THEGAYUK

Author: Tim Baros

  • THEATRE REVIEW | The Faulty Towers Dining Experience, London

    ★★★★

    | The Faulty Towers Dining Experience, Kingsway Hotel, London

    The Faulty Towers Dining Experience review

    Believe it or not, I’ve never seen an episode of Faulty Towers. I knew that it is a British television institution, a classic, yet I’ve just never got around to watching it (plus I’m a bit too young to remember when it originally aired on television). So I didn’t know what to expect when I went to the Faulty Towers Dining Experience.

    It was hilarious! Taking place in the dining room at Kingsway Hotel in Covent Garden, the Faulty Towers Dining Experience is an interactive and immersive theatre at its best. Of course, there is a meal that’s included in the experience, but it’s all about the show that is unravelling (and falling apart) right before your very eyes as you’re tucking into your leek and potato soup – that is if Manuel hasn’t taken it from you.

    If you don’t know much about the television show, which would be hard to believe, it is about characters in a fictional hotel in the seaside town of Torquay. First off there is owner Basil Fawlty – a true Englishman – and his wife Sybil, who orders him around but she’s the one who wears the pants in the relationship. And then there is Manual – a short in stature Spanish waiter who practically speaks no English and gets the instructions from Basil all wrong. So it’s these characters from the show that you get to ‘enjoy’ your dining experience with.

    The show starts immediately when Basil (played by Benedict Holme) tells Manuel (Anthony Clegg as an exact replica to the Manuel played by Andrew Sachs) to take the glasses away, of course, Manuel takes people’s glasses off their faces and not the drink glasses! Then Basil tells Manuel to pass out the peanuts, so Manuel literally passes out the peanuts. It’s one thing after another, and once you sit down in the Faulty restaurant it’s only a matter of time until Manual interferes with you – he turns your napkin into a bib, tosses rolls around the room, does somersaults, and spends the entire time misunderstanding and misinterpreting everything Basils says. Lucky for us it’s Sybil (Suzanna Hughes) who manages, a bit, to keep the entire dinner from melting into complete chaos! It’s very physical comedy, but it’s also physical for the attendee because you’re laughing very hard and out loud too! It was the unlucky few who found a set of teeth in their soup – gags like this that make the whole thing hilariously fun and funny! No person is spared, and god forbid if you are celebrating a birthday or anniversary – you will get a special gift from Sybil – and boy is it special! It’s an experience that you will not forget – just don’t mention the war!!!

    It was a treat to be transported back to the 1970’s with being part of Fawlty Towers Dining Experience. The trepidation that you might be picked on was real and you almost expect the soup to end up on your lap? Sybil was so like the television character down to the scary laugh, while Manuel was brilliant and made the whole show so very reminiscent of the television snow. What a great way to spend a two and a half hours – to be part of this experience makes me want to watch the television series now.

    Tickets for the Fawlty Towers Dining Experience can be bought here:

    http://www.torquaysuitetheatre.com

    If you have any questions on the show, there is a Frequently Asked Questions on the first page.
    The London shows, held in the Torquay Suite Theatre at the Kingsway Hall Hotel, are held throughout the year, while there is also a version that tours the UK as well as Australia and the rest of the world. Yes, this is how popular this show is – continuously playing much to the delight of the television show’s fans – it’s the world’s most successful comedy dining show of it’s kind and now it’s time for you to experience yourself too!

  • THEATRE REVIEW | Kings Cross [Remix], Camden People’s Theatre, London

    ★★★★ | Kings Cross [Remix], Camden People’s Theatre, London

    Take a journey to 1980’s London, specifically the King’s Cross area, through the storytelling of Tom Marshman, in the new show Kings Cross [Remix]. The one-man show, at the Camden People’s Theatre, is a tour de force performance by Marshman, too young to remember the stories he’s telling, yet he tells them so vividly, with such authority and believability that he makes us actually believe he was there.

    Through the use of video and audio tape recordings of the people who were actually around during those times, Marshman weaves together these stories in a 60-minute show to great effect. He talks about the long gone disco Bagely’s nightclub, the denizens of King Cross including the hookers and the club kids, a unique story about the late and great Leigh Bowery, and grainy video footage of the once popular gay bar and club The Bell (this footage can also be found on Youtube). But Marshman also transports us to this decade when lots of our fellow friends were dying of AIDS, and one audio clip of a man who is a patient representative at a local clinic remembers the days when gay men were diagnosed with GRID (Gay Related Immune Deficiency) and were in their last days as there no hope for them. Marshman also chillingly brings up the arrival of patient zero – the man who introduced HIV into England. This and more is all told with the songs of Donna Summers’ “Last Dance” and lots of other disco classics as the soundtrack, and footage of Jimmy Somerville in his early days who can now be found from time to time drinking at his local bar Central Station. Marshman’s show celebrates a time when the scene in Kings Cross was more fun but also a bit dangerous and not posh as it is now. I

    It’s a great show and Marshman does a very good job in telling these stories.

     

    Kings Cross (Remix) plays at Camden’s People’s Theatre until 26th May.

  • Gay films to be shown at the 70th Cannes Film Festival

    The 70th Annual Cannes Film Festival has started today and will show many films from all over the world, including films that will compete for the prestigious Queer Palm Award.

     

    These films are:

    How to Talk to Girls at Parties, by John Cameron Mitchell (Hedwig and the Angry Inch), stars Nicole Kidman (who is in four films at the festival), Elle Fanning and Matt Lucas and is about a couple of British 1970’s teen-aged boys who go to a party to meet girls, only to find that the girls are very different from their expectations.

    Coby. A 21-year old Ohio woman changes her gender and becomes a boy in this very intimate movie about Coby’s journey to manhood.


    They – Mass Ornament Films

    They is a coming of age drama where ‘J’ has been diagnosed with Gender Identity Disorder and decides to go by the name ‘They’ and then proceeds to take hormone blockers to suspend their puberty. Directed by Iranian Anahita Ghazvini Zadeh.

    Marlina the Murderer in Four Acts. A woman is robbed in her home by a gang but accidentally she kills the leader. She is then haunted by him which in turn completely changes her life. Directed by Indonesian Mouly Surya.

    Nothingwood is a documentary about Salim Shaheen, the most popular and prolific actor-producer of Afghanistan, who makes relentless Z series films in a country at war for more than thirty years. Directed by Sonia Kronlund, who says that Shaheen like a sort of Ed Wood, but on a much grander scale.


    120 beats per Minutes – Les Films de Pierre

    120 beats per Minutes (120 Battlements Par Minute) is a French drama which depicts a group of HIV/AIDS activists associated with the Paris chapter of ACT UP.

    Golden Years premise revolves around newlyweds Paul and Louise as World War I breaks out. Paul, a soldier, maims himself and deserts his post. So Louise dresses him up as a woman called Suzanne, and they hand out in the debauched Paris of the Golden Twenties and he earns quite a reputation for himself. Directed by prestigious French film director André Téchiné.

    Other films to be shown at the festival include:

    -Sofia Coppola’s American Civil War thriller The Beguiled, a remake of Clint Eastwood’s 1971 film, with high wattage stars Colin Farrell, Nicole Kidman, and Kirsten Dunst.

    –Okja and The Meyerowitz Stories are two films produced by Netflix. Okja stars Jake Gyllenhaal and Tilda Swinton about a girl who risks everything to prevent a powerful multi-national company from kidnapping her best friend – a massive animal, while The Meyerowitz Stories stars Adam Sandler, Ben Stiller, Emma Thompson and Dustin Hoffman about siblings dealing with an ageing father.

    Amazon is also in the game with:


    Wonderstruck – Amazon Studios
    –Wonderstruck, starring Julianne Moore and Michelle Williams and tells the story of two deaf children living parallel lives in the 1920s and 1970s, and
    –You Were Never Really Here starring Joaquin Phoenix as a war veteran who tries to save a sex-trafficking victim.
    –Good Time. Robert Pattinson plays a bank robber who struggles to evade the police.
    –Happy End. Isabelle Huppert, fresh from her award-winning performance in Elle, is in this family drama that is set against the backdrop of the European refugee crisis.
    –The Killing of a Sacred Deer. Kidman and Farrell (again) star in this tale of a boy attempting to bring a talented surgeon into his family, with disastrous consequences.
    –L’Amant Double (The Double Lover). Popular French Director Francois Ozon’s thriller about a young woman who falls in love with her therapist before realising he’s not who she thinks he is.
    –A Gentle Closure. A Ukrainian film that tells the bleak tale of a woman trying to learn the truth about a prison in remote Russia.

    The year’s film festival includes 49 films from 20 countries, including nine feature debuts. Kidman will also be seen in a screening of Jane Campion’s television series “Top of the Lake.” The Cinéfondation is the short film section of the festival, to be be presided over by Romanian Director Cristian Mungiu. And Italian actress Monica Bellucci will host the open and closing ceremonies.

    Members of this year’s main jury include gay filmmaker Pedro Almodovar who will be joined by American actress Jessica Chastain, among others. One of the prizes to be given out is the Caméra d’or, awarded for best first feature film (which was won by British Director Steve McQueen in 2008 for Hunger). And the town of Cannes will be taken over by the attendees of this film festival which is a must to attend for anyone in the film industry, and even if you are not, it’s just great to soak up and take in the glitz and the glamour, and it will make you feel like you are really part of something special.

  • THEATRE REVIEW | Room, Theatre Royal Stratford East, London

    ★★★ | Room, Theatre Royal Stratford East, London

    Theatre review of Room at Theatre Royal Stratford East

    The story of a mother and son held captive in a room was so beautifully and emotionally told in last year’s film Room. There is now a stage adaptation of that Oscar-winning film playing at Theatre Royal Stratford East.

    Emma Donoghue, who wrote the book in which the film was based on, also wrote the stage adaptation, and it’s an interesting one. The stage show mimics the plot of the movie, however, more elements are added to it. First off, there’s a narrator who speaks out loud the thoughts of 5-year old Jake (ably played by Harrison Wilding on the night I saw it); it’s Jack’s perspective this show is told from (as in the book); and surprisingly the show is also told via songs – effective at times but a bit inappropriate at other times.

    Room, in case you missed the film, is about a woman and her son who are being held hostage by a man simply known as Old Nick (Liam McKenna). The mother, Ma (excellently played by Witney White), has been imprisoned by him for seven years. Ma and Jack are unable to leave the room, locked in by the man who is Jack’s father who takes his liberties with Ma whenever he wants. And Ma has to be ever so grateful when he brings her and Jack the staples and necessities they need to live on. But it’s Jack who has adapted to living in the room – it’s all he knows. He also knows to hide in the wardrobe when Old Nick comes to visit – it’s these time that the show takes, to great effect, a dark and eerie tone. It’s complemented by the set – a room in the middle of the stage – that cleverly swings around when Nick is ‘visiting’ – so we see Jack’s frightened viewpoint from the wardrobe – which is also his bed – it’s expertly thought out. Jack’s thoughts come via the narration by Fela Lufadeju – Big Jack – who is Little Jacks’ voice and his conscience. It’s narration that at times is cute and funny and at times very serious, but it also does get in the way of the very dramatic story unfolding on stage.

    Without giving too much away, and as mentioned above, the rest of story plays out in similar parallel with the movie, with the second half taking place in a home (as opposed to a room), where Ma and Jack have to adjust to life outside the room. It’s with the help of Ma’s mother (a good performance by Lucy Tregar) that shifts the second half into another gear, a bit slower and less intense than the first, but dramatic nonetheless.

    Room has elements that work and don’t work. Room’s premise is very theatrical, with the whole story being told inside four walls, which this production excellently shows. In the first room there are the items that Jack has named (plant, TV, etc..), then there’s a hospital room, and then on to Grandma’s house, it’s a set superbly designed by Lily Arnold. And there is also excellent use of lighting and visuals on the walls that are characters and images seen through the eyes of a child. The cast does a very good job and it’s a helluva emotional show to be performing seven times a week (three young actors take turns playing the role of Jack). But the use of Big Jack is a device that doesn’t quite work, and some of the songs (music by Kathryn Joseph) in the second half just don’t quite work with the dark theme of the show. Nonetheless, if you loved the movie and read the book, then this is must-see theatre, and only it’s playing until June 3rd.

    Room plays at Royal Theatre Stratford East until the 3rd June 2017. Other dates include:

    Dundee Rep
    13 June – 17 June 2017
    01382 223530
    www.dundeerep.co.uk

    Abbey Theatre, Dublin
    24 June – 22 July 2017
    +353 (0) 1 87 87 222
    www.abbeytheatre.ie

     

  • THEATRE REVIEW | Salomé, National Theatre, London

    THEATRE REVIEW | Salomé, National Theatre, London

    ★★★★| Salomé, National Theatre, London

    Johan Persson

    It was always going to be hard to produce a version of Salomé on the stage. It’s a story that’s mythical, biblical, violent, and perhaps a bit confusing. A new version of the show is now playing at The National Theatre, and it’s executed beautifully.

    Staged by Director Yael Farber, this version of Salomé, at a short 110 minutes with no interval, will mesmerize you but may also confuse you as the story is told through song and dance and imagery and hebrew, and lots of sand and water. But it’s the story of Salomé who was born the daughter of Herodia who was a princess of the Herodian Dynasty of Judea during the time of the Roman Empire. Salomé, as you may or may not know, is infamous for receiving the head of John the Baptist. Played in this show by Isabella Nefar, Salome is not very respected, stands naked on the stage, has sand thrown all over her, but it’s at the end that she’s redeemed and resurrected, but the road to get there is an intense one.

    A character by the name of Nameless (Olwen Fouéré) tells the story of Salomé, as Salomé the character doesn’t speak, and takes place in Roman occupied Judea. She’s yelled at and ridiculed by her stepfather Herod (Paul Chahidi), but finds something, perhaps a kindred spirit, in Iokanaan – John the Baptist (Ramzi Choukair).

    But it’s not just the story, it’s the design of the show, by Susan Hilferty, that takes us on a journey, or perhaps better worded – on a ride – a ride that’s both luminous and heavenly, with lighting that adds mystery and darkness. It’s also the haunting vocals and chanting of Israeli folk musician Yasmin Levy and Syrian soprano Lubana Al Quntar that will take your breathe away. Their vocals that accompany the story told on stage is the most memorable part of the show – their voices are out of this world, and listening to them is well worth the price of the ticket.

    Salomé will be broadcast by NT Live on Thursday 22 June 2017. For further details visit NTLive.com

    Below is a list of connected talks and events for Salomé:
    Acts of Violence and Salomé, Monday 12 June, Cottesloe Room, 2-5pm
    Mothers/Daughters/Sisters, Wednesday 21 June, Cottesloe Room, 6-7pm
    Yaël Farber, Friday 14 July, Olivier Theatre, 6-6.45pm

    To buy tickets, please go here:
    https://www.nationaltheatre.org.uk

  • RESTAURANT REVIEW | Stuzzico, London

    RESTAURANT REVIEW | Stuzzico, London

    ★★★★ | Stuzzico, London


    Do you want to eat food and drink wine that is authentic to the Puglia region of Southern Italy? Then Stuzzico is the place for you.

    Tucked away in a section of London called Connaught Village, steps away from Marble Arch and the Middle Eastern restaurants of Edgeware Road, Stuzzico, as small as it is, is a stand out.

    Luca, one of the proprietors, will great you with a warm Italian smile and will recommend dishes and especially wine that superbly complement each other.
    It’s smallish menu will allow you to try various specialities of the Puglia region, but it all depends on what you fancy; fish, meat and/or pasta. My dining companion and I had a taste of it all!

    We started out with a glass of prosecco and red wine, pretty standard stuff, but the best was yet to come.

    The Octopus starter was well cooked, meaty and cleverly drenched in artichoke sauce – at £13.50 worth every bite. The Malloreddus pasta sausage ragout was uniquely served with shell pasta and was a nice size portion as a starter yet it could’ve used more meat (£14.50). The main courses, however, were stunning. The CONIGLIO, LARDO DI COLONNATA, FAGIOLINI – rabbit – was very tender, a generous portion, and not tough as rabbit usually is. Served with a load of green beans, it was very flavoursome (a bargain at £18.50). The Yellowfin tuna steak (TAGLIATA DI TONNO PINNA GIALLA), was superb. Served as six large slices, it didn’t really taste fishy at all and came with a dollop of the never eaten before black olive sauce and beautifully shredded leak, baby heritage carrots topped with sundried tomato powder, and served warm! The tuna was meaty, fresh, and superb! I highly recommend it. But it was the wine that Luca recommended to go with our main courses that was par excellence!

    I had the Re Manfredi (Basilicata) and it was smooth, sweet and tasted a bit like lemon water. White gold in colour, I enquired where I can buy a whole bottle – it was that good. Luca informed us that this wine, and some others on the menu, can’t be bought at any store in London as he gets it direct from Italy. He has personally sourced wine from Southern Italy – it was very very good!

    Stuzzico’s deserts offer something for everyone. I recommend the blood orange cheesecake – Cheesecake Arancia Rossa E Cantucci – it’s divine. The Cantucci E Vin Santo – almond biscuits – served with raspberries on top with heavy cream, was heavenly.

    There’s a lot more to Stuzzico’s menu – starters include fava beans purée soup, grilled king prawns, tuna tartare, first courses include lobster, and main courses such as monkfish, brill, Tomahawk beef steak, veal and beef fillet with additional sides such as spinach, potatoes, salad, broccoli, and courgettes. And no matter what you order, it’s going to be cooked delicately, with care, and will be very very delicious. This 26 seat restaurant needs to be visited to be tasted, for you need to eat for yourself to see and feel the comforts of Stuzzico’s regional Italian cooking and to meet Luca who’s probably the nicest guy this side of town. Him and co-owner Franco de Todaro are passionate about serving the very best food and wine, and they succeed! Stuzzico is an Italian word which means to tease and to tantalise – and that is exactly what they do!

    Tel: 020 7262 9122

    https://www.stuzzico.co.uk

    Email: stuzzico@stuzzico.co.uk
    Address: Connaught Village,  24 Kendal Street, London W2 2AW
    Tube: Marble Arch, Edgware Rd, Paddington, Lancaster Gate

    Price rating: ££££

    Opening Hours:
    ​Mon to Friday:
    8am – 4pm & 6:30-10:30pm
    Saturday:
    8am – 4pm & 6:30-10:30pm
    ​Sunday:
    9am – 4pm
    ​Closed on Bank Holidays

  • THEATRE REVIEW | When Harry Met Barry, Above the Stag Theatre, London

    ★★★| When Harry Met Barry, Above the Stag Theatre, London

    It’s not When Harry met Sally but When Harry Met Barry at the Above the Stag Theatre in Vauxhall.

    Unfortunately there is no orgasm scene in sight, just a few catchy tunes and a few laughs in a show that is cute and lively and a fun night out.

    Harry (Brandon Gale) and Barry (Sam Peggs) had a ‘thing’ seven years ago, but now TV chef Harry is dating fashion designer Spencer (Austin Garrett) while junior lawyer Barry has hooked up with the quirky yet adorable Alice (Maddy Banks). Spencer and Alice are serious about their relationships with Barry and Harry, respectively, even to go so far as to discuss wedding plans! Gads! But when Harry and Barry accidentally bump into each other, their love and desire for each other is rekindled, enough so that it causes a whole heep of heartache and a breakdown in their current relationships. Set to trendy and memorable musical numbers – very modern and hummable with ‘Why Ask for the Moon’ one of the better songs – When Harry met Barry is a true musical romance with a love triangle that will set your heart aflutter. All adequately sung and acted by the very young cast, with Banks doing a particularly good job in her role as the jilted young woman. It’s got cute music, a goodlooking and energetic cast, and one all too brief scene of two of the sexy actors in their underwear. It looks like Above the Stag theatre has another hit on their hands.

  • THEATRE REVIEW | Angels in America, National Theatre, London

    ★★★★★| Angels in America, National Theatre, London

    Angels In America 2017 review

    It’s seven and a half hours long, and it’s shown in two parts, but Angels in America: A Gay Fantasia on National Themes is well worth a watch.

    Calling it epic does not even describe the show. Now playing at the National Theatre, it is monumental, larger than life, phenomenal, engrossing, but it is in no way too long or too boring – sure it may be a bit complex, but it’s first class theatre. And both parts of the production – Millennium Approaches and Perestroika – really do need to be seen together. And the cast in this current production is top notch – actors you might not be able to see in such a production again in your lifetime. But more on the cast later.

    Unfortunately, Angels in America is totally sold out – it’s been sold out since tickets went on sale, and calling it the hottest ticket in town is an understatement (the upcoming Hamilton may come close, but Angels is in a limited run, only up until August 19th). So If I were you, I would do anything to get a ticket. But more on that later.

    Angels in America has won almost every theatre award up for grabs. Written in 1993 by Tony Kushner, it has won the Tony and Pulitzer Prize awards, and both parts were performed in London in the early 90s. What is it about? Well, first and foremost it’s about AIDS in New York in the 1980s – that horrible decade when friends were dying right and left, disappearing only never to return. There was no cure, and when people started to see purple lesions on their skin, they knew that it was all over. But Angels in America is also about so much more. It delves deep into relationships that we have with each other and especially with ourselves, it deals with power, greed, lust, lies, betrayal as well as fantasy, ecstasy, religion and last but not least life (notice that I did not mention death). The show is complex only in that it goes off into the deep end at times for the necessity of one of the characters. Angels is also still very timely, as it touches on immigration and discrimination based on heritage – themes we are seeing first hand in the much-changed political climate that we now live in.

    Andrew Garfield is Prior Walter – and he’s got AIDS. He’s good looking yet very thin and has the tell-tale signs of the disease (Kaposi’s Sarcoma). James McArdle is Louis Ironson, his boyfriend who’s having a hard time dealing with Prior’s illness. Then there’s Joe Pitt (Russell Tovey), who is married to Harper Pitt (Denise Gough). The Pitt’s are Mormons from Seattle and live in Brooklyn. Harper Pitt has problems, she’s agoraphobic and has hallucinations. Joe, a clerk in a law office, is deeply closeted.

    Then there is Roy Cohn (Nathan Lane), a notorious ruthless lawyer who happens to be gay but doesn’t quite believe it himself and definitely doesn’t want anyone to know this. So for over seven hours, we go on a ride with these characters as Angels in American puts them, and us, through a rollercoaster of emotion and drama. Louis is unable to care for Prior and walks out on him at the moment that Prior needs him most. Louis strikes up more than a casual friendship with Joe as they both work at the same law firm. Meanwhile, Joe, who becomes more than a bit friendly with Cohn his mentor, eventually falls in love with Louis. Meanwhile, Prior (and eventually Cohn) are taken care of by nurse Belize (Nathan Stewart-Jarrett). But all’s not right in Prior’s life – he’s seeing angels, angels that are trying to tell him a message, angels that are a response to his illness, yet there’s not much these angels can do for him except only to be by his side (or to fly over him)… they’re helpless just as much as he is. There’s also a crisis in the Pitt home – Joe’s mother sells her house in Utah and goes to Brooklyn to look for her son who has just announced to her that he is gay. And Cohn can’t accept the fact that he’s got AIDS – he informs his doctor that it’s liver cancer that he’s got. And Belize turns out to be the real angel in the show – taking care of the dying, the ones who don’t accept the fact they’ve got AIDS and the ones who are way too young to die of AIDS.

    Angels in American deals with a dark time in gay history – the AIDS plague. Conservative President Ronald Reagan didn’t help matters. He did nothing about the disease, Rock Hudson had just died, and the stigmatisation of the disease pretty much erased all the gains that the homosexual community had achieved in the late 1960s and 1970s. But in this retelling, and for those of us old enough to be around where all this actually happened, it takes us back to the time when there was nothing we could do for our friends dying of the disease but to just hold their hands and watch them die. And Angels in America takes us back to those horrible time. It’s a credit to the story and the production that the performers excel in their roles and take it to the next level. Garfield has a field day playing Prior – he’s in agony because he’s dying and because Louis has left him – and Garfield gives it his all and succeeds enormously. Lane was made to play Cohn – caustic yet not a bit remorseful, even after the ghost of Ethel Rosenburg practically stands over him waiting for him to die. Lane is just simply superb. Tovey – in his biggest stage role yet – doesn’t disappoint. His Joe Pitt is vulnerable yet determined to be who he’s supposed to be, and he accidentally falls in love with Louis yet is still in love with his wife, and Tovey is very believable every second he is on stage. Stewart-Jarrett, practically an unknown, holds his own with the acting heavyweights on the stage. His nurse and friend Belize

    Russell Tovey in Angels In America 2017 review

    It’s a credit to the story and the production that the performers excel in their roles and take it to the next level. Garfield has a field day playing Prior – he’s in agony because he’s dying and because Louis has left him – and Garfield gives it his all and succeeds enormously. Lane was made to play Cohn – caustic yet not a bit remorseful, even after the ghost of Ethel Rosenburg practically stands over him waiting for him to die. Lane is just simply superb. Tovey – in his biggest stage role yet – doesn’t disappoint. His Joe Pitt is vulnerable yet determined to be who he’s supposed to be, and he accidentally falls in love with Louis yet is still in love with his wife, and Tovey is very believable every second he is on stage. Stewart-Jarrett, practically an unknown, holds his own with the acting heavyweights on the stage. His nurse and friend Belize

    Stewart-Jarrett, practically an unknown, holds his own with the acting heavyweights on the stage. His nurse and friend Belize is practically the glue that holds the other characters together – and Stewart-Jarrett does it so sarcastically and beautifully. A star is born. McArdle is adequate – he’s got a lot to do and say and it’s perhaps one of the hardest characters in the show as so much centres around him – and McArdle just about succeeds, but less so Gough as Mrs Pitt who doesn’t quite wow us as the others do. Other notable performers include Susan Brown as Harper Pitt, Joe’s mother, and especially Amanda Lawrence, who plays the Angel, a nurse, a homeless woman, and a Sister, among others, is there nothing this talented performer can’t do?

    Of course, the sets and music are all amazing, and director Marianne Elliott brings it all together in excellent fashion – but it’s all about the acting (and the message) in Angels in America, the message is loud and clear – this show is history in the making and relevant to all of us now, even 25 years after it was written.

    The National Theatre is running a ballot for £20 tickets so I urge you to give it a try. There are two ballots left:

    Ballot no.’s 4 and 5
    Show dates included in the ballot: 11 Jul – 29 Jul and 2 Aug – 19 Aug
    Ballot opens at midday on: 26 May and 30 Jun respectively as per the dates above

    You’ll need to log-in to your National Theatre account or create an account to register for the ballot, you can do so here:
    https://www.nationaltheatre.org.uk/angels/login?destination=node/5066

    Also, Angles in America will be broadcast live to cinemas around the UK and internationally. Part One will be broadcast on 20 July and Part Two will be broadcast on 27 July. For more information and to buy tickets, please go here:
    http://ntlive.nationaltheatre.org.uk

    Photos by AiA Perestroika Production Images (c) Helen Maybanks

  • RESTAURANT REVIEW: VQ Restaurant – Bloomsbury

    RESTAURANT REVIEW: VQ Restaurant – Bloomsbury


    ★★★★ | VQ Restaurant – Bloomsbury

    There are greasy spoon diners and then there are nice upscale diners. VQ restaurant is the later and it’s the perfect place for a meal anytime of the day.

    I’ve been to the Bloomsbury location many times for dinner, but hadn’t been there yet for breakfast. So on one very sunny Sunday morning, me and a friend hopped over to Great Russell Street to experience the breakfast on offer there.

    And VQ doesn’t just offer breakfast only in the mornings, it’s breakfast menu is of the 24 hour variety – so anytime you feel like eating breakfast VQ will satisfy your craving. But in the Sunday morning we went, the restaurant was very busy with a mix of tourists (The St. Giles Hotel is right upstairs), locals, singles and families, all enjoying their breakfast.

    We were lucky enough to get a seat in front – their floor to ceiling windows are perfect to watch people walking by – whether tourists looking for the British Museum or healthy and fit gym bunnies going next door to the YMCA.

    I desperately needed a cup of coffee, and Jessica the manager delivered it pronto. The brand was Musetti (which I’ve never seen served anywhere before), and it is a perfect blend with a nice flavor, so I ended up having two of them, black. But of course the visit was also all about the food. I had one of the most delicious omelette I’ve ever had. The Spanish Omelette had everything I wanted in an omelette (chorizo, potatoes, tomatoes and onions) and it was perfect. I asked for it to be cooked a bit well done, and that’s what I got! (That almost never happens when I order eggs – they always arrive runny!) And at £8.50, the omelette is good value because it’s quite big and very filling. My breakfast companion very much enjoyed her scrambled eggs, smoked salmon with granary toast – it was very healthy, was a generous portion, and was very inviting – and she said it was very very good! And at £9.50 – good value for the huge portion of salmon on the plate. We also decided to share the buttermilk pancakes. There were three, scotch pancake size (We were disappointed that they were not American style – very large and fluffy), but served with fruit and a large portion of bacon, they were good and adequate. It was the very lovely Monin syrup (syrup that you normally get with coffee) that, when added to the pancakes, gave the pancakes an extra flavor and a kick, and with a price tag of £7.50 it was an adequate price. Other breakfast items that might take your fancy include Bubble ’N’ Squeak (£7.95), Veggie breakfast which comes in two sizes (£6.95 and £10.95), Baps, as well as Eggs in various dishes – Benedict, Florentine, and Royale – plus don’t forget their English Breakfast (two sizes depending on how hungry you are – £7.50 or £11.50) – and you can also have them make your own omelette with ingredients of your choosing! So something for everyone. And you must must try their lovely Fruit Salad, served with yogurt & honey – it’s a massive serving at only £6.50.

    If coffee or tea isn’t your thing, then perhaps try one of their breakfast cocktails. Bloody Mary £6.95, Mimosa £5.95, Punch Bellini £6.95 or a yummy Breakfast Margarita (with orange marmalade) will be the perfect starter to any meal! Of course, juices, soft drinks (and beer and wine if you fancy) are on the drinks menu as well.

    But what sets VQ apart from the other is that 1.) it’s open 24 hours, 2.) it’s in a perfect location as it’s only one minute away from Tottenham Court Road Station and 3.) the ambience is just about perfect whether you prefer to be exposed and sit in a table up front or in the middle of the restaurant or perhaps sit in one of the many private and semi-dark booths for some clandestine rendevous, and last but not least 4.) the food is absolutely delicious and the service is excellent. With three locations to chose from (including Notting Hill and the newly reopened Chelsea location), and look for an Aldgate branch coming soon.

    My breakfast companion added: VQ, with its floor to ceiling windows and well spaced layout creates a light, airy ambience, whilst providing straightforward but well executed options on a varied menu. The competitive prices, well sized portions and importantly, delicious food, would certainly encourage me to revisit, and the unique selling point of the place being open 24 hours a day is a further bonus. Definitely my favourite breakfast so far in 2017.

    Reviewed by Tim Baros

    Telephone: 020 7636 5888
    Website: vqrestaurants.com
    Email: bloomsbury@vqrestaurants.com

    Hours:
    7am every weekday morning (8am Saturday & Sunday) until 3am on Thursday-Saturday, 1am on Monday-Wednesday and midnight on Sunday
    Bloomsbury – 111A Great Russell Street London WC1B 3NQ – 020 7636 5888 – 24 hours
    Chelsea – 325 Fulham Road London SW10 9QL – 020 7376 7224 – 24 hours

    Photos by Samphire Communications

  • FILM REVIEW | Four Days in France

    ★★ | Four Days in France (Jour de France) is basically one very long advert for Grindr.

    One man uses the app to find his missing partner – in the middle of France! I can’t even find a shag in my own neighbourhood much less find someone in the middle of nowhere. But that’s the premise of this film, very far fetched and not quite durable.

    Pierre (Pascal Cervo) up and leaves his partner Paul (Arthur Igual) in the middle of the night with no explanation whatsoever – he just gets in his car and heads out of town. Pierre drives and drives and drives and uses Grindr to hook up with various men along the way – to nowhere.

    He also encounters all sorts of people, including taking a man’s photograph on the very snowy border between France and Italy, is then yelled at by a woman who is tired of gay men using her neighborhood as a cruising area, and a much older man who refuses sex because Pierre smells (he’s been sleeping in his car). What is Pierre’s motivation for doing this?

    This very long 127-minute film doesn’t give us a clue. Paul, meanwhile, is hot on the trail looking for him and narrows his search by using Grindr. It’s only a matter of time (a very long time) until the predictable happens, but before we are expected to believe that they both picked up the same woman on the side of the same road and had the same conversation with her (she tells both of them that they look depressed), and that Pierre goes out of his way to deliver a package to a woman who lives high up on a mountain because one of his shags asked him to do so. Really?

    Writer and director Jérôme Reybaud really tests the viewers’ endurance as some of the driving scenes are way too long and this film could’ve been cut by at least 45 minutes. It’s a bit of an indulgence that Reybaud puts us through this journey, it’s a journey that’s very unbelievable and the payoff it not even worth it. And while there is only one hot hookup in the film, it may be better that you spend your time looking for sex in the middle of France, because according to this film there are lots of lonely and sexually frustrated men there, and all are on Grindr.

     

  • FILM REVIEW | Heal the Living

    FILM REVIEW | Heal the Living

    ★★★★ | Heal the Living

    Heal the Living (Réparer les vivants) deals with a tragedy that changes the lives of two families – it’s very sad and very dramatic like most French films are, but it’s also well acted and well told.

    It deals with the delicacy of life, family, relationships and decisions that need to be made in a tragic time. Teenager Simon (Gabin Verdet) is experiencing his first true love, but when he and his friends get into a tragic car accident it’s up to his parents (Tahar Ramin and Emmanuelle Singer – both very good) to make a heartbreaking decision.

    Meanwhile, Claire Méjean (Ann Dorval) needs a new heart, and while she is waiting she can feel her life ticking away. She’s got two grown boys, and she loves them very much. But without a new heart, she doesn’t have much time to live. So Simon’s tragic accident has very sad consequences for one family but the opposite effect for another family – in a film that is both beautifully and delicately told. Heal the Living, directed by Katell Quillévéré, will leave you in tears. It’s hard hitting yet it comes with an excellent original story (Maylis De Kerangal and Katell Quillévéré) and superb performances all around.