THEGAYUK

Author: Tim Baros

  • THEATRE REVIEW | It Happened in Key West, Charing Cross Theatre, London

    THEATRE REVIEW | It Happened in Key West, Charing Cross Theatre, London

    ★★★ | It Happened in Key West

    A true story of a man who dug up the love of his life is a musical called It Happened in Key West.

    Yes, it did happen in Key West. In the 1940s, Count Carl Von Cosel fell in love with a woman, Elena, he was treating for tuberculosis . She died, but von Cosel was so infatuated and in love with her that he dug up her body and, for over 7 years, lived with her, well not really with her but with her body, in his house, in Key West.

    Now playing at the Charing Cross Theatre, with book, music and lyrics by Jill Santoriello, book and additional lyrics by Jason Huza, and book and original content by Jeremiah Janes who all collaborated together to create this musical, while a bit on the funny side, is too morbid and too silly to be taken seriously, and not funny enough to be camp and over the top.

    Having said that, Wade Mccollum is great as the Count. He’s got a great singing voice, especially in a song where he pines for Elena (‘Undying Love’ and ‘I’ve Never Felt This way’) are two standouts. He commands the stage and surely belongs in the West End but in a better show. Alyssa Martyn is just fine as Elena, who surprisingly dies before the first half is finished – it might’ve made more sense to have her die after the first half, but she does sing ‘I Feel Love,’ while dead, in the second half, and comes ‘back to life’ at the very end to sing, beautifully, in the finale. Director and Choreographer Marc Robin doesn’t have a whole lot to work with, it seems like the same 12 boxes remained as the set the whole way through the show. ‘It Happened in Key West,’ billed as a New Romantic Musical Comedy, is not much of a musical nor a romance.

    http://www.charingcrosstheatre.co.uk

  • FILM REVIEW | Mario

    ★★★★ | Mario

    Two young footballers fall in love in the tender love story Mario.

    Cute, sexy and very lean Leon (Aaron Altaras) is drafted into the football club where he meets player Mario (Max Hubacher). Leon, with striking dark curly hair and eyes, is quite a contrast to Mario – blond and a bit baby-faced who has been brought up by a football-mad father. But when Leon and Mario are assigned to live together in the same apartment while they train, a natural attraction between them kicks in, literally. They end up sharing a bed, even though the apartment has two bedrooms. But Mario is very uncomfortable to have their relationship be known to anyone, especially to their fellow team members, some of whom are quite homophobic. But one day Leon and Mario are seen together in public by a fellow team member who blabs it to the rest of the team. This puts not only Mario and Leon’s relationship to the test, it also puts their football careers at risk as well. But they really are in love with each other, but will they stay together, and if so at what cost?

    Director Marcel Gisler does a very good job getting his actors to display their affection for each other while at the same time creating excitement and tension, both in the locker room and on the playing field. Altaras is a natural, and he and Hubacher excellently portray young men who are conflicted between their love for each other and their love for the game. Mario is a beautiful love story that will fill you with love and sadness, and the timing is just right for this film to come out – right before the World Cup Championships, meanwhile there is not one out player currently in the game.

    Mario is in UK cinemas on Friday.

  • FILM REVIEW | Ideal Home

    ★★★ | Ideal Home

    Not quite the best name for a film about a gay couple who get stuck with raising a boy, ‘Ideal Home’ has its moments but they’re far and few between.

    Paul Rudd and Steve Coogan (at his campiest best) play, respectively, Paul and Erasmus Brumble (what a name!), a gay couple who have been together long enough, perhaps too long, to be set in their argumentative ways. Brumble is a flamboyant TV chef and Paul is his producing partner, and they live in the stunningly beautiful town of Santa Fe, New Mexico. They run their empire from their adobe house that has views to die for of the landscape which includes turquoise sunsets and rolling luscious mountains. They seem to have it all, but yet there also seems to be something missing in their lives.

    Enter Bill (Jack Gore), Erasmus’s estranged grandson, who unexpectedly shows up at their front door after his father Beau (Jake McDonald) gets arrested. Will the arrival of Bill make their relationship stronger? Will Paul and Erasmus be able to continue to live their A-gay lifestyle? More importantly, will Bill put a dent in their lavish dinner party schedule and sexual trysts?

    Ideal Home is a standard run-of-the-mill gay rom-com with not much com. It’s boosted by the beautiful setting as well as Rudd’s believability as a gay man (with a macho beard and buff body) as well as Gore who is very good as the kid who has nowhere else to go. Coogan is way over the top – I don’t think I know any gay man who is like his character – but if you want a 90-minute film that’s a bit fun and not too preachy or over-reaching, then this film is for you. But damn does Santa Fe look like an amazing town, and if anything, this film is an excellent tourist ad for this town located in America’s beautiful Southwest

    Now open in the UK

  • RESTAURANT REVIEW | Smoke And Salt, Brixton, London

    ★★★★☆ | Smoke & Salt, Brixton, London

     Pop Brixton’s critically acclaimed and award-winning Smoke & Salt are now doing brunch, and in true Smoke & Salt style it’s different from any brunch menu you’ve seen before, and this is not just a tagline – it’s the truth!

    Available on both Saturdays and Sundays between 11am-3pm, the new Smoke & Salt brunch menu is a new and exciting addition to the eternally loved London brunch scene.

    Based on the ethos of ‘Modern Dining, Ancient Techniques’, founders and head chefs Aaron Webster and Remi Williams have created a menu of unusual and surprising flavours, perfect for livening up those taste buds on a morning.  The menu has been divided into three sections, which are Lighter, Richer and Sweet.

    Lighter –  ‘Guacaleeky Toast’ – sourdough, homemade avocado-free leek guac, coriander. This is what I had on a recent warm and sunny Sunday afternoon, with the leek tasting, and looking, so much like avocado – it’s surreal! And with the sprinkling of coriander on top it was a dish too good looking and beautiful to eat, but eat I did. I noticed the guy next to me had ordered this same dish, and it looked like he enjoyed it as much as I did! This dish is highly recommended by me, but it’s on the light side (good value for £7.50) – so another dish is in order. So go, and indulge and go Richer – with the ‘Steak and Eggs’ – Bavette steak, crispy new potatoes, two eggs, and sriracha cheese sauce. It is a huge dish so perfect for two to share, with the Bavette (French for Flank Steak) amazingly tender yet moist and flavourful. The potatoes were nicely well-done, and the dish was smothered with a wonderful sriracha cheese sauce – but be forewarned – this dish has jalapeños – so if you don’t like your dish spicy (me and my lunch companion were clearly not expecting for the dish to be spicy as there’s no mention of this on the menu) then ask for no jalapeños – por favor!. But bear in mind that sriracha sauce is a bit on the spicy side, but it’s bearable. At £14.00 a great value because it’s so delicious. However, the piéce de résistance, which is also in the Richer category, was the Imbhams Farm Cornbread. Wow! Amazing dish. It’s so simple – basically, it’s cornbread topped with seasonal fruit compote and butter (on the side). The cornbread is a healthy portion (and cheap at £7.50) but it’s the taste and flavour, with the compote, that makes it so so so good. It’s a bit like jelly on toast but a million times better. I was going to ask for some cornbread to take away but held back – it was that good!

    For the Sweet category, recommended is the – ‘Spiced Plantain Cake’ – seasonal fruit compote and whipped yoghurt – which we didn’t have but I am sure it is amazing!

    The drinks menu is just as tantalising.  Under ‘Refreshments’, guests can choose Iced Coffee, Grapefruit & Mint Iced Tea (very refreshing and different), Brixton Iced Coffee (with an option to add rum) or a Seasonal Bellini. There are also local lagers available including Smoke & Salt’s very own Modern IPA as well as a selection of red wines, white wines and Prosecco.

    When the sun is shining, the front terrace at Smoke & Salt is the perfect place to bask in the South London sunshine. And when it’s not, Aaron, Remi and General manager Alex, and Sue, keep the brunch-party going inside.

    They also do dinner! Choose from a selection of Fish (Ceviche, Monkfish), Meat (Pig Cheek, Grilled Spring Lamb), or Vegetarian (Spring Vegetables, Farm Cornbread, Asparagus) from their compact menu and with it have one of their many delicious cocktails or wines). Smoke & Salt is a cosy restaurant at very cosy prices.

    Also, on 17th July, Pop Brixton’s Smoke & Salt will be heading over to the stunning East London Liquor Company for a night of delicious food and boozy drinks.

    The menu, based on Smoke & Salt’s culinary ethos of ‘Modern Dining – Ancient Techniques’ will include mouth-watering dishes such as ‘Tomatoes | whey, smoked ricotta, tasted buckwheat’; ‘Grilled Pork Collar | baby beetroot, preserved orange relish’ and ‘Goat’s Curd & Berries | candied fennel, black pepper, sweet cicely’, complete with an East London Liquor Company summer cocktail on arrival.

    Each dish can be paired with a sensational East London Liquor Company tipple, curated by Brand Ambassador Mikey Pendergast and available to purchase on the night.

    The first gin, vodka and whisky distillery in East London in over 100 years, East London Liquor Company is known for their cocktail creations, highlighting their in-house made spirits.

    The dinner is £35pp and places can be booked via Eventbrite

    www.smokeandsalt.com

    The dinner will take place at:

    East London Liquor Company

    Unit GF1, Bow Wharf

    221 Grove Road

    London, E3 5SN

    www.eastlondonliquorcompany.com

    And, if all the above were not enough, Smoke & Salt just recently won the ‘Newcomer Award’ at The Cateys – an annual award presented by The Caterer, and are the most prestigious awards in UK hospitality. Accepting the award were Aaron Webster and Remi Williams, co-founders and chefs of Smoke & Salt.

    Smoke & Salt can always be found at Pop Brixton, minutes away from the Brixton tube station, and it’s open year round. It’s ideal to have brunch there on a warm and sunny Sunday afternoon, and especially festive with England winning their second game of the World Cup that day, but I would think any time, any day, you will find the food, both the lunch and dinner, cooked with care, sourced from local farms. The food is healthy, good-looking, amazingly tasteful, highly affordable, and just plain damn good.

    Tables should be booked in advance via the website http://www.smokeandsalt.com/

    Smoke & Salt,
    49 Brixton Station Road,
    London SW9 8PQ

    HOURS

    Dinner | Monday – Saturday 6pm-10pm
    Brunch | Saturday – Sunday 11am

     

  • RESTAURANT REVIEW | 28-50 Wine Workshop And Kitchen, London

    ★★★★☆ | 28-50 Wine Workshop & Kitchen, London

    8-50 Wine Workshop And Kitchen review

    Don’t be confused by the name. 28-50 Wine Workshop & Kitchen is not at the address number of 28-50. It’s actually the name of the restaurant, and if you are seeking it out, it’s worth the find!

    28-50 Wine Workshop & Kitchen can be found in two locations in London – two trendy and expensive neighbourhoods. There is one location at 15-17 Marylebone Lane in, of course, Marylebone. Then there is the other location – in posh Mayfair – at 17-19 Maddox Street, and it was this location that a friend and I visited on a warm Thursday night.

    Instantaneously walking in we felt such a cool vibe, a good buzz. The music was good, the place was packed but not loud and the customers, and staff, all seemed very happy, and after we were done, we understood exactly what all this happiness was about, it was the wonderful food and the excellent selection of wines.

    28-50 Wine Workshop & Kitchen, according to its website, says that if you love wine, you will love them. It takes the traditional wine bar experience to a whole new level (hence with the word ‘wine’ in the title we can understand why). Both of their restaurants feature over 30 carefully chosen wines, so it’s not just run of the mill stuff. 28-50 Wine Workshop & Kitchen prides itself in the wine they sell. But they also have a wonderful, and thankfully small, food menu which makes it easier to decide what to eat.

    The Truffle Popcorn (at £4.00) is a wonderful way to start the night if you want to take your time to order. But my dining companion and I  knew right away what we wanted. I had no doubt in my mind that it was going to be the Seared Yellowfin Tuna, and I was not disappointed. It was served with artichokes, almonds, breadcrumbs and bathed in herbs and a Romesco sauce, and at £21.50, was well worth it. My friend chose the Welsh Spring Lamb – and it was a beaut! Served like a stew, there were chunks of lamb with carrots, potatoes, onions, peas and broad beans in a gravy sauce, and it was an extremely juicy and meaty dish – and it’s one I will order (at only £19.50) next time I go back.

    Of course, the main courses wouldn’t be worth their salt if they weren’t accompanied with good wine. I had an amazing, and new to the restaurant, Audacia – South African wine – which went very well with my tuna. My friend was more than delighted with his Côte du Rhône from France which he agreed went well with his lamb. These were chosen by the very friendly Sommelier who really knew her stuff. We were also given, when entering the restaurant by the super-friendly and charming host Olga, a glass each of the excellent Henriot, Souverain, Brut champagne from France. It was sweet and just what was needed after a long day. I could talk all about the wines 28-50 Wine Workshop & Kitchen have but you have to visit to fully understand the care that they have selected the wines on the menu.

    Of course we ate more food than just our main courses. The Thai Pomelo Salad, with coconut, lime leaves, ginger and peanuts, and very colourful and was just perfect for a warm summers evening, as is the Salmon Gravlax, served with mustard sauce and rye bread.
    Equally satisfying are the deserts. All I can say is that the perfectly cooked and amazing Apple Crumble was a highlight of the meal. and the coffee we ordered was very good too! And I have to give thanks to our waitress who was just as bubbly and friendly as the champagne!

    What’s there left to say about 28-50 Wine Workshop & Kitchen? Well, everything and nothing – it’s just about perfect. Whether you want a full-blown meal with wine pairing or if you just want to sit at the bar and have a glass of wine or two, 28-50 Wine Workshop & Kitchen is the perfect place. And if you want to book a party, the Maddox Street location has a full downstairs area to suit your needs.

    http://www.2850.co.uk
    28° – 50° MADDOX STREET
    OPENING TIMES
    THE BAR

    Monday – Wednesday 12pm-11.30pm (last orders 11pm)
    Thursday – Saturday 12pm-12am (last orders 11.30pm)

    THE RESTAURANT

    Monday – Wednesday 12pm-10.30pm
    Thursday – Saturday 12pm-11pm

    28° – 50° MARYLEBONE LANE
    OPENING TIMES
    THE BAR

    Monday – Wednesday 12pm-11.30pm (last orders 11pm)
    Thursday – Saturday 12pm-12am (last orders 11.30pm)

    THE RESTAURANT

    Monday – Wednesday 12pm-10.30pm
    Thursday – Saturday 12pm-11pm
    15-17 MARYLEBONE LANE
    LONDON W1U 2NE
    MARYLEBONE@2850.CO.UK
    020 7486 7922

  • THEATRE REVIEW | Beirut, Park Theatre

    THEATRE REVIEW | Beirut, Park Theatre

    A disease is wiping out the human race, and those unlucky enough to be positive will die a slow death. This is the premise of the hard-hitting and surreally erotic play Beirut.

    CREDIT: Loranc Sparsi
    Beirut, now playing at the Park Theatre, imagines what would happen, in New York City, where a disease is wiping out some of the population.  Meanwhile, one positive man called Torch (Robert Rees), and a negative woman called Blue (Louisa Connolly-Burnham), are in love with each other. How do they express their love? The disease is spread via bodily fluids – any fluids – including saliva, sweat, and kissing. So what do they do?
    Torch lives in a small underground bunker, and Blue sneaks in to be with him. But she’s breaking the law; negatives are not allowed to be with positives, but they clearly love, and lust, for each other. The two gutsy actors spend all of the time in the play (60 minutes) in their underwear, or sometimes less, but it’s not sexy, it’s hard-hitting, with raw intensity both actors convey in the emotions their characters are going through. Torch will definitely die and Blue will almost certainly live, that’s if she doesn’t give in and contract the disease from Torch.
    The backstory of this play has to be mentioned. It was written by Alan Browne, from San Francisco, in the mid-1980s, at the height of the AIDS’ crisis when gay men were dropping like flies. It was first performed at the Bay Area Playwrights Festival in 1986, and three years later Browne would die of the disease himself, at the age of 44. So we can assume that the unmentioned disease Browne alludes to is AIDS.
    But since Browne’s original intention was to not write a story about HIV and AIDS (perhaps he thought the future was going to be just like the plot of his play), it, in my opinion, would work much better as a play about that dreadful disease. However, it still is a brutal in-your-face show that is perhaps not as relevant now as when it was written, but it still makes for explosive, and well-acted, theatre.
  • FILM REVIEW | The Happy Prince

    FILM REVIEW | The Happy Prince

    ★★★★★ | The Happy Prince

    Rupert Everett has reached a new pinnacle in his career with the release of his new film The Happy Prince.

    In a film in which he wrote and directed, Everett plays Oscar Wilde in the final years of his life. Everett, if you remember, played Wilde a few years back in London’s West End in the critically-acclaimed show ‘The Judas Kiss’ which won Everett awards. Now, and ten years in the making, sees Everett play the role he was practically born to play. It was ten years of struggling to get funding for this film, and once Colin Firth had signed on (he is an Executive Producer as well as playing Reggie Turner, one of Wilde’s best friends, in the film), The Happy Prince was finally made, and what an excellent film it is.

    In the very late 1890’s, Wilde was a penniless man, living in France, with lots of stories to tell yet not a whole lot to his name. However, three years prior to his death (in 1900), Wilde had been released from prison where he served time for sodomy and gross indecency. Before his prison sentence, Wilde had enjoyed being a member of high society and was usually the centre of attention (we see as flashbacks in the film), and in The Happy Prince, we see this side of his life portrayed. We also see the desperate side in the opening sequence in the film where he happily takes money from an old friend in a dark alley while he struggles to come to terms with the fact that his life will never be the same ever again. He does, however, have occasional contact with friends, and with his long-forgotten wife (yes he was married) Constance Lloyd (Emily Watson) – the mother of their twin sons – while he surrounds himself with young men, cocaine, and not much else.

    It’s a bravura performance from Everett that makes The Happy Prince both an ode and tribute to a man who has been the subject of many a book and show. By making The Happy Prince his way, Everett will reap the respect, and the rewards and awards, that he truly deserves for making this magnificent film.

    ‘The Happy Prince is now in cinemas

  • THEATRE REVIEW | San Domino

    THEATRE REVIEW | San Domino

    ★★★★★ |  San Domino

    San Domino is an island off the east coast of Italy that was once an island where people of a certain ‘way’ were exiled to by the facist Benito Mussolini government. He banished prisoners there to pay for their ‘crimes’ – some of the crimes being speaking out against the government. It was also a place where homosexuals were sent as well.

    A new show by the name of San Domino beautifully tells this story that very few people are aware of.

    Now playing at the Tristian Bates Theatre in Covent Garden, ten men, in 1939, are having a great time in a bar in Catania, Sicily. They have not committed any crimes, but a knock on the door will change all their lives forever. According to the government, they were degenerates because it is suspected they were homosexuals and thus were sentenced to five years. These men include men from all walks of life, including older Carlo (Matthew Hendrickson) and young handsome Claudio (Alexander Hulme). San Domino tells the men’s stories, through dialogue and music, in a show that is poignant, dramatic and superbly acted, especially when the show moves from the jovial atmosphere of the bar where the men are being themselves to the camp where they share bunkbeds and are kept under careful watch of the prison guard and the very mean chief of police.

    Andrew Pepper is just superb as the androgynous Pietro, sensitive and always looking for love in all the wrong place, and Pietro never holds back and says what’s on his mind. The rest of the cast really work well together in a show that really is a must see.

    San Domino first previewed to an enthusiastic audience at the Courtyard Theatre in London, then played to a full house at the Arcola Theatre’s Grimeborn Festival in 2014. With Book & Lyrics by Tim Anfilogoff, and music composed by Alan Whittaker, with Direction by Matthew Gould, San Domino excellently tells the story of the one night in 1939 when many gay men were rounded up. It’s a story that should’ve been told years ago.

    Photo provided by KWPR / Grant Neal & Joe Etherington

  • FILM REVIEW | McQueen

    ★★★★★ | McQueen

    Film review, McQueen

    Fashion designer Alexander McQueen was a genius He had an eye for fashion but was also a troubled soul. The new documentary McQueen shows the highs, and the lows, of McQueen’s life.

    Alexander McQueen, born in London’s East End in 1969, seemed not to be destined to become one of fashion’s hottest and most successful designers in the 1990’s, but according to the documentary, he had talent, talent that can only be described as natural – he was born with it.

    McQueen begins with old footage of McQueen talking directly into the camera, footage that was taken at the height of his illustrious career. He enrolled as a student at Central St. Martin’s College of Fashion, and then moved on to Paris to learn the trade, then became a tailer, but it was when he met Isabella Blow, who happened to take him under his wing and, which is, according to the documentary, made him what he was. But McQueen was extremely talented, and not only did he launch his own fashion brand, but at the same time he was also head designer for fashion brand Givenchy all the while picking up various people along the way who became his trusted staff, people who speak to the camera effortlessly and honestly about McQueen and their time together.

    But all was not meant to be. McQueen dabbled in cocaine and London’s gay fetish scene, he was under enormous pressure to put together several collections a year, including haute couture, and he had a falling out with Blow, who would commit suicide at the age of 46, which put on more pressure and guilt on McQueen. But it was when his dear mother died when McQueen decided that enough was enough, and ended his pain. He committed suicide at the age of 40 in 2010.

    McQueen is an excellent testament to the man who was also called Lee. Through his friends, associates and sister Janet, we really feel that we get to know who Lee actually was ourselves. But it’s through the footage of his fashion shows where we get to see the real talent that he had. His shows were events, some very dark (which explains how deep and troubled he was), and showed how gorgeous, and emotionally beautiful, his creations were. Alexander McQueen died way too young, but through this documentary, you can at least experience his life and work, which was cut way too short.

  • FILM REVIEW | My Friend Dahmer

    FILM REVIEW | My Friend Dahmer

    ★★★★ | My Friend Dahmer

    Jeffrey Dahmer, the American who murdered 17 young men back in the 1980s and 1990s, was showing signs of strange behaviour at a young age, according to the new film My Friend Dahmer.

    Based on the 2012 novel of the same name by cartoonist John Backderf, who had been friends with Dahmer in high school, the film shows how Dahmer came from a home where his parents constantly fought, and where he had an unnatural curiosity of the insides of animals. Dahmer, who grew up in Bath, Ohio, is brilliantly played by Ross Lynch, in a film that’s sharply edited and continually tense and spooky by the director, and writer, Marc Meyers. We see that Dahmer was awkward even to his own family, with a crazy and alcoholic mother (played by Anne Heche – in her best performance ever), and how Dahmer had a shed in the woods where he did certain experiments with animals.

    Dahmer is eventually adopted by some of the cool kids in his class to perform certain acts that drew attention to himself, basically these acts were spasms set out to cause disruptions, but they also seemed to do something to Dahmer’s soul, for he became more and more intense and weird, turning some of his evil thoughts from animals to, eventually, humans. Dahmer even plotted to kill a local doctor whom he became attracted to, but it was not meant to be. But it’s in these early years that we see the beginnings of Dahmer’s sinister future – how he would end up becoming one of the world’s most cruel and crazy mass murderers.

    Luckily for us, this film ends before the killings begin, but we know that this was the path that Dahmer’s life would take – the murder of many gay men in some of the most brutal and horrific ways.

    My Friend Dahmer is an excellent film that preludes an adult life where Dahmer would turn into a complete monster.

    My Friend Dahmer is released in the UK & Ireland on June 1st.

  • THEATRE REVIEW | Soap, Underbelly Festival Southbank, London

    ★★★★☆ | Soap, Underbelly Festival Southbank

    Add a little bit of burlesque, a little bit of comedy, sprinkle a bit of singing, and add lots and lots of water, and what you have are the perfect ingredients for ‘Soap’ – now playing on the Southbank at the Underbelly Festival in the world famous Spiegeltent.

    And German circus ‘Soap’ is not just about water. It’s also about the talented performances that take place right in front of our very eyes performed in the round, and have mercy for the poor people who sit in the front (and second and third) rows – there’s water water everywhere.

    But it’s all good fun watching the sexy Anton Belyakov splish-splashing in the bathtub, Marie-Andrée Lemaire running around the stage as our guide and hostess for the evening. And then there is Moritz Haase, who oh so innocently is ‘plucked’ from the audience but soon enough is prancing around on stage. We’re lucky to see the sexy Daniel Leo Stern with his shirt off for most of the show, and Jennifer Lindshield, with her powerful voice providing operatic music for the spellbound crowd. There’s even a mop ballet and an amazing rain finale that will literally leave you wet. If you don’t believe me, have a look at these pictures:

    SOAP – celebrating all things circus in The Spiegeltent – is just a splash away from the Thames, and the actual birthplace of circus 250 years ago!

    Underbelly Festival is back for its tenth year on the Southbank.
    Venue: The Spiegeltent, Underbelly Festival Southbank, Belvedere Road, SE1 8XX.

    Located in-between Southbank Centre, Jubilee Gardens and the London Eye.