THEGAYUK

Tag: Three Star Play Review

The latest Three Star Play Review from THEGAYUK.

  • THEATRE REVIEW | Sex/Crime, London

    THEATRE REVIEW | Sex/Crime, London

    ★★★ | Sex/Crime, Soho Theatre, London

    There’s a sex crime taking place in Soho – it’s ‘Sex/Crime’ the dark comic queer thriller.

    Now playing until Feb. 1st, 2020 at the Soho Theatre, ‘Sex/Crime’ had its birth at the Glory bar in Dalston – a venue where shows such as this one are produced. Sex/Crime is a play that explores sex, violence, role-play, fear, drugs, but unfortunately not nudity, as both leads are sexy as hell.

    It’s not one to take too seriously, though the dialogue might suggest you do. Jonny Woo and writer Alexis Gregory take us on a ride where man A (Gregory) and man B (Woo) recreate a killing of a famous gay serial killer – for pleasure – and a price, but at what price. Both actors work their damn hardest to entertain, and scare us, as they decide the boundaries of their game – a game that goes a bit too far, all packed into a generous one hour show.

    Playing at the Soho Theatre (in the upstairs theatre) gives the show a bit of legitimacy, but it’s still low-brow theatre mostly meant for a small stage of a gay bar. But you can’t knock the energy and sexual chemistry of Gregory and especially sexy daddy Woo – they both alone are the price of admission.

    https://sohotheatre.com/shows/sex-crime/

  • THEATRE REVIEW | The Sunset Limited, London

    THEATRE REVIEW | The Sunset Limited, London

    ★★★ | The Sunset Limited, Boulevard Theatre, London

    A middle-aged white male attempts to get on The Sunset Limited but is stopped by a middle-aged black man.

    What is The Sunset Limited? It’s the name of a new play that has just opened at Soho’s fantastic Boulevard Theatre, and it’s also a euphemism for committing suicide.

    The white man (English Actor Jasper Britton), is on his daily commute (as described by the actors) when, instead of wanting to go to work, he intentionally wants to jump in front of a subway train pulling into a strangely empty NYC subway station. But he is saved by the black man (an excellent Gary Beadle) who in turn takes him to his run-down apartment to discuss his motive for wanting to commit suicide.”

    So the play (written by Cormac McCarthy in 2006) takes place in the black man’s apartment (the two leads are not assigned proper names). So for the next 95 minutes we get to learn a lot about both men. The white man is a professor, an atheist, really hates his father and mother, and has very bad thoughts about all of his fellow commuters – everyday he has had these bad thoughts – and has had them for the past 20 years. The black man is an ex-con who served time for a crime we are not told, he is very religious, and is now the guardian angel to the white man, trying, very determined, to understand why he wanted to end his life. The play also tries to explore the meaning of life and especially the lives of people who have to endure a commute back and forth to work every day. But it also raises questions on the question – are we living the lives we want to lead? And when the show is over, and the black man finally lets the white man leave, what happens next, not just to him but also to the rest of us – back to our daily grind tomorrow, one that we might find depressing, depressing enough to take the Sunset Limited?

    Perhaps the white man is everyman – one who is sick and tired of his commute, of the people around him, of his life and of his relationships – just plain miserable as hell.

    Writer McCarthy wrote the brilliant ‘The Road’ (which went on to win a Pulitzer Prize, and which was turned into the classic 2009 film), which had themes of suicide and doom, was a brilliant piece of work. The Sunset Limited, apart from very good acting (Beadle is superb) and very good direction (Terry Johnson), is just a bit too thin to really care about the characters (white man is still a mystery to me) and what happens to them next.

    The Sunset Limited is now playing at Soho’s Boulevard Theatre until February 29th.

    https://boulevardtheatre.co.uk

  • THEATRE REVIEW | The Girl On The Train – Birmingham

    THEATRE REVIEW | The Girl On The Train – Birmingham

    ★★★ | The Girl On The Train – National Tour / Birmingham

    Based on the best selling book by Paula Hawkins, The Girl On The Train stars Samantha Womack (Eastenders) as Rachel Watson, a troubled woman who romanticises about a couple she sees from her commuter train window every day, as she imagines the life she could have had. When one of the couple goes missing, she finds herself drawn into the mystery; but the gaps in her memory and her inability to separate out reality from her fantasy leads to her becoming a suspect in the woman’s disappearance.

    Samantha Womack is entertaining as Rachel and she is ably supported by a small but proficient cast. The set changes are fairly slick, the set is sufficiently detailed, and the lighting and sound design all compliment the mood of the piece.

    But for a thriller to work, it’s the story that counts, and over the course of the first act, the plot developed nicely and pulled in the audience, with a narrative which blurred fact and fiction, and imagination and reality; but as the second act unfolded the story became increasingly convoluted with a few too many red herrings and clumsy plot twists for it to maintain its momentum.

    Having not read the book or seen the film, I’m not sure whether fans of either will find enjoyment or disappointment in this play, but as a standalone piece of theatre, it is competently presented and entertaining enough, but not a show which I would imagine will go on to become a classic.

    The Girl on the Train is at The Alexandra, Birmingham until the 31st August 2019. Book tickets now

    This review was taken from a showing at Sheffield and does not account for any cast changes or changes to the direction since then.*

  • The Night of the Iguana REVIEW: What happens in the 2 hours and 35 minutes of this show? Not a whole lot!

    The Night of the Iguana REVIEW: What happens in the 2 hours and 35 minutes of this show? Not a whole lot!

    ★★★☆☆ | The Night of the Iguana

    (c) Brinkhoff.Moegenburg

    The Night of the Iguana was never really Tennessee Williams’ best work, and a new theatre production in London adds very little to it.

    Now playing at the Noel Coward Theatre, movie star Clive Owen plays defrocked priest Reverend T. Lawrence Shannon (Richard Burton in the film) who escapes to a Mexican lodge deep in the forest to while away his time. Others in the lodge include the owner Maxine (Breaking Bad’s Anna Gunn playing Ava Gardner’s role in the film), Hannah- a middle-aged single woman (Lia Williams), with her very old grandfather Nonno (Daniel Glover), and a German family who keeps on going back and forth from the lodge to the beach who in their quirky way liven up this production.

    So what happens in the 2 hours and 35 minutes of this show? Not a whole lot! The most dramatic moment comes when a thunderstorm literally starts dripping buckets of rain onto the stage, leaving the cast scrambling for cover.

    It’s a fantastic effect that you would think would set the mood for an even more exciting second half, but it’s all dialogue between Shannon and Hannah that leads to a bit of sexual tension but not enough to make this show sexy and exciting. Director James MacDonald limits the actors to a very small confined space on stage (though there is a cleverly designed staircase that goes down to an unseen beach), and while the rest of the cast are quite good, Owen is just OK, but there is really nothing spectacular about this production.

    Perhaps it’s one for hardcore Williams, Owens, or Breaking Bad fans.

    The Night of the Iguana plays at the Noel Coward Theatre until 28th September 2019, Book tickets here.

  • THEATRE REVIEW | The Girl On The Train – Duke of York’s Theatre, London

    THEATRE REVIEW | The Girl On The Train – Duke of York’s Theatre, London

    ★★★ | The Girl On The Train – Duke Of York’s Theatre

    Based on the best selling book by Paula Hawkins, The Girl On The Train stars Samantha Womack (Eastenders) as Rachel Watson, a troubled woman who romanticises about a couple she sees from her commuter train window every day, as she imagines the life she could have had. When one of the couple goes missing, she finds herself drawn into the mystery; but the gaps in her memory and her inability to separate out reality from her fantasy leads to her becoming a suspect in the woman’s disappearance.

    Samantha Womack is entertaining as Rachel and she is ably supported by a small but proficient cast. The set changes are fairly slick, the set is sufficiently detailed, and the lighting and sound design all compliment the mood of the piece.

    But for a thriller to work, it’s the story that counts, and over the course of the first act, the plot developed nicely and pulled in the audience, with a narrative which blurred fact and fiction, and imagination and reality; but as the second act unfolded the story became increasingly convoluted with a few too many red herrings and clumsy plot twists for it to maintain its momentum.

    Having not read the book or seen the film, I’m not sure whether fans of either will find enjoyment or disappointment in this play, but as a standalone piece of theatre, it is competently presented and entertaining enough, but not a show which I would imagine will go on to become a classic.

    The Girl on the Train is at Duke Of York’s Theatre until the 17th August 2019. Book tickets now

    This review was taken from a showing at Sheffield and does not account for any cast changes or changes to the direction since then.*

  • THEATRE REVIEW | The Girl On The Train – National Tour

    THEATRE REVIEW | The Girl On The Train – National Tour

    ★★★ | The Girl On The Train -Sheffield

    Based on the best selling book by Paula Hawkins, The Girl On The Train stars Samantha Womack (Eastenders) as Rachel Watson, a troubled woman who romanticises about a couple she sees from her commuter train window every day, as she imagines the life she could have had. When one of the couple goes missing, she finds herself drawn into the mystery; but the gaps in her memory and her inability to separate out reality from her fantasy leads to her becoming a suspect in the woman’s disappearance.

    Samantha Womack is entertaining as Rachel and she is ably supported by a small but proficient cast. The set changes are fairly slick, the set is sufficiently detailed, and the lighting and sound design all compliment the mood of the piece.

    But for a thriller to work, it’s the story that counts, and over the course of the first act, the plot developed nicely and pulled in the audience, with a narrative which blurred fact and fiction, and imagination and reality; but as the second act unfolded the story became increasingly convoluted with a few too many red herrings and clumsy plot twists for it to maintain its momentum.

    Having not read the book or seen the film, I’m not sure whether fans of either will find enjoyment or disappointment in this play, but as a standalone piece of theatre, it is competently presented and entertaining enough, but not a show which I would imagine will go on to become a classic.

    The Girl on the Train is at Sheffield Theatres until 29th June 2019 before continuing on its national tour.

  • Afterglow review: Go for the nudity, stay for the three-way

    Afterglow review: Go for the nudity, stay for the three-way

    ★★★ | Afterglow, London

    (C) Darren Bell

    A married gay couple welcome a third and things will never be the same with them again.

    In the show Afterglow, now playing at Southwark Playhouse, Josh (Sean Hart) and Alex (Danny Mahoney) live comfortably in a nice Manhattan apartment and enjoy other men’s company. Darius (Jesse Fox), all but 25 years old, gets involved in a three-way with them, however, Darius and Josh have an instant attraction. They start hooking up with each other, and it is at this point that we know where the story is going to go. But what complicates even more is that Josh and Alex are expecting a baby through a surrogate, and with Darius in the picture, what will happen not only with their relationship but also to their pending fatherhood?

    In a show that has nudity as a top billing (a device that’s sure to sell tickets), the actors are not shy and are naked in the very beginning – having a three way in bed. Getting undressed, shower scenes and lots of kissing add a bit more to the show. But this alone cannot save the fact that the scenery changes and the undressing take a bit too long, losing any sense of drama this show is trying to eke out. And it’s a bit frustrating because the actors are all actually quite good –  it’s the story that doesn’t do them justice.

    I would say go for the nude scenes –  they are worth the price of admission, just don’t expect much else.

    Afterglow plays at the Southwark Playhouse until 20th July 2019, book tickets.

  • THEATRE REVIEW | Barber Shop Chronicles – National Tour

    ★★★ | Barber Shop Chronicles

    Masculinity and culture come sharply under the spotlight in Barber Shop Chronicles, as men go to their barbers to chat, seek advice, bare their soul or just pass the time of day in the company of friends. Presented as a series of snapshots, the play travels between six locations around the world – London, Johannesburg, Harare, Kampala, Lagos and Accra – to share conversations between African men and their barbers covering everything from history to homosexuality, from language to love and from family to fatherhood, all of which are tied together by one televised football match and one terrible joke.

    Set on a minimal stage, and featuring interludes filled with a mixture of traditional African music, grime and hip hop, the scenes are tied together by cape swishing, chair twirling choreographed movement; whilst the show is funny, poignant and political in equal measure, delving into the ordinary conversations held by men in barber shops every day in the six different African nations and holding them up as a mirror to the audience.

    Despite a slightly disjointed start, the show soon hits its stride with a range of characters – the businessman, the torn apart family, the local drunk, the ambitious youngster – all seemingly unconnected, but with an underlying association between them across the globe.  The ensemble cast, many of whom play multiple roles; draw in the crowd with a resonating warmth and humour, and bring into focus the importance of male bonding, community and communication.

    Barber Shop Chronicles is a comedy drama which is crammed with anecdotes, arguments and regrets, which come together to provide a thought-provoking, life-affirming piece of theatre which both celebrates and challenges African masculinity.

    Barber Shop Chronicles is currently at Sheffield Crucible Theatre until 1st June 2019, before continuing on its national tour.

  • THEATRE REVIEW | The Twilight Zone, Ambassadors Theatre, London

    THEATRE REVIEW | The Twilight Zone, Ambassadors Theatre, London

    ★★★☆☆ | The Twilight Zone, London

    You will travel through another dimension, a dimension not only of sight and sound but of mind. A journey into a wondrous land whose boundaries are that of imagination. That’s the signpost up ahead – your next stop, the Twilight Zone!

    Yes, the Twilight Zone is where you landed, also known as the Ambassadors Theatre in Central London, where you will be taken into the unknown, places and situations that could or could not be real, people who may or may not seem who they are, it’s a show with lots of questions and very little answers.

    Were there 6 passengers on the bus? Then why are there 7 stranded in the diner? Were there three astronauts in the ship, or just one? Why does the jukebox keep turning on and off? Where do those cigarettes mysteriously come from? Who is that little girl who supposedly lives in the building, and why is she so quiet? Is that actually a black hole to another dimension in the daughter’s bedroom, and is this where she has disappeared into? All these questions and more make up for a night of very little suspense, drama and not a whole lot of terror.

    The series of eight episodes, selected by the writer Anne Washburn from 156 episodes from the 1960’s television show does not transfer well to the West End stage. Turning eight 30-minute television programs into a two-hour show, all interweaved with each other, makes for a bit of confusement.

    The first half of the Twilight Zone, the television show which was created and hosted by Rod Serling, is a bit messy and lacks suspense because of the multiple storylines, but it’s the second half where the tension keeps you on the edge of your seat. Nuclear missiles are heading towards America, and neighbours are pitted against each other in order to survive, and where one already had a nuclear shelter.

    Everyone wants to survive so they try to break their way into the shelter, to no avail, but their true colours are revealed in their quest for survival. Intense Stuff! We are also treated to the ventriloquism of Adriana Bertola and her whisky drinking dummy, she is a genius as her dummy comes to life on stage. How does this all relate to the Twilight Zone? You will just have to buy a ticket and see for yourself.

    The Twilight Zones plays at the Ambassadors Theatre until June 2019. Book tickets here.

  • THEATRE REVIEW | The Mousetrap – National Tour, 2019

    THEATRE REVIEW | The Mousetrap – National Tour, 2019

    ★★★☆☆ | The Mousetrap, National Tour

    After a murder in London, and with the snow falling heavily outside, Monkswell Manor, a guest house, opens its doors to welcome its first five seemingly unconnected, guests, some of whom are expected, some of whom aren’t. But the night is interrupted by a phone call and the arrival of the police warning that there is a killer on the loose and that there more murders expected in the isolated house. But who is the murderer, who are the victims and who will survive?

    The Mousetrap is the longest running show in the West End and when I first saw it in 2013, having not read or seen any Agatha Christie and with a curiosity to see what made this theatrical legend so special, I found it suitably engaging, and seeing it again on this new tour was just as enjoyable.

    As one would expect with Agatha Christie, the story is one of a mixed bunch of characters; including the grumpy old woman, the retired army general and the delightfully camp young bachelor; and the intelligent writing had you casting doubt on each of the characters in turn, as their secrets slowly surface. But the fun comes in the last twenty minutes or so, as the killer’s identity is revealed and you can see whether you were right in your deductions.

    On this tour, there are high spec production values, with a sturdy and detailed set and an ambient sound and lighting design; and there are good central performances from Geoff Arnold as Sergeant Trotter, Gwyneth Strong as Mrs Boyle; and in particular, Lewis Chandler standing out from the crowd as  Christopher Wren.

    Despite the show being somewhat of its time and harbouring a terribly twee closing scene, The Mousetrap retains its ability to engage the audience without flashy visuals or an over the top production, and simply allows some good performances and classic story writing to shine through in a night of old fashioned entertainment.

    The Mousetrap is on national tour and details can be found at the show’s website.

  • THEATRE REVIEW | Rebus: Long Shadows

    THEATRE REVIEW | Rebus: Long Shadows

    ★★★☆☆ | Rebus: Long Shadows

    Ian Rankin’s novel series came alive on stage via the adaptation of Rona Munro. It was an atmospheric and sombre affair.

    Rankin’s novels first featured the character of John Rebus in Knots & Crosses where he was merely 40 years old, and he grew older, bitter and more cynical as his life progressed in the subsequent novels, Black and Blue, Exit Music, In A House Of Lies, etc. Putting Rebus on stage was not Ian’s original conception but a fan of his books, producer Daniel Schumann’s. Ian chose Rona as he wanted her take on this robust and clout-packed character.

    Not an adaptation of any of the 19 novels, Rebus – Long Shadows is a unique story bringing together the three protagonists of his series: Rebus (Charles Lawson), Clarke (Cathy Tyson) and Cafferty (John Stahl). The promise was to excite the book fans while giving the newbies a real taste of whodunnit. Centred around two murders that happened ten years apart, but a vivid haunt for Rebus, physical ghosts, and on the ground too, make for an unsettling mystery.

    Charles Lawson, who most will know as Jim McDonald in Coronation Street (ITV) really embodied Rebus in a sombre, tired portrayal, but with spouts of energy in a man who had decades of unfinished business. I never read the books, but Charles portrayal is the image I would have had in my mind. His multi-faceted performance created powerful moments as the murder mystery unravelled. In some parts, Lawson was like Lear of the murder realm.

    Cathy Tyson did a good job as Siobhan Clarke, but as a whole it was not a totally captivating performance. Her portrayal of Clarke was not a secure one, and I am not sure her decades’ bond with Rebus was consistently convincing. John Stahl was exactly what Cafferty was described as, and it was very enjoyable watching his dangerous and playfully performance.

    Neil McKinven played everyone else, but most importantly, murderer Mordaunt, and Andy. It was a very energetic multi-role play, and Neil used comedy very well. However, sometimes it was hard to distinguish between characters, and I think it was due to costume changes that didn’t change much and how quick he was back on stage. The murdered ghosts of Angela and Maggie by Dani Heron and Eleanor House respectively was a well synchronised vocal and physical performance adding more mystery to the narrative.

    The set was fairly simple. The furniture for Rebus’ home was always seen in other scenes which took away from the illusion. However, there was a really nice moment with purple lights shining against the wall of Cafferty’s home making his apartment look very ostentatious, very different from Rebus’.

    Charles portrayal of Rebus is well worth the visit of die-hard fans, but perhaps you had to read the books to be fully immersed.

    Rebus: Long Shadows is on at Birmingham Rep until the 6th October 2018