THEGAYUK

Category: Review

  • REVIEW | Vista Bonita Gran Canaria

    If you’re looking for a gay stay in Gran Canaria then Vista Bonita should be on your priority list.

    Gay-only vacations aren’t for everyone. The thought of staying in a gay hotel or gay apartment might not be to everyone’s taste – it wasn’t mine until I stayed at Vista Bonita near Maspalomas in Gran Canaria – and then my opinion changed. We ended up visiting twice – in one year.

    Vista Bonita is a set of simple but perfectly formed one bedroom apartments set around an outdoor pool on the outskirts of Maspalomas and around a 2-mile walk or 10-minute cab ride to the gay epicentre of Yumbo.

    Gran Canaria, which is located a hundred and fifty miles off the north-west coast of Africa, has long been accepted as one of the most gay-friendly holiday spots in the world, and with all-year round good weather it’s just a four and a half hour flight from the UK, you’re pretty much-guaranteed sunshine.

    English is widely spoken and the locals are incredibly friendly and accepting.

    Vista Bonita offers two styles of apartment, although they are all essentially the same floor plan. You have a standard duplex and the deluxe. They both offer a living room and equipped kitchenette as well as a first-floor bedroom. Each apartment has two toilets – and one which comes with a bath/shower. All have terraces overlooking the swimming pool or the lush gardens towards the back of the complex.

    The deluxe duplex offers the extras including a welcome fruit selection and alcohol. There are other extras as well.

    A word to the wise and an insider tip. Although a pool view might seem nice (in fact it can be at times very interesting – because some guests take full advantage of a clothing optional acceptance) it can be very noisy – especially at night when those who have partied at Yumbo for too long come back and think it’s a great idea to start a pool party at 3 AM. Although this is not permitted by hotel management, it did happen almost every night we stayed on our second visit. So ask for a room in the garden section – which is further away and offers a little more privacy.

    Flight time from the UK around 4 and half hours- with legacy and low fare carriers all serving the Island.

  • TV REVIEW | Against The Law

    As part of their Gay Britannia season, the BBC commissioned Against The Law, a docudrama of some of the events leading up the Wolfenden report, which paved the way to the partial decriminalisation of homosexuality in the UK.

    TV REVIEW | Against The Law

    Against The Law is a docudrama by filmmaker Fergus O’Brien, based on the true story of Peter Wildeblood played by Daniel Mays, a writer and journalist for the Daily Mail, who was charged and imprisoned for homosexual acts in 1954, following an affair with a military man (Richard Gadd). At the time, gay men were being arrested in their droves, police raids were regular and the shaming of men for their lifestyle was rife.

    The punishment for those found guilty was prison time and gay cures offered, by professional medical staff, to those who wished to drive the gay out of them. The cures offered included electrical and chemical aversion therapies.

    The law made it almost impossible for gay men to lead honest, open relationships with each other as demonstrated in Wildeblood’s story. His personal love letters to his boyfriend were used against him in evidence of his so-called crimes.

    After his incarceration, he was the only openly gay man to testify in front of the Wolfenden committee, the committee that was, eventually, instrumental in the decriminalising of homosexuality in the UK.

    Interspersed with the drama were the true life stories from men caught up in the cruelty of the British legal system. They share their heartbreaking stories of fear, longing for acceptance and reclamation of their stolen lives.

    Utterly captivating and desperately sad, Against The Law, is a history lesson everybody in the LGBT+ community needs to learn.

     

  • THEATRE REVIEW | Dirty Dancing, Princess Theatre Torquay

    ★★★ | Dirty Dancing, Princess Theatre Torquay

    Set in the 1960’s, Frances “Baby” Houseman goes to Kellerman’s holiday camp with her family. She befriends the staff of the camp and develops a crush on charismatic dance teacher, Johnny Castle. When Johnny’s dance partner cannot perform at a show at a local hotel, Baby steps in to ensure that they do not lose their jobs. But as Johnny and Baby rehearse, they fall in love and learn more from each other than just the dance moves.

    Based on the hugely popular film of the same name, Dirty Dancing hits the stage with a show which follows the story of the film very closely, with the bulk of the script being comfortingly recognisable from the film. There are some additional scenes thrown in, which mainly expand on the political changes in the 60’s and some which flesh out the relationship between Baby and Johnny; whilst the show’s music came from a combination of both live and pre-recorded tracks, including “Hungry Eyes”, “Love Man” and “(I’ve Had) The Time of My Life”

    Katie Eccles and Robert Colvin took the lead roles of Baby and Johnny, and had some chemistry between them; and they were supported by a broadly competent cast of singers, dancers and musicians. Unsurprisingly, the dancing was better than the acting, but given that the show’s main focus is the musical numbers it doesn’t cause too much of a problem.

    The show has been given a major overhaul and is all the better for it. This production has a vibrant lighting design and has ushered in a luxurious, well designed and thoroughly detailed set which transform smoothly without ever interrupting the story; whilst the show has been sexed up a little with a few more bare chests and muscular arms on display. Overall, the production values here are very high and very impressive.

    But where the show really succeeds is in its ability to bring the movie to life and recreating it on stage. All of the familiar lines, plot points, dance routines and songs are there and there is something very comforting about watching such a faithful recreation of the movie. For those who have not seen the film, the show is a good introduction to the world of Kellerman’s. For established fans of the film, the show will be hard to beat.

    Dirty Dancing is playing at the Princess Theatre Torquay until 5th August 2017

    • Review taken from the Sheffield Theatre production

  • THEATRE REVIEW | The Play That Goes Wrong, Marlowe Theatre Canterbury

    ★★★★★ – Dangerous, jaw-dropping and comedy genius!

    Mischief Theatre, in role as The Cornley Polytechnic Drama Society, brought to the Marlowe Theatre in Canterbury stage an uproariously funny murder mystery entitled The Murder at Haversham Manor and it went south, literally.

    The Play That Goes Wrong was a comedic masterpiece, like its successor Peter Pan, Goes Wrong, with dangerous and risky tricks that left audiences clutching on to their seats as pieces of stage fell off and got thrown around, sometimes missing the actors by inches. The actors were so efficient in everything they did, from balancing three objects across two body parts, to expertly delivering their lines while dodging canvasses, candelabras and each other. What was sublime about The Play That Goes Wrong was that if ever you have seen an amateur, or a badly produced professional, play, this show embodies the different mistakes and disasters that have occurred in the former shows. There’ll be a moment where you cannot help but recall a bad production where sets had fallen down or actors had genuinely forgotten lines and asked for “line” throughout entire speeches.

    Jason Callender who plays Jonathan playing Charles Haversham was brilliant. His gag was always turning up at the wrong point in the play, revealing the ending every time. It was very comedic, too, when Jonathan was rarely allowed to play dead, for actors clumsily walked on him, sat on him, or fell on him. He made the audience laugh at his every entrance, and I chiefly loved his sneaking off stage wriggling subtly on the floor as if to kid the audience that we couldn’t see him depart. Patrick Warner who plays Chris playing Inspector Carter was a comedy genius. Every reaction was crafted to perfection, and his lines were well-timed with the action. The audience hung on to every word he said. He played the director too, so it was particularly hilarious when, under his breath, he would mutter a direction to understudies that had come on to fill in for a part. Ham acting is a feature often prominent in amateur murder mystery productions, and Alastair Kirton playing Max playing Cecil Haversham did a sterling job showcasing this. Max’s sawing the air with his hands and over dramatising his role while stopping to smile as the audience laughed during one of his lines, was incredibly entertaining. When Max changed role to be the Gardener he flashed his clothes to tell it was still him, and that he had returned, but as a different character. Absolutely hilarious. Lastly, Natasha Culley as Sandra Wilkinson enacting the role of Florence Colleymoore was a treat. Sandra was everything that had ever gone wrong with acting all sewn together in one actress. Her ticks, shallow demeanour, and not able to improvise without direction, was a great feast for the senses. Her overproduction of movement as she spoke, too, was hilarious. Overall, each cast member contributed to one of funniest nights I’ve had this year.

    The Play That Goes Wrong was especially entertaining for the set was a safety hazard, as the study, built atop of the drawing room, with no rails or support, collapsed gradually while the actors were still on there. It eventually fell down while an actor was under it, but the dexterity by which the actors moved and positioned themselves, made the accidents sort of safe, and we could exhale once again.

    Mischief Theatre is like Alton Towers, you queue to get on, you get several scares, and then you want to hop on again and again.

    The Play That Goes Wrong is playing at the Marlowe Theatre, Canterbury until 5th August 2017

  • THEATRE REVIEW | The Marriage of Kim K., Areola Theatre, London

    ★★★★ | The Marriage of Kim K.

    For a different night at the theatre, go see “The Marriage of Kim K.”

    Yes, you read that right. The famous opera “The Marriage of Figaro” has been modernised for the 21st century in a show now playing at the Arcola Theatre – it’s a show that reflects our appetite for all things reality. And there is no bigger reality star than Kim Kardashian. But the “Marriage of Kim K.” goes a bit further, it specifically looks at Kim K.’s 72-day marriage to American basketball star Kris Humphries in 2011. And this segment of their marriage is interspliced with a modern day couple watching television and a third couple actual performing scenes from “The Marriage of Figaro” opera. It’s a bit unusual, yes, but it works.

    For 90 minutes, all three couples have their moment. Kris (James Edge who plays the tall and dumb athlete very well) can only think of one thing – sex – with Kim K. (Yasemin Mireille – who’s got a butt to rival Kim K.s’). And newly-qualified lawyer and Keeping Up With The Kardiashian’s-watching fan Amelia (Amelia Gabriel – very good) and her yet to be successful songwriting husband Stephen (Stephen Hyde – good as well), and by the way who are a couple in real life, are all lovey dovey then bicker about her KUWTK addiction. And Emily Burnett (excellent) plays Countess Almaviva while Nathan Bellis (good) is Count Almaviva. The differences in their background – he comes from aristocracy while she has a less privileged background – causes rifts and tension in their marriage. And the finale of this show takes off in a crescendo-exploding battle of the singing divas and divos as they all fight to save their marriages (except Kim K. because before the end of her marriage to Kris she had already met Kanye West). And we all know that it took Kim and Kris two years to actual get their divorce final because Kim wanted an annulment while Kris wanted an actual divorce.

    Hyde, who wrote the music, and Leo Mercer, story and lyrics, have created a unique and timely piece of theatre that is innovative and timely. It’s very unique and is much more interesting that anything the Kardashians get up to themselves.

    The Marriage of Kim K. is part of Arcola Theatre’s Grimborn season, where bold new versions of classic operas, rarely-seen and long forgotten works, are being presented until September 2, 2017

    Get more information about Arcola Theatre

     

  • FILM REVIEW | The Big Sick

    The Big Sick | ★★★★

    An unusual romance blossoms between a Muslim comedian and a white American woman in the new light-hearted comedy The Big Sick.

    The not funny title is completely intentional because halfway through the film Emily (Zoe Kazan) gets really sick and falls into a coma. But before this, we see the beginnings of a romance (and the breakup) between her and aspiring comedian Kumail (Kumail Nanjiani). Even though they come from two totally different backgrounds, they fall head over heels with each other after Zoe heckles him at one of his shows. But it’s when Zoe is diagnosed with a mystery illness, and after they break up, that Kumail decides that he really wants to be with Zoe, but he’s got to share her hospital room with her parents (Holly Hunter and Ray Romano, who are both excellent). Meeting her parents for the first time in the hospital tests him and his love for Zoe, but it’s also her parents who have to do some soul searching themselves because they are not quite yet able to accept a Muslim man as their only daughter’s boyfriend. And to make matters worse for Kumail, his family insists he marry a Muslim girl with his mom constantly inviting single Muslim women over for dinner and tells Kumail that ’they happen to be in the neighbourhood.’ Kumail has lots of dilemmas in his life.

    The Big Sick is the true life story of Kumail and his real life wife (Emily V. Gordon), who had become very sick when they were dating, and this is where the story of this film comes from (they co-wrote the script together). Directed by Michael Shwalter, The Big Sick is a very funny and light hearted comedy that will tug at your heartstrings. And it’s Nanjiani (from television’s Silicon Valley) who lays his heart out and lets us in on his real life relationship that has now been turned into a very good romantic comedy.

    Available to order from iTunes and Amazon

  • FILM REVIEW | Captain Underpants: The First Epic Movie

    A cheeky children’s series of novels has now been turned into a gleeful and silly animated film. It’s Captain Underpants: The First Epic Movie.

    Yes, in case you weren’t aware of this popular children’s book series by Dav Pilkey, it has our superhero fighting crime wearing a cape and his white underpants – Y fronts. But he’s actually the creation (and from the imagination) of George (voiced by Kevin Hart) and Harold (Thomas Middleditch), 4th-grade friends and next door neighbours. They are king of the pranks at their elementary school so it’s no surprise that when principal Benjamin Krupp (Ed Helms) threatens to separate them, they, through their self-created comic book, and after one unfortunate prank that goes wrong, turns Mr Krupp into Captain Underpants! But the boys want to keep Mr Krupp in his superhero kit so he doesn’t turn back into the mean principal who is going to separate them. But they can’t keep him wandering around town in his underpants all the time. They also have to deal with the nerd inventor prodigy Melvin (Jordan Peele) as well as the new mad science teacher Professor Poopypants (Nick Kroll), who is up to his own evil plans.

    For the little boy in you (and that would be boys who will surely find this animated film funny, as it’s pretty much that kind of humour), but the rest of us will shake our heads at the silliness of it all.

    If this is the first (as per the name of the movie) in a series of more Captain Underpants movies, I’m not too sure it’s going to be a good thing.

  • THEATRE REVIEW | The Curious Incident Of The Dog In The Night-Time, Liverpool Empire

    ★★★| The Curious Incident Of The Dog In The Night-Time, UK Tour

    REVIEW | The Curious Incident Of The Dog In The Night-Time, Liverpool Empire

    Christopher Boone, a 15 year old boy, discovers that his neighbour’s dog, Wellington, has been killed by someone (the poor dog having been stabbed with a garden fork), and sets off to find out who the culprit is. But Christopher has Asperger’s syndrome, which makes his perception and functioning very different to other boys his age and as the truth behind Wellington’s death starts to be revealed, it leads Christopher to embark on a remarkable adventure.

    The show is based on the hugely successful book by Mark Haddon and has been a West End and Broadway hit. Utilising a virtually empty stage, the presentation of the show was intriguing, using screens on the back and sides of the stage, almost framing the show in a cube, reflective of Christopher’s constraints in his functioning. Lights flicker like the firing of neurons in his brain, and black and white projections are used to show both his thought process and to set the scene. The show, like the book, is written from Christopher’s point of view and the presentation effectively places the audience members squarely into the centre of his mind and thoughts. The simplicity of the set is reflective of the way in which Christopher perceives the world and worked very well. There were pieces of carefully choreographed movement throughout, and the scene where Christopher arrives in London and is overwhelmed by the overstimulation of his environment is very well done. In this show, less certainly is more, and the monochrome set nicely mirrored Christopher’s rather binary thinking.

    But placing the style and presentation to one side, the most impressive aspect of the show was the central performance of Scott Reid. Reid’s portrayal of Christopher Boone was highly accomplished – mixing the complexities of the characters personality, his physical traits and a childlike innocence which combined to provide a rounded and believable performance

    The show, and in particular, the first act, is very well written, with a script which imports large chunks of text from the book to provide a faithful adaptation of the source material. Despite being bleak at times, the show was filled with gentle humour; and created a world with a myriad of characters that come in and out of Christopher’s life which nestle alongside the well-crafted moments of dramatic tension and emotionally powerful scenes.

    The show has won a slew of awards, including 7 Olivier Awards and 5 Tony Awards, and it is easy to see why. There is a lot of depth to the play, exploring the adult world of interpersonal relationships through a simplistic and innocent perspective.

    The Curious Incident of the Dog in the Night-time is playing at the Liverpool Empire until 29th July

    • Review taken from Sheffield Theatre production.

  • THEATRE REVIEW | The Wedding Singer, Llandudno Venue Cymru

    ★★ | The Wedding Singer, Llandudno Venue Cymru 

    THEATRE REVIEW | The Wedding Singer, Sheffield Lyceum Theatre

    Robbie Hart is a popular wedding singer who has his belief in love shattered when he is jilted at the alter by his fiancé. But as he has promised to sing at the wedding of affable waitress Julia to her sleazy, materialistic boyfriend, Glenn, he spends his time helping her prepare for her big day. But amongst the gift registry and dress shopping, the two of them slowly fall for each other, and as Julia’s big day approaches, will they both find the courage to tell each other how they feel?

    This 80’s set musical is based on the film of the same name and is packed with a full list of original songs, a smattering of ensemble pieces and a rapping granny. In terms of the cast, Ray Quinn (X-Factor) stood head and shoulders amongst the performers, with a good performance as Glenn, whilst Cassie Compton (X-Factor) and UK Eurovision singer Lucie Jones provided competent support and, to their credit, some superb singing.

    But aside from a handful of good performances, sadly, the whole thing just simply didn’t hang together. The onslaught of songs became intrusive to the progression of the narrative, the clunky and cumbersome set changes interrupted the flow and the show overall fell somewhere between lacklustre and dull. Add into that an incredibly cringe worthy seduction scene between Robbie and his ex-fiancé, a significant lack of chemistry between the two leads and some borderline offensive stereotypes of gay men which felt more like ridicule than parody and you have a rather disappointing production.

    But where the show really lets itself down is in its lack of an 80’s feel, especially given that the decade is ripe for the picking in terms of its cultural identity.  Part of the charm of the film that the show is based on is its nods to the decade, from the fashions to the music; something that is noticeably missing from this show. It takes more than a randomly placed Rubiks Cube, a Sony Walkman and a reference to the size of a mobile phone to set the 80’s scene. But the biggest omission is that the original songs didn’t have even a tinge of 80’s synth pop to them and were so generic that, on the whole, they could have come from any musical set in any decade; whilst the costumes missed the opportunity to fully exploit the decade that fashion forgot.

    The show did finally come alive during the last scene and the curtain call, but it was far too little far too late, and couldn’t avoid the show receiving a rather muted reception from the generally unimpressed audience.

    The Wedding Singer is currently playing at Llandudno Venue Cymru until 29th July 2017

    • Review taken from the Sheffield Production.

     

  • FILM REVIEW | War For The Planet Of The Apes

    WAR FOR THE PLANET OF THE APES – The third and final part of the revamped ape apocalypse trilogy and this time the humans are definitely the bad guys in an all out battle royale for dominance of the position at the top of the food chain and planetary dominance.

    FILM REVIEW | War For The Planet Of The Apes

    Nutshell – The story of Caeser who we have followed from domesticated scientific experiment to the leader of the ape population in the forests above San Francisco and beyond. After a skirmish where the apes bear insufferable losses they decide on a massive exodus to safer climes. Unfortunately, the humans want the ape threat destroyed for good and a huge new baddie in the burly shape of Woody Harrelson’s The Colonel is in their way leading to the ultimate showdown as the two species go for World War Three.

    Running Time – A bum numbing 140 minutes; Certificate – 12A.

    Tagline – ‘For Freedom, For Family, For The Planet’

    The Gay UK Factor – Unless you are into bestiality or have a thing for bears over at XXL or BRUT hairy men’s clubs then it is down to the humans and luckily there is loads of them and everyone is in uniform. There is a lot of muscle here and it is all sweating and grunting a lot, our top three military men were Chad Rook, Dean Redman and Steve Baran – drop and give us twenty as we will be lying underneath.

    Cast – Woody Harrelson is the main human draw and all the other main actors are green screen/motion capture monkey performers all covered in lycra golf ball suits and digitised out. Lead by Andy Serkis, Tony Kebbell and animal character specialist Steve Zahn.

    Key Player – These are Andy Serkis’s movies and he is almost in every scene here. You start to forget he is a human on a sound stage and get drawn into the incredible emotional arc he goes through here from extreme grief, through anger, leadership, cunning, despair and a trilogy climax that will leave you emotionally wrought.

    Budget – $150 Million the priciest ape film of all time and clearly it has been money well spent judging by its strong Box Office. This title will probably continue somehow in a new direction to keep reaping the cash in.

    Best Bit – 0.15 mins; A great nighttime waterfall fight scene which sets up the events of the whole movie and establishes exactly how much of a total bastard and probably hard shagging top the Colonel is.

    Worst Bit – 0.57mins; The introduction of the biggest new monkey character ‘Bad Ape’ largely for comedy purposes than any plot development is annoying in a poor man’s Gollum sort of way.

    Little Secret – The entire film seems to form a bridge between its obvious predecessors and the original Charlton Heston series of movies from 50 years ago. Names of characters, references to the atomic bomb, production values, the introduction or a de-evolving disease in humans etc all have a purpose in this and pay special attention to the Orang Utang who seems to be the biggest link of all. The attacking soldiers in the big battle here are fully covered from head to toe and the director has indicated that this may be because they are apes which will blow everyone’s concepts apart.

    Further Viewing – There are 8 other ape movies (And a great cartoon TV series) to enjoy or endure depending on which you pick ranging from the superb original in 1968 or alternatively beneath, conquest, dawn, battle, rise or escape basically any verb you choose to put in front of the ‘Planet Of The Apes’ monicker but avoid the Mark Wahlberg one at all costs.

    Any Good – The modern trilogy has been consistently good and this is probably the best yet and the perfect closer to this set of films. We know there will be more probably spin off’s or further tales of other groups but this story is done and Serkis has left the franchise… but as he was a digital character all bets might be off on that.

    Rating – 72% out of 100

     

  • THEATRE REVIEW | An American In Paris, Dominion Theatre, London

    ★★★★★ | An American In Paris

    THEATRE REVIEW | An American In Paris, Dominion Theatre, London

    Post war Paris 1945 and there’s a definite mood for love in the air after the desolation of World War II. Handsome American soldier and aspiring artist, Jerry Mulligan is eager to experience all that Paris has to offer and is quickly smitten with Lise, a young ballerina with a troubled wartime past. Naturally, it’s all a bit complicated as Jerry isn’t the only one after Lise’s affections.

    Garnering an impressive set of 5-star reviews when it opened earlier this year it’s not hard to see why this adaptation of the classic film is such a smash hit and an absolute must see. Beautiful scenery, handsome men some belting tunes apart, you’ve now got a good reason to make a return visit (not that you’d need one) as the production has a hot new lead dancer/singer/actor by the name of Ashley Day.

    Ashley is a sensation. He’s not just a pretty face and toned body either (but oh what a pretty faced and toned body). He bounds around impressively with enough grace and elegance to make you wonder if he’s got some genes that mere mortals like us don’t possess. He also gives a fine acting performance and can belt out a tune. He slots beautifully into the more than able cast.

    This is an impressive show on many levels and not least of its achievements is the breath taking scenery. The back projections and stage trickery with perspective are beguiling and I’d happily just sit and watch the painterly strokes as the stage becomes a giant canvas awash with colour. There’s also the famous prolonged dance sequence, the classic hits of Gershwin and if that’s not enough there’s even Paul McCartney’s ex-girlfriend and cake baker extraordinaire Jane Asher.

    If you love musicals then this is a must see. If you hate musicals then it’s also a must see. Take a deep breath and give it a go. You’ll be surprised. This defies description and has to be seen at least once.

    An American In Paris plays at the Dominion Theatre until January 2018