THEGAYUK

Author: Tim Baros

  • Opening Doors London is celebrating it’s 1st anniversary

    Opening Doors London is celebrating it’s 1st anniversary

    Opening Doors is London’s support network for older Lesbian, Gay, Bisexual and Transgender people. And it has just celebrated it’s 1st birthday.

    One of Opening Doors aims is to ensure that older LGBT people live healthy and independent lives that are free from loneliness, isolation, prejudice and discrimination.

    As we are currently celebrating the 50th anniversary of the Sexual Offences Act of 1967, which decriminalised homosexual acts, we have to remember the brave people who were around when it was actually illegal to have same sex intercourse. People like Allan, who was 24 in 1967. He says he was mentally and physically abused, and was called queer, so he left education at a young age. Then there is Maureen, who was involved with the Gay Liberation Front since the beginning, and was told by someone that “she hasn’t met the right man yet.” And Margaret, who happened to be Maurice in 1967, and who came out in 1991, says that in the 1950’s and 1960’s, everything in Britain was rigid. Margaret finished her transition as a woman in 2002. But there are people like Tony, who has had to come out twice, as being gay and having HIV.

    Many of Opening Doors service users have first-hand experience of living through the an oppressive era in British history, which makes the work Opening Doors do all the more relevant and important. It is committed to fostering and developing social interactions and networks for members of this often marginalised segment of our community. They also provide services and support to older LGBT people such as a Befriending Service, 40 or so monthly social events, and training to outside organisations who provide care for older people who are LGBT.

    See the Opening Doors London website for more information: http://openingdoorslondon.org.uk/

  • THEATRE REVIEW | Twilight Song, Park Theatre, London

    ★★ | Twilight Song

    THEATRE REVIEW | Twilight Song, Park Theatre, London

    You know a show doesn’t make much sense, when, after seeing it, you and your friends don’t agree on what you’ve all just seen. To say Twilight Song is a bit confusing is putting it mildly.

    Now playing at the Park Theatre in Finsbury Park, is the late British playwright Kevin Elyot’s final play. Elyot, who wrote the award winning and very successful play My Night with Reg: (which was turned into a film in 1997), died in 2014, finishing Twilight Song right before he passed away. But the play itself is not a very good testament as a cap on his career – it’s a show muddled with characters and storylines that go back and forth in time that unfortunately raises more questions than answers in a play that’s a very very short 75 minutes.

    Most of Elyot’s plays have direct gay themes or gay undertones (My Night with Reg was very similar to the groundbreaking 1969 film Boys in the Band), and Twilight Song is no exception. In a nutshell, it’s a play about a middle aged man Basil (Paul Higgins) who lives in a North London terraced house (with an unfinished balcony) with his mother Isabella (Bryony Hannah) in the present day. Flash back to 1967 and Isabella is pregnant. But in both the present and the past (to and including a scene set in 1961), the family has secrets, secrets that they keep to themselves, and even secrets that they do not want to admit to themselves. Basil (Paul Higgins) pays an estate agent (Adam Garcia) money, not for a real estate transaction, but for sex, which happens too suddenly and out of the blue and out of character. Then Isabella unrealistically falls into the arms of the gardener (Garcia again). Meanwhile her uncle Harry (Philip Bretherton) pines for Charles (Hugh Ross), but Charles is broke because he is being swindled by a hustler (Garcia again). Twilight Song takes us all too rapidly through this family’s 50-year history too quickly. Throw in some cock talk, the unknown origin of blood on the sofa, and a very very short running time, and it doesn’t leave us much time to get to know the characters and their motivations. Director Anthony Banks gets excellent use of his actors who all give fine performances, and a set design that’s true to its time (though an annoyingly loud refrigerator in their kitchen really serves no purpose and destroys the play’s tension), but it’s the storyline that doesn’t add up, and it’s shame because it is Elyot’s last work, and it’s being poorly received.

    Another one of Elyot’s plays, Coming Clean, will have a revival at the King’s Head Theatre later this year, so perhaps hold out for that one if you can.

     

    Twilight Song plays at the Park Theatre until 12th August 2017 

  • FILM REVIEW | Scribe

    An unemployed accountant takes a job that puts him in the middle of a political conspiracy in the new film “Scribe.”

    FILM REVIEW | Scribe

    “Scribe (La Mécanique de l’ombre)” is a timely taut French thriller that builds its suspense in events that lead up to a political election. François Cluzet is Duval, a recovering alcoholic who takes a job as a transcriber that is literally offered to him with no questions asked. He is tasked with typing telephone conversations from tapes that are numbered and left for him in a nondescript flat where he is all alone. He is told by his boss Clément (Denis Podalydés) to keep to himself, to remain unnoticed, and to not smoke in the flat. He is supposed to open the curtains when he arrives at 9 a.m. and to close them when he leaves at 6 p.m. But as the days go on and the conversations on the tapes he transcribes become all too realistic and downright criminal, it’s clear to Duval that the organisation he is working for is somehow involved in trying to manipulate the upcoming election. After a high profile figure is murdered, the conversation of which is on one of the tapes, it’s just a matter of time before Duval gets caught up in the conspiracy, and a murder,
    and eventually, his life is in danger by the very organisation that employs him.

    Scribe has all the ingredients of being a great political thriller in the same vein as The Manchurian Candidate and 2006’s Oscar winning German film The Lives of Others. Director Thomas Kruithof superbly builds the tension while at the same time not giving too much away during the film until its explosive ending. This film is well worth a watch.

    “Scribe” is in cinemas and on demand from 21st July

  • THEATRE REVIEW | Boys in the Buff, Stockwell Playhouse, London

    ★★★★| Boys in the Buff

    REVIEW | Boys in the Buff, Stockwell Playhouse, London

    If you want an entertaining, fun, sexy and scandalous night at the theatre, then Boys in the Buff is the show for you.

    It’s a show that objectifies the male body, and a musical bacchanalia full of fabulous song and dance by a crew who don’t take the show, or themselves, too seriously – they’re having fun and they let the audience in on all the fun as well.

    Natalie Harman as Diana is the hostess with the mostest – our compere for the evening. However, she, unfortunately, tells the boys what they can, and cannot do, and that means she demands that they don’t take their clothes off too soon in the show:(! But before they do the dirty and exciting deed, we are treated to song after song of camp musical numbers in a show that packs a lot into its 90 minutes runtime.

    Energetic and handsome William Frazer as Dan belts it out in the cute number “I Can Fly,” while the gang of men gets physical in “The Gym.” Shaun Riddick as Richard practically brings the house down in “My Foreskin and Me” and the hot and sexy and muscly Adam O’Shea gets to strut his stuff (along with his buff body) throughout the show which will have you screaming for more. And finally, there’s Phil (Julian Quijano), who soon finds the confidence to strip off for the audience.

    It’s all done in a style that creates a cosy Chicago-style like cabaret show in a venue that’s perfect for its content – the Stockwell Playhouse (AKA Lost Theatre). Boys in the Buff is a musical revue with lots of skin on show that’s The Full Monty but with lots of laughs and thankfully some Monty.

    Boys in the Buff is playing at the Lost Theatre until July 29th

  • THEATRE REVIEW | Yank!, Charing Cross Theatre, London

    ★★★| Yank!

    THEATRE REVIEW | Yank!, Charing Cross Theatre, London

    A gay fictional World War II love story that tells some of its story via musical numbers is now playing at the Charing Cross Theatre.

    In Yank!, Stu (Scott Hunter), also given the name ‘light loafers’ by his 89th squadron fellow soldiers, is an 18-year-old wet behind the ears soldier drafted for WW II. His fellow soldiers know that he is gay, hence the nickname, but they must also contend with trying to save their lives as battles loom ahead. It’s not too long before Stu and fellow soldier, the hot and sexy Mitch (Andy Coxon), get together. After a few side glances and more than a few cheeky conversations, they expectantly kiss when they’re forced to share a bunk bed (ah, it’s all of our fantasies!). But is Mitch really gay or is he caught up in the moment? Their sort of relationship takes a turn when Stu is offered a job writing for Yank Magazine (it might just as well be called Wank magazine). It’s a job Stu wants because it will take him away from fighting on the front lines and will hopefully one day help him to publish the diary he has written of his exploits as a soldier. Stu’s new position takes him all over but he begs his editor Artie (Chris Kiely) to go to Hawaii as this is where the 89th is fighting, and it’s of course where Mitch is. Stu can’t stop thinking about Mitch and they rekindle the romance they had, well now it’s more than a romance, it’s a full blown relationship as Mitch discusses them moving back to his hometown and living together. But it’s the evil Tennessee (Lee Dillon) who steals Stu’s diary and turns in into the authorities in a time when homosexuality was absolutely forbidden in the army. And things will not be the same for Stu and Mitch and the rest of the 89th- war, death, and jail rear it’s ugly head.

    Yank! is reminiscent of the war musicals of Rogers & Hammerstein (South Pacific) where romance, between a man and woman, was inter-spliced with memorable musical numbers. In Yank!, brothers David and Joseph Zellnik have created a gay WWII love story that pays homage to these 1940’s musicals and cleverly takes the name of their show from the WWII army publication Yank, the Army Weekly. Having opened up, appropriately, on gay pride weekend, Yank! is a celebration of gays in the military, but it does make a few missteps along the way. Hunter is fine as the scared soldier Stu, but I didn’t find him as charismatic as he should’ve been, while some of the staging and songs are a bit off, including a song about pin-up girls (“Betty”) that goes on way too long. Coxon shows that he’s the true stage actor among the cast – his acting and singing are excellent, while the rest of the supporting soldiers do the best they can do with what they have been given (a scene about gay telephone operators is a bit dreadful and really doesn’t need to be in the show). There is at times clever use of the stage, including during the battle and interrogation scenes, and Sarah-Louise Young is just about perfect in her various roles. Director James Baker just doesn’t get it exactly right in making this show a must see event. While it’s a show that is light on its feet and has a few snappy musical numbers, it’s not groundbreaking nor particularly excellent.

    Yank! is playing that the Charing Cross Theatre until the 19th August

     

  • DVD REVIEW | Beautiful Something

    ★★★★ | BEAUTIFUL SOMETHING

    DVD REVIEW | Beautiful Something

    Four gay men, all with issues in their lives, experience a night of mystery and sex in the beautifully told Beautiful Something.

    Writer Brian (Brian Sheppard) is sexy and picks up guys in bars and on the street – but they love him and leave him. Then there’s Jim (Zack Ryan), a wannabe actor who doesn’t realise that the man he lives with really really loves him. And that man is Drew (Colman Domingo), a tortured and passionate artist who uses Jim as his muse and model. And then there’s Bob (John Lescault), a wealthy talent agent who is chauffeured around town picking up men but not necessarily for sex. It’s one night in Philadelphia, and these men’s lives intertwine in search of meaningful connections on a night when anything is possible.

    After a one night stand that for some reason goes horribly wrong, Brian goes for a walk and meets Jim, who’s just had a bust up with Drew. They are immediately attracted to each other and have sex in the house that Jim shares with Drew. Drew, meanwhile, is so involved in his artwork that he’s doesn’t realise that Brian and Jim are downstairs getting it on. But this is not enough for Jim, and after Brian leaves and not wanting to stay home, Jim goes for a walk and is picked up, and intrigued by, Bob. They share a meal only after Bob tells Jim that if he’s an actor he must get out of the car. So Jim lies to Bob and they have dinner and eventually go back to Bob’s palatial home. Meanwhile, Brian looks up an old flame and Drew wonders what is really going on in Jim’s head. All this drama takes place in one sublime night, with the sprinkling lights of Philadelphia providing a romantic and perfect backdrop to the movie.

    Beautiful Something beautifully explores the need for us gay men to seek out romance and adventure in the hopes of finding something, anything, meaningful. Director and writer Joseph Graham successfully captures a night these men, nor us, won’t forget.

    With excellent and realistic performances throughout, Beautiful Something, inspired by real-life experiences, will put a twinkle in your eye and the optimism of love in your heart.

    BUY NOW on Amazon | iTunes

     

  • RESTAURANT REVIEW | Ping Pong, London

    ★★★★★| Ping Pong

    RESTAURANT REVIEW | Ping Pong, London

    Ping Pong is a restaurant in London where the concept is Dim Sum – food that comes in small bite-sized portions which allow you to eat lots and lots of different types. This is what me and a friend did on a recent Saturday night. We assumed the dishes would be quite small because the prices were quite low – but once the food arrived at our table, we needed a second table to capture the overflow!

    Ordering at Ping Pong is quite simple. You are given a piece of paper with all the dishes and the ones you want just tick the box and give to the waitress and then the food comes out when it’s ready, or as in our case, it pretty much came out all at once. And we ordered 11 dishes. OK, in my own defence the last time I was at Ping Pong I went with 8 other people (this was years ago) and I left the restaurant hungry as everyone had grabbed a piece of this and a piece of that so I didn’t get to eat much food. But this time it was the opposite – we left stuffed!

    Ping Pong’s menu is broken down into several categories. From the Nibbles and Sauces menu we had the Edamame with honey garlic sauce – and for a nice size portion at only £3.75 it was excellent. From the Rice dishes, we ordered the Honeyed Chilli Chicken and Mushroom Rice Pot. At only £6.25, it was a nice-sized bowl and included edamame peas with very tender chicken accompanied by the nice soy sauce. I would order this dish again. Then from the Soup and Salad section, we ordered, for only £5.95, the Purple Power Chicken Salad. It’s gluten free, but thankfully not flavour free – it was very very good. The purple part of the salad comes from the inclusion of rice berries – basically purple rice. At only £5.95, it’s a lot of healthiness in the large bowl which included edamame peas and rocket salad, smoked almonds and cashew nuts, and black eyed beans, plus of course the chicken, and mixed with ginger and soy dressing.

    There was more food to come! From the friend and Griddled section, the Potato and Edamame Cake (only £3.25 for 2) did just what it said on the tin, as did the Crispy Duck Spring Rolls (4 for £5.35) – crunchy and stuffed with duck, cucumber with a nice and not hot hoi sin sauce.

    When you go to Ping Pong you must must order items from the Steamed menu. Buns and Dumplings come in all sorts of flavors and types, and we perhaps with our eyes and not our stomachs ordered 5 of them, and they were all very very delicious and all priced between £3.55 to £4.65 and come in threes, but the highlights for me were the beef dumplings (succulent and delicious) and the Char Sui Buns, stuffed with honey barbecued pork – yummy! My dining companion enjoyed his seafood dumplings (stuffed with snow crab, prawn and scallops with carrot pastry) while we both thoroughly enjoyed the Har Gau (prawn and bamboo shot with a very crunchy coating – one of the highlights of the meal). We also ordered the Long Stem Broccoli – superbly cooked and a generous portion at only £3.95.

    Believe it or not, we wanted to taste something from the Signature and Special dishes – so I ordered us the Crispy Aubergine Bao. You’ve been living under a rock if you don’t know what bao is, but this dish came with three very large bao buns and the point is to stuff the contents into the bao. Well, the contents were superb: cooked aubergines with slices and dices of carrot, cabbage, cucumber and tomatoes and massively generous 6 large aubergine slices – and yes we ate the whole thing, almost. It was superb at only £11.50.

    On a lighter note, dessert was fine. My friend had the Iced Blackcurrant Parfait – it was iced – very hard to eat! But the light cream cheese with the blackcurrant coulis and meringue disc was good, while my tiny Mochi – a Japanese rice cake with mango sorbet inside – was hard to eat because the outer casing was hard, but I got there in the end.

    To wash it all down Ping Pong, as expected, serves almost any sort of drink you want. From Margaritas to sweet juicy drinks to long and short cocktails and the Asian Pimms and Lemonade for two (£16.95) which was what we had, lots of refreshing looking drinks to go with your excellent dinner. Red, White, Rosé wines along with oriental beer (and mocktails) and iced teas and lemonades round out the menu.

    All the food we ate (and we ate a LOT of food) came to only, and I say only £74. As we had so many different varieties and types of food, with so many dishes that overflowed onto another table, that was one heck of a deal. We ate beef, chicken, seafood, and lots and lots of other varieties, it was an excellent and superb value for the money. And there were lots of other dishes we didn’t get to try, but on our next visit, I will remind myself to just order what can fit on one table.

    Ping Pong has branches in Southbank, Soho, Westfield Stratford and Shepherd’s Bush, Wembley, St. Katherine’s Docks and Covent Garden

    To book a table and for phone numbers and address to their various locations, please go to:

    Home

  • RESTAURANT REVIEW | Gallery Mess, London

    ★★★★| Gallery Mess

    Gallery Mess, London

    Gallery Mess is a restaurant that ticks all the boxes: location, food, service and atmosphere.

    Situated right next to the Saatchi Gallery in Chelsea on Kings Road, Gallery Mess is everything you would want and expect it to be. Overlooking the Saatchi Gallery lawn called The Green and the multi-million-pound townhouses on the other side, Gallery Mess is elegant and classy without being too expensive.

    A friend and I dined there on a recent warm evening at 7 pm only to find the place buzzing. Since it was very warm that night, the outside tables were all full, but we were happy to sit inside to enjoy the cool ambience of the restaurant. And boy was it cool: white tablecloths, exposed red brick walls with white arches and vaulting ceilings, flowers (some fake) everywhere, plus interesting artwork as well (including a big shoe in the private dining room). But we were there for the food, and here’s how it went.

    Tim the manager from Albania greeted us very warmly and showed us to our table. We let him decide what we were going to eat, and drink, and me and my dining companion said ‘bring it on’! To start off with we were given a very nice glass of Prosecco Brut (£8.50) a glass. And then the symphony of food started. The Heritage Tomato (basically a bruschetta) with grilled rosemary focaccia, anchovies and mozzarella was vey good and was nice size portion, but a little pricey at £10.50 as it was really nothing out of the ordinary. What was good was the English air-cured ham & celeriac remoulade (£10). The ham, with apple and truffle as well, was very tender and just perfectly salty and beautifully presented.

     

    We weren’t too sure what we were getting as our main courses, and were pleasantly surprised when the chicken and the trout landed on our very white tablecloth. The Roast corn-fed Chicken Breast was a beautifully presented dish in a wonderful tarragon sauce which included mushrooms and spring greens. The four large slices of chicken were, of course, just chicken, but they were perfectly cooked and the onion bulbs in the sauce gave it the kick to push the meal up a level. Delicious, and at £16.50, a good value. But it was the Poached Sea Trout that was the star dish of the evening. A very large piece, yellow in color, in a mussel broth, with spinach and samphire, it was absolutely wonderful! I am not a trout lover at all, but this piece of trout has converted me. It was thick, and cooked perfectly, and is highly recommended, and at £17.50 – the best-tasting bargain that side of the river! We also had a side of the minted new potatoes, sprinkled with dill (£4) that were huge in portion and very very good. Other main course choices include Potato Gnocchi (£16), Confit Lamb Shoulder (£17.50) and surprisingly, Fish & Chips (£16) – all very affordable for such an expensive neighbourhood.

    Tim expertly picked out the Via Nova Pinot Grigio to go with our dinner (only £5.75 a glass). The wine was tasty without tasting too winey, and absolutely complemented our meal. My dining companion liked it so much he asked for a second glass! It was an excellent choice as the restaurant has an excellent wine list selection, very comprehensive and inviting, and includes Spanish, French, Chile, South African and German selections, among others. And by the time we had finished our main courses, we knew, we just knew, that the desserts were going to be fantastic, and they were. The Creme Brulee (served with shortbread and raspberries) was just divine, and the seasonal berry fruit salad was ah so refreshing and topped with fruit sorbet, with the dish a very beautiful berry color…..ah so good, and nice to eat on that very warm night.

    The seasonal menu and extensive bar selection is provided by award winning caterer and restaurant operator rhubarb, and they do a very good job of it. Their private dining room – The Mess Room – is available for private hire or seated dinners of up to 80 guests. This room is discreetly set back from the restaurant and offers an elegant, bespoke dining opportunity.

    Gallery Mess has an international staff who will take care of your every need, they are very attentive and very well dressed – it’s service (and food) like this that is welcome. It was a theatrical experience of a gourmet three-course meal fit for an artistic delight. Very very reasonable prices in a very very nice setting.

    http://www.saatchigallery.com/gallerymess

    To book call: +44 (0) 207 730 8135

    Saatchi Gallery
    Duke of York HQ

    Opening hours:
    10:00am-11:30pm, Monday to Saturday
    10:00am-7:00pm, Sunday

  • THEATRE REVIEW | Lady Day at Emerson’s Bar and Grill, Wyndham’s Theatre, London

    ★★★★★| Lady Day at Emerson’s Bar & Grill

    THEATRE REVIEW | Lady Day at Emerson's Bar and Grill, Wyndham's Theatre, London
    Billie Holiday is alive and well and performing at London’s Wyndham’s Theatre.

    Well, it’s not quite Billie Holiday – it’s mega Broadway star Audra McDonald making her West End Debut in a show where she performs as Billie Holiday in Lady Day at Emerson’s Bar & Grill. And while most of us have never actually seen the real Holiday sing live, I can only imagine McDonald is as close as the real thing.

    Billie Holiday, who was known as ‘Lady Day’, had one of the greatest jazz voices of all time. But sadly she died at the age of 44 in 1959 after a turbulent life, which included drug and alcohol addiction. Lady Day at Emerson’s Bar & Grill takes place in South Philadelphia right before her death, and where she sings and also tells stories about her life, loves, and family. She recounts the time she was performing with musician Artie Shaw in an all-white club and was refused the use of the all-white woman’s bathroom so she pissed on the floor. Lady Day mentions that her mother called The Duchess married at the age of 16 and her father was 19, while she was three. And she rasps lyrical about the love of her life, Sunny, who didn’t exactly treat her like a lady. And she briefly mentions the year she spent in prison for drug possession. All this, plus signature Holliday songs such as “Strange Fruit”, “Easy Livin’” and many many others are beautifully done at The Wyndham’s Theatre which has been crafted to emulate the original Emerson’s Tavern as it was known. And McDonald is astonishing as Holliday.

    It’s not just that McDonald is acting like Holiday, but McDonald sings like Holiday as well. There’s a reason why McDonald has won 6 Tony Awards, she is one if not the most accomplished stage actress of our time. The likes of Bernadette Peters, Patti LuPone or Elaine Paige don’t hold a candle to McDonald.

    She’s appeared on stage in both musicals and dramas such as Ragtime, A Raisin in the Sun and Master Class when she was young where she proved that she’s a force to be reckoned with. Accompanied by Shelton Becton on piano, Frankie Tontoh on Drums and Neville Malcolm on Bass, Lady Day at Emerson’s Bar & Grill is a lush tribute to the woman who died way before her time, and a tribute to the woman who plays her – it’s a tour de force performance.

    Lady Day at Emerson’s Bar & Grill is playing at Wyndham’s Theatre until September 9, 2017. 

     

  • THEATRE REVIEW | Bat Out of Hell, London Coliseum

    ★★★★| Bat out of Hell

    Bat Out of Hell, London Coliseum

    Bat Out of Hell the album is now Bat Out of Hell the rock opera.

    Bat Out of Hell was born, literally, 40 years ago, when musician Meatloaf (along with composer Steinman) released the seminal and massive selling record that went on to sell millions and millions of albums around the world. It included massive hits such as “You Took the Words Right Out of my Mouth,” “Two Out of Three Ain’t Bad,” and the most famous one – “Paradise by the Dashboard Light” – songs that are still popular even today, more so as karaoke and wedding songs. These songs, along with the other songs from the album, and newer songs written only for this production, are cleverly used as the story for this massive show. Yes, there is a story, it is, however, a weak one, you can practically see right through it, but for this show it’s all about the way the story is told, the production, that makes Bat Out of Hell not just different but memorable, and oh so much better than the horrible jukebox musicals that have played in the West End in the past including the dreadful We Will Rock You and the easily missed Let it Be.

    Bat Out of Hell is a goth lovers dream. We’ve got Raven (Christina Bennington) who is in love with a boy from the wrong side of the tracks – Strat (Andrew Polec – who’s going to be the next Killian Donnelly – and if you don’t know who that is, look him up). Strat hangs out with a very rough crowd, a group of outcasts called The Lost. Raven’s parents Falco (Rob Fowler) – who rules the post-apocalyptic Manhattan – and her mother Sloane (Sharon Sexton), are so overprotective of Raven that they, especially Falco, forbid her from seeing Strat. Of course Raven will do anything to see him, so she sneaks out at night (in her cleverly designed bedroom in a high skyscraper where unbelievably most of the show takes place – but it works!) to be with Strat, but there is a snitch in Strat’s gang who ends up telling Falco where Raven and Strat are. You can pretty much tell what’s going to happen next – Falco goes in search of his daughter, and then there’s a poorly choreographed incident where someone gets shot – a scene we could tell was going to happen a mile away. This is when Bat Out of Hell loses all credibility in its storyline, but it more than makes up for it overall with the visuals and musical aspects of the show.

    Director Jay Scheib had a big task ahead of him in telling this dark story with dark music, and he greatly succeeds. Using Raven’s bedroom as the focal point of hers, and the shows, anguish, heartbreak and young love, Scheib also employs video shot live from her bedroom projected onto at times different screens on the stage so the audience can see, up close, the actor’s reactions to the dramatic dialogue and story unfolding right before our very eyes. And props are cleverly used, especially a car that’s initially being used as a sexual romp between Falco and Sloane (reminiscing about their youth while singing “Paradise by the Dashboard Light”) and the car eventually winds up in the orchestra pit.

    Not enough good things can be said about the cast – they are all superb. Polec looks, acts and sings like a rock star – he’s got the vocal chops to prove he can sing just as well as Meatloaf. Bennington is perfectly cast as the lovely flower love interest Raven, she belts out quite a few numbers and can hold her own. Fowler keeps his head above water in such a talented cast as Raven’s stern and controlling father, but it is the beautiful Sexton as Raven’s mother Sloane who seems to be a natural – you can’t not stare at her when she’s on stage – she’s commanding and wonderful. Also, need to be mentioned are two members of Strat’s gang who end up having a bit of a romance, Jagwire (the wonderful Dam Hartley-Harris) and the amazing Danielle Steers as Zahara who does double duty as an employee of Falco – and she can sing – wow!

    It’s sensory overload in a good way. It’s an assault on your senses – the music, the lights, and the actors – wow – the actors can sing – very very good – like rock stars. They’re all over the place.

    By the end of the show, I was dripping wet from the heat, and I’d almost lost my hearing from the loud music, and my eyes were sensitive because of the strobe lighting used in the show, however, would I go back to see it again? Hell yes!

     

    Bat Out Of Hell is playing at the London Coliseum until the 22nd August 2017

  • RESTAURANT REVIEW | Sparrow, Lewisham

    ★★★★| Sparrow, Lewisham

    In a no man’s land part of Lewisham, there’s a restaurant doing amazing and fabulous things with Sri Lankan food. It’s Sparrow.

    At the end of the road that is Lewisham High Street, behind the Lewisham Shopping Centre, Sparrow sits all alone, facing the DLR and an unsightly massive construction site.

    But step inside and feel the charm and warmth of the staff, and enjoy the food that is different, delicious, and worth the trip.

    Me and a friend went for a Saturday brunch meal on what was one of the hottest days of the year. We immediately ordered cool drinks. I had the delicious pineapple, melon and grapefruit drink that hit the spot, sweet and colourful and yummy – and only £3.50. My friend had a smoothie that was very milky and white, with coconut, with condensed milk and raspberries thrown in, a bit too heavy for my tastes but he enjoyed it and drank it within minutes.

    I had seen a photo online of their pancakes so I knew this is what I was going to have. They were coconut pancakes with peanut caramel and pineapple salsa, with a dollop of sour cream on top, and it was superbly delicious – like nothing I’ve ever tasted before. It’s the bits of pineapple with small bits of peanuts scattered about that give this dish the wow factor – and at only £8 I would definitely order it again. My companion enjoyed his chicken and curry pastry. It was like a pie only smaller, and he said that the crust was nice and light, and it was delicious, and a deal at £8 (it’s not alway on the menu, Sparrow does tend to mix up their offerings from day to day with daily specials).

    We would’ve been remiss if we didn’t try out the typical Sri Lankan dish Appam. It’s a type of pancake made with fermented rice and coconut milk, and comes shaped like a bowl. While I had a plain one, it is recommended that ingredients be put into it as this is a very typical Sri Lanka dish, and Sparrow does offer up various combinations of eggs and other ingredients to include, and not costing more than £6.

    Sparrow also has quite a unique dinner menu. From fried rabbit (£7.5), fennel and blood orange salad (£7), roast pork belly with harissa (£12) and then the malt duck with chilli jam (£13.50) all of which will probably knock your socks off. Along with Sparrow’s nice selection of drinks, Sparrow is perhaps one of the only reasons to go to Lewisham, unless you live there, and if you do indeed live there, you must pay a visit to Sparrow. It delivers delicious food at the right price.

    http://sparrowlondon.co.uk

    2 Rennell Street, Lewisham, SE13 7HD

    0208 318 6941

    Enquiries@SparrowLondon.co.uk

    Hours:

    Dinner: Tue – Sat: 6-10pm

    Brunch: Sat – Sun: 10-5pm