THEGAYUK

Category: Review

  • THEATRE REVIEW | Dietrich Natural Duty, Wilton’s Music Hall, London

    THEATRE REVIEW | Dietrich Natural Duty, Wilton’s Music Hall, London

    ★★★★★ | Dietrich Natural Duty

    Marlene Dietrich has been called to duty – and lucky for us it’s in London.
    Dietrich, star of many a stage and film, as well as many a front line during WWII, was a legend, was a humanitarian, and was perhaps one of the most famous women of the 20th Century. Now, for a second time this year, we can bathe in her presence, and voice, in a show called Dietrich Natural Duty: A One (Wo)man Show now playing at the almost gorgeous as Dietrich venue Wilton’s Music Hall.
    In a stunning, shimmering, glittery beaded golden sequin dress, Dietrich (played to perfection by Peter Groom), takes us back to the time when she, in 1942, amidst the battlefields, turns her back at the country of her birth, Germany, and helps to rally, and excite, the troops. Through a mix of song, wit, curves, and a voice to die for, Dietrich Natural Duty is an irresistible and breathtaking show where Groom just about channels his inner and outer Dietrich to shear perfection. This show, and Groom, is mesmerising and will take your breathe away.
    Duetrich Natural Duty: A One (Wo)man Show ends its run on Saturday November 24th. To buy tickets, please click here:
  • THEATRE REVIEW | Briefs, Leicester Square Spiegeltent, London

    THEATRE REVIEW | Briefs, Leicester Square Spiegeltent, London

    ★★★★★ | Briefs

    The Briefs boys are back and they’re being extra naughty!

    You know the boys – they are the burlesque troupe from Australia who, annually, bring us fun, frolics, and huge loads – of sexiness – to the Underbelly tent in the Southbank every summer season. Well this year they’re giving us a extra dose of themselves – they are putting on their act in Leicester Square!

    Headlining two shows in the Leicester Square Spiegeltent (the first show at 7:30 and a second at 10:15), Briefs: Close Encounters take us into outer space with the sexy guys who wear all sorts of space attire (and luckily for the audience the attire comes off!) in a show that can be described as too sexy for space!

    The cast, and pretty much the show, is very similar to their show at Underbelly – but the space theme is a twist in the right direction! The Briefs boys, led by fabulous emcee Fez Fa’anana, includes one of Australia’s leading circus showmen Captain Kidd; acrobat and clownish time-hopping rabbit Dale Woodbridge-Brown; superstar aerialist Thomas Worrell, defying gravity and tying himself in knots above the crowd; and the youngest member of Briefs, the loveable rogue and boy wonder Louis Biggs, as well as performance artist Harry Clayton-Wright.

    They perform their circus skills, raucous comedy, and display their unique disrobing skills for the audience to enjoy. But stop press – the 10:15 p.m. show is even more racier, more raucous, with more genitalia on display, and isn’t that what the world needs now?

    And after the 10:15 p.m. show the tent becomes a disco where you can dance and boogie with the stars of the show! Having attended both shows last week, and then stayed on for the disco, we had an excellent time. With this, we are definitely buying tickets for their New Years Eve Extravaganza, which will be the place to be in London. It will be guaranteed trash, disco, glamour and nudity!

    Briefs: Close Encounters is an encounter I want to experience again and again!
    Book tickets for Briefs: Close Encounters click here
  • RESTAURANT REVIEW | Iron Bloom, London

    RESTAURANT REVIEW | Iron Bloom, London

    ★★★★★ | Iron Bloom, London

    Iron Bloom restaurant in Shoreditch is easy to walk right past, not knowing it’s there. Well, don’t walk past, go straight in!

    Iron Bloom, on Great Eastern Street, in one of the trendiest parts of London, is recognisable only by its beautiful chandelier in the large front window. Next to the window is an imposing iron door. Once you get into the restaurant, you will discover that it is cool and laid back and warm and friendly, just like the food and the staff.

    The brunch menu, which was on offer on the bright sunny Saturday afternoon we went, is a potpourri of food. There are typical brunch items (French Toast, Full English Breakfast, Eggs), as well as more unique lunch items (Wild Boar, Sunday Roast Yorkshire Taco, and Spinach Pancake Fritters). The menu says that the main course plates are small dishes and that two or three dishes per person are recommended, so that is what we did, we ordered two dishes each. Boy, we were in for a surprise!

    My first order was the Spinach Pancake Fritters, American style pancakes but made with spinach, with bacon and a poached egg on top, and lots of butter to substitute for syrup. They were nice and brown and delicious. While a bit pricey (£13) – I had never had pancakes made this way before. There was a hint of chilli in the fritter, but it didn’t take away from the enjoyment of the dish. My friend had the Wagyu Beef and Bone Marrow Burger with Bacon and Cheese (£15), and with the meat being Wagyu, it had to be very good, and it was, and perfectly cooked. The burger included fried onions and lettuce, with a black sesame seed bun for an extra dose of uniqueness – highly recommended. So these two dishes were main course sizes, and I was beginning to wonder if ordering second dishes was a smart move. Well, my second dish – the French Toast – was a massive portion good enough for two people! Huge Challah-style bread, with wild forest berries sprinkled all over, served with banana dairy-free ice cream & chocolate sauce – was an enormous dish. The french toast was also enormously perfect – perhaps the best looking ones I’ve ever had in London (I am American, and I know my french toast!). Chocolate Sauce is a very good substitute for syrup, though I still do prefer syrup, it was excellent and worth every pound (£14 to be exact) – highly recommended. My friend’s side dish of Crack & Cheese (the crack being a cracker of parmesan embedded into a macaroni and cheese dish consisting of brie, stilton and cheddar) was a perfect, and large, accompaniment to his burger.

    All the food we ordered was just perfect. And I have to say that we left the restaurant with very full bellies!

    The drinks were also very memorable! I had the Berrigroni – a drink that was light and fruity – with Put e Mes vermouth, and light syrup with an orange slice – which made for a delicious, and affordable (£10), drink. My friend loved his Bloom Sour – a twist on a Pisco Sour – with homemade pineapple, syrup, chilli bitter, lime, egg white and a sprinkling of homemade raspberry powder on top – all squashed into a petit cocktail glass. It definitely had a kick! Meanwhile, their Peruvian and Chilean coffee was perfect to end the meal with, and then we were treated to a shot each of Ammazzacafe´, a liquorice-tasting liqueur which is usually drunk after coffee. Highly recommended whether you have coffee or not.

    Iron Bloom has an upstairs and a downstairs. It’s a very industrial look that fits in perfectly with the neighbourhood. There are two cosy booths upstairs that would each fit a party of 5 comfortably, while the rest is stool-style eating (for about 30 people total upstairs and perhaps a bit less downstairs, which is where the kitchen is). It’s actually very stylish and cool, as is Del the bartender, the lovely hostess and waitress Elena (Hi Elena!), and Dean the chef, a born and bred Londoner who really knows a thing or two about cooking. Thanks to the entire staff we had an amazing meal and experience. And you will too, just make sure you don’t walk past the iron door!

    IRON BLOOM

    46 Great Eastern Street

    London, EC2A 3EP

    email: reservations@ironbloomshoreditch.co.uk

    phone:  02077294235 or 07896718880

    instagram:  /ironbloomshoreditch

    OPENING HOURS
    Monday: Closed
    Tuesday-Friday: 6pm-11:30pm
    Saturday: 12pm-11:30pm
    Sunday: 12pm-5pm

  • CAR REVIEW | Volvo XC60 Momentum Pro

    CAR REVIEW | Volvo XC60 Momentum Pro

    ★★★★★ | Volvo XC60 Momentum Pro

    What Have We Got?

    Here we have Volvo’s mid-sized SUV, the XC60. By all accounts, it’s a popular car. Judging by the number of them on the road, you would be right. But is it any good? Does it cover ground better than others in its class and is the Momentum Pro worth the £42,105 asking price?  

    Driving

    When the XC60 arrived, I was a bit disappointed for it not being an automatic. Manuals in city driving aren’t much fun. That said, the diesel D4 engine works well with the manual box, better in many ways than the auto. It has a fluidity in its workings. Just keep an eye on the rev counter though. Unless really pushed, the engine is subdued in noise suppression.

    What then helped living with the manual was the spread of low down torque of 400 Nm from 1750rpm. That sounds quite high, but I can assure you that it will pull cleanly in 4th from below 1500rpm. And then come the problems, sort of. Because of the way it works and the gearing, 5th and 6th really are very redundant gears. They were not used on my 40-mile daily commute. Only on Sunday when the roads were clearer, was I actually able to use 5th.  

    The XC60 with its all-wheel-drive system is sure-footed and secure even when hustling it around. Its ride balance in “comfort” was just right. Aided no doubt by its generous 50 profile tyres giving it a good soft sidewall.    

    Inside

    Here is were Volvo really do exceed in excellence. Their interiors are probably the nicest places to navigate the great outdoors from. In the Momentum, you are treated to bright cream leather coverings and silver accent trim around the cabin. This isn’t the best from Volvo; they also offer wood that adds even more to the exceptional expensive feel of the cabin space.

    And that’s just what the driver feels. There is room for four others to enjoy the ambience of the car. Admittedly, for what looks like a large vehicle, it doesn’t exactly translate into masses of cabin space, but you’re not left feeling squeezed. It’s just right.  

     

    Living With It

    My week with the XC60 was one full of various driving conditions. From sunny days to torrential rain at night, it carried my passengers and me in safety and comfort.

    On the move, the XC60 has a calmness surrounding it. There were a couple of incidences where people pulled out in front of me, and the usual words were said. And then calmness. Remember that scene from Spaced where Brian is painting manically, and then he receives a call from Twist, and he is then unable to paint due to being calm and content? It’s like that.  

    The Verdict

    I could work for Volvo and sell these, day in, day out. The XC60 is a great vehicle. It’s calming, competent and exceptionally well put together which does belie the asking price. £42k is not a lot really when it comes like this and with this level of spec.

    If I am to nitpick, and I have to, I’d say there are a few areas it needs to be improved on. For a start, it needs a left footrest. It’s not like there isn’t any space there for it either. You can stretch out your left leg with ease, it’d just sometimes you need a place to rest that foot that isn’t on the clutch pedal. And the stop/start button. Its razzmatazz looks a little out of place and a bit too blingy. 

    And you see, I’m nitpicking and because of that, I’m giving this five stars. 

    Love

    Quiet and relaxed

    Ambience

    Price

    Loathe

    Lack of footrest

    Gaudy stop/start switch

    Both of the above again.

    The Lowdown

    Car –  Volvo XC60 Momentum Pro

    Price – £42,105 (as tested)

    MPG – 31.5mpg (during test)

    Power – 190 bhp @ 4250

    0-62mph –  8.3 seconds

    Top Speed –  127 mph

    Co2 – 139 (g/km)

  • THEATRE REVIEW | Everybody’s Talking About Jamie, Apollo Theatre, London

    THEATRE REVIEW | Everybody’s Talking About Jamie, Apollo Theatre, London

    ★★★★☆ | Everybody’s Talking About Jamie

    (C) Matt Crockett

    Jamie, Jamie, Jamie. ‘Everybody’s Talking About Jamie!’ And damn right they should be. And it’s one year old!

    Everybody’s Talking About Jamie, in case you haven’t heard by now, is the heartwarming story of Jamie – a young man from Sheffield who is different from the other kids in his class.

    When his teacher asks her students what they want to be when they grow up, one says doctor, another says lawyer, while Jamie says that he wants to be a drag queen! Supported by his mother and her best friend, along with some of his best mates, who all happen to be girls, Jamie’s dream may eventually come true! But first, he has to overcome prejudice, as well as the school bully (and also an unloving father who has practically disowned him), to be able to be who he wants to be!

    Everybody’s Talking About Jamie opened to critical acclaim at the Sheffield Crucible in 2017, and has been playing to practically sold out audiences for exactly one year at London’s Apollo Theatre in the West End.

    It’s a heartwarming and enduring story that’s actually true. It’s based on the life of Jamie New – who appeared in a 2011 BBC documentary called Jamie: Drag Queen at 16. With Music by The Feeling’s Dan Gillespie Sells, and Books and Lyrics by Tom MacRae, Everybody’s Talking About Jamie is touching, but at the same time manufactured in the way Kinky Boots is (we all know how it is going to end).

    John McCrea is brilliant as Jamie – he really works the stage in those high high heels! And he’s a dead ringer for the real Jamie! Rebecca McKinnis is great as Jamie’s mum Margaret, and she does get a show-stopper or two (‘He’s my Boy’ may bring a tear to your eye).

    In a bit of stunt casting, Michelle Visage is the teacher, but it’s Shobna Gulati who plays, and is fierce, as Margaret’s best friend, and one of Jamie’s staunchest supporters.

    It’s a feel-good show with a feel-good message, and isn’t that we all need right now!

    Book tickets to see Everybody’s Talking About Jamie!

  • RESTAURANT REVIEW | Tom, Dick and Harry’s, Loughton

    RESTAURANT REVIEW | Tom, Dick and Harry’s, Loughton

    ★★★★ | Tom, Dick & Harry’s, Loughton

    Tom, Dick & Harry’s are not people you work with, or people you went to school with or who met at the local pub last year. Tom, Dick & Harry’s are actually the names of the three escape tunnels in The Great Escape. It’s also the name of a restaurant and bar located in Loughton.

    With perhaps the nicest staff this side of Mile End, Tom, Dick & Harry’s (TD&H) is perhaps the place to be, and be seen, in and around the Loughton area. Just a few minutes walk from the Central Line, it’s also perfect for those who want to get out of London to try a new dining experience in an area where you’ve not yet been to. Granted, there is not a whole lot to do in Loughton, but visiting TD&H is definitely worth a visit.

    A beautifully designed restaurant, intimate and cosy while at the same time with a metropolitan feel, TD&H offers an all-day destination dining experience. And the food is cooked and prepared by real professionals, people with a passion for food, and served by people who have a passion for their customers, who want their customers to enjoy their experience.

    On the Sunday when we paid a visit, we were told by the chef that the menu changes daily, depending on what they can source from the local butcher or whatever is freshest and available each day. We were lucky to have on the menu the Sunday Roast club menu – for this is what my friend ordered. Roast Rump of beef (Angus crossbreed) was served with, of course, a Yorkshire pudding, horseradish, gravy, with the three C’s (cabbage, carrots and cauliflower), with huge potatoes – and it was a nice size portion. My friend absolutely loved it. While he enjoyed the meat dish, I had fish, which I hardly ever order – The Grilled Tuna Steak was very good. Perfectly cooked and sized, with spring onions, almonds, and greens – the Tuna was delectable, but it was the unusual, and extremely delicious tomato and pepper paste that won my taste buds over – wow! The entire dish was a perfect combination of everything, and with my side order of large potatoes, it was a perfect meal.

    The starters, or as TD&H call them Nibbleinis, where there were quite a few choices, but we settled for three of them. My spicy chorizo, tomato and chickpea stew, was, as expected, good, but not very hot. My friend had the Fried crisp Cornish squid with togarashi pepper with lime, and on the side was a strange looking small bowl of squid ink in mayo (and sesame, lime and fish sauce), which was an average portion. Warning, the squid ink isn’t to everyone’s liking! We also sampled the nice Burrata (glob of cheese), salsa verde, with pine nuts, it was a bit heavy, but the pine nuts made it stand out. All the above were high priced at £8 each. TD&H also cater to larger parties where the price of carvery will vary according to size.

    The dessert selection was all about creams, chocolates, and dairy dairy dairy. I had the Vanilla cream pears and blackberries dish, but the cream was too much – I wish there had been more berries and pears.  However, the dark chocolate mousse, candied peanuts, with ice cream was very tasty. Both desserts were £7 each.

    Have a read through their Signature cocktails menu. Specifically designed for the restaurant by its manager and drink connoisseur Gabriele, he has assigned names to various drinks. We had the Tom Hardy – “I liked you better when you were drunk” – which almost perfectly matched the actor’s personality. It was unexpectedly sweet what with vodka, grapefruit lemon, basil and brown sugar – muddled & stirred (£12). The Sex Bomb (Tom Jones) was just superb, with honey, honey cognac, lemon, and champagne, served in a wine glass (£14) – refreshing and went just right with the meal.

    Wine must be taken with the meal, and TD&H have an amazing, but not quite overwhelming, wine list which includes whites, reds, champagnes and an amazing selection of Roses – wine that goes practically with every meal.

    The early Sunday evening we were there the restaurant remained jam-packed, with a lively piano player off to the side playing very nice mellow tunes.

    Everyone at every table looked happy – probably because the food and ambience were so good (even the man celebrating his 50th birthday party in the back looked happy!). But also credit to the staff, they were very attentive, took their time, were patient when asked questions, were always smiling, and were even concerned when the table next to us left more than half their food on their plate. It’s the kind of service that’s hard to find in other restaurants. Perhaps being in Loughton the staff are not as rushed and cold as most staff in restaurants in London are? Who knows. But TD&H may not particularly attract a London crowd, but it’s perfect and just right for the people of Loughton and it’s surrounding areas.

    https://tomdickandharrys.co.uk
    Open Saturday from 10:00 to 00:30
    Open Sunday from 12:00 to 22:00
    Book online or call 0203 327 3333 for reservations
    153 High Road
    Loughton
    IG10 4LF
    T. 0203 327 3333

  • FILM REVIEW | Bohemian Rhapsody

    ★★★★☆ | Bohemian Rhapsody

    The life and times of Freddie Mercury and his band queen from there humble West London beginnings to storming Live Aid the biggest show the world has ever seen.

    Nutshell – Freddie meets Roger Taylor and Brian May and together latterly with John they create some of the greatest rock music of all time. Their songs still stand the test of time today and include heavy metal, disco, 50’s rock n roll, opera and film themes along the way. The film also focuses on Freddie’s sexuality, his struggles with this and inner band dynamics plus hangers-on form the basis of this excellent rock biopic. Over twenty queen songs spanning the 70s/80s and 90s and then latterly comes the spectre of AIDS to bring the third act’s somber drama.

    Running Time – 134 Minutes – Cert 12A.

    Tagline – The only thing more extraordinary than their music is his story

    The Gay UK Factor – Freddie is about as big a gay icon as there has ever been and his incredible life story is nothing more than outstanding gay folklore. His love live and decadence is fully covered here in all its horny details but the reminder to a modern young audience about how devastating HIV and AIDS was in the pre prEP era of the 80’s and 90’s is the most important factor here. So many gay men gone but should never be forgotten, Freddie was just the brightest star to be extinguished at that time and this movie brings that right home.

    Cast – Rami Malek, Lucy Boynton, Aidan Gillen from Queer As Folk, Tom Hollander, A completely unrecognisable Mike Myers and keep your eyes peeled for Adam Lambert as a truck driver.

    Key Player – Rami Malek is the spit of Freddie, and after five minutes you forget he is an actor. Likewise, Gwilym Lee is a dead ringer for Brian May and this together (The less said about the Bob Geldof lookalike, the better) with the great musicianship helps the biopic feel as real as possible. Of course it is the Queen songbook which is possibly the best that exists besides Abba and the Beatles just when you think you have heard all the best songs there are another half a dozen memory joggers around the corner.

    Budget – $52 Million… opening weekend $50 Million USA alone, so that is a result then, They are still the Champions… of the world, mic drop.

    Best Bit – 0.57 mins; The biggest concert crowd ever at the time was the mega Queen concert in Rio and when the crowd take over one of the bands lesser known songs “Love Of My Life” you will be joining in too.

    Worst Bit – 0.12 mins; The formative Queen band ‘Smile’ (one of them was a dentist) and their songs here are average, to say the least – maybe it is necessary for the structure of the film but speeding through this may have made room for “One Vision”, “Somebody To Love” or “Flash”.

    Little Secret – Partway through filming, director Bryan Singer left the production and replaced by Dexter Fletcher. Singer the director of movies such as The Usual Suspects and X-men started turning up late, leaving early and then strangely disappearing for three whole days. Rami Malek, in particular, pushed for a change of directors. Twentieth century Fox the studio behind. The Wembley Stadium set for Live Aid was one of the biggest ever and was constructed from scratch as of course the Wembley twin towers have long since been demolished.

    Further Viewing – A Star Is Born, any of the Beatles, Elvis or Cliff films, Mamma Mia, Rock Of Ages, Spiceworld, What’s Love Got To Do With It, Can’t Stop The Music, Jersey Boys, Straight Outta Compton, The Pet Shop Boys Movie, Whitney, TGIF but most of all next years Taron Egerton Elton John Biopic Rocket Man which looks incredible.

    Any Good – Go for the music alone it is the very best. This is well put together and the live performances especially the mock-up of Live Aid with four songs alone here is sensational. A very enjoyable, exciting, thought-provoking, tuneful entertainment with a sad twist in the tail.

    73/100

  • MOTORBIKE REVIEW | Suzuki GSX-S125

    MOTORBIKE REVIEW | Suzuki GSX-S125

    ★★★★☆ | Suzuki GSX-S125

    Float like a butterfly sting like a bee

    What Have We Got

    In this age of ever Increasing motoring costs, swapping to two wheels makes more and more sense. Roads are congested, fuel costs a fortune and we seem to spend half our lives sitting in traffic or looking for a parking space.

    We wanted to try one of the current crop of 125cc commuters and see how practical they are.

    Suzuki’s GSX-S125 is a funky, naked styled, Street bike. It looks great, it’s fun and it’ll do up to a claimed 122.82mpg! What a way to beat the traffic, have some fun and save money at the same time.

     

    Riding

    It feels tiny. With a seat height of just 785mm and a kerb weight of only 133kg, it’s a featherweight. The bars are in a great position making it easy to manoeuvre and legs are nicely placed for a comfortable ride. When you’re sat on it you’re the widest part which means you can judge gaps in the traffic easily making it a superb commuting tool, slicing through traffic with ease.

    With only 15ps it’s not fast but the little single cylinder, DOHC (Double Over Head Cam) or ‘twin cam’ engine loves to rev and is good fun.

    On a dual carriageway or motorway you struggle. It wouldn’t do much more than 70mph with my fat arse on it, but with a little 17-year-old should be good for more. Either way, 65-70mph is fine.

    https://youtu.be/hihcf1iLa7w

    Details

    A bike like this isn’t going to be festooned with kit. It’s nicely built, unlike the cheap Chinese 125’s you can get. Switchgear is all good quality stuff and it looks and feels great. The gearbox was ok, it didn’t like clutchless up changes but the ‘box is smooth and easy to use.

    This little Suzuki is really light. They’ve saved weight all over, for example, it has forged aluminium wheels which help the bike turn quickly. ABS is also standard, helping to keep you safe as are LED lights and a neat, compact LCD dash.

    We would expect the Suzuki GSX-S125 will hold its value much better than a cheap Chinese bike too.

     

    Living with it

    You have to take this bike in context. It’s an urban Street bike. Cool, fun and made to cut through traffic and put a smile on your face.

    It handles really well, it’s very flickable. As you would expect from a bike that weighs as much as a paper bag, it turns and stops very sharply.

    15ps (maximum allowed for an A1 licence) isn’t much but it’s on par with the most powerful in its class. The styling is spot on. That big Suzuki logo on the side looks really cool, and the metallic blue paint on our bike looked great.

    The Verdict

    Back in my day, you could pass your CBT on a little 125 scooter or something like that, then jump on a 500cc bike to take your big bike test which allowed you to ride anything. These days, it’s not so easy. There are several stages now, have a look here for more info; http://www.geton.co.uk/motorcycle-training-licence/

    The first main step after you basic CBT allows you to ride this and bikes like it. Whether it’s a stepping stone to getting your big bike licence, a way to get on the road cheaply as a kid or just a commuting tool to beat the traffic and save money, you can’t go wrong with the GSX-S125. It’s fun, looks good, easy to ride and cheap to run. What’s not to like?

     

    Love

    Fun factor

    Cheap to run

    Easy to ride

    Loathe

    Slow (compared to big bikes)

    I looked a bit daft on it

    Nowhere to put anything

    Lowdown

    Bike –  Suzuki GSX-S125

    Price – £3,799

    MPG – 122.82 (combined)

    Power – 14.9hp and 11.5nm torque

    Top Speed – approx 80 mph if you’re little

    Co2 – 54 (g/km)

  • Theatre Review | The Messiah – National Tour and West End

    ★★☆☆☆ | The Messiah

    The Messiah unfolds as a travelling theatre troupe of two actors and an opera singer arrive by camel to masterfully enact the Nativity, albeit through personal breakdowns, misguided scenes and direct address to the audience in this comedic three-hander.

    Hugh Dennis (TV’s Outnumbered and Mock The Week) effectively plays Maurice Rose, the kind of guy you wouldn’t want to sit next to on a long train journey, and who is the relatively straight man to John Marquez’s innocently naive fall guy, Ronald Bream. The humour is subtle, if repetitive at times, centring mainly on the deadpan delivery of the multiple characters and the mispronunciation of words and phrases, with a few trips and blunders thrown in as the characters struggle to get through the play.

    The quality of the production overall is more than functional, with a versatile set, a decent lighting design and two fine central performances from the male leads.

    But where the show itself stumbles is in its portrayal of a deliberately bad performance by the amateur company, which is so convincing, it actually just feels like watching a badly acted play. Furthermore, an underused Lesley Garrett looked slightly uncomfortable and out of her depth at times as the demanding diva; although to be fair to her, she did so with her tongue planted firmly in her cheek.

    Sadly short on laughs, the handful of jokes stretch thinly over the show’s running time and even some forced audience participation can’t conjure up enough Christmas sparkle to elevate the show to a “must see”.

    The Messiah is currently on Tour at Sheffield Theatres, before heading to Chichester, Cheltenham and Richmond; and arriving at The Other Palace in the West End on 3rd December for Christmas.

  • THEATRE REVIEW | The Lovely Bones – The Birmingham Rep

    ★★★★☆ | The Lovely Bones

    – a chilling and sombre affair

    A lot of people celebrated Halloween dressed up in fancy and harrowing costumes while others chose to visit The Birmingham Rep to watch The Lovely Bones adapted by Bryony Lavery.

    This production was a visual marvel with versatile, complex sets and effects that made you jump. It was 1 hour and 45 minutes long without an interval, so you were drawn to the story and scarcely had a chance to breathe.

    Based on the novel by Alice Seabold, it depicted well the account by Susie Salmon as a ghost, and the frustration of the book though the intensity of the book was way more gripping. Adapting a novel with nail-biting tension and translate it to the stage was always going to be a big ask. This play, however, did a great job with multi scenes going on at once which helped cancel out really drawn out scenes which can happen when an adaptation is too literal.

    Charlotte Beaumont played Susie and she was very believable. Her growing anger and annoyance were superbly achieved. Mr Harvey played by Keith Dunphy was exactly how you would imagine him to be in the book, said my friend. His voice and slow movement made for a very sinister character – the audience felt on edge whenever he appeared on stage as he was getting away with murder, literally. Jack Salmon played by Jack Sandle was very captivating with his passionate and energetic portrayal. Karan Gill was a dexterous multi-part player and was brilliant at playing Holiday, having the whole auditorium in stitches with embodying typical characteristics of a dog. Abigail Salmon player by Emily Bevan performed her last speech with emotion and sincerity, but there was some inconsistency with emotion when finding out about her daughter, or it was perhaps the very fast changes of time that did not allow for Abigail’s grief to be fully explored. Pete Ashmore played Detective Fenerman, and he was brilliant in this role really adding to the frustration of the unsolved murder. As a teenager, it was not as convincing, for his voice was too mature. I struggled to imagine him as Lindsey Salmon’s boyfriend. Susan Bovell brought out the comedy in this dark story with her bad-mother act and stirring issues within the family. Her portrayal of Lynn was a great fete.

    The set, designed by Ana Inés Jabares-Pita, really was the highlight for me with chalk becoming luminescent and the ingenious mirror effect, so it looked as though Susie was looking down from heaven as the scenes unfolded.

    Running: 30 October – 10 November 2018

  • THEATRE REVIEW | Company, Gielgud Theatre, London

    ★★★★☆ | Company

    The stage legend that is Patti Lupone is gracing London’s West End with her presence in a new revival of Stephen Sondheim‘s Company.

    Lupone is not just a star, she is a STAR, having played Evita in the first New York City production in 1979 (Elaine Paige was the first Evita in London’s West End in 1978).

    In Company, Lupone is not actually the star and lead of the show, but every time she is on stage the audience seems to gasp and hold their breath.

    But Company is not at all about her character (an older wiser woman who doles out advice), it’s about Bonnie (played by Rosalie Craig, recently seen in the mega-critically acclaimed The Ferryman), who seems to live in a world full of couples (and of course in this modern society one of the couples is gay). All of her friends are in a relationship, but it’s her, who at her surprise birthday party (which is not really a surprise as someone tells her about it) at the tender age of 35), that she realises that she is single and alone in a couples world.

    Originally a musical about a single man (Robert), showcasing a single strong professional woman is just the message that is needed right now in this #metoo time.

    While Bonnie trots along, there are clever sets (by Bunny Christie) that float in and out of the stage like picture frames. And a scene-stealing moment takes place when, right before his gay wedding, Jamie (a superb Jonathan Bailey – give him his own show NOW), starts to hyperventilate and talk 100 miles a minute as to whether he will go through his wedding – it’s a brilliant turn.

    But the show stealer is none other than Patti Lupone; when she sings the classic ‘The Ladies Who Lunch’ you just want to lick your lips and savour each second. Sitting on a cocktail chair, she sings absolutely delicious, and when she says “I’ll drink to that,” you just want to melt. For me, her song is the most memorable part of the show, and it is an absolute gem.

    Marianne Elliott’s production of this 1970 show is as modern and up to date as possible, but please, more more more Lupone next. Here’s to the lady who steals the show!

    Company plays at the Gielgud Theatre until March 2019, Book tickets now (with no fees)