THEGAYUK

Tag: Four Star Film Review

The latest four-star film review from THEGAYUK.

  • FILM REVIEW | Scribe

    An unemployed accountant takes a job that puts him in the middle of a political conspiracy in the new film “Scribe.”

    FILM REVIEW | Scribe

    “Scribe (La Mécanique de l’ombre)” is a timely taut French thriller that builds its suspense in events that lead up to a political election. François Cluzet is Duval, a recovering alcoholic who takes a job as a transcriber that is literally offered to him with no questions asked. He is tasked with typing telephone conversations from tapes that are numbered and left for him in a nondescript flat where he is all alone. He is told by his boss Clément (Denis Podalydés) to keep to himself, to remain unnoticed, and to not smoke in the flat. He is supposed to open the curtains when he arrives at 9 a.m. and to close them when he leaves at 6 p.m. But as the days go on and the conversations on the tapes he transcribes become all too realistic and downright criminal, it’s clear to Duval that the organisation he is working for is somehow involved in trying to manipulate the upcoming election. After a high profile figure is murdered, the conversation of which is on one of the tapes, it’s just a matter of time before Duval gets caught up in the conspiracy, and a murder,
    and eventually, his life is in danger by the very organisation that employs him.

    Scribe has all the ingredients of being a great political thriller in the same vein as The Manchurian Candidate and 2006’s Oscar winning German film The Lives of Others. Director Thomas Kruithof superbly builds the tension while at the same time not giving too much away during the film until its explosive ending. This film is well worth a watch.

    “Scribe” is in cinemas and on demand from 21st July

  • FILM REVIEW | Norman

    ★★★★ | Norman

    Richard Gere is excellent as always as a man who is desperate to do a deal but can’t seem to get a break in the new film Norman.

    Gere is Norman Oppenheimer, a New York hustler who appears to be living a life of lies – he doesn’t appear to have a place to live, he spends most of his time at a church that could possibly be a homeless shelter and talks about a daughter who may or may not exist. But he sees his fortunes possibly change upon a chance encounter with an up and coming politician. Then One day, after attending a conference, he sees Israeli politician Eshel (Lior Ashkenazi), Norman ingratiates himself with him by buying him an expensive pair of shoes, shoes that Norman probably can’t afford to pay for, but he does (though luckily for him Eshel refuses to get a suit as well). Three years later, as Norman still struggles to get one of his deals done, Eshel becomes the Israeli Prime Minister, so Norman realises that this could be his big chance to get into the big leagues. But what turns out to be a friendly relationship between Norman and the Prime Minister turns into nothing as Eshel sees Norman’s desperate attempts to be close to him a liability, which leaves Norman basically back to where he began – a fixer with nothing to fix.

    Gere does a nice turn as the ageing New York Norman who never quite seemed to have been much of a success in life. He plays Norman with such believability, desperateness, and a bit of wit that it’s hard not to fall for him a bit. The film’s subtitle – The Moderate Rise and Tragic Fall of a New York Fixer – pretty sums up this film – but it’s Gere, who was excellent as a homeless man in 2014’s Time Out of Mind – who shines and makes this film worth a watch. And he’s as handsome as ever.

    Norman is now out in UK cinemas.

  • FILM REVIEW | Berlin Syndrome

    ★★★★ | Berlin Syndrome

    A young Australian woman visiting Berlin meets who she thinks is a perfect man but then he turns out to be too good to be true.

    In the new movie Berlin Syndrome, Is it a game or is it a nightmare? When Clare (Teresa Palmer) meets Andi (Max Riernelt) by chance on a Berlin street, she can’t resist his charms and good looks. She was planning on going to Dresden the next day but instead, she changes her plans to go out on a date with him. The date turns into a one-night stand, at Andi’s flat, in an isolated building in the middle of nowhere that’s typically Berlin. The next day, as Andi goes to his teaching job, Clare wakes up and realises she can’t get out of his flat as the front door and the windows are locked. She’s not too concerned about it because she assumes that Andi just forgot to leave her the key. He comes home from work and they spend the night in Andi’s flat having a romantic dinner, and Clare can’t resist spending another night there. When Andi does leave the key for her the next morning, Clare attempts to open the front door are futile – it’s actually locked from the outside. It’s at this point that Clare starts to panic. She breaks one of the living room windows only to discover it’s double glazed and can’t break the second window. And it’s only a matter of time until Andi comes home from work that their relationship takes a turn from a romantic one to a one fraught with panic, danger and suspense for Clare as she does not know what’s going to happen next. Minutes turn into hours which turn into days and Clare is fraught with more terror as she does not know what Andi has in store for her.

    Berlin Syndrome is almost two hours long, but it’s a film that will make your heart beat a bit faster, and will keep you holding your breath – it’s that suspenseful. Director Cate Shortland has given us a woman’s survival story, that, while the finale is a bit predictable and silly, starts out pure and innocent but then turns into a nightmare. It’ll make you have second thoughts the next time a guy invites you back to his place.

    Berlin Syndrome is now playing.

  • FILM REVIEW | Wonder Woman

    ★★★★ | Wonder Woman


    First seen in 2016’s Batman v Superman: Dawn of Justice (as well as on television in the 1970’s), in Wonder Woman we finally have our first real female action hero. The film, appropriately titled Wonder Woman, is out now and it’s good, very good!

    It’s two hours and 21 minutes of action, drama, and adventure as Gail Gadot plays Wonder Woman, a demi-god created by Zeus and raised by Hippolyta (Connie Nielsen) who fights evil with her special powers (including her bracelets). Wonder Woman is the continuation of the character created in Dawn of Justice – who in the civilian world was known as Diana Prince. She lives in the land of Amazonia where it’s women-only and where she is Princess Diana of Themyscira. In this film, she is accompanied all the way through with Chris Pine as Steve Trevor. He is a WWI United States Army Air Service fighter pilot who crashes off the coast of Themyscira, where Wonder Woman grew up and was taught to fight by her fellow Amazonians. She ends up going with Trevor to find Ares, the god of War, in the hopes that killing him will stop the war. But it’s the evil Doctor Isabel Maru (Elena Anaya) who has created a deathly chemical that will ensure quick death to those who are exposed to it, so Wonder Woman has several battles to fight in her quest for world peace.

    Diana and Steve’s adventure and mission takes them to London and then into Europe and to the front trenches, where Wonder Woman (an hour and 22 minutes into the film) finally sheds her clothes and lets loose in the infamous Wonder Woman outfit. And it’s spectacular fight scenes that will leave you gasping for air until the very last few scenes when Wonder Woman comes face to face with pure evil.

    Gadot is spectacular as Wonder Woman. To hell with male action heroes – there’s now a woman who can take anything that comes her way and she sure nails it. Pine makes a fine sidekick, but it’s about time it’s all about the woman. Let’s hope this character becomes a franchise – no more Superman but more Wonder Woman! Director Patty Jenkins brings a new twist and a nice feminine touch to the DC Comics Extended Universe by directing a film that’s smashingly good and is great summer movie fare. Long live Wonder Woman!

     

  • FILM REVIEW | The Naked Civil Servant

    ★★★★| The Naked Civil Servant

    Produced in 1975, The Naked Civil Servant is based on the autobiographical work by the self-proclaimed “England’s Stately Homo”, Quinten Crisp; who lived an openly gay lifestyle in 1930’s London, when homosexuality was illegal and his lifestyle was more than frowned up. Determined to live his life how he wished, Crisp’s journey through Belgravia, Chelsea and Soho is charted in this compelling TV drama.

    Naked Civil Servant review

    Despite being over 40 years old, the film remains essential viewing for its social relevance and its fascinating insight into LGBT history. There are points in the film which garner feelings of disbelief, such as Crisp being excused from the army during the Second World War, on the basis that he was diagnosed by a psychiatrist as “suffering from a sexual perversion”. Crisp was subject to prejudice both from the “roughs” (the ‘queer bashers’), the police and even from the members of the underground gay scene, who were terrified that Crisp’s flamboyant and feminine presentation would out them or place them at risk of imprisonment. But in the face of such difficulties, Crisp continued undeterred, refusing to be anything other than himself, as he promoted himself as the self-appointed spokesman for the cause.

    Lauded for the quality of the acting, John Hurt’s award-winning performance as Crisp is quite simply outstanding, and given that the film opens with Quinten Crisp introducing the piece; you realise as the programme unfolds, just how perfect Hurt’s performance really is, nowhere more evident than in the scene where Crisp is forced to defend himself in Court for approaching men in the street. There is good support from John Rhys Davies and Patricia Hodge, and the film remains a great piece of drama, with wonderful period details and one which never really shows its age.

    Re-released on DVD and Blu-Ray; the film has been digitally remastered, meaning that the picture quality and soundtrack has never been better. The Blu-Ray is presented both in the original picture format and in widescreen, and comes with a number of extras including a very interesting World In Action profile on Crisp, a commentary with John Hurt, a making-of documentary and an interview from 1979 with Crisp himself.

    Highly relevant, highly informative and highly recommended, The Naked Civil Servant is released on DVD and Blu Ray from Network Pictures on the 5th June 2017.

     

  • FILM REVIEW | The Kaos Brief

    FILM REVIEW | The Kaos Brief

    ★★★★ | The Kaos Brief

    the kaos brief review

    Meet Skylar (Drew Lipson), his twin sister, Dakota (Charlie Morgan Patton) and their boyfriends Corey (Marco DelVecchio) and Tren (Akanimo Eyo). The foursome decide to go for a romantic camping weekend to find themselves and be at one with nature, in the wilderness. It’s a chance for them to unplug and unwind. Except Skylar, an up and coming Vlogger, has brought what seems like an entire Apple store with him. He has his iPad, iPhone, Macbook and a footage drone. He’s also bringing his YouTuber followers with him, whom he keeps updated with his every move. Despite the seclusion of their surrounding in the middle of the woods, they are not alone.

    After a disturbed night in the middle of nowhere, they are woken by strange lights in the sky and they become the hunted. What they uncover (which they film) was found, by an activist organisation called KAOS, they allege, in the mass data dump by Edward Snowdon and now the Government wants to cover the whole thing up.

    CREDIT: The Kaos Brief

    The Kaos Brief brings a super cool edge to the found-film genre and its millennial cast means that the constant filming and the documenting of their lives feels completely natural and genuine. After all, they are all friends, who are hanging out, recording their lives for the world to see. It’s the horror movie for the Snapchat, Facebook Live, Periscope generation.

    It allows filmmakers to squeeze so much more from their budgets, without it impacting on the overall sheen of the production values. Much of the footage was shot on the actors’ iPhone cameras and the director, J P Mandarino uses CCTV footage to good and unnerving effect.

    Oh yes and the gay bit. What the producers have managed to do, in which so many other films that have gay characters in principle roles have failed, is that The Kaos Brief is not a “gay” film. It’s a film that happens to have a gay character in a lead role – and that’s totally refreshing.

    During a press conference, I asked about the decision to make a lead character gay and whether the producers thought that it could be a barrier to mainstream audiences, Executive Producer Aaron Kuhl said that as the LGBT community became more and more mainstream and audiences had become more and more accepting, the barrier wasn’t that there were gay characters in it, it was possibly that the film wasn’t gay enough!

    That aside, The Kaos Brief is a brilliant example of how to make a mainstream film, with gay characters and where sexuality isn’t the main strand of interest.

  • FILM REVIEW | Heal the Living

    FILM REVIEW | Heal the Living

    ★★★★ | Heal the Living

    Heal the Living (Réparer les vivants) deals with a tragedy that changes the lives of two families – it’s very sad and very dramatic like most French films are, but it’s also well acted and well told.

    It deals with the delicacy of life, family, relationships and decisions that need to be made in a tragic time. Teenager Simon (Gabin Verdet) is experiencing his first true love, but when he and his friends get into a tragic car accident it’s up to his parents (Tahar Ramin and Emmanuelle Singer – both very good) to make a heartbreaking decision.

    Meanwhile, Claire Méjean (Ann Dorval) needs a new heart, and while she is waiting she can feel her life ticking away. She’s got two grown boys, and she loves them very much. But without a new heart, she doesn’t have much time to live. So Simon’s tragic accident has very sad consequences for one family but the opposite effect for another family – in a film that is both beautifully and delicately told. Heal the Living, directed by Katell Quillévéré, will leave you in tears. It’s hard hitting yet it comes with an excellent original story (Maylis De Kerangal and Katell Quillévéré) and superb performances all around.

     

  • FILM REVIEW | Handsome Devil

    ★★★★ | Handsome Devil

    One of the most buzzed-about films at London’s recent Flare LGBT Film Festival is getting released this Friday.

    Handsome Devil played to sell-out crowds at the festival (though at one screening there was a power outage so all the attendees were invited back to another screening). Irish movie Handsome Devil is the charming story of an out and proud young gay man who is attending a boarding school for the first time. Fionn O’Shea plays Ned and shares a room with jock and star of the rugby team Conor (Nicholas Galitzine). The rest of the school doesn’t quite know what to make of Ned, he’s a bit of an outcast, yet he and Ned form a special bond, after a rocky start between them, they realise they have more in common with each other than being roommates. Ned’s school life is made much easier with the help of teacher Dan (Andrew Scott in a very winning and sexy performance), who also happens to be gay. But it doesn’t help Ned (and teacher Dan) that the rugby coach is on to both of them – he’s full of prejudice and lets everyone know it. And it’s just a matter of time until the rest of the school comes around and accepts Ned for who he is, especially just in time for the school’s big upcoming rugby match.

    Writer and Director John Butler’s coming of age story is a winning combination of great performances and a story that’s time and tested and that never gets old. Winning lead performances from O’Shea and Galitzine make this one to remember, but it’s Scott as the supportive English teacher that will tingle your loins. His sympathetic teacher is handsome and oh so sexy, especially when he brings his boyfriend to the rugby match outing himself on the spot to the principal. More of these kinds of roles please Mr Scott. Though at times some of the accents are a bit hard to understand, Handsome Devil is very charming and memorable.

     

     

  • Film REVIEW | I Am Michael

    ✭✭✭✭ | I Am Michael

    I Am Michael Review
    CREDIT:

    James Franco is very convincing as a man who renounces his homosexuality to lead a religious straight life in the film I Am Michael.

    Franco is one of Hollywood’s busiest actors. One look at his IMDB page shows an incredible 21 upcoming projects with a mix of indie and blockbuster films. He also likes to mix up his repertoire (and keep his fans guessing) by playing gay characters. He was a gay porn producer in King Cobra, and he directed and produced the 2013 controversial film Interior. Leather Bar. And now in I Am Michael, Franco has his gayest role yet.

    It’s based on the true story of Michael Glatze, who claimed he was no longer gay and became a straight pastor. But in 1999, Michael was in a gay relationship with boyfriend Bennett (Zachary Quinto) and was the editor of the successful real-life XY Magazine, while at the same time living in San Francisco – it was the ultimate gay life and gay lifestyle. But Bennett’s father has a job for him in Halifax, Canada, so they relocate there – it’s a city with not much to do, but they end up hooking up with the young good looking Tyler (Charlie Carver). But after a few panic attacks, and memories of his late father and mother, Michael starts to question his homosexuality – he starts to re-evaluate his life, loves, and takes up to reading the bible for answers, until one day he leaves it all behind for a new life.

    Shot in just 20 days in New York, on a budget of $2.5 million, I Am Michael didn’t get the proper cinema release that it deserved. It’s done the film festival circuit and it’s only now being released, on video on demand. Writer and Director Justin Kelly keeps the movie flowing, and it never once loses the faith of its subject matter. Franco superbly carries this film (though his hairstyle seems to change in every scene) and the rest of the cast excellently support him. It’s a highly recommended watch not just for it being a gay film – it’s Franco’s performance that is more than worth the watch.

    I Am Michael is out now.

     

  • FILM REVIEW | My Straight Son

    ★★★★ | My Straight Son

    Diego a successful fashion photographer in Caracas has commitment phobia but the very night he is about to tell Fabrizio his Doctor boyfriend that he will move in with him after all, is the same night that Fabrizio is the victim of a vicious fatal gay bashing. It is also the same night that Armando, his estranged teenage son, turns up from Spain to stay with him for a few months whilst his mother goes to London to study for a Masters degree.

    This very melodramatic first 24 hours sets the tone for a hectic story packed full of characters that deliberately sets out to tug at your heartstrings for the next two hours. Father and son are like strangers and must learn how to adapt to each other. Armando to the unknown homosexual world of a father grieving for his partner that he had never met, and Diego to the closed attitude of his adolescent son.

    Added to the mix are both Diego’s own parents and Fabrizio’s too who are completely homophobic and are obsessed with watching Venezuela’s most popular TV Chat Show with its buxom bigoted host who loves to stir up fear of the unknown with her inflammatory remarks. Plus Diego’s female assistant/friend that keeps going back to her abusive boyfriend who beats her up most days, and the penniless transsexual choreographer who has to subsidise her modern dance troupe by still doing her lip-syncing drag act at a gay club at night to pay the rent. Between them all director/writer Miguel Ferrari insures that he covers the whole gamut of social issues from gay parenting and partners rights to gender identity.

    Despite its (too) many layers and all its plot complications there is something very compelling about the unraveling of the relationship between the father and son that ensures our investment in watching to the end to see how its all going to turn out. Maybe it’s the sonorous tones of the orchestra’s lush string section that pervades the dramatic soundtrack, or just seeing a cute nervous Armando mastering the art of the Tango so that he can win the heart of his new Internet girlfriend?

    It’s sweet and funny and immensely moving with some very fine performances from this handsome and talented cast, plus there is more than a hint of Almodovar about the whole thing. The movie has been wowing audiences already and in Spain it won the Best Foreign Picture Goya (their Oscars) when it still had the original and much better title of ‘Azul y No Tan Rosa’ which literally translates into ‘Blue, and Not So Pink’, and it should do just as well as here even with its newer clumsier title.

    Highly recommended.

  • FILM REVIEW | Certain Women

    FILM REVIEW | Certain Women

    ★★★★ | CERTAIN WOMEN

    The lives of three women are told in the beautifully acted new film ‘Certain Women.’

    Three women all lead totally separate lives from each other, yet their lives become slightly intertwined. First there is lawyer Laura (Laura Dern). Her client, Fuller (Jared Harris), is disgruntled because he is not able to work anymore due to an injury caused at work, and he can’t sue the company because he has already received a small settlement. So it’s up to Laura to deal with him and his reckless behaviour that eventually leads to a hostage situation and standoff with police. Laura is having an affair with Ryan (James Le Gros), who happens to be the husband of Gina (Michelle Williams). Ryan and Gina are building a new house in the countryside and they need sandstone, so they visit a local man who has a pile of it in his front yard. Yet while they are building their new home together, they don’t appear to be totally happy. In fact, Ryan always seems to undermine her in front of their daughter, while Gina is just Gina going through the motions. The best is yet to come in the third story. Jamie (Lily Gladstone) is a ranch hand who lives on a farm. She appears to be very lonely until one day she decides to walk into an adult education class taught by young lawyer Beth (Kristen Stewart). They start eating together after class but Beth always has to cut it short because she’s got a four hour drive home. Their after class get togethers are misinterpreted by Jamie because she is falling for Beth, and she’s not sure Beth feels the same. Beth, meanwhile, happens to work at Laura’s firm. Hence the intersection of the lives of these three certain women.

    ‘Certain Women’ is a simple, quiet film, one where the acting takes center stage. Gladstone is the standout – her Jamie is painfully alone, and all she wants is for someone to be with. Williams has a quiet yet powerful role as a woman who doesn’t appear to be totally happy in life yet soldiers on. Dern has a meaty role as the lawyer who has to deal with a volatile client. It’s Stewart who brings it all down a notch. Using her typical acting style (she always seems to be playing herself), she doesn’t add any energy or likability to her Beth. Written and directed by Kelly Reichardt, ‘Certain Women,’ based on several short stories, is particularly aimed at a female audience, an audience who can appreciate and relate to the strong female characters in this film.