Category: Film

  • FILM REVIEW | The Assistant – gripping, timely and realistic

    FILM REVIEW | The Assistant – gripping, timely and realistic

    Rating: 4 out of 5.

    What happens if your boss is molesting women in his office, an office that is right behind where you sit?

    This is the dilemma Jane (Julia Garner) faces in the new film The Assistant. Jane is an assistant to the chief of a film company (he’s never seen but his presence is felt throughout the film).  

    It’s Julia’s first real job in film and she’s kept busy doing a wide variety of tasks during the day; making coffee, keeping the office kitchen tidy, maintaining her bosses busy diary, managing visitors, dealing with his uncontrollable wife, and, handling the potpourri of women who float in and out of his office.

    One of these young women, Sienna (Kristine Froseth), who has a lack of office skills, was hired by the same boss for reasons that are obvious. But when Julia appears to have had enough, she goes to HR to complain, but the HR director, who annoyingly takes a personal phone call during their meeting, tells Jane to keep her head down and focus on her role, and that she’s got a great opportunity. He lays into her that to file a claim against her boss would just wreck her career. Meanwhile, her male co-workers (Jon Orsini and Noah Robbins) seem to be oblivious to the shenanigans of their boss.

    The release of The Assistant coincides with the jailing of Harvey Weinstein – it couldn’t be better timing. Garner is brilliant, but the takeaway of this film is her boss, not at all seen in the film but felt enormously throughout.

    Writer and Director Kitty Green has written and directed a powerful film that perfectly highlights what the Me Too movement is all about. 

  • FILM REVIEW | Crisis Hotline – clever, dark and very sexy gay suspense film

    FILM REVIEW | Crisis Hotline – clever, dark and very sexy gay suspense film

    Rating: 4 out of 5.

    The clock is ticking when a distressed young man calls an LGBT suicide hotline – but there is more to his story in the suspense-filled drama Crisis Hotline.

    It’s a film cleverly written and directed by Mark Schwab. The story begins where it ends and tells the caller’s story and why he has contacted the hotline on that particular night.

    Simon (a very good Corey Jackson) is in his first-week volunteering at the hotline office and not much has happened. But one night a young caller, sounding very distressed, threatens to kill himself. So Simon gets the caller to tell his story and the events that have led up to this very disturbing call.

    Danny the caller (Christian Gabriel), who is from the Midwest, is new to the big city, trying to find his feet, with a dull job and a very small apartment. Soon enough he meets sexy, hot and fun Kyle (Pano Tsaklas), who on the surface appears to have it all: a great apartment, a sexy smile and hot body, and a great job managing websites for a gay couple who have a voracious appetite for sex and all things dark.

    Soon enough Kyle introduces Danny to his bosses Curtis and Lance (Mike Mizwicki and August Browning). Danny then finds out more about Kyle’s line of work and what he really needs to do to keep his job and apartment. But Danny eventually gets drawn, unwittingly, into their dark games, with Kyle setting him up, which ultimately leads to the hotline call. And throughout the call, the suspense builds and builds and the story gets darker and darker until the shattering, and totally unexpected, finale.

    Schwab, who also produced, has a keen eye for suspense and drama and gets great mileage from his cast. While Gabriel doesn’t quite live up to his role and seems to be sleepwalking through the film, Tsaklas owns the movie with his looks, charm, and relative ease in his complicated role as an on-the-surface good and loyal boyfriend but with a dark and dangerous streak. Mizwicki and Browning are okay, but Jackson brings much to the film as it’s his pivotal role that holds the film together.

    He’s actually fantastic.

    Crisis Hotline throws social media, sex, love, lust, voyeurism and the dark web into one big mixing bowl to make an eerie, clever, dark, very sexy and fun film.

    Now available in the UK through Dekkoo.com

  • FILM REVIEW | 15 Years – A very sexy gay love story

    FILM REVIEW | 15 Years – A very sexy gay love story

    Rating: 4 out of 5.

    Yoav is one angry man – so angry that he sacrifices relationships with his partner and his best friend for a life of solitude – in the new heart searing film 15 Years.

    An Israeli production and filmed in Tel Aviv, 15 Years focuses on sexy daddy Yoav (Oded Leopold) who appears to have everything a gay man would want: an extremely sexy partner of 15 years Dan (a very sexy and well-cast Udi Persi who brings comfort to the screen every time he is on), a good job as an architect, absolutely gorgeous best female friend Alma (Ruti Asarsai), and an amazing apartment overlooking Tel Aviv. What he didn’t have was a great relationship with his parents; his mother is long gone while his father lies comatose in a local nursing facility. Then one night, while he and Dan are hosting a dinner party with all their friends, Yoav loses it. Why? Because their gay friends now have children while Alma had previously announced that she is pregnant.

    Yoav starts complaining that they are all turning into straight people – with families – something he’s just not into. But when Dan starts to reassess their relationship and feels he could possibly see a baby in their future Yoav doesn’t accept this and leaves and moves into a dilapidated apartment, and his life starts falling apart. His company loses a very lucrative contract, his father passes away thereby leaving wounds still open, his friends shun him, he doesn’t want to be at Alma’s side when she has her baby, and a one-night stand he has turns into a mess. Meanwhile, Dan has moved on and has met a much younger guy who’s he’s really smitten with. So is Yoav and Dan’s 15-year relationship really over? Will Yoav come to his senses and realize what he’s lost?

    What’s really frustrating with this film is Yoav’s anger. Sure he can be mad at the world but enough so to lose everything he’s worked for? Anyone would kill to have people like Alma and Dan in their lives – what is Yaov’s anger and demons really all about? We are never convinced. But having said that writer and director Yuval Hadadi has made a very good film with perhaps the sexiest gay couple you’ll see in a film this year, a film that really left me thinking about past relationships and what-ifs.

    15 Years is now available from all good digital platforms. Visit the website for more details.

  • FILM REVIEW | Moffie – Beautifully well-told story of a young gay soldier in the South African army

    FILM REVIEW | Moffie – Beautifully well-told story of a young gay soldier in the South African army

    Rating: 5 out of 5.

    It’s 1981 South Africa, a time when the country was still at the height of apartheid, and blacks were not the only class of people who were discriminated against, homosexuals didn’t have it easy either.

    In the new amazing film ‘Moffie’ – based on an autobiographical novel by Andre Carl van der Merwe – beautifully tells the story of a young man called Nicholas (Kai Luke Brummer – wonderful), a teenager, who, with no choice, is sent to complete his compulsory military service. But Nicholas is not your boy next door – he’s gay, and not at all out of the closet. So he has to endure two years of military service in a system that spits up and chews out young men and turns them into hardened soldiers, hardened men. It’s a culture full of testosterone and machismo. And while Nicholas doesn’t let his secret out, he falls in love with another young soldier Dylan (Ryan de Villiers). In fact, it was Dylan who initiates, and Nicholas, while a bit nervous during their first encounter, soon finds being with Nicholas very natural. But some soldiers do no adjust very well to army life (one soldier shoots himself in the head), while Dylan is sent away for unknown reasons, leaving Nicholas to endure his remaining time in the service, while still pining for Dylan, and still a moffie (faggot in the Afrikaans language).

    Moffie’ – which was called a masterpiece by Variety Magazine – is indeed an excellent film. Director Oliver Hermanus hits all the right notes, from Nicholas’ family life prior to going into the army (his father gives him a stack of straight porno magazines), to the daily brutality he and his fellow recruits get from their Major, to the barracks scenes where the tension is palpable and tense, which is what you have when a couple dozen young men are all bunking down in the same room. But the scene when Nicholas, as a young boy, is with his parents at a public swimming pool, and he looks longingly at an older boy in the showers but is then exposed and scolded by an adult shower attendant in one amazing long shot will have you holding your breathe – it’s quite a very dramatic scene and excellently done. And at 104 minutes, ‘Moffie’ is quite a movie. Don’t miss it.

    UK Release Date – April 24th – exclusively on Curzon Home Cinema

  • FILM REVIEW | The Host – a thriller that will put excitement into your evening!

    FILM REVIEW | The Host – a thriller that will put excitement into your evening!

    Rating: 3 out of 5.

    Why spend your evening on a boring Zoom chat when you can watch a film that is thrilling, dramatic and sexy!

    The film is The Host – and it is being released on April 17th on iTunes, Amazon Video, Google Play, Apple TV and all major VoD platforms. 

    London banker Robert Atkinson (Mike Beckingham) has a good job, good looks, good everything, but wants more. When an opportunity arises for him to come into a lot of cash, via a Chinese cartel, he grabs it, but this leaves to unintended consequences that take him to Amsterdam, where he winds up as a guest in a very large house that has more secrets than you can count.

    The lady of the house, Vera (Maryam Hassouni), is mysterious yet alluring, domestic yet spidery, and she lures Robert into her web-like presence to a point of no return. Eventually, Robert’s brother Steve (Dougie Poynter) goes to Amsterdam to look for him, along with two detectives (Nigel Barber and Suan-Li Ong) who are investigating a crime they believe Robert is involved in. Mystery, drama and a good looking cast should be enough for an evening’s entertainment – yes?

    And even Sir Derek Jacobi makes an appearance!

    The Host is produced by Pearl Pictures Productions, who recently sponsored the Critics’ Circle Film Awards back in January (it feels like a long long time ago). Made by Pearl Pictures Productions, produced by Pearl’s Zachary Weckstein, and directed by Andrew Newberry, The Host was filmed in the heart of Amsterdam and London and has a great appearance by singer and actress Ruby Turner. 


    http://www.thehost.movie

  • FILM REVIEW | Ravers – Rave like there’s no tomorrow

    FILM REVIEW | Ravers – Rave like there’s no tomorrow

    Rating: 3 out of 5.

    Hey, want to forget all that is happening in our world and go to a Rave? Well, perhaps the new film Ravers is for you.

    Why attend an online rave on Zoom where all you see are faces when you can actually watch a real wave (digitally of course), a rave which combines all the right elements: excellent music, being illegal, millennials, drugs, and said millennials turning into zombies.

    Ravers’ is the wave you crave but it’s also a film with an excellent soundtrack – for real! The story is basic. Poor Bucky (Georgia Hirst), a budding journalist who has not quite found a great great story to write about. And while she’s not the most social of butterflies amongst her circle of friends, she’s convinced to go to an illegal rave in an abandoned factory that used to produce energy drinks. Years ago there was an incident at the factory where one of the employees went on a killing spree. So no guess where this film is going as once the rave kicks in, a stash of the energy drink is found (which was contaminated) and is passed out to the ravers.

    But the drink doesn’t give the ravers energy (there are all drugged up anyway), it turns them into flesh-eating killing zombies. So Becky and her friends who didn’t drink the substance are all trapped inside the factory (someone has blocked the only entrance) and there is no way out. As the music goes on (the D.J. is killed but one of the zombies – a wannabe DJ – takes over the turntables and pumps it up), the real people must run around the factory trying to save their lives while also trying to think of a way to quiet the zombies. Becky, meanwhile, tries to rescue her love interest Hannah (Manpreet Bambra) from zombiedom. Will they get out? Are they able to get the zombies to turn into normal loud obnoxious millennials again? 

    Ravers, with a tagline ‘party like there is no tomorrow’ pretty much sums up the situation we are all in. It’s a fun movie not to be taken too seriously, and while it’s not awful, the music in this film is awesome – much more enjoyable than the film itself! But at only 90 minutes it’s much more enjoyable than being part of an online rave.

    However, attend at your own risk – and make sure there are no energy drinks or millennials around!

    Available now on iTunes

  • FILM REVIEW | Vivarium – scary, and all too real!

    Rating: 4 out of 5.

    Imagine being trapped, held against your will, in a house and a neighbourhood that is weird and creepy. Actually that’s our reality right now, but take it one step further and imagine that there is simply no escape – and what you have then is Vivarium.

    Vivarium literally means an enclosure, container, or structure adapted or prepared for keeping animals under semi-natural conditions for observation or study or as pets; like an aquarium or a terrarium. In the new scary and disturbing science fiction movie Vivarium, Tom and Gemma (Jesse Eisenberg and Imogen Poots) are being observed, studied, but by whom they, nor we, don’t know.

    Before this, they were just a young ordinary couple looking for a house to buy. Gemma was a teacher, while Tom was a DIY man. But one day they walk into a real estate agents office and meet an odd, clean-cut and crisp robotic salesman named Martin (Jonathan Aris) who is more than happy to show them a house at a development called Yonder.

    Once they get there, everything looks and seems perfect; homes all alike in an environment with round clouds and blue skies, while the house Martin shows them is perfect, almost too perfect. But Martin disappears while Gemma and Tom are looking around the home, and they get into their car and realize there is no escaping the neighbourhood. It’s then that their young idyllic future turns into a nightmare as they are forced to live in the house in which they can’t escape from, where food, and a baby boy, are delivered right to their doorstep, to create one happy family.

    ‘Vivarium’ shows a young couple right at their most vulnerable, put in a situation they simply just can’t escape from. Director and writer (with Garret Shanley) Lorcan Finnegan has a keen eye for detail, and as the mystery builds, so does the nightmare of the whole situation. Without being bloody and violent, Vivarium, is just downright scary, but more chillingly as perhaps because it seems all too real.

    Vivarium is available on the following digital platforms:

    iTunes/Apple TV
    Amazon
    Sky Store
    Virgin
    Google Play
    Rakuten
    BT
    Playstation
    Microsoft
    Curzon Home Cinema
    BFI Player

  • FILM REVIEW | And Then We Danced – a Gay Georgian love story

    FILM REVIEW | And Then We Danced – a Gay Georgian love story

    Rating: 4 out of 5.

    Georgia, where the LGBT population still face challenges, is the setting of the gay love story And Then We Danced, which is very good thanks to a great script, and great directing and acting. 

    Swedish Director Levan Akin’s (he is of Georgian descent) film is about young men of the National Georgian Ensemble where the typical dance routines are more masculine in nature.

    Levan Gelbakhiania plays Merab. He desperately wants to dance for the main ensemble but is still struggling at the junior level, and is given great support by his partner Mary (Ana Javakhishvili). Merab lives with his mother, grandmother and lazy brother, all in a flat where money is hard to come by and where the electricity gets turned off because the bill is not paid.

    One day a new dancer, Irakli (Bachi Valishvili) joins the junior ensemble, and soon enough he and Merab are among the few who have been chosen to audition for the main ensemble – both of their dreams. But on a weekend away with other dancers, Mareb and Irakli finally get to act on the chemistry that they had when they first met. But with the audition days away, and bad news from back home which might impact Irakli’s chances, will their new found relationship survive?

    When And Then We Danced premiered in Georgia, it was met with protests and violence. But it’s an achievement, both in it’s telling of a gay love story in a country where gay love stories don’t exist (it’s also a story about forbidden love), and an achievement in film because the story is beautifully told (written by Akin), and the acting is realistic by two leads who had no acting experience prior to this film.

    A must film to watch while you pass the time away at home.

  • Looking for something to do? BFI Flare has loads of free LGBT+ content to watch

    Looking for something to do? BFI Flare has loads of free LGBT+ content to watch

    The BFI Flare film festival, the annual LGBT+ BFI film festival in London has released lots of free archive content from the BFI National Archive, giving viewers an unprecedented view into the history of LGBT+ life in Britain from the early 20th century onwards. It will be available to watch until the 30th March 2020.

    The line up of over 40 films includes news coverage of the AIDS epidemic, the politics surrounding gay and lesbian people as well as documentaries of celebrities such as Larry Grayson and Quentin Crisp.

    BFI Flare at Home will sit alongside great short work from BFI Flare Five Films For Freedom short films, made available in partnership with the British Council to roll out over 10 days from Friday 20th March. The BFI’s existing collection of favourites from previous BFI Flare Festivals, much loved queer film classics, and the free BFI National Archive curated LGBT Britain on Film Collection,  will also be available, giving access to over 230 films in total.   

    The new BFI Flare at Home programme will be available to be enjoyed in the safety of homes around the UK via BFI Player, the BFI’s VOD service. A special offer for BFI Player’s subscription service will be offered to audiences who had booked for BFI Flare, with general audiences invited to sign up for a free two week trial of BFI Player as well as existing BFI Player subscribers to take advantage of the enhanced BFI Flare collection. Most content will be available as part of the SVOD collection, with some additional titles available for rental/TVOD. 

  • FILM REVIEW | The Invisible Man; is scary

    FILM REVIEW | The Invisible Man; is scary

    The Invisible Man ★★★★

    An unseen stalker is wreaking havoc on the life of a San Francisco woman in the new version of ‘The Invisible Man.

    Elisabeth Moss plays Cecilia – who literally runs away from her very wealthy tech genius of a husband Adrian (Oliver Jackson-Cohen) because of his mental and emotional abuse. But Cecelia has not completely broken away from trouble – she feels like she is being watched, spied on, and stalked by someone, something. But her sister Alice (Harriet Dyer) informs her that Adrian has committed suicide, and shows Cecelia the news on her smartphone. So her sister reassures her that she is free from Adrian and all the torment that he had caused her. But her unease continues and racks up even more when strange things start to happen (a blanket pulled off from her bed, footsteps seen on the ground).

    This invisible stalker becomes more bold and violent, enough so that an unseen force murders her sister in plain sight, framing Cecila for the murder. She is convinced that her ‘dead’ husband is still alive, even after being assured that he’s dead by Adrian’s lawyer brother Tom (Michael Dorman). Writer and Director Leigh Whannel (’Saw’) really ratchets up the scare factor, including in quiet moments in the film when Cecilia is tending to normal activities.

    Moss is very good as the victim, and as the film creeps up to its 2 hour running time, the suspense builds, though there are a couple of moments of disbelief.

    All in all ‘The Invisible Man’ is one scary film that successfully reimagines the very scary HG Wells original.

  • FILM REVIEW | Portrait of a Lady is a beautiful film

    FILM REVIEW | Portrait of a Lady is a beautiful film

    Portrait of a Lady

    Rating: 5 out of 5.

    Beautifully shot and superb performances are just a couple of the reasons to go see  ‘Portrait of a Lady on Fire.’

    In French with English subtitles (and nominated for an Oscar for Best Film in a Foreign Language) ‘Portrait of a Lady on Fire’ is a story about forbidden love set against the backdrop of a very different time and place. 

    On an isolated island in Brittany in the 1770s, a female painter is hired by the mother of a young woman to paint a portrait of her daughter to send to a prospective husband. Yet Heloise (Adèle Haenel), is not very excited about both the prospect of marriage and of having her portrait painted.

    But somehow Marianne (Noemie Merlant) gets Heloise to warm to her, to pose gracefully, and soon enough they become close, enjoying walks on the beach, and time at Heloise’s stately home – more so when her mother leaves the house in order to give Marianne the freedom to paint. Marianne and Heloise start a love affair gently, softly, emotionally, and naturally – as it was bound to happen. Director and writer Céline Sciamma (‘Tomboy’ and ‘Girlhood’) elicits true passion from her actors without revealing too much in a film that’s original,  romantic, thoughtful, wistful, and will leave you thinking about it for days after you’ve seen it.

    It’s a truly remarkable film that’s won lots of awards and was selected to compete for the Palme d’Or at the 2019 Cannes Film Festival, winning the Queer Palm there. Sciamma also won the award for Best Screenplay at Cannes.

    ‘Portrait of a Lady’ is now in UK cinemas.