THEGAYUK

Tag: Phoenix Theatre

  • THEATRE REVIEW | Come From Away, Phoenix Theatre, London

    THEATRE REVIEW | Come From Away, Phoenix Theatre, London

    ★★★★ | Come From Away

    come from away theatre review

    Before September 11, 2001, no one had ever heard of the tiny town of Gander, Newfoundland. But on that horrible, horrible day, the townspeople (no more than 10,000 people) welcomed in and took in thousands of people who were on Westbound planes that were diverted to this place in the middle of nowhere.

    This story is told in the musical Come from Away. Winning many awards in its Washington D.C. and Broadway runs, this popular show has arrived into London with much anticipation. And the show surely lives up to it.

    Gander has a small airport, where the nearest Starbucks in four hours away, and where there are a total of 550 hotel rooms. But on 9/11, 6,579 people were grounded in Gander. And it was the townspeople who opened up their homes, and hospitality, to these passengers who at the time at arrival had no idea as to what was happening (this was before everyone had mobile phones).

    The characters in this show are based on (and is most cases share names of) real Gander residents and the passengers on these planes. The actors play both the passengers and citizens, switching roles every now and then. While it does get a bit confusing in the beginning, as the show rolls on and the music starts to kick in, Come from Away gets more uplifting, until it, and the residents of Gander, have really won us over.

    Beautiful songs such as ‘I Am Here’, beautifully sung by Cat Simmons, whose son was a firefighter in NYC, ‘Stop the World,’ sung by Robert Hands and Helen Hobson who were passengers and ended up falling in love, and ’Something’s Missing,’ sung by the entire company after the 9/11 passengers all left Gander – show us how the human spirit was alive and well the week the world changed. With incredible book, music and lyrics by Irene Sankoff and David Hein, and sharp direction by Christopher Ashley, Come From Away may not only bring you to tears, but it will also lift up your spirits.

    It had been announced that there will be a feature film adaptation of Come from Away, with Sankoff and Hein writing the script and Christopher Ashley as director. I’m really looking forward to seeing the movie version of this moving and cathartic musical. 

    Come From Away plays at the Phoenix Theatre until 19th September 2019. Book tickets here.

  • THEATRE REVIEW | Chicago, Phoenix Theatre

    ★★★★★ | Chicago, Phoenix Theatre

    Chicago London review

    It turns out that Velma Kelly and Roxie Hart hadn’t gone away for good, they were just polishing their revolvers, sharpening their tongues and napping in a cell somewhere. To celebrate the 21st anniversary of the West End production of Chicago, those murderous bitches are back to shake things up and take a well-aimed pop at the madness of celebrity culture. They’ve also bought their own dose of celebrity culture along with Oscar winner Cuba Gooding Junior playing slime-ball lawyer, Billy Flynn.

    If you’ve never seen Chicago on stage and only know it from the Hollywood film then you’re missing out. It has to be seen in the flesh (and there’s a lot of flesh on show). The men are beefy and scantily clad and the women are Vaudevillian and slinky. The set and costumes are pared back with an on-stage orchestra belting out all those classic Kander and Ebb hits. The choreography is note perfect with all the shoulder shrugs, finger clicks and pelvic thrusts that you expect from Bob Fosse. Yes, it’s the same old show that we got in the 90s but who cares? It’s a veritable classic. With murderesses this stylish and camp who needs anything new.

    Two choice musical theatre actresses take the key roles with Sarah Soetaert giving us a cheeky not so dumb blonde Roxie and Josefina Gabrielle excelling as an embittered Velma. Cuba Gooding Junior might struggle with the singing but he’s got the moves and the charisma needed to sleaze it up a little.

    As one drag queen said to another once on Rupaul’s Drag Race: ‘Bitch I’m from Chicago. I will whoop your ass.’. You can certainly rely on these scintillating killers to whoop any ass on offer.

    At the Phoenix Theatre in London

  • THEATRE REVIEW | The Exorcist, Phoenix Theatre, London

    ★★★★ | The Exorcist

    THEATRE REVIEW | The Exorcist, Phoenix Theatre, London

    Breaking news: There is a young girl who is possessed by the devil in the West End.

    Her name is Regan, and she is 12 years old. She once used to be a playful little girl, happy, singing, always with a smile on her face. Then one day she started mentioning to her mom that she had an imaginary friend in her room. This friend, which went by the name Captain Howdy, would talk to her, and tell her to do things. But eventually Captain Howdy started to take over her life, and her body, while mysterious and strange goings-on take place in the house (windows opening, doors not closing, strange writing on the wall). But the worst was yet to come. Regan started to harm herself, and harm others, and the sight of blood didn’t phase her. But she was becoming extremely dangerous, not just to herself, but to the people in her household, which includes her actress mother’s best friend and film director, Burke Dennings. At some point, Regan needs to be tied to her bed, and it’s then, and only then, that we realize that Regan is possessed by the devil. She spews vomit, turns her head at a 360-degree angle, and levitates over her bed – actions that only can be performed by something that is very very evil – not of this world. Regan’s mother by this time has lost her wits – she doesn’t understand and can’t cope with all this, so she brings in Father Damien Karras whose job it is to determine if Regan is actually possessed, and soon enough he realises this is the case. So it’s time for the Exorcism and it will take the work, and expertise, of one Father Merrin to free Regan of the evil inside of her, an evil that could kill Regan if it’s not exorcised out of her in time.

    Based on the hit, and terrifying movie of the same name, and now cleverly adapted for the stage by John Pielmeier, The Exorcist is scaring audiences at The Phoenix Theatre, and scaring is putting it mildly. What the director, Sean Mathias, and cast have done is to have successfully brought the story to a live audience and all of its bone-chilling and terrifying moments. With the excellent performance by Clare Louise Connolly who lives and breathes Regan and the voice of the devil by Ian McKellan in tandem they practically make is a believable experience. Peter Bowles chews up his scenes as Father Merrin and Adam Garcia is a very good as Karras while Tristram Wymark as Dennings has the much needed funny lines in the show to relieve the chills. The Exorcist is downright scary, not suitable for children, but nice and scary for the adults. Perfect for this time of year.

     

    The Exorcist plays at the Phoenix Theatre until 10th March 2018

  • THEATRE REVIEW | Evita, Phoenix Theatre, London

    ★★★★ | Evita


    The classic musical ‘Evita’ has returned to the West End to mark the 65th anniversary of the death of Eva Perón, the woman who was revered in Argentina not only as the wife of that country’s President Juan Perón but also as a woman who was perhaps more powerful than her husband.

    ‘Evita’ takes us through the highs and many lows of Eva Perón. Played by Emma Hatton (‘Wicked’), ‘Evita’ begins somberly at her funeral, attendees dressed in black – and this sets the tone for the first 30 minutes of this show – dark, deep and depressing. With lyrics by Tim Rice and Music by Andrew Lloyd Webber, ‘Evita’ finally finds it feet with the rise of Eva, which was her real name. She becomes as actress in Buenos Aires, but she had bigger ambitions, ambitions that would lead her to meet Juan Perón at a party she’s helped to organize to raise money for San Juan, Argentina, which was devastated by an earthquake. Juan, played by Kevin Stephen Jones, falls head over heals with Eva – he’s met his match – she’s just as strong and confident as he is. But it’s the public that takes to her – they love her and see her as a queen and perhaps more – perhaps as a leader for their country. But as history tells us, Eva Perón never got to see her 34th birthday, she died at the age of 33 in 1952, and ‘Evita’ the musical takes us through this journey, with the help of narrator Che (excellently played and sung by Gian Marc Schiaretti).

    ‘Evita’ is pure musical joy. There’s not one word in the show that is spoken – the plot is all told in song, and what great songs they are, 39 years after they were first written. This includes the lovely melodies of ‘I’d be Surprisingly good for you’ – when Evita initially meets Juan; to the rousing ‘A New Argentina;’ and the show-stopping ’On the Balcony of Casa Rosado’ where we see, in a breathtaking scene, Evita speaking (singing) to the crowd from the balcony of the palace; also the classic ‘Don’t Cry for Me Argentina’ where Eva sings in the hospital after her fatal diagnosis; and the fantastic and very memorable ‘And the Money Keeps Rolling In’ where Schiaretti really shines, and proves, that he is the true star of this show. As Che, he literally steals the spotlight from Hatton. Schiaretti is a regular concert performer and has performed throughout Europe and has played Tarzan on stage – ‘Evita’ will definitely raise his profile. The rest of the production is just fine, with an excellent supporting cast (especially Sarah O’Connor as the mistress of the President who Eva replaces, and holds her own in the solo number ‘Another Suitcase in Another Hall.’) ‘Evita’ is only on for three months, so if you’ve never seen it before (this is third version I’ve seen, though I’m a bit too young to have seen the original version which made Elaine Paige a star in London and Patti Lupone a star in New York), I urge you to see it. While Hatton is very good, Schiaretti is amazing. And in this touring revival, directed by Bob Tomson and Bill Kenwright, is staged perfectly in the cozy Phoenix Theatre.

    For tickets, please go to:

    http://www.atgtickets.com/venues/phoenix-theatre/

    Photo provided by Emma Holland PR

  • THEATRE REVIEW | The Girls, Phoenix Theatre, London

    THEATRE REVIEW | The Girls, Phoenix Theatre, London

    ★★★★ | The Girls, Phoenix Theatre, London

    There are several women of a certain age taking their clothes off in the West End.

    No, these women are not strippers – they’re in a musical comedy called The Girls based on the famous calendar girls of Yorkshire who took their clothes off for a calendar to raise money. And it’s no surprise that the brave actresses in this show take their clothes off to pose, just like the real women!

    It’s a good time for the audiences in a show written by perennial favourite and Take That member Gary Barlow, along with Tim Firth (who co-wrote the movie). It provides lots of music that carry the Take That sound – top 40 middle of the road – enjoyable even at times when the storyline is a bit uneven and a bit too simple.

    Almost everyone knows about these girls (well, they are not exactly girls – they are ladies), and if you haven’t seen the 2003 hit movie (which starred Helen Mirren and Julie Walters), then ‘The Girls’ tells their story again. Anna (Joanna Riding) has lost her husband and she wants to raise money for a memorial couch at the hospital where he was treated to replace the broken down couch. Chris (an excellent Claire Moore) comes up with the idea (after seeing a Dutch women’s stripper calendar) that instead of having their usual bake sale, why don’t they pose, not naked, but nude, for a calendar? She rallies her local women’s club – W1 – but of course there’s dissent – especially by leader Marie (Marian McLoughlin) – who vehemently opposes the idea – she’ll have none of that – she doesn’t want to destroy the reputation and image of the club where they are trying to be role models for the younger generation. Of course, as you can guess the women do eventually disrobe for a calendar and the rest is history.

    The Girls is a very lighthearted (and very lightweight) musical which combines hummable tunes with a weak storyline. But it’s credit to all of the actresses who actually disrobe on stage – they do it with such grace and elegance (and lots and lots of humour) that I wished the show would’ve stretched this bit even more (no, not just to linger more at the naked women but to celebrate their openness and non-reserve!). The women are all excellent, but Michelle Dotrice as Jessie really shines as the elder woman who takes if off with such candour. Another storyline in the show goes nowhere – Chris’ son Danny (a good Ben Hunter) and his friend Tommo (Josh Benson) try to impress the rebellious Jenny (Chloe May Jackson) but the storyline gets dropped, and Tommo disappears for most of the second act only to come back with one line. The set is a bit confusing (bookcases litter the stage – piled very high, used as a door as well, and an ugly scary tree pops down every now and then). But the catchy tunes such as ‘Yorkshire’ and ‘Dare’ will have you humming for days afterwards. The Girls will put a smile on your face and will remind you that being ‘nude’ is not a big deal!

    The Girls is now playing at the Phoenix Theatre until July, 2017.

  • THEATRE REVIEW | Bend It Like Beckham

    ★★★★★ | Bend It Like Beckham

    Does a musical version of the hit film “Bend it Like Beckham” work? You bet it does!

    The plot from the film is successfully transformed into a fantastic singing and dancing musical with a clever set, memorable songs, superb costumes and an excellent cast.

    Natalie Dew is amazing as Jess, a young woman coming of age in a Sikh household in the Asian community of Southall, London in 2002. She loves the game of football, enough so that she’s got two large posters of David Beckham in her bedroom.

    One day Jess is spotted playing football by Jules (Lauren Samuels, playing the Keira Knightley role from the film) who plays for the Hounslow Harriers team. Jess goes along to one of the team’s practices where coach Joe (Jamie Campbell Bowen) takes in interest in her playing, as well as in her, and Jess decides to play for the team, without telling her parents. She knows that her parents, Mr. and Mrs. Bhamra (Tony Jayawardena and Natasha Jayetileke), will forbid her from playing the game that she absolutely loves.

    Coach Joe feels that Jess is good enough to make the England team, and along with Jules, they urge her to stay in the game, even after her parents do find out. Meanwhile, Jess’s older sister Pinky (Preeya Kalidas) is about to get married to a man whose family thinks that Pinky is not suitable for their son. But all Mr. and Mrs. Bhamra want is the best for their daughters, they worked hard and have provided a good life for them and they want them to continue to live, and follow, their traditional Sikh life. But Jesse has a dream, and she wants to play for England, but will her parents stop her from fulfilling this dream?

    To say Bend it Like Beckham is a feel good show is an understatement. From start to finish we are treated to a very vibrant and colourful spectacle, the likes which we haven’t seen in the West End in a long time. And the cast is perfect. Drew brings just the right amount of vulnerability and youthness to the role of Jess – it’s like the part was specifically written for her. Kalidas as Pinky brings the show punch, sass, and vavavoom. Jamel Andreas is very good as Jess’s best friend Tony who is perfect for Jess, perhaps too perfect. Other standouts include Sophie-Louise Dann as Jule’s blond mom, she’s sassy, funny and a blond bombshell. And Rekha Sawhney beautifully sings a traditional wedding song called, Sadaa Chardhdi Kalaa that will mesmerize you.

    Gurinder Chadha, who wrote and directed the movie, which is set in the pre 9/11 era, also wrote (with Paul Mayeda Berges) and directed this stage version. She’s captured the spirit of Jess and her love of the game that most British people can relate to, and has given us a show that at no point gets boring or drags – it’s dialogue is very witty yet very dramatic. And the whole cast do wonders with it, and with the set that changes from a shopping street, to Mr. and Mrs. Bhamra’s living room, to an actual football field, all cleverly done. And the show wouldn’t have the name ‘Beckham’ in it if he didn’t make an appearance. The actual David Beckham is NOT in the show, but a lookalike is (along with a Victoria Beckham lookalike).

    Let’s hope the real David Beckham goes to see it, he will absolutely love it.

    Bend it Like Beckham is playing at The Phoenix Theatre.