Category: Review

  • THEATRE REVIEW | What’s In A Name, Birmingham Rep

    THEATRE REVIEW | What’s In A Name, Birmingham Rep

    ★★★★ | A modern farce that delivers ounces of emotion, comedy and suspense. A full platter!


    (Photo credit: Robert Day)

    What’s In A Name, written by Alexandre De La Patellière and Matthieu Delaporte, stages a dinner party packed with many surprises and twists that kept you on edge, and slightly edgy, while holding your belly for laughing. It is set in London, and the story centres itself around the name of Adolphe which Vincent jokes about calling his son when he is born. The story then darkens as secrets are revealed within each of the five guests.

    Sarah Hadland, who most would remember as Stevie in Miranda, stole the show with her multi-emotional portrayal of Elizabeth. Sarah was completely natural and every line and action was delivered with sheer dexterity and conviction. I was so happy to see Sarah aka Stevie up close, and to not see her as Stevie at the same time, which was something I really enjoyed. Raymond Coulthard was magnificent as Carl, and was great to see him back at the Birmingham Rep after watching him in King’s Speech. Carl carried the biggest secret and Raymond played the audience well, never giving any of it away. Nigel Harman, Eastenders, was formidable as Vincent, Elizabeth’s younger brother. Nigel conveyed him with such energy and natural flair that one could not help but be drawn every time he spoke and moved. Jamie Glover was excellent with his cross-examining scenes as Peter, challenging Vincent and others to prove a point. He made the set appear like it was his own home with the way he perched on or leaned against features in the front room signalling natural familiarity. Olivia Poulet as Anna was a great ingredient to turn the drama on its head with coming in quite late and revealing a hidden secret. Olivia was charismatic and held her own against the other theatrical titans.

    I seriously suggest everyone go and see this as it draws you in with the clever humour and sophisticated drama – you just didn’t know what you were going to get!

     

  • 60 Second Film Review | La La Land

    60 Second Film Review | La La Land

    LA LA LAND – The Awards vaccum of 2017 and possibly of all time, sings and dances around the Hollywood hills in the straightest musical ever made – but where are the hits?

    La La Land review
    CREDIT: Dale Robinette / Lionsgate

    Nutshell – A very simple girl meets guy tale in and around the modern day Hollywood area of Los Angeles. He wants to open a jazz club and save that brand of music forever, she wants to be a film actress. Cue song and dance numbers, separations and a knock out twist in the last 20 minutes. This is so old fashioned you expect Gene Kelly, Ginger Rogers or Fred Astaire to appear at any minute hoofing around but don’t let that put you off.

    Running Time – 128 minutes; Certificate – 12A

    Tagline – ‘Here’s To The Fools That Dream’.

    THEGAYUK Factor – This is as pure a heterosexual movie as you will ever see so just enjoy the musical set pieces like a good little gay boy and imagine Ryan Gosling stripped naked fingering your organ instead of his loving piano.

    Cast – Ryan Gosling, Emma Stone, J K Simmons and far far too much of John Legend.

    Key Player – Damien Chazelle, he wrote it, he directed it and it is wholly his wonderful vision. He has come so far since Whiplash and 10 Cloverfield Lane. Next up First Man the story of Neil Armstrong setting foot on the moon starring, yep you’ve guessed it Ryan big swinging dick Gosling.

    Budget – $30 Million but already made four times that and it is still a month until its big Oscar night marketing boost – this will be very very big indeed and deserves it.

    Best Bit – 0.02 mins; The opening number is possibly the greatest tribute to LA ever. A huge single track production number set on a gridlocked freeway and the poppiest number on the whole soundtrack. It makes you so happy to be alive.

    Worst Bit – 1.02 mins; When Goslings character is showing for the umpteenth time how much he likes old school jazz in a group recording session where the other musicians want him to play modern music. A lot of the jazz in this wonderful film is very dull indeed and there is a reason old school jazz died out – that’s because it was sh*t.

    Little Secret – La La Land won 7 Golden Globes more than any other film in history beating One Flew Over The Cookoo’s Nest. It is up for 14 Oscars… the most ever equal with All About Eve and Titanic. The opening freeway scene was shot on the same stretch as the famous bus jump from Keannu Reeve’s/Sandra Bullock’s Speed movie – yep they still haven’t finished building it 30 years on.

    Further Viewing – Moulin Rouge, Grease, Tommy, Rent, Dreamgirls, Chicago, Once, Hairspray and any musical from the 50s or 60s on BBC2 in the afternoons.

    Any Good – Yes it is very very good and deserves all its plaudits and awards BUT, and it’s a big but, the songs are at very best average and at time maudling. This is not a jazz revival and there are no hit’s here which is a slight issue for a musical. Never mind the leads are great, it looks fantastic and that opening and closing will stay with you for many months to come.

    Rating – 91% out of 100.

  • RESTAURANT REVIEW | Bar + Block

    RESTAURANT REVIEW | Bar + Block

    ★★★★★ | Bar + Block

    Bar Block Kings Cross Restaurant

    The Kings Cross area, if you haven’t recently been, is buzzing. Years ago it was a warren of prostitution and crime, now it’s gentrified with trendy and expensive apartments and a healthy choice of restaurant options.

    Bar + Block, in my opinion, is THE restaurant option in the area. it is, in fact the perfect place to go for an excellent and very affordable meal. Located right next to Kings Cross Station on York Way and past McDonald’s and Nando’s, Bar + Block, right underneath the Premier Inn, is an excellent find. In the space that used to be the dreary hotel bar, it has been remodelled, chomped and changed. It’s now a beautiful restaurant where the bar, dining area and kitchen are all in one superbly designed and spacious large room. But it’s not just the layout that’s fantastic, the food is also amazing.

    Immediately when you walk in you feel at home. The very friendly multi-cultural staff (mostly Spanish) are all smiley and eager to show you to your table. There are booths, raised tables, seats along the windows, sitting in the middle of the room or alongside the kitchen and the bar – it’s a cleverly designed space so unlike anything I’ve seen. Tables are not at all close to each other – you practically can’t hear the conversations in the room – but it’s the food that Bar + Block is all about.

    Bar + Block bills itself as a Steakhouse, and they sure know how to do steaks. There are all sorts – Sirloin, Fillet, Ribeye, Rump – whatever you fancy, plus other various meat-related items. On the cold Sunday night that me and a friend paid a visit – I had the superb Smoked Paprika Chicken & Ribs, and for only £14.95, is best deal in town. Served with spicy beans and french fries, it was a large half smoked chicken with maple flavoured BBQ pork ribs, a massive meal at an excellent price! My friend had the 10oz Sirloin Steak – it was a generous piece that was tender and delicate and put a smile on his face. At £19.50 it’s a good deal as it comes with chunky chips, and for an additional £1.50 you can add sauce. He ordered the ‘B’ Sauce. But be forewarned, it’s spicy, so much so it almost made him cry. Perhaps go for the Peppercorn or one of their other sauces so you won’t need to pull out a tissue. There are so so many more menu choices that initially I really had a hard time deciding. Their Slow-cooked Pork Belly is a great deal at £13.95. Also, the Steak & Cheddar Pie (£12.95), Butternut Squash Risotto (£9.95), Linguine Arrabiata (£10.50), and the Beer-Battered Fish & Chips (£11.50) are all excellent value. The next time I go to Bar + Block for dinner I will have the Mixed Grill – for £19.95 its ribs, bacon, steak and brisket served with corn on the cob and chips – yummy! And of course there are burgers, all served with chips, and all priced under £11.50. The Eurostar employee next to us looked happy with his large burger!

    Bar + Block also has an excellent starters menu. This includes the Beef Empanadas and the very good Mini Meatballs (both at £5.95) that we both ordered. I’ve eaten empanadas before and these ones were perfect! If you don’t like your meat, the Mixed Seafood Pot and Garlic King Prawns are also an option (both under £7.95).

    As if we didn’t have enough food, with our mains we ordered the Mac & Cheese with Crab (a nice twist on the M&C dish), and heavenly Roasted Winter Veg (all priced under £3.95). And of course, the puddings menu couldn’t be ignored. I highly recommend the Rum & Raisin Brioche Bread and Butter Pudding – absolutely delightful, and served with warm custard – heavenly!. My friend had the Churros Sundae which was packed with vanilla ice cream, lemon curd, clotted cream and crunchy biscuit bites – he loved it (both at under £5.95)!

    If the above is not enough to entice you, Bar + Block does an excellent Sunday Roast – available from midday Sunday and for a minimum of two people. First come, first served – it includes sliced sirloin served with Yorkies, beef dripping roasties, carrots, parsnips, Cheddar cauliflower cheese, seasonal greens and rich gravy, and at only £13.50 pp it’s perhaps the best food deal around in Kings Cross!

    Another reason to go to Bar + Block? They do an absolutely excellent and very affordable breakfast & brunch! Steak & Eggs (£7.50), The Works (A thick cut of double smoked bacon, sausage patty, beans, salt beef hash, flat mushroom and roasted tomato, topped with a fried egg and toast – £8.50), a veggie option (£7.50), ricotta pancakes (£6.95).There’s also a children’s menu (for both breakfast and dinner) and an express menu served at lunchtime. Or if you prefer to sit at the bar, bar snacks are available.

    However, no steak restaurant wouldn’t survive without an excellent drinks menu. Cocktails are great value-priced at £6.99 (we had the amazing Margarita and Bacardi Daquiri – mango flavored! Totally good and hit the spot). A small selection of wine makes it easy to order whatever may go with your meal, and if alcohol is not your thing, I recommend one of the smoothies (7 to choose from!).

    Bar + Block is a perfect restaurant in a perfect setting with perfect food. It’s a must visit whether or not you’re passing through one of the nearby train stations. Heck, it’s a destination on its own!

    Reviewed by Tim Baros

    Telephone: 0203 889 8888
    Website:Barandblock.co.uk
    Email: barandblock.kingscross@whitbread.com

    Address: 26-30 York Way N1 9AA

    Opening hours:
    Mon-Fri: 06:30 – Midnight
    Sat-Sun: 07:00 – Midnight

    Photos by Roche Communications

  • HOTEL REVIEW | Santiago Resort

    HOTEL REVIEW | Santiago Resort

    ★★★★★ | Santiago Resort

    The Californian TREAT in RETREAT

    Located in a highly desirable neighbourhood in Palm Springs, California sits a quaint resort that is the recently refreshed Santiago. The friendly and attentive staff welcomes you to this gaysclusive 24 room – awe-inspiring resort. Most rooms boast landscape views of the towering mountains that surround this swim suit optional resort. The long list of amenities includes TV, DVD, fridge, microwave, king size beds, ceiling fans, housekeeping, WiFi, heated oversized pool, and Jacuzzi that are all a stone’s throw away from the tropical exotic surroundings that light up this resort. Santiago is one of the very few resorts that also offer both complimentary continental breakfast as well as a healthy light lunch that varies daily. As this resort sits proudly near downtown Palm Springs you will be neighbours with the bustling areas that will cater for your retail, wining, dining and dancing needs.

    Sometimes when we travel we think that we have to go out and explore or else we feel as though we are missing out on something and Santiago has this natural pull to the resort that even though the area is waiting to be explored…so are the hammocks, the fire pit and the views that come with both. OK so one might think that there is only so many views that one can take – I stayed here in January and back home in London it’s not very often you get to look at a backdrop of snow-capped mountains behind a canvas of clear blue skies whilst drinking English Breakfast tea (of course). When dusk starts to creep in and you are backstroking in the warm pool it’s difficult not to get carried away with a number of stars that twinkle away from any light pollution. I left thinking is Palm Springs closer to the moon – it seems that way.

    Santiago is the treat in retreat!

  • THEATRE REVIEW | Dirty Great Love Story, The Arts Theatre

    ★★ | Dirty Great Love Story, The Arts Theatre

    CREDIT: Richard Davenport

    I’m a bit unconventional in my views when it comes to romance. I strongly believe that sex before the first date is a sensible action (who wants to sit through a tedious meal with a fake smile plastered on your face when you can cut to the chase?) but I also have a secret love of ‘will they won’t they’ romantic comedies.

    Slam poetry champion Richard Marsh and writer/performer Katie Bonna originally conceived Dirty Great Love Story as a short pub performance piece.

    It evolved into a longer two-hander play and was well received at the Edinburgh Fringe in 2012 where the writers also performed the piece. Outlining a meeting between gauche and shy Richard and recently heartbroken Katie on a stag and hen do, followed by a one night stand in a Travelodge, the play then goes on to tantalise with an almost/on and off romance, that burgeons in spite of obstacles.

    It’s classic rom-com but recited partly in verse.

    In this new incarnation at The Arts Theatre, the pair is played by actors with accomplished performances from Ayesha Antoine and Felix Scott. This is where the problem seems to lie, though. Maybe performance poetry works better coming from the mouth of the poet and in this case, fails to translate over easily despite the actors’ efforts.

    In spite of their skill as performers, the verse feels stilted coming from their mouths and sits oddly with a touch of the painfully twee about it in parts. Yes, they’re sometimes talking about the dirty bits of this relationship, but in a Richard Curtis style romantic comedy format with poetry that sounds like Pam Ayres on a 1980s edition of That’s Life.

    It splutters dimly more that it illuminates and feels tired and dated. Not so great and a tiny bit dirty but a love story nonetheless, there are flashes of brilliance but they feel few and far between.

    When the funny moments hit they’re worth waiting for, there’s a clever set by Pia Furtado with bits that drop down and pop up to illustrate various scenes but overall it all falls a bit flat.

     

    Dirty Great Love Story plays at The Arts Theatre until 16th March 2017

  • RESTAURANT REVIEW | Brasserie Zedel

    RESTAURANT REVIEW | Brasserie Zedel

    ★★★★★ | Brasserie Zedel – perhaps the best restaurant in London?

    Steps away from Piccadilly Circus is one of the most beautiful, elegant and affordable restaurants in London. It’s Brasserie Zedel.

    If you walked by the entrance to the restaurant you would have no idea that beyond the front door, and down several flights of steps, is a grand Parisian brasserie, with vaulted high ceilings, marble columns, Beaux Arts/Art Deco decor with dozens and dozens of tables to accommodate you for either lunch or dinner. But not only will you find a restaurant, this huge cavernous complex also houses a cabaret lounge (Crazy Coqs) and the elegant Bar Américain. And if that’s not enough, there’s the ZL Café upstairs which is sneakily and actually the entrance to the entire complex.

    The restaurant serves traditional French food at amazingly very affordable prices. In what is perhaps the best dinner deal in London, they offer, for a mere £12.75, a three-course Prixe Fixe meal which includes Carottes Rapées, Steak Haché with Frites, and a Café Gourmand or a Tarte aux Fruits. It’s a very delicious and satisfying meal. Or, you can splash out a bit more by trying their Plats de Jour – Plates of the day (£14.25 each), ranging from Poulet au Curry on Mondays to Cassoulet de Toulouse on Wednesday. Highly recommended, however, is the Boeuf Bourguignon, a delicious and tender beef braised in a red wine sauce with a helping of mash potato – it’s absolutely divine (£12.50). Other meat dishes include a whole roast free range french chicken for two (£14.75 each) – I’ve seen it and it’s huge. Other meat dishes include smoked belly of pork (£14.00) or a massive Rib Eye Steak (£25.75). If fish is your thing, Zedel will deliver. Deep fried whiting, trout, and seabass, among others, are all on offer, and all under the friendly price of £17.75. Side dishes (entrées) are all in abundance – with cheeses, onion soup, endive salad, steak tartare and fish soup and more to allow you to start the evening with a nibble. And to end the evening you can pick from cheese dishes to a Tarte au Citron, a Chocolate Souffle, to my favourite – champagne poured over mandarine sorbet – an absolute steal at £5.50. And the drinks list has top notch wines, biéres and cidres and champagnes to complement any and all the main courses.

    As mentioned above, there is also the Crazy Coqs cabaret room, offering top notch talent in the world of cabaret and beyond. Previous performers have included Brian Batt, Steven Brinberg (the world’s most famous Barbra Streisand impersonator), to actress Sally Kellerman and Julian Clary. Coming up is an, even more, star and talent-studded lineup including the comedy cabaret of Coqs favourite Miss Hope Springs, X-Factor winner Matt Cardle, restaurant Critic Grace Dent, drag queen extraordinaire La Voix, and the House of Q, an all new night of cabaret, burlesque, music, mime and more. Have a look at the website as there are a lot more upcoming acts and so the programme really needs to be looked at and studied.

     

    For more about the program and the restaurant, please go here:
    https://www.brasseriezedel.com

    Reviewed by Tim Baros

    Brasserie Zédel opening hours:
    Mon – Sat: 11:30 a.m. – Midnight
    Sunday: 11:30 a.m. – 11:00 p.m.
    20 Sherwood Street
    London
    W1F 7ED
    Telephone: 0207 734 4888
    For general enquiries, please email: info@brasseriezedel.com
    BAR AMÉRICAIN
    Monday – Wednesday: 4.30pm – Midnight
    Thursday – Friday: 4.30pm – 1.00am
    Saturday: 1.00 pm – 1.00am
    Sunday: 4.30pm – 11.00pm
    ZL CAFÉ
    Monday – Friday: 8.00am – 11.00pm
    Saturday: 9.00am – 11.00pm
    Sunday: 11.30am – 11.00pm

    PRICE: £££ (explained)

    STAR: ★★★★★ (explained)

  • CLASSIC CAR | Alfasud 1.3

    All good things come from the ‘South’

    (C) STUART M BIRD

    Bruno Tonioli isn’t the only quick stepping rapid rumba dancer to come from Italy. In 1972 a motoring equivalent named the Alfasud was unleashed to the motoring world.

    I have more than a soft spot for the Alfasud. If I am ever asked what car would be top in my fantasy garage of 5, an Alfasud is there. My second car was an Alfasud Ti. It was a three-month love affair that financially ruined a then 17-year-old Stuart.

    Alfa Romeo needed a small car that would entice young people into the marque of Alfa Romeo. In 1967 a Viennese designer named Rudolf Hruska was entrusted with the task of turning the dream into reality. The premise was to design, develop and instigate the building process of a small car that would then hopefully get those new customers to buy other Alfa Romeos and so on.

    There were three main prototypes presented. The first before Rudolf had joined only made it to the drawing stage. The second called the Tipo 103 was deemed too expensive to produce. This was a front wheel drive with a 900cc 4 cylinder twin cam engine in a three-box four-door saloon style body. The third incarnation was the Alfasud as we know it today.

    (C) STUART M BIRD

    Thankfully for Rudolf Hruska, Alfa Romeo had some unused facilities in a southern region of Italy in Pomigliano d’Arco. This is where the Sud or South in Italian comes into the name. The Alfasud is also the reason why ‘Milano’ was removed from the Alfa Romeo badge because now their cars were not only built in Milan.

    The Alfasud was a major departure for the Milanese company. For a start, it was to be front wheel drive. Secondly, it was to use a totally new engine in design. In some ways, it did have twin cams but that isn’t totally true. The 4 cylinder boxer engine had one cam per two cylinders so was still classed as a single cam. I still like to think of it as a twin cam. Having worked previously for Porsche and Volkswagen it was no surprise that Rudolf would opt for a flat four designed engine. The layout allowed for a low centre of gravity and a low bonnet line. This really becomes evident when you drive one.

    The body design was entrusted to Giorgetto Giugiaro of Ital design. This forward-thinking designer designed some of the most iconic cars ever to grace the roads and some that he would rather forget about. In the presence of this man don’t ever mention the Morris Ital.

    In just five years the Pomigliano d’Arco factory was up and running giving much-needed employment to the southern inhabitants of Italy.

    Sadly it didn’t all go to plan and industrial problems with an inexperienced workforce meant the Alfasud never made it the success it could and should have been. Strikes and poor workmanship were two key areas of failure. But you’d not think about these when you think Alfasud. What comes to mind is rust. And rust they did, even in areas where you wouldn’t expect it to. These rusted within two years of building.

    Now forgetting that the Alfasud dissolved quicker than an Alka-seltzer, the car was a phenomenon.

    (C) STUART M BIRD

    Launched with a little single carburettor 1186cc engine, the 63bhp engine thrived like no other engine for revs. The raspy sound was intoxicating. And this intoxication quickly led to criticisms from the press for MORE power.

    The handling at the time was legendary and for about a decade after launch, it was still the car other manufacturers tried to emulate. Alfa Romeo was quick to silence the critics with spoilers, sports style wheels, quad headlights, a rev counter and 5-speed gearbox which were all added to a two-door body and the Ti was born.

    Then there were more problems. Supply and demand could not be met. This thwarted further development of the two-door shell being available in the lower spec models and the estate version ever making an impact outside of Italy. The much-needed hatchback-style body was delayed and finally arrived in 1981. However, the pretty ‘Sprint’ did make it, adding sporting sex appeal in a coupe style body with a hatchback boot.

    Still, people wanted, even MORE, power. The Alfasud would end its 12-year production run with a 1490cc engine, twin carburettors and 105bhp in the Ti Green Clover Leaf.

    The car used for this review belongs to Stefan. A lifelong fan of the Alfasud having had several over the years and a family who also had a love for the little Alfa Romeo. This is his 1982 series 3 1.3 SC with just 36,000 miles on the clock. Low mileage it might have but that hadn’t stopped the ravages of time taking hold. It has been subjected to a full body restoration prior to purchase. Since Stefan purchased the car he has nursed it through a full engine rebuild and sorting out the mechanical side of things while also removing the drama button from the dashboard. The car has had its problems. He says “Now not only does it look great, but runs just like the Alfasud should, smooth torquey flat four engine with that wonderful music to your ears raspy exhaust note.”

    Stefan entrusted me with the keys. It has been 24 years since I last drove an Alfasud. It all came back to me very quickly. The heater fan switch on the end of the column stalk is a stroke of genius. The narrow footwell not so. The peddles were still as close together as I remembered. The low-slung engine allows for a low bonnet line. Il had forgotten that. It’s quite startling at first.

    On the move, the steering was direct and nicely weighted. The assisted 4 disc brake system as powerful as ever. The inboard front discs allowing to eliminate unsprung weight during forceful braking. The ride and handling compromise still spot on in every way. The little 79bhp 1351cc engine was as fizzy as I remembered it with a rasp and pop from the exhaust that they became known for. It’s also smooth.

    I could enthuse about the Alfasud until you fall asleep and even when you do I can still prattle on about them. So I’ll finish with a thanks to Stefan for letting me have a play and reigniting a long lost love affair.

     

    With thanks to Gay classic car member Stefan for the loan of his car.

  • THEATRE REVIEW | Bitches Ahoy!, Above The Stag

    THEATRE REVIEW | Bitches Ahoy!, Above The Stag

    ★★★★ | Bitches Ahoy! : Above The Stag

    Batten down the hatches, all hands on your AussieBums, and anchors – prudes advised to stay on dry land – aweigh.

    Bitches Ahoy review
    CREDIT: Above The Stag

    Gareth, Max and Fat Pam set sail for a new adventure on the Mediterranean awash with a couple of love interests in close-quarters.  This is up-and-coming Playwright Martin Blackburn’s second production – an all-at-sea sequel to Aright Bitches! – and in Blackburn’s previous style: pummelled with more innuendos than a Navy Officer in the engine room after six months at sea.

    Buoyant party-buoy Gareth (Ethan Chapples) is holibobing with new squeeze Drew (Chris Clynes), and giving monogamy a stern-go onboard a queer cruise with two thousand homo-hotties – will either walk the plank of infidelity?  Nothing’s ever plain-sailing on this ship.

    Max has embarked on a new career as a cabin boy with a firm eye in every porthole and a love/hate taste for his surroundings. Pam (Hannah Vesty) has harpooned the Moby of all Dicks and flaunts new French fiancé Patrice (Simon Burr) from port to starboard causing a splash with the whole crew’s rudders. Straight guy aboard a gay cruise – what could possibly come adrift?

    Blackburn clearly knows how to quill a boat-rocking quip, but on this voyage, some of the jokes were washed ashore unnoticed, mainly due to the delivery.

    Come aboard this vessel for cock-capers, tampon-tomfoolery and to catch a glimpse of Pam wet wiping her lady bits.  This is a camp factor 50 with the potent UVAs radiating from Vesty and Chapples  – giving you the Jolly Rogers and the January blues the heave-ho.

     

    Bitches Ahoy is at Above The Stag Theatre until 26th February

  • THEATRE REVIEW | Holding The Man, Jack Studio Theatre

    THEATRE REVIEW | Holding The Man, Jack Studio Theatre

    ★★★ | Holding The Man, Jack Studio Theatre

    Holding The Man
    CREDIT: Nicholas Chinardet

    Holding the Man is a play by Tommy Murphy (Strangers in Between) that was also made into a film in 2015.

    It’s based on Timothy Conigrave’s 1995 memoir, an elegy to his late partner, John Caleo. The pair met as teenagers in 1970s Australia and fell in love, facing parental disapproval, trying to find where they fitted into society and experimenting with their sexuality. Sadly, Conigrave died aged 34 from an AIDS related illness shortly after completing the book. This is more than just a play about the AIDS crisis, though. It’s a tender love story and a reflection on the problems faced by young gay people, which is still pertinent today.

    Director Sebastian Polka has taken a clever starting point to staging this play. The play is wide in its scope, covering Tim’s Catholic school upbringing through to his death, looking at his first experiences of the gay scene and gay activism, his career as an actor and the highs and lows of his relationship with John. Polka takes Tim’s acting career as a point from which to present the characters with the stage being a dressing room where Tim conjures up scenes from his life. Tim is played with skill and sensitivity by lean and angular Christopher Hunter along with astonishingly good muscle hunk Paul-Emile Forman as John. The astonishing thing is that this is Forman’s professional debut and he gives an incredibly subtle and nuanced performance. The rest of the characters from Tim’s life are played by four actors who constantly change clothes and accents along with their roles.
    It’s an interesting play that is well staged but ultimately the problem lies in the play itself. It’s a major task to try to present twenty-five years of a man’s life in such detail in one play.

    The focus on so many events ends up detracting somewhat from the whole effect and leaves it feeling oddly bloodless. The actors barely have space within the dialogue to convey much and the piece occasionally feels superficial and has less emotional depth than it could have.

    Holding The Man plays at the Jack Studio Theatre until 4th Feb 2017

  • FILM REVIEW | Lion

    FILM REVIEW | Lion

    ★★★★★ | Lion

    Lion review

    Photo: Mark Rogers

    A young man attempts to trace his roots in the moving and excellent film Lion.

    Dev Patel is Saroo Brierley. He’s adopted by Australian couple John and Sue Brierley (David Wenham and Nicole Kidman) and vaguely aware that he had a life in India when he was a very young boy – it’s all just a very distant memory. Now in his 20s, and in college, him and his friends (including girlfriend Lucy – Rooney Mara) have a discussion about their origins, and Saroo tells his classmates that he was adopted and born in India, and probably still has family there, but he hasn’t been there since when he was a little boy. This puts a spark in his head to try to find out where in India he comes from.

    There are still a few very vague images in his mind he can recall from his childhood, and especially from when he got separated from his brother (a water tower, a train station). Saroo sets about determined to discover where he’s from and starts to map out India until he can pinpoint an area where he believes he came from.

    But this is the not the entire movie. The first half of the film has Saroo as a little boy (played amazingly by Sunny Pawar), who along with his brother Guddu (Abshishek Bharate), are lost, so Guddu goes in search of help, and leaves Saroo on a train platform. Saroo falls asleep, then wakes up a bit disoriented, and calls out for Guddu, but he’s nowhere to be found. Saroo walks around the train station calling out for Guddu, but then ends up falling asleep on a train that accidentally takes him 1,000 miles away to Calcutta, taking him far away from home, far away from Guddu, and far away from his life.

    Lion, as mentioned above, is a film with two halves; Saroo as a child and Saroo as a young man. And the first half of the film is simply amazing. It’s all down to Pawar, who as the young Saroo, after losing his big brother Guddu, is lost and confused and scared and aimlessly wandering around looking for food and trying to survive. He knows no one, is totally lost and alone, and is very very frightened. Eventually he is taken in by an orphanage which is where the Brierley’s adopt him and take him to their home in Australia, which is when the second half of the film begins.

    Pawar deserves a Supporting Actor nomination or a special child Oscar for his sensitive and heartbreaking portrayal of Saroo (Jacob Tremblay in last year’s award-winning Room didn’t receive either but deserved one). Pawar is excellent. Patel is very good as the grown-up Saroo who is determined to find out where he comes from. Patel here proves that he was not just a one-hit wonder in the Oscar-winning Slumdog Millionaire. Kidman is fine as his adoptive mother, but it’s hard not to look at her on screen and think you’re seeing Nicole Kidman and not the character she is playing. The screenplay, adapted from the book A Long Way Home, written by Saroo Brierley, and adapted by Luke Davies, tells the story in a way that will tug at your hearts more than any other film this year. Director Garth Davis (who has done mostly television shows) directs with such a fine balance of drama and emotion that it’s a perfect film which tells a true story that truly deserved to be told. It’s the best film of the year.

  • RESTAURANT REVIEW | The Laughing Gravy

    ★★★★ | The Laughing Gravy

    A restaurant with a funny name sits between Southwark tube stop and Elephant & Castle – it’s The Laughing Gravy.

    Blackfriars Road is a bit of a restaurant no man’s land. Right near Southwark Tube station is the excellent upscale Polish restaurant Baltic, and then a few blocks south is The Laughing Gravy, nestled into it’s spot amidst the new expensive apartment blocks and conversions that have made this neighbourhood upscale.

    And upscale you will need to be as The Laughing Gravy is not cheap. Most of the hearty mains are priced between £22 and £24 each (though there are few lesser-priced options as well), while the starters are all above £8 each and the puddings no less than £7.50. The Laughing Gravy has been operating as a restaurant for around 6 years, and they are definitely doing something right. Head chef Michael Facey, along with a very friendly staff, deliver a varied modern British Menu, and it has just been named best restaurant in the Southwark and Waterloo area by Time Out.

    There is truly something for everyone at The Laughing Gravy. The starters range from Pigeon and Oxtail Sausage Roll to the Roasted and Pickled Heritage Beetroot and the Wild Garlic Infused Roasted Artichoke. The Beetroot (at £8.50) was an absolute explosion of colours and flavours. Served on a black plate, it was a rainbow of beetroot with goat’s cheese and apple puree, candied cashews and kale. Served as a cold dish, it was sexy and perfect. The Artichoke starter was quite the opposite, a bit bland, though the artichoke puree and potatoes saved it from being a total waste – though at £8.50 there wasn’t a whole lot on the plate.

    For the main course, my dining companion and I decided to have meat and fish. I ordered the Lincolnshire rib eye steak (225 grams), and I am glad I did. With onions, plum tomatoes and mushrooms, it was perfectly cooked (I asked for M to MW), and that’s exactly what I got. Both sides were cooked dark brown, and it was tender and scrumptious. It was served, under the meat, with delicious Madeira (wine) sauce. At £23, it was worth every penny. My companion had the Roast Lemon Sole (£22.50), and it was a panoply of seafood. Not just sole, the dish also included Devonshire crab and sweetcorn dumplings, kale, braised celery and sweetcorn curd and crab bisque. She was very happy with her portion, which I thought was a good value considering how much seafood was on the plate. Other menu choices in the lower-priced range include the Aberdeen Angus burger (£13.50), Superfood Salad (£11.50), and the Roast Heritage Vegetables (£14.00). Other higher-priced recommended items include the Roast guinea fowl (£22), Pan-fried seabass (£22.50), and the Lamb Rump (£22.00). Sides are a must and include Hand cut or Truffle chips, or the excellent Salt baked champs (mash potato) (£4-5 each).

    I recommend having a dessert as there was quite a selection. My companion had the Plum, quince, Madeira and honey crumble, and it was just as we expected, crumbly delicious. I had the Champagne, mango and lime cheesecake, and it was small yet heavy and came with a tiny doughnut. Next time I will order the Treacle and apple tart or the Salted caramel mousse (£7.50 to £8.50).

    The restaurant’s wine, beer and cocktail list goes on for days. There are about 24 cocktails to choose from, my companion was happy with her margarita, while I was happy with my Lemon Drop (Ketel One vodka, fresh lemon juice and Cointreau) – though it was very sweet. Other options include the LG Bloody Mary to the Hazelnut Martini and the divinely sounding Waterloo Sunset (elderflower liqueur and gin topped with champagne and Chambord – and the most expensive drink on the menu at £13.50). With my steak, I had the full-bodied and delicious French 2014 Cotés du Rhone – highly recommended. The Laughing Gravy’s wine list includes wine from other countries including Italy and Spain – it’s one of the most exhaustive wine lists I’ve ever seen.

    The Laughing Gravy sits about 50 people, it’s got a small welcoming bar past the entrance, and a room that’s big with high-pitched ceilings. Beautiful wood floors and a smart decor makes The Laughing Gravy cosy and comfortable. Noise levels get a bit high when they are busy (we were there on a Saturday night), but it’s bearable. The staff are very welcoming and our waiter Oliver and hostess Freddi made us very welcome from beginning to end, including when I accidentally put the menu on top of the candle and it caught on fire. Luckily the restaurant survived the fire though your wallet might not be so lucky.

    Reviewed by Tim Baros

    Telephone: 020 7998 1707

    thelaughinggravy.co.uk

    RESTAURANT HOURS:
    Monday to Thursday: 1200 – 1500 & 1700 – 2200
    Friday: 1200 – 1500 & 1700 – 2230
    Saturday: 1200 – 1600 & 1700 – 2230
    Sunday: 1200 – 1630

    Address: 154 BLACKFRIARS ROAD, LONDON SE1 8EN