you cringe.

    There were your usual circus’ performances such as acrobatics, flame juggling, and even a clown character, which was quite funny; it was funnier when you heard the children laugh out loud in the audience at his every gag. The acts that stood out were Tropicana Troupe, a Cuban acrobat team that catapulted themselves across the stage landing perfectly on a crash mat, and in the second half flying halfway across the air to land precisely on a chair high up off the ground. Of course, their god-like bodies were also a show-stopper. Jose and Gaby performed a stunning contemporary/acrobatic dance routine where Gaby suspended herself with just one hand using Jose’s forehead as support. This blew the audience away, and we were glued to their beautiful movement throughout. Odka was also incredibly mesmerising to watch as a contortionist; Odka shot an arrow against a target by using her feet! Then we saw her spill out of a small bottle-like container. The four motorcyclists inside a metal dome they call – Globe of Death – was extreme and jaw-dropping, and was a brilliant way to end the show.

    The other artists appeared little awkward and kept demanding rounds of applause which took away the moments that were really stunning and hand-clapping worthy. Bolas Argentina were very good in the second half, but the first half it was awkward when Germaine tossed the bolas against a springboard but it was a lacklustre effort. Then, Gabriel did a similar trick and it had so much more energy and rhythm to it. The Berserk Dancers were disappointing, as every time they appeared on stage, it looked like they were forced to be there and it made some moments cringing and laughable with only one or two really going for it. Timbuktu Tumblers were very good, but again, a lot of applause begging after every little thing. British audiences, I guess, like to be left alone and want to clap when they feel it necessary. It was especially awkward at the very end when the audience clapped, but the artists wouldn’t move until there was a complete standing ovation, which ended with an unenthusiastic standing ovation from half of the audience.

    Overall, enjoyable, but for a circus with some very good acts, it lacked a punch.

  • THEATRE REVIEW | William Shakespeare’s Long Lost First Play (Abridged)

    THEATRE REVIEW | William Shakespeare’s Long Lost First Play (Abridged)

    Delightful, charming and uproariously funny. ★★★★★

    © Geraint Lewis

    Reduced Shakespeare Company put on a masterful performance combining Shakespeare’s most and least known plays and characters into a fiendish cauldron, summoning up hilarious crossover tales that made the audience laugh out loud. Reed Martin and Austin Tichenor designed ‘William Shakespeare’s Long Lost First Play’ with all Shakespeare levels in mind. Whether you are a beginner or a scholar, there was something for you to laugh at, recall the connection, and laugh again. Perhaps rekindle fond memories of school, rehearsal and at a theatre.

    The three actors commanded their craft with expertise and mastery. It was very clear, very quickly, that Joseph Maudsley, Matthew Pearson and James Percy had studied, played and understood the plots and twists written by the Bard. I chiefly loved the scene in which one actor was attributing Disney connections with Shakespeare’s plays. The ‘Frozen’ and ‘A Winter’s Tale’ link was one of the funniest moments because when the other actor contested that connection, the other said ‘let it go’. The speed in which the three actors morphed, transformed, and changed to represent the different characters was astonishing, as well as the effervescent energy that glued the audience to their every move. The plot crossovers were also something to remember, in particular, Lady Macbeth coming onto Hamlet, and Richard III getting it on with Falstaff. It was so enjoyable to watch the twists and contrivances that got them to be together. Archenemies Ariel and Puck were the thread that brought the stories together, played by Joseph Maudsley and James Percy respectively, convincingly demonstrated that all of Shakespeare’s plays could coexist in the same universe. Who knew?

    The set was very stripped down with only one arch as the backdrop. However, this made it even more special because it became all about the actors, with their props and fanciful attires that coloured the stage with the gags, tricks, and exquisite storytelling that we saw last night. I want to see them again!

    Running 14th and 15th February.

  • THEATRE REVIEW | Stories To Tell In The Middle Of The Night, Birmingham Rep

    Stories To Tell In The Middle Of The Night written and performed by Francesca Millican-Slater was not what I expected. ★★

    © Graeme Braidwood

    Its premise explores the many thoughts that people have before trying to fall sleep, and then still not being able to do so hours later. It’s a great concept for many of us can relate to the drivel that goes through our minds prohibiting our brain to switch off and go to sleep. However, Francesca’s stories were too disconnected for the average person to relate to. The odd story resonated some recollection in the back of our memory archive – like the supermarket couple scenario, but the rest were just tales that didn’t quite grip spectators, having to wait a while for a punchline. It would be a great sketch for a Spoken Word night, but as performance it lacked spark. We were merely watching a woman talk about things that go on in her own head. Sadly, they were things that not many people could connect to, alienating us in parts. It was neither comedic, nor was it dramatic. Stories To Tell In The Middle Of The Night would have been something to play on the radio to help you fall asleep.

    There were some poetic notes to the writing. So, audibly, and in some instances, it was pleasing; particularly when Francesca came back to the middle podium and described where we were in the night using astronomical angles and nautical references to help us imagine the arrival of the dawn, and the familiar feeling of ‘oh shit, I need to be up in a few hours’.

    The Rep Foundry is a fantastic programme that gives new writers the opportunity to create, and later perform, their own work. Perhaps the next draft would benefit from a framing device whereby the three podia that the protagonist utilises may represent the id, ego, and superego of the insomniac psyche portrayed. As it stands, the stream of consciousness text is lost in the back waters.