THEGAYUK

Tag: Movie Genre Gay

The latest reviews for gay movies. Read all of THEGAYUK’s reviews.

  • FILM REVIEW | Crisis Hotline – clever, dark and very sexy gay suspense film

    FILM REVIEW | Crisis Hotline – clever, dark and very sexy gay suspense film

    Rating: 4 out of 5.

    The clock is ticking when a distressed young man calls an LGBT suicide hotline – but there is more to his story in the suspense-filled drama Crisis Hotline.

    It’s a film cleverly written and directed by Mark Schwab. The story begins where it ends and tells the caller’s story and why he has contacted the hotline on that particular night.

    Simon (a very good Corey Jackson) is in his first-week volunteering at the hotline office and not much has happened. But one night a young caller, sounding very distressed, threatens to kill himself. So Simon gets the caller to tell his story and the events that have led up to this very disturbing call.

    Danny the caller (Christian Gabriel), who is from the Midwest, is new to the big city, trying to find his feet, with a dull job and a very small apartment. Soon enough he meets sexy, hot and fun Kyle (Pano Tsaklas), who on the surface appears to have it all: a great apartment, a sexy smile and hot body, and a great job managing websites for a gay couple who have a voracious appetite for sex and all things dark.

    Soon enough Kyle introduces Danny to his bosses Curtis and Lance (Mike Mizwicki and August Browning). Danny then finds out more about Kyle’s line of work and what he really needs to do to keep his job and apartment. But Danny eventually gets drawn, unwittingly, into their dark games, with Kyle setting him up, which ultimately leads to the hotline call. And throughout the call, the suspense builds and builds and the story gets darker and darker until the shattering, and totally unexpected, finale.

    Schwab, who also produced, has a keen eye for suspense and drama and gets great mileage from his cast. While Gabriel doesn’t quite live up to his role and seems to be sleepwalking through the film, Tsaklas owns the movie with his looks, charm, and relative ease in his complicated role as an on-the-surface good and loyal boyfriend but with a dark and dangerous streak. Mizwicki and Browning are okay, but Jackson brings much to the film as it’s his pivotal role that holds the film together.

    He’s actually fantastic.

    Crisis Hotline throws social media, sex, love, lust, voyeurism and the dark web into one big mixing bowl to make an eerie, clever, dark, very sexy and fun film.

    Now available in the UK through Dekkoo.com

  • FILM REVIEW | Benjamin

    FILM REVIEW | Benjamin

    ★★★★ | Benjamin

    Comedian Simon Amstell has directed and written his first film – it’s called Benjamin.

    He actually also could’ve called it Simon. Benjamin follows the life of filmmaker Benjamin (played by the charming Colin Morgan). He is a frustrated, self-doubting filmmaker, and is not very optimistic about his latest film – ‘no self.’ He is also not very optimistic about his love life – an ex is very angry at him for writing negatively about him in a film. Benjamin’s best friend is comedian Stephen (Joel Fry), who after ten years on the stand-up scene is almost ready to throw in the towel.

    But one day Benjamin’s publicist/friend Billie (Jessica Raine) takes him to a chair opening party (yes, that is what it is called) where Benjamin meets the adorable French Noah (Phénix Brossard). Noah is younger than Benjamin but over time their relationship blossoms. But as Benjamin’s insecurities about relationships, and life, get worse, will he be able to confidently promote his new film while at the same time keep up his crumbling relationship with Noah?

    Anstell wrotes scenes for this film from almost every relationship he has ever been in. And lead actor Morgan can actually pass for his younger brother, while Stephen, a comedian, was perhaps modelled on Anstel’s early career.

    Benjamin is a great date movie – for both gay and straight couples. It’s charming and original.’ And while it won’t change your world, it’s a great first effort from Anstell – hopefully, he can continue to make more charming movies such as this.

    In Cinemas and on Digital 15th March

  • FILM REVIEW | Boy Erased

    FILM REVIEW | Boy Erased

    ★★★★ | Boy Erased

    In 2004, at the age of 19, American Garrard Conley was sent by his parents to a conversion therapy program to rid him of his homosexual feelings. This true story is now a film called Boy Erased.

    The amazing Lucas Hedges (Lady Bird, Manchester by the Sea) plays Garrard. He is a young man growing up in a small bible belt community in Arkansas. His father Marshall (Russell Crowe) is a respected pastor in the local church while his mother Nancy (Nicole Kidman) believes in everything her husband says. But Garrard is given a choice by his parents when he tells them he is gay: either agree to attend the church-support conversion therapy program where he will have to go to a camp with similar young adults or risk losing his family, a family that he is quite close to. Garrard has no choice but to go through therapy. Garrard is happy being gay – even entering into a relationship with a fellow student at college – but it is his religious upbringing (and a stern father) which helps him make the decision to go to therapy.

    Once he is at the Love in Action gay conversion therapy assessment program, he meets fellow young men like himself (including director and actor Xavier Dolan, and Joe Alwyn – at the time of this writing Taylor Swift’s boyfriend). They all struggle to not come to terms with the way they are, meanwhile all the time guided by the chief therapist Victor Sykes (writer and director of the film Joel Edgerton). But of course, Garrard has urges that he can’t control, while his parents feel that for him to lead a happy life is to lead the life of a straight man.

    The real Garrard Conley, of course, luckily survived his time in the therapy program to write the book which is now this film, and it’s a very good film. Hedges, as always, is fantastic. One never knows what he’s thinking because of his inquisitive facial expressions, and he steals the movie from the two heavyweight actors who are playing his parents. Crowe is excellent as the self-righteous father but Kidman is both warm and tender as the mother who loves her husband but perhaps loves her son a bit more. Boy Erased is at times heartbreaking, but for the most part, it’s triumphant.

    Boy Erased is out now and available to order from Amazon

  • FILM REVIEW | 1985

    FILM REVIEW | 1985

    ★★★★★ | 1985

    The year is 1985. AIDS had already started to rear its ugly head. It’s also the year that Adrian comes home for perhaps the last time.

    1985 is a tear-your-heart-out film about one New Yorker’s journey back home to see his family at Christmas. Cory Michael Smith is just incredible as Adrian, a young man going back home to Texas after a three-year absence to see his father, mother and little brother. But it’s really not a festive time for him – for all the lies and deceits that Adrian tells his family – that his life in New York is just amazing, with a good job and great friends, all this couldn’t be further from the truth. Adrian’s friends back in NYC are all dying or dead – including his partner. Adrian has been to six funerals in that year alone, and he faces the grim fact that he is not immune to the disease that has slowly crept up on gay men like himself. With a doting mother who takes care of all his needs while he is at home (a graceful and saintly Virginia Madsen), a tough religious father who lives his life by the Bible (Michael Chiklis), and a soft younger brother who is into theatre (Aidan Langford), it’s up to Adrian to secretly say goodbye to everyone (including his best friend Carly, played by the wonderful Jamie Chung).

    Directed and co-written by Yen Tan, 1985 is a small film that packs quite a punch. It’s one hour and 25 minutes that will hold your attention throughout, with gripping performances, and an equally stunning soundtrack, and will have you reaching for the tissue box many times. Reminiscent of Xavier Dolan’s It’s Only the End of the World (where a terminally ill writer (assumed sick with AIDS) returns home to tell his family he is dying), 1985 is a much much better film.

    With a perfect cast, including Madsen who is just simply amazing, as well as Chung, 1985 is a great film in every sense of the word, and excellently captures that time in 1985 when President Ronald Regan had yet to utter the word ‘AIDS’ and when hundreds of young men were dying and there was no treatment available, nothing could be done for them. Tan, along with the cast and crew, in a film beautifully shot in black and white (by Hutch, who also co-wrote the film), has pulled off quite an achievement with this film. Every gay man under 50 really needs to watch this film to understand what gay men over 50 were dealing with in the 1980s and early 1990s.

    Order this film now from our online shop and support THEGAYUK

  • FILM REVIEW | Postcards from London

    FILM REVIEW | Postcards from London

    ★★★☆☆| Postcards from London

    A young handsome man from Essex travels to the Big Smoke and encounters unusual situations in the new film Postcards from London.

    Harris Dickinson, who was so sexy and memorable in last year’s critically-acclaimed film Beach Rats, is again sexy in this new role, a role where he again plays a gay character.

    Dickinson is Jim who winds up in, of all places Soho, where he falls into a crowd of male escorts, but these are not the typical kind of escorts one would encounter in any big city – these escorts are of an artistic bend. They, strangely, have a thing for the paintings of Caravaggio – paintings that are all so homoerotic and sexy. And Jim becomes, for one of his paying clients, a character right out of one of Caravaggio’s paintings. But It’s a premise that’s very unusual, including the fact that Jim seems to have some sort of hallucination of planting himself in the paintings, it’s a premise that just doesn’t work.

    A film called Postcards from London should show part of London, especially Soho and all its nooks and crannies.

    But Postcards from London was shot on a soundstage, so there’s actually very very little (just in the beginning) shots of the city it’s named after. And while most of the other actors are good, and while Dickinson does his utmost best to try to keep a straight face, I guess the only reason to watch this film is because most of the actors are scantily clad most of the time.

    Postcards from London is available to pre-order now.

  • FILM REVIEW | Nureyev

    FILM REVIEW | Nureyev

    ★★★★☆ | Nureyev

    The most famous ballet dancer of all time is spotlighted in the new film Nureyev.

    Rudolf Nureyev was born during the cold, dark days of communist Russia. His talent for dancing was spotted at a young age, and lucky for him, his country wanted to show him off to the rest of the world. While never really hiding his homosexuality, Rudolf was able to travel the world with his ballet troupe, and Nureyez just seemed to lap up the stardom, fame, and money that came along with this success.

    But as we all know, Nureyev didn’t want to be a part of the Russian state, he felt that he, after travelling all over with the ballet company, that he wanted to be free, freedom to him was essential, so while in Paris on a tour, he defected. Yes, he thought about this long and hard, and he knows that when he defects, he would never be able to go back to Russia to see his family, but his decision was final. And thus, he was free, a free man to enjoy a new life in the West, and did he enjoy it.

    Nureyev goes on to show what a life he led; the acclaim, the wealth, and his too close for comfort relationship with Margot Fonteyn, a married British ballet superstar. As the documentary goes to show us, Nureyev and Fonteyn were inseparable. They spent lots of time together, not just on stage but off stage as well. But life had other plans for Nureyev. He was in his early 20s when gay and bisexual men around the world started developing AIDS, and Nureyev, who would die from AIDS-related complications in 1992 (at the age of 54), more than likely picked up the HIV virus in the 80s.

    The documentary filmmakers show us the last days of this superstar, dying and frail, and looking much much older than what he was.

    Nureyev the documentary elegantly, and beautifully incorporates modern dance scenes to play out some of Rudolf’s life events. Ballet dancers, atop a stage in the middle of a forest, play out scenes and events that are being told in the documentary. This storytelling adds to the beauty and dignity of Nureyev’s life. However, Nureyev, the documentary doesn’t even go into detail about any of his gay relationships. Him and arts student Robert Tracy had a two-and-a-half-year love affair, which is not mentioned in the film. Tracy later became Nureyev’s secretary and live-in companion for over 14-years in a long-term open relationship until his death. And there’s no mention of any other lovers nor the hedonistic times he spent dancing at Studio 54.

    Perhaps this is for another documentary. Nureyev, while not completely telling the whole story, is nonetheless a beautiful film about a very talented man who died before his time was up.

    NUREYEV HITS CINEMAS NATIONWIDE | FROM 25 SEPTEMBER 2018 | TICKETS ON SALE NOW: WWW.NUREYEVTHEFILM.COM

  • FILM REVIEW | Reinventing Marvin

    ★★★★ | Reinventing Marvin

    Touching performances make this film about the troubled life of a young gay man In the new film ‘Reinventing Marvin’ a must see.

    Newcomer Finnegan Oldfield plays Marvin as a young man (while Jules Porier plays Marvin in his younger years). As a child, he lived a very dysfunctional, and depressing life. Marvin was bullied and beat up at school, constantly taunted for his soft mannerisms (and also for appearing to be gay), and even worse at home where he had a volatile stepfather, slept in a closet, and had a mother who was supportive yet unable to provide him with what he needed most.

    Reinventing Marvin cleverly uses flashbacks that takes the story from his childhood to him discovering a new life in Paris where he truly discovers who he is. He meets people just like himself there, befriends an older gay couple who provide him support that he never got. And finally, he is introduced to Isabelle Huppert (playing herself), who helps him to tell his life story on stage, which changes Marvin’s life, and perhaps will bring some sort of reconciliation with his family, and hopefully, finally, acceptance.

    Marvin reinvents himself, and it’s nice to see the transformation, and Director and writer Anne Fountaine (The Innocents), has crafted a beautifully told and acted story with great performances.

    Now playing at the cinemas and available to order.

  • FILM REVIEW | Mario

    ★★★★ | Mario

    Two young footballers fall in love in the tender love story Mario.

    Cute, sexy and very lean Leon (Aaron Altaras) is drafted into the football club where he meets player Mario (Max Hubacher). Leon, with striking dark curly hair and eyes, is quite a contrast to Mario – blond and a bit baby-faced who has been brought up by a football-mad father. But when Leon and Mario are assigned to live together in the same apartment while they train, a natural attraction between them kicks in, literally. They end up sharing a bed, even though the apartment has two bedrooms. But Mario is very uncomfortable to have their relationship be known to anyone, especially to their fellow team members, some of whom are quite homophobic. But one day Leon and Mario are seen together in public by a fellow team member who blabs it to the rest of the team. This puts not only Mario and Leon’s relationship to the test, it also puts their football careers at risk as well. But they really are in love with each other, but will they stay together, and if so at what cost?

    Director Marcel Gisler does a very good job getting his actors to display their affection for each other while at the same time creating excitement and tension, both in the locker room and on the playing field. Altaras is a natural, and he and Hubacher excellently portray young men who are conflicted between their love for each other and their love for the game. Mario is a beautiful love story that will fill you with love and sadness, and the timing is just right for this film to come out – right before the World Cup Championships, meanwhile there is not one out player currently in the game.

    Mario is in UK cinemas on Friday.

  • FILM REVIEW | Ideal Home

    ★★★ | Ideal Home

    Not quite the best name for a film about a gay couple who get stuck with raising a boy, ‘Ideal Home’ has its moments but they’re far and few between.

    Paul Rudd and Steve Coogan (at his campiest best) play, respectively, Paul and Erasmus Brumble (what a name!), a gay couple who have been together long enough, perhaps too long, to be set in their argumentative ways. Brumble is a flamboyant TV chef and Paul is his producing partner, and they live in the stunningly beautiful town of Santa Fe, New Mexico. They run their empire from their adobe house that has views to die for of the landscape which includes turquoise sunsets and rolling luscious mountains. They seem to have it all, but yet there also seems to be something missing in their lives.

    Enter Bill (Jack Gore), Erasmus’s estranged grandson, who unexpectedly shows up at their front door after his father Beau (Jake McDonald) gets arrested. Will the arrival of Bill make their relationship stronger? Will Paul and Erasmus be able to continue to live their A-gay lifestyle? More importantly, will Bill put a dent in their lavish dinner party schedule and sexual trysts?

    Ideal Home is a standard run-of-the-mill gay rom-com with not much com. It’s boosted by the beautiful setting as well as Rudd’s believability as a gay man (with a macho beard and buff body) as well as Gore who is very good as the kid who has nowhere else to go. Coogan is way over the top – I don’t think I know any gay man who is like his character – but if you want a 90-minute film that’s a bit fun and not too preachy or over-reaching, then this film is for you. But damn does Santa Fe look like an amazing town, and if anything, this film is an excellent tourist ad for this town located in America’s beautiful Southwest

    Now open in the UK

  • FILM REVIEW | The Happy Prince

    FILM REVIEW | The Happy Prince

    ★★★★★ | The Happy Prince

    Rupert Everett has reached a new pinnacle in his career with the release of his new film The Happy Prince.

    In a film in which he wrote and directed, Everett plays Oscar Wilde in the final years of his life. Everett, if you remember, played Wilde a few years back in London’s West End in the critically-acclaimed show ‘The Judas Kiss’ which won Everett awards. Now, and ten years in the making, sees Everett play the role he was practically born to play. It was ten years of struggling to get funding for this film, and once Colin Firth had signed on (he is an Executive Producer as well as playing Reggie Turner, one of Wilde’s best friends, in the film), The Happy Prince was finally made, and what an excellent film it is.

    In the very late 1890’s, Wilde was a penniless man, living in France, with lots of stories to tell yet not a whole lot to his name. However, three years prior to his death (in 1900), Wilde had been released from prison where he served time for sodomy and gross indecency. Before his prison sentence, Wilde had enjoyed being a member of high society and was usually the centre of attention (we see as flashbacks in the film), and in The Happy Prince, we see this side of his life portrayed. We also see the desperate side in the opening sequence in the film where he happily takes money from an old friend in a dark alley while he struggles to come to terms with the fact that his life will never be the same ever again. He does, however, have occasional contact with friends, and with his long-forgotten wife (yes he was married) Constance Lloyd (Emily Watson) – the mother of their twin sons – while he surrounds himself with young men, cocaine, and not much else.

    It’s a bravura performance from Everett that makes The Happy Prince both an ode and tribute to a man who has been the subject of many a book and show. By making The Happy Prince his way, Everett will reap the respect, and the rewards and awards, that he truly deserves for making this magnificent film.

    ‘The Happy Prince is now in cinemas

  • FILM REVIEW | McQueen

    ★★★★★ | McQueen

    Film review, McQueen

    Fashion designer Alexander McQueen was a genius He had an eye for fashion but was also a troubled soul. The new documentary McQueen shows the highs, and the lows, of McQueen’s life.

    Alexander McQueen, born in London’s East End in 1969, seemed not to be destined to become one of fashion’s hottest and most successful designers in the 1990’s, but according to the documentary, he had talent, talent that can only be described as natural – he was born with it.

    McQueen begins with old footage of McQueen talking directly into the camera, footage that was taken at the height of his illustrious career. He enrolled as a student at Central St. Martin’s College of Fashion, and then moved on to Paris to learn the trade, then became a tailer, but it was when he met Isabella Blow, who happened to take him under his wing and, which is, according to the documentary, made him what he was. But McQueen was extremely talented, and not only did he launch his own fashion brand, but at the same time he was also head designer for fashion brand Givenchy all the while picking up various people along the way who became his trusted staff, people who speak to the camera effortlessly and honestly about McQueen and their time together.

    But all was not meant to be. McQueen dabbled in cocaine and London’s gay fetish scene, he was under enormous pressure to put together several collections a year, including haute couture, and he had a falling out with Blow, who would commit suicide at the age of 46, which put on more pressure and guilt on McQueen. But it was when his dear mother died when McQueen decided that enough was enough, and ended his pain. He committed suicide at the age of 40 in 2010.

    McQueen is an excellent testament to the man who was also called Lee. Through his friends, associates and sister Janet, we really feel that we get to know who Lee actually was ourselves. But it’s through the footage of his fashion shows where we get to see the real talent that he had. His shows were events, some very dark (which explains how deep and troubled he was), and showed how gorgeous, and emotionally beautiful, his creations were. Alexander McQueen died way too young, but through this documentary, you can at least experience his life and work, which was cut way too short.