Tag: UK

  • Why I undressed for Elska Magazine

    Why I undressed for Elska Magazine

    Multiple factors can contribute to the development of the body image, but the biggest influence seems to come from the advertising industry, which unapologetically creates the need on the consumer to look like the ideal men or women portrayed in the media. Smoothing skin, erasing wrinkles, enlarging muscles, slimming waists… All this has become the norm in advertising. These images don’t reflect reality. This is just a convenient strategy designed to sell a product. Yet, from a younger and younger age, people are aspiring to these biologically impossible ideals. And I was no exception! Looking at these distortions of reality, I felt ugly and had the same desire as everybody else to look just as perfect as these models. But I eventually realized that this way of thinking can lead to serious body image problems. People who are unhappy about their bodies can develop eating disorders, turn to diet pills or steroids, or try cosmetic surgery and Botox injections. And I fear that, until the public responds more favourably to images of real people with real bodies, very little is going to change. This is why I decided to stand up and share my belief that everyone has the right, whatever their size or shape, to feel happy about their looks. I defend that a diversity of body shapes and sizes needs to be included in magazines, advertising and on the catwalk URGENTLY!

    A while ago, I discovered Elska Magazine. Created by Liam Campbell, Elska is a bi-monthly male photography publication, whose first edition was released in September 2015.

    Its name means “love” in Icelandic.

    One of the main aspects which differentiate Elska from other (gay) photography-related publications is that it does not feature perfect models, but instead focuses on real people with their “imperfections,” presenting real-life people and their stories, and providing a glimpse at queer men and community around the globe. Each issue is shot in a different city. When I saw an ad looking for real people to model for the Amsterdam issue, I knew immediately that this was an initiative I needed to support. And this why, with no shame or fears, I undressed and posed for Elska. I might not have the perfect body (at least according to the advertising industry), but this is me, I am real, and I learned to love myself and to feel comfortable in my own body. And now I am sharing it with you!

    Elska Amsterdam, the latest issue of Elska magazine, is out now and includes a nice selection of ordinary gay locals and their stories. Sadly, my photos didn’t make the cut for the main magazine, but they are featured in Elska Ekstra, Elska’s companion magazine with behind the scenes tales, outtakes, extra stories, and extra boys. Enjoy it!

    As a famous drag queen would say: “If you can’t love yourself, how in the hell are you going to love somebody else?”

    Pages: 1 2

  • We rated the best ballads from each of Mariah Carey’s albums

    We rated the best ballads from each of Mariah Carey’s albums

    Don’t hate… but

    Debut

    “Vanishing”

    This stripped-back piano-led ballad is probably one of the purest ballads of all time. It perfectly showcases Mariah’s vocal quality – and one epic vocal run (that sounds like the prettiest car alarm in the world) towards the end.

    Emotions

    “Can’t Let Go”

    After a string of number 1s in the US, “Can’t Let You” didn’t manage to reach the coveted top spot – which we think is a travesty. Plus the accompanying music video is one classy affair.

    MTV Unplugged

    “If It’s Over”

    Originally from the album Emotions, it marries MC’s songwriting with Carole King’s. Strong. Strong. Strong.

    Musicbox

    “Anytime You Need A Friend”

    This song is pure power and quite different from anything Mariah had released up to that point. Its dark chord structure in the verse opens up to one glorious chorus, filled with a gospel vibe that truly inspires – and don’t get us started on that whistle note at the end of the song. The whole Musicbox album is the ultimate MC balladfest, it has so many good options.

    Merry Christmas

    “Miss You Most (At Christmas Time)”

    When Mariah stips it all back we get to hear the jewel that is early Mariah’s bell-like soprano range. This song is the perfect opposite to the campery fun that is Mariah’s all-time greatest (or best-selling anyway) hit, “All I Want For Christmas (Is You)”.

    Daydream

    “Looking In”

    I love songs like these from MC. We really get to understand her story as an artist. “Looking In” feels deeply personal and from a songwriter’s perspective can feel very exposing but ultimately freeing.

    Butterfly

    “Butterfly”

    This is pretty much a standard Mariah ballad, but the lyrics are just so powerful and on the first album of Mariah’s to be pretty thin of ballads this is the obvious choice, following by “My All”.

    Rainbow

    “After Tonight”

    There are a couple of great ballads on this album – and you may be surprised that I didn’t choose “Can’t Take That Away” but the vocals in “After Tonight” are actually next level when you listen to them. Unfortunately the album’s other ballads like “Against All Odds” and “Thank God I Found You” (don’t hate) sounded just dialled in, I’m not a fan. Don’t get me started on the duet version of “Against All Odds”.

    Glitter

    “Lead The Way”

    Back in the very early 2000s, when most of the world had seemingly written Mariah off, there’s the gem of an album the Glitter soundtrack. “Lead The Way” is just beautiful. The album showcased a newer style of singing for the diva – as she started to use her breathier lower register to great effect – allowing her to let rip towards the end of songs – giving a greater contrast to her performances.

    Charmbracelet

    “I Only Wanted”

    Maybe an “After Tonight” part 2, but MC’s vocals are on point in this song and she does the Spanish guitar sound so well. This gets the top spot on from this album, because the chorus is so strong. I would have gone with “Through The Rain” but the use of Mariah’s softer, breathier vocal style gets tiresome. It’s not until the last chorus that she really opens up and lets fly – which is a shame.

    TEOM

    “We Belong Together”

    This album is very thin on the typical Mariah ballad, so the only choice is either “We Belong Together” or “Mine Again” luckily WBT is an epic song – particularly when she goes up the octave towards the end of the song.

    EMC2

    “I Wish You Well”

    Back to the piano-driven ballad, Mariah lets her stunning vocals shine.

    MOAIA

    “I Want To Know What Love Is”

    Mariah isn’t really known for her covers (why would she, as she’s probably the most accomplished song-writer in the world) but when she does one it gets noticed (remember “Without You”). “I Want To Know What Love Is” is, dare I say better than the original. And totally uplifting, you just don’t want it to end – and well in Brazil, it nearly didn’t! It was number 1 for an incredible 27 weeks.

    Merry Christmas II You

    “O Come All Ye Faithful”

    I have to say, I’m not a fan of this album, when compared to her 1994 release, it feels a little underwhelming, but getting a duet with her Mumma is pure excellence!

    Me. I Am Mariah The Elusive Chanteuse

    “Cry”

    Unfortunately, the traditional MC ballad has all but disappeared for this album, aside from the cover of George Michael’s “One More Try”, which I never thought was a great song from GM. To note, this is one of Mariah’s worst-selling album so far. The album peaked at number 14 on the UK Albums Chart, selling just 6,547 copies in its first week.

    Caution

    “Portrait”

    This song feels like a late-90s end-of-album Mariah ballad and that’s a lovely thing. On the whole, the album Caution album is underrated and under-selling. It really deserved to do better.

    So how did we do? What are your favourite MC ballads? Use the comments below to let us know.

  • Adult star Johnny Rapid says retirement because of COVID-19 was a joke

    Adult star Johnny Rapid says retirement because of COVID-19 was a joke

    Calm down, calm down… He’s not actually going anywhere.

    Prolific adult star Johnny Rapid shocked fans on Twitter yesterday by announcing that he was retiring from films because of COVID-19, but it turns out it was just a joke.

    The star, who has starred in countless films took to Twitter to tell his fans that he was retiring. Saying “I’m officially retiring from porn as of this moment”

    However, he later updated that status, not on Twitter but on the AVN website, saying,

    “Hey lovers,
    yesterday I’ve posted a joke on Twitter saying that I would retire from porn because of the whole CoronaV situation which makes it hard to meet people, but it seems that some followers took it seriously.

    I won’t bother to explain myself on social media in details; that it was a joke etc… but since we are in an exclusive trust circle here: No, I won’t let you down, this industry has been really good to me and I can totally feel all your love, it gives me strength everyday to work harder to please your fantasies.”

    He also added that he was “way too young or too kinky” to leave porn.

    So there you have it. Panic over. Johnny Rapid is not going anywhere you can check him out on the Men.com website.

  • Coronavirus could be spread through rimming

    Coronavirus could be spread through rimming

    Keeping clean is essential RN

    According to new research by scientists COVID-19 could be spread person to person via rimming, after they discovered traces of the virus in patients of those who had been infected.

    What’s even more concerning once the patient had no infected cells in their respiratory system, their poop still contained traces.

    According to the report from Gastro Journal, swabs of urine, stool and tissues were taken from 73 hospitalised patients. It found that 53 per cent of the patients tested positive for SARS-CoV-2 RNA in their stool samples.

    17 of those still had traces even after their respiratory system was clear.

    The report said it is possible for a “faecal-oral transmission route” meaning that those people who engage in rimming could be at risk of infection.

    [totalpoll id=”112641″]

    Of course the same could be said for those who don’t wash their hands after going to the loo. Faecal matter can find its way on to the hands – and spread from person to person or person to object – like phones and door handles.

    In any case, it’s probably wise to use moist toilet wipes after using the loo and whipping out the old douche if you’re in the mood for licking the chocolate cave.

    The best advice from the NHS is to stay at home and self-isolate if you have a high temperature and a new continuous cough.

    It also advocates:

    • wash your hands with soap and water often – do this for at least 20 seconds
    • always wash your hands when you get home or into work
    • use hand sanitiser gel if soap and water are not available
    • cover your mouth and nose with a tissue or your sleeve (not your hands) when you cough or sneeze
    • put used tissues in the bin immediately and wash your hands afterwards
    • try to avoid close contact with people who are unwell
  • It’s time for companies to stop offering holiday prizes to countries where being LGBT+ can land you in prison

    It’s time for companies to stop offering holiday prizes to countries where being LGBT+ can land you in prison

    I’m a fan of holidays and I’m also a fan of prizes, so a prize that’s also a holiday it’s pretty much up there with buttery crumpets and that new car smell for me, but I have to plead with the marketing departments at large corporations not to offer trips to countries where being LGBT+ could wind you all banged up.

    This afternoon a Caffe Nero marketing email landed in my inbox advertising a competition where the prize was a holibob to Cairo. How nice I thought until I wonder what are the legal ramifications of a visit to Egypt for a card-carrying gay like myself.

    Not good. it turns out.

    A little digging from the marketing department would have them discover homosexuality has been “defacto illegal” in Egypt since the year 2000. Yes, in Egypt under its “morality laws” people found guilty of breaking such a law could face “up to 17 years with or without hard labour and fines”

    Not to pick on Nero’s but they really should know better, after all, they do use the rainbow flag, during pride season in some of their stores.

    But they aren’t the only company to offer competitions where the prize could land LGBT+ people in trouble.

    You wouldn’t think that in 2020 it’d be acceptable to offer a prize that actively discriminated against LGBT+ people, but when you see a prize that’s a holiday to any country which outlaws homosexuality, and there are a lot of them – that’s effectively what they are doing, especially to gay and bi men who don’t want to end up in court facing punishments ranging from fines, lashes or even death.

    Even high profile game shows can get it wrong, in May 2019, Channel 5’s Blind Date sent two bisexual men on a romantic trip to St. Lucia, where it is illegal for males to have sex with other males.

    If we want change, we are going have to call on companies and allies to do their part.

    If we want a world that is tolerant of LGBT+ people we have to start showing that being anti-LGBT isn’t good for business, travel or politically and that includes using them in your marketing campaigns.

  • This might be the campest way to clean your hands during the Covid-19 outbreak

    This might be the campest way to clean your hands during the Covid-19 outbreak

    “I Will Survive”

    Gloria Gaynor has delivered the video you didn’t think you needed – showing that the camp classic, “I Will Survive” is the only song you actually need to sing whilst cleaning your hands during the Coronavirus outbreak.


    [totalpoll id=”112587″]


    As the world’s supply of disinfectant hand wipes becomes thin on the ground, disco queen, Gloria Gaynor is here to remind you that you can simply wash your hands – and in accordance with the best advice, the chorus of her best-known song is long enough to make sure you get them all nice and clean.

    https://twitter.com/gloriagaynor/status/1237908407241314306

    In her Tic Tok video, which has now surpassed over a million views, the songstress is seen washing her hands to the chorus of her mega-hit.

    She’s even started the #IWillSurviveChallenge – which natch we’re totally onboard with.

  • THEATRE REVIEW | Spy Plays, London

    THEATRE REVIEW | Spy Plays, London

    ★★★★★ | Spy Plays, Above the Stag Theatre, London

    Intrigue. Attraction. Mystery. Lust. Sex. Murder. These are the themes surrounding two plays rolled into one and called ‘Spy Plays’ now at the Above the Stag Theatre.

    David Thame’s ‘Kompromat‘ and ‘London/Budapest‘ are shown together for the first time, and both based on true life events where the same actors play different characters in both, 60 years apart.

    Kompromat’ which in Russian culture is short for “compromising material”, and which has been previously performed at the Vaults, tells the chilling story of Gareth Williams, the presumedly gay man who worked for a government agency and who was found dead inside a sportsbag in the bathtub in his Pimlico flat in 2010. The show takes the story further by surmising that he picked up a man at a gay bar on that night and took him back to his flat. Guy Warren-Thomas plays Gareth, shy yet brilliant, while Max Rinehart plays Zac, the young mysterious Hungarian who seduces Gareth and perhaps had something to do with his death. In ‘London/Budapest’ it’s 1955 and Author Adam de Hegedus (Warren-Thomas), has just met a young man (Rinehart again, at his most seductive) at the Jermyn Street Baths, and takes him back to his Pimlico flat. But who is this young man? Is he who he says he is?

    And did de Hegedus actually commit suicide or was he murdered?

    So what links these two men? A Pimlico flat, and that both dead had connections to the spy world. And Director Peter Darney beautifully, with the help of the production team, brings it all to life on one of the stages at Above the Stag. In ‘London/Budapest‘ we are whisked to a appropriate era set with a comfy lounge chair while in ‘Kompromat‘ it’s a modern bachelor flat where death will rear its ugly head. And the acting couldn’t be better. While Rinehart has the most dialogue and delivers it with passion, Warren-Thomas Is just perfect in his duel roles and is also absolutely breathtaking when he enters the stage in ‘Kompromat’ in an outfit that’s unexpected yet very, very sexy.

  • THEATRE REVIEW | The Prince of Egypt, London

    THEATRE REVIEW | The Prince of Egypt, London

    ★★★★ | The Prince of Egypt, Dominion Theatre, London

    Dreamwork’s animated 1998 film ’The Prince of Egypt‘ comes to life at the Dominion Theatre. 

    With music and lyrics by veteran composer Stephen Schwarz, and directed by his son Scott Schwartz, ‘The Prince of Egypt’ faithfully follows the film in the telling of two men – Moses (Luke Brady) and Ramses (Liam Tamne) – who were raised as brothers but, in one of the dark secrets of the family, are not actually brothers.

    Moses was born a Hebrew, and after an accident where Moses pushes an Egyptian guard off a temple being built by the Hebrew slaves, he runs off and encounters what turns out to be his real sister and the real members of his family – all Hebrews. While his adopted father dies, Ramses takes over as the Pharaoh – King – while at the same time still condemning all Hebrews to a life of slavery, which will now include his brother. With the brothers divided, what will become of their relationship, and of the Hebrews who desperately seek their freedom? 

    The production values in this show are worth the price of a ticket. From the illuminated pharaohs and hieroglyphics, which are projected on to the sides of and on the stage, to the amazing costumes and sets, ’The Prince of Egypt’ was made for the huge stage that is the Dominion Theatre. And the dancers are all actually superb, morphing from statues to flowing water to wind to sand dunes to the burning bush where God tells Moses that he needs to return to Egypt and guide the Hebrews to freedom.

    Yes, we also get to see Moses part the red sea, with videos of waves projected onto the sides of the stage to make it look like the Hebrews are actually walking between the red sea. Disney, just like their other productions in the West End, looks like they spared no expense in this production. Kudos go to Sean Cheesman, choreographer, who has guided the dancers to be practically another character in the show, to the production and set design and costumes (Jon Driscoll, Kevin Depinet and Ann Hould-Ward respectively), and the performances of both Brady and Tamne. Also, the singing voices of Christine Allado, Alexia Khadime and Mercedesz Csampai are just beautiful. While there were a couple of scenes that had us scratching our heads, overall it’s an amazing production and one not to miss.

    Book now, click here

  • THEATRE REVIEW | La Cage, London

    THEATRE REVIEW | La Cage, London

    ★★★★ | La Cage, Park Theatre, London

    When you walk into a theatre and you see that the set is a grand staircase leading into a living room with a large statue of David and various photos of men and drag queens on the wall you know you’re in for a drag of a time. This is exactly what ‘La Cage’ delivers.

    Actor Simon Callow adapted the show for the stage, who was asked to write an English version of the original 1973 play (which inspired three french films, a hit musical, and a hit American film – The Birdcage). Directed by Jez Bond, ‘La Cage’ is written in its original time and location, and French speaker Callow astutely brings the flavour of the original farce to life. 

    Drag queen extraordinaire Albin (Paul Hunter) and Georges (an amazing Michael Matus) own and live above drag queen bar La Cage, along with their extremely camp butler Jacob (Syrus Lowe) who can sure wear high heels. Georges’ son Laurent (Arthur Hughes) arrives to inform him that he’s getting married to a girl whose parents are very religious and conservative, and that they’re coming to town to meet his ‘parents.’

    Laurent’s natural mother is invited as well but leaves it to Albin to pretend he’s Laurent’s mother and it’s all one huge farce on the day and things get worse downstairs in the club as all hell breaks loose as Albin is not in residence. Dishes with naughty pictures and innuendos galore go into overdrive as the show goes way over the top with an ending identical to the other productions but in this production is all a bit too easily sewn up. 

    A lot happens in just over two hours and the cast easily keep up the comedy and energy. From the grand dame that is Albin to the almost not in control Georges they help to maintain a bit of the drama while the show spins its characters all over the place. And while you’ll admire their dedication and tenacity, you might find yourself laughing throughout but to a point where it’s not even funny. 

    Book tickets here

  • When is Pride Month in the UK in 2020?

    When is Pride Month in the UK in 2020?

    Pride season in the UK starts around April and continues right through to September, so is there an actual “Pride Month”?

    When is Pride Month in the UK?

    Officially Pride Month is in June in 2020.

    Pride Month stemmed from the US, which has been adopted more widely across the world, but in reality, there are many Pride months across the globe. For instance, Sydney Mardi Gras, Australia’s biggest pride takes place in February (although they do have a Pride festival in June) and here in the UK, there isn’t such thing as one month for Pride.

    In the US most prides happen in the month of June to coincide with the anniversary of the 1969 Stonewall Riots, in the UK however things are a little more spread out with more and more county, city and town prides becoming available.

    There are over 150 pride events in the UK alone and they start in Feb with the last (outside Winter Pride) in September. So Pride month in the UK is better described as Pride Half Year!

    In 2019 the town of Llanelli in South Wales celebrated it’s first pride.

    Want to know more about prides, see our entire collection of Pride articles here. Want to shop for Pride Merchandise, visit our partner retailer, THE PRIDE SHOP.

  • THEATRE REVIEW | Time & Tide London

    THEATRE REVIEW | Time & Tide London

    ★★★★★ | Time & Tide, Park Theatre, London

    ‘Time & Tide’ is a tale of love in the most unexpected places.

    Nemo (Josh Barrow) works at a diner but has bigger ambitions in life. He wants to move to the big city of London, to be in theatre, and to get out of his nothing town of Cromer. This is much to the dismay of his boss at the diner May (Wendy Nottingham), who encourages him to stay in their small town. But Nemo’s friend Daz (Elliot Liburd) is secretly in love with him, but of course, Daz is not going to blatantly come out and say it, though he says he just recently broker up with his girlfriend. Meanwhile, May has an admirer in Ken (Paul Easton), the bread delivery man who also is hesitant to come out and say how he really feels. But May has some other sort of secret intentions, and it’s not for Ken. So what is her secret? And will Daz finally tell Nemo how he really feels? It’s unrequited love, love that may or may not be reciprocal, in Time & Tide.

    Good performances, and the lovely diner set, in the cosy small room of the Park Theatre, make this production, its premiere, one to watch. Liburd is a natural on stage, but it’s Nottingham who is memorable as the woman who has run the diner for decades, and who is considering selling up and moving away. Nottingham is just fantastic.

    Time and Tide wait for no man or woman.

    Find out more and book tickets here