There is an old saying in theatre that “the show must go on” and nowhere is that old adage put more to the test than in The Play That Goes Wrong, a comedy of errors which collates every actor’s worst nightmare and throws them at the cast who are determined to carry on regardless.
Borrowing heavily from The Mousetrap, The Play That Goes Wrong is a scattergun comedy set around the fictitious Cornley Polytechnic Drama Society, who is performing The Murder at Haversham Manor, a murder mystery set in the roaring twenties. Despite the best endeavours of the cast, nothing quite goes right for them, as scenery collapses, actors are knocked unconscious, props break and unprepared understudies stand in.
With a varied blend of visual gags, slapstick, farce, wordplay, one-liners, missed cues and a rather more animated corpse than one would expect, the gags come thick and fast; some hitting the bullseye and others missing the target; but the whole thing is so fast-paced, that there is always another gag heading your way imminently. Garnering some genuine laugh out loud moments, the show has a sensible one hour forty minute runtime meaning that even if a few of the gags begin to outstay their welcome, the show does not.
Whilst there is plenty of fun to be found and a lot of chuckles, guffaws and belly-laughs to be had, the ending of the show descends into a rather shouty and chaotic handful of closing scenes which, unfortunately, slightly takes the edge off of what has come before. But that said, the cast is delightful, in particular, Kazeem Tosin Amore; and there is some excellent split second comedic timing and plenty of physical dexterity on offer as the fictional cast try desperately to keep their faces straight, their upper lips stiff and prevent the performance collapsing into a catastrophe.
*This review was taken from the Sheffield production*
A show currently performing at this year’s Edinburgh Fringe festival has been rocked by persistent homophobic jeers and insults.
(C) Danny Braverman
Nick Cassenbaum, the star of My Kind of Michael, which is currently playing at the #Edinburgh Fringe festival has encountered a barrage of homophobic abuse on the streets of Edinburgh while trying to promote the show, which runs until the 26th August at the Summerhall.
The show is about Cassenbaum’s childhood hero, Michael Barrymore, who was an incredibly popular TV star until a tragic incident at his home in 2001 left a young man dead and the star came out about his bisexuality.
The show, My Kind of Michael, chronicles Cassenbaum’s childhood infatuation with the Strike it Lucky presenter and how he was inspired by Barrymore to take to the stage himself.
As part of the promotion for the show, a life-size cut out of Michael Barrymore has been used on Edinburgh’s streets.
Speaking about the abuse, Cassenbaumn said, “After all this time I thought people may be prepared to accept him as a brilliant ‘working class boy made good’ entertainer, but it’s become apparent that not only do some people hold strong views about him but that they are prepared to use blatantly homophobic language to make their point.
“Old-fashioned homophobia and trial by tabloid is alive and well at the Edinburgh Fringe”
Cassenbaum then shared some of the abuse that the show and indeed Michael Barrymore (who is not part of the lineup) has endured,
‘He’s as bent as a ten-bob note. He killed a man. He raped a man. He’s a pervert’
‘He raped a man and drowned him’
‘He’s alwight in the back hole’
‘Get that murdering pervert away from me’ (referring to a cardboard cutout of Barrymore)
Others have apparently accused him of being known for preying on young boys, said Cassenbaum.
Cassenbaum continued, “I have been flyering for this show for two weeks now and this type of language has shocked and surprised me. Especially at a ‘liberal’ arts festival that is known for controversial and cutting-edge productions.
“Barrymore has had to put up with this for nearly 20 years now. I want to make it clear that he was never charged for anything, yet people treat him as if he is a perverted murderer and child molester, tarring him with the same brush as those convicted following Operation Yewtree.
“It seems that old-fashioned homophobia and trial by tabloid is alive and well at the Edinburgh Fringe.
Essex Police admitted wrongful arrest – and never charged
Stuart Lubbock, 31 was found dead at the star’s Essex home in March 2001. In June 2001 Police arrested Barrymore, his partner and another man in connection to Lubbock’s death but no charges were brought forward. The same three men were arrested again in 2007 but the case was dropped again after three months. No one was charged.
Essex Police admitted the arrest was unlawful and that the arresting officer did not have reasonable grounds to suspect that Mr Barrymore was guilty.
In 2009 the IPCC found multiple failings with the original police investigation.
Speaking to THEGAYUK a spokesperson for Edinburgh Council said, “Hate crime is not tolerated and we would urge anyone who has been a victim of or has witnessed hate crime to report it to the Police“.
The Edinburgh Fringe Festival Society told THEGAYUK.com “No matter who you are or where you come from, you should feel at home at the Fringe. The Fringe Society have a zero-tolerance policy on harassment, abuse and bullying and we take the safety and welfare of all of our participants and audience members extremely seriously. We provide advice on all aspects of performing and taking part in the Fringe and would encourage anyone who has been affected by issues such as this to contact us.
THE MEG – Sex God Jason Statham takes on the biggest nastiest shark in cinema history in the ultimate muscular monster movie showdown an instant camp & cult classic & he’s never looked hotter.
Nutshell – Firstly this is a thriller, not a horror and the ultimate progression of The Stath’s career-long mano et mano film genre he has made all his own. A deep sea mission unwittingly releases the biggest beast known to man but a very big fish indeed. Can our hero stop the modern day Jaws from killing his crew and then hitting the nearby popular South East Asian beach? It’s a non-stop, well thought out water bound action with serious bite, you will feel tense throughout but not scared.
Running Time – 113 Minutes – Cert 12A. That family-friendly certificate obviously takes a lot of blood and the gore out of the movie – this is not the new Jaws nor sets out to be.
Tagline – ‘Before Chasing Sea Monsters, Check Your Place On The Food Chain’
The Gay UK Factor – This is the one we have been waiting for all Summer, Jason Statham topless for two hours in swimming trunks or even less. Slipping on the tightest wetsuit ever seems to show every bulge and muscle ripple he has. The original 1950’s Kinsey report & test of whether you were gay or not is now officially replaced by this movie. Is there a big shark in it? As we didn’t notice.
Cast – Jason Statham and no-one else you have ever heard of (Unless you watch endless Resident Evils) but frankly that is all you need, the others are just fish food, except the little dog as we loved him but oh dear he has fallen in the water too so now what will happen?
Key Player – This is a one-man show. The movie wouldn’t have been greenlit, made and got past its first studio meeting without the hunky star’s signature. The UK’s biggest movie star probably of the last decade just gets action movies made around him like no other actor and they always hit at the box office – Our island should be very proud of the guy who now has a record-breaking six movie franchises to his name. Tom Cruise has one.
Budget – $130 Million and in one week it has made double that back in profit totally pissing all over the other one man band Summer blockbuster Dwayne Johnson’s Skyscraper. This is the last big hit of the summer and fans are fucking lapping it up big time… but may not want to go back in the water for a bit!
Best Bit – 0.47 mins; The Stath has to get a GPS tracker attached to the giant killer fish which means he has to swim real close to it. Cue the best heart-stopping scene of the film before the crazy good mad as a box of frogs climax.
Worst Bit – 0.05 mins; The opening prologue sets the scene some months before the main action and it’s OK but is nothing special. Film reviewers often use the term ‘Roller Coaster Ride’ and it has never fitted better here. Once you get over the initial warm up its non-stop excitement until you breathlessly hit the credits. One more rider please and Scream if you want to go faster!
Little Secret – Spot the Jaws music used here in the underwater cage scene plus numerous references to all four Jaws films & The Abyss. This was originally meant for George Clooney then when it was offered to director Eli Roth (Hostel and Inglorious Bastards etc) who wanted to cast himself as the hero but as an actor, his biggest role was as Frowny The Clown in a horror film so a star with more box office whoomph was sought.
Further Viewing –Jaws1-4,Piranha, The Deep, Open Water, Croc, Lake Placid, Orca, Deep Blue Sea and The Stath’s greatest hits Transporter, Crank. The Expendables, Fast & Furious 8, Spy, The Italian Job, The Pink Panther & of course Lock, Stock & Two Smoking Barrels.
Any Good – You don’t need a review to know whether this is for you or not. If you like the actor or this type of monster film then this is a really great one. If you want some fun escapism then you will be very happy but if you thought I, Daniel Blake was the greatest movie of all time or worship at the feet of Dame Maggie Smith then move along.
Talk about a fall from grace. Kevin Spacey’s latest movie, Billionaire Boys Club has officially bombed, hard. It opened in just 10 theatres in the US and took a grand total of $126.
In comparison before the allegations of sexual misconduct against the actor, Spacey’s previous bit hit, Baby Driver grossed over $20 m in its opening weekend.
His biggest movies to date are American Beauty ($130 m) A Bug’s Life ($162 m) and Superman Returns ($200 m).
The Billionaires Boys Club was actually started in December 2015, well before the allegations of sexual misconduct were levelled against the actor by Star Trek Discovery actor Anthony Rapp. The film officially wrapped in early 2016. The film is set in the 1980s and is based on a true story about young men, who happen to be rich AF, getting caught up in a Ponzi scheme. It also stars Ansel Elgort, Taron Egerton and Emma Roberts.
However the film, according to Box Office Mojo, has made over a $1m in other territories with Russia ($419,000) being its biggest market, followed by the Ukraine ($318,000).
★★★★☆ | Little Shop of Horrors – Regent’s Park Open Air Theatre
There’s a human-eating plant in Regents Park, and the more it eats the bigger it gets – and it’s all at the wonderful Regent’s Park Open Air Theatre in the new show ‘Little Shop of Horrors.’
On skid row in downtown Manhattan, a flower shop called Mushnik’s is not doing much business. But Seymour Krelborn (a wonderful Marc Antolin), who works at the shop owned by Mr Mushnick (Forbes Masson) has mysteriously acquired a plant, a plant so unlike any in the shop. It’s a plant that looks like a venus flytrap, but this plant is very different. It’s a plant he has called Audrey II (Vicky Vox plays the plant later in the show), named after the co-worker he is secretly in love with Audrey (Jemima Rooper). This plant doesn’t want water like all the other plants in the shop, as discovered by Seymour when he pricks his fingers and drips blood on the plant, and it’s happy drinking his blood. But the more blood Seymour feeds the plant, the bigger it grows, and soon enough Seymour can’t give any more blood to the plant, and it’s grown so huge that’s it’s become a celebrity (and so has Seymour). But how can Seymour continue to keep his plant happy and all the while attaining his new celebrity status (and the money that comes with it?). He has to give Audrey II more blood, and this includes people. The first to go into the plant is Audrey’s abusive boyfriend Orin Scrivello (Matt Willis – of pop group Busted). But who will be next? The plants keeps telling Seymour ‘I’m Hungry’ so he’s at odds as to what to do next. And this all takes place in the beautiful outdoor theatre.
Playing until Saturday, September 22, ‘Little Shop of Horrors’ is great fun to watch. Let’s hope the good weather continues until the end of the shows run – as Little Shop of Horrors is best enjoyed when it’s not raining. The cast are all wonderful, and Vicky Vox is larger than life as the plant. With music and lyrics by Alan Menken and the late Howard Ashman, Little Shop of Horrors is still good fun and even better set amongst all those trees in Regent’s Park. Just be careful and don’t get too close to one, it might eat you!
For any Alfa Romeo fan or ‘Alfisti’ as they call themselves, Matteo Licata’s book on the much ignored Giulietta from 77 – 85 is an absolute must. I like the Giulietta and have looked forward to reading a copy since he broadcasted it to his Twitter followers this year.
Matteo is a lover of sports cars in general and he has a fondness for automotive lost causes. Full-time lover of good life, blogger and writer on Twitter, he’s an automobile enthusiast firstly. He carved a career in car design, graduating from Turin’s Istituto Europeo di Design in 2006. He’s even contributed to the 2006 Giulietta of 2010. So we are in good hands.
The Giulietta, in general, has been largely overlooked. It was for Alfa Romeo, a short-lived car and as a result has only ever been mentioned in a paragraph or berated for being a cheaper shorter car based on the Alfetta. One of my first books on cars was on Alfa Romeo and that only had a one-page colour spread with two shots of a Giulietta on it. This has finally been addressed.
This is Matteo’s first book and l have to say l am impressed with the level of information this book is packed with. As a general rule of thumb, most books on Alfa Romeo are rich in page numbers. For the 58 pages in Matteo’s book, each page packs a punch with knowledge on the Giulietta. It comes in bite-size snippets of information and it works for me. The book is particularly good at capturing the data that you as an enthusiast want without waffle.
In the beginning, there was a lovely snapshot of the history of Alfa Romeo. Even after all these years of being an ‘Alfisti’ myself, some of it was new news to me. After this, there are eight chapters covering everything from the launch to evolution and ending with the geeky satisfaction in vital statistics.
Things l had forgotten about Giulietta (read that as didn’t know) was that there were three series in production. Subtle changes here and there are covered along with the confusing array of engine line-ups across Italy and the rest of Europe. And then there are rare photos throughout the book of the car itself including six very rare and spacial models like the Fiorucci Giulietta “Punk” of ’78. It beggars belief!
A worthy read and addition to your Alfa Romeo library? YES.
After 10 successful years of annual LGBTQI+ cross art event, GFEST – Gayise FESTival is calling upon organisers to create and hold their own events.
The theme for GFEST 2018 is ‘Socially EQUAL’, and events should run from Monday 12 November to Saturday 24 November.
GFEST – Gaywise FESTival® (known as GFEST) is recognised as an annual LGBTQI+ (Lesbian, Gay, Bisexual, Transgender, Queer and Intersex +) cross-art celebration. Over the last 10 years, the festival has presented LGBTQI+ films, music, performances, art exhibitions, interdisciplinary art, poetry, book reading, workshops, participatory events, debates, etc. events each November.
GFEST producer arts charity Wise Thoughts is inviting community and arts groups, local museums, local authorities or libraries etc. to join and share awesome LGBTQI+ arts and stories from all over the world, as this year’s festival events. GFEST 2018 events, wherever they will take place, now can be added to the events list and promoted on the GFEST website.
The festival has been endorsed by all three Mayors of London, many celebrities, ministers, and cross-party MPs.
Niranjan Kamatkar FRSA, artistic director of GFEST said, “We want to reach out to audiences that we couldn’t in the past, and where there is a greater need to promote the LGBTQI+ cultural issues. To help ensure this we are changing the format from this year. We will include more web-based events and podcast etc. and we can also present a recommended programme, acts and films list from next year”.
He added, “If you have got it, flaunt it! Young or old, fresh or established, show the world that real talent always shines the best! GFEST events value and promote diverse talent from diverse art forms and promote artistic excellence. Celebrating diversity continues to endorse LGBTQI+ equal rights and reduces possible discrimination. GFEST ethos is to develop cultural and social equality for and amongst diverse LGBTQI+ people from all age groups, including people from different religious or/and cultural backgrounds. The festival actively supports individual creative abilities and participation in the society.”
If you are interested in organising your own event please visit and list the event details: https://gaywisefestival.org.uk/submissions/
Big Brother is 18-years-old. Hard to believe but this year marks the 18th series of Big Brother and the 22nd of Celebrity Big Brother. It was widely reported that this season of the British version would be the last, on Channel 5 at least, but Rylan, who currently hosts Bit On The Side has hinted that it could go on for at least another two years.
The show has been on Channel 5 since 2011, when it moved from Channel 4, the show’s original home.
In a Q&A, speaking about how great BB is he said, “It’s amazing, and it’s amazing to be a part of TV history like that….LET’S MAKE IT 20!”
He recently took a break from hosting, but he said, “I’m over the moon after our extended break to be back where I belong. Looking after my baby. Not a series goes by that I don’t get excited about a new launch”.
Well indeed. Are you a fan, would you like to see another two series?
Back in the 80’s, movie musicals such as Fame and Footloose blazed a trail across cinema screens and into the hearts of foot tapping teens everywhere. But nestled between the two was Flashdance, the story of Alex – a welder by day and a club dancer at night, with a dream to make it into a prestigious to dance school. Now fully embedded in popular culture, being mimicked by Geri Halliwell and Comic Relief; and even making an appearance in The Full Monty, Flashdance now takes to the stage with Strictly Come Dancing’s Joanne Clifton.
Based incredibly loosely on the film, the stage show waters down the story of the gritty welder and her struggles to make it, and provides a fairly sanitised version of the story, with plenty of nods to the film, but placing the emphasis on different aspects of the story. The show retains a handful of songs from the film’s soundtrack, including “Maniac”, “Gloria” and “Flashdance (What a Feeling)”; but packs them in tightly with a high number of original songs which are functional, but not particularly memorable.
Filled with an abundance of day-glow, colourful neon, the show is little more than an excuse for some vibrant dance numbers, nowhere more alive than in Demmileigh Foster’s show-stealing rendition of “I Love Rock ‘n’ Roll”, and in the rather upbeat closing medley. Joanne Clifton shows that she can sing as well as dance, and Colin Kiyani was perfectly affable as Nick, Alex’s boss and boyfriend.
Those wanting a theatrical version of the film (akin to the Dirty Dancing musical) won’t get that here, given the light plot, two dimensional characters and a rather lacklustre script; but this story is really a wraparound device to tie together the musical numbers of which there are plenty; with a few good set pieces and a feel-good ending to be had.
There is an old saying in theatre that “the show must go on” and nowhere is that old adage put more to the test than in The Play That Goes Wrong, a comedy of errors which collates every actor’s worst nightmare and throws them at the cast who are determined to carry on regardless.
Borrowing heavily from The Mousetrap, The Play That Goes Wrong is a scattergun comedy set around the fictitious Cornley Polytechnic Drama Society, who is performing The Murder at Haversham Manor, a murder mystery set in the roaring twenties. Despite the best endeavours of the cast, nothing quite goes right for them, as scenery collapses, actors are knocked unconscious, props break and unprepared understudies stand in.
With a varied blend of visual gags, slapstick, farce, wordplay, one-liners, missed cues and a rather more animated corpse than one would expect, the gags come thick and fast; some hitting the bullseye and others missing the target; but the whole thing is so fast-paced, that there is always another gag heading your way imminently. Garnering some genuine laugh out loud moments, the show has a sensible one hour forty minute runtime meaning that even if a few of the gags begin to outstay their welcome, the show does not.
Whilst there is plenty of fun to be found and a lot of chuckles, guffaws and belly-laughs to be had, the ending of the show descends into a rather shouty and chaotic handful of closing scenes which, unfortunately, slightly takes the edge off of what has come before. But that said, the cast is delightful, in particular, Kazeem Tosin Amore; and there is some excellent split second comedic timing and plenty of physical dexterity on offer as the fictional cast try desperately to keep their faces straight, their upper lips stiff and prevent the performance collapsing into a catastrophe.
*This review was taken from the Sheffield production*
MISSION IMPOSSIBLE: FALLOUT – The sixth high octane spy thriller of Impossible Missions
Nutshell – The IMF based loosely on the 60’s TV show this time have to find some missing plutonium that they let slip through their fingers in Berlin at the start of the film. An old adversary wants to blow up the world again, so Tom Cruise jumps out of planes, crashes motorbikes, falls out of helicopters and fights everyone in sight on a global action odyssey. This time he has the man mountain Henry Cavill shadowing him all the way and also has some women problems and half decent twists.
Running Time – 147 Minutes – Cert 12A. A very long movie that does fly by.
Tagline – ‘Some Missions Are Not A Choice’
THEGAYUK Factor – Tom Cruise is now 57-year-old and looks great for his age but the gay sex appeal is not what it was, but he does make great movies. Ving Rames, Simon Pegg and Alec Baldwin are never going to make it onto anyone’s wank bank list, but we do have one fantastic saving grace Mr Henry Cavill is stunningly hot, built like a brick shit house and looks like everyone’s dream fucking top.
Cast – Tom Cruise, Simon Pegg, Alec Baldwin, Rebecca Ferguson, Ving Rames, Angela Bassett, Sean Harris, a very very hot Wes Bentley and the straight face of CNN, Wolf Blitzer as opposed to the silver fox himself Anderson Cooper.
Key Player – Although this is Cruise’s show he is not really giving us anything new here. The director Christopher Mcquarrie is the first guy to be invited back for his second Mission as previously a new director was employed each time. This is not quite as good as his last film Rogue Nation and lacks that one signature stunt that we expect from this franchise but he is solid and holds it all together nicely.
Budget – $178 Million but it has the lowest opening of any Mission to date and is struggling to get the right number of bums on seats which is strange as it has good reviews and decent word of mouth perhaps its the same old same old feeling or the Worldwide heatwave.
Best Bit – 0.27 mins; A great well-filmed HALO (High Altitude Low Open) parachute jump which goes wrong is genuinely exciting but why they have to be so clandestine jumping out of a plane over Paris to avoid radar is anyone’s guess and a figment of the writer’s mind.
Worst Bit – 1.48 mins; The over contrived endless double-crosses hit full speed, and logic goes out of the window with the twists and irrational happenings that make Harry Potter or Star Wars look realistic but never mind just enjoy the action which is very good indeed.
Little Secret – These Missions are now largely all about Tom doing his own stunts, and it works because they do look real. Here he has four major ones; the HALO jump he spent a year training for, an extended helicopter action set piece where he did most of the flying, a Paris motorcycle chase without helmet including an against the traffic scene around the Arc de Triumph and that London-based foot chase where he busted his ankle and closed the movie down for months. Let the stunt guys do what they are good at fella maybe as the next Mission you will be in your sixties.
Further Viewing – Missions 1 through 5, Anything with the words Jason and Bourne in, The Man From Uncle, Spy, Kingsman, the more recent James Bonds.
Any Good – This is just a few points down on the last two Missions, and it is the longest, so there is a lot of story to wade through here. The action is as good as anything out this year and almost Fast & Furious level, and there are many positives especially the addition of Henry Cavill. You do get the feeling of deja vu though, fake interrogations again, a surprise mask wearer, The CIA infiltrated yet again, bosses being killed, and countdowns to explosions all so predictable why do bad guys have countdowns anyway they just exist so as the good guys can save the day with less than 10 seconds to spare. If you want to destroy the world why take your time?
