Tag: UK

  • THEATRE REVIEW | Twilight Song, Park Theatre, London

    ★★ | Twilight Song

    THEATRE REVIEW | Twilight Song, Park Theatre, London

    You know a show doesn’t make much sense, when, after seeing it, you and your friends don’t agree on what you’ve all just seen. To say Twilight Song is a bit confusing is putting it mildly.

    Now playing at the Park Theatre in Finsbury Park, is the late British playwright Kevin Elyot’s final play. Elyot, who wrote the award winning and very successful play My Night with Reg: (which was turned into a film in 1997), died in 2014, finishing Twilight Song right before he passed away. But the play itself is not a very good testament as a cap on his career – it’s a show muddled with characters and storylines that go back and forth in time that unfortunately raises more questions than answers in a play that’s a very very short 75 minutes.

    Most of Elyot’s plays have direct gay themes or gay undertones (My Night with Reg was very similar to the groundbreaking 1969 film Boys in the Band), and Twilight Song is no exception. In a nutshell, it’s a play about a middle aged man Basil (Paul Higgins) who lives in a North London terraced house (with an unfinished balcony) with his mother Isabella (Bryony Hannah) in the present day. Flash back to 1967 and Isabella is pregnant. But in both the present and the past (to and including a scene set in 1961), the family has secrets, secrets that they keep to themselves, and even secrets that they do not want to admit to themselves. Basil (Paul Higgins) pays an estate agent (Adam Garcia) money, not for a real estate transaction, but for sex, which happens too suddenly and out of the blue and out of character. Then Isabella unrealistically falls into the arms of the gardener (Garcia again). Meanwhile her uncle Harry (Philip Bretherton) pines for Charles (Hugh Ross), but Charles is broke because he is being swindled by a hustler (Garcia again). Twilight Song takes us all too rapidly through this family’s 50-year history too quickly. Throw in some cock talk, the unknown origin of blood on the sofa, and a very very short running time, and it doesn’t leave us much time to get to know the characters and their motivations. Director Anthony Banks gets excellent use of his actors who all give fine performances, and a set design that’s true to its time (though an annoyingly loud refrigerator in their kitchen really serves no purpose and destroys the play’s tension), but it’s the storyline that doesn’t add up, and it’s shame because it is Elyot’s last work, and it’s being poorly received.

    Another one of Elyot’s plays, Coming Clean, will have a revival at the King’s Head Theatre later this year, so perhaps hold out for that one if you can.

     

    Twilight Song plays at the Park Theatre until 12th August 2017 

  • Theresa May left Peter Tatchell off the guest list for a bash celebrating LGBT life in the UK

    The UK’s highest profile LGBT rights advocate has once again been left off the invite list for a 10 Downing Street reception which is honouring LGBT contributions to the UK.

    Theresa May left Peter Tatchell off the guest list for a bash celebrating LGBT life in the UK

    Peter Tatchell has once again been “vetoed” from a bash hosted by the UK’s Prime Minister Theresa May at 10 Downing Street today. Despite these receptions taking place every year for the last 16 years, Mr Tatchell has never once been invited – despite his tireless advocacy for the LGBT+ community in the UK.

    Peter Tatchell spoke out against his “blacklisting” today saying that he took it as a “back-handed compliment” and suggested that Ms May might think him “too challenging” or not “respectable enough”.

    Commenting on his “serial exclusion” Peter Tatchell said:

    “I take my blacklisting as a back-handed compliment. The Prime Minister obviously thinks I am too challenging and not respectable enough to be invited. That’s fine by me.

    “I don’t seek invites to Downing Street or government honours. I would not want to go to Downing Street while the Prime Minister teams up with the homophobic DUP, allows the incarceration of LGBT refugees in asylum detention centres and refuses to tackle homophobic bullying by making LGBT issues mandatory in every school.

    “Theresa May doesn’t want to be confronted about such injustices. That’s probably the reason she had me barred.

    “I’m glad she finds me threatening.

    “My goal in life is to disturb the conscience of government. I don’t want their plaudits or hospitality. I want action for LGBT human rights”.

     

    THEGAYUK reached out for comment from 10 Downing Street on why Mr Tatchell had been excluded only to be told that Downing Street had chosen members of the LGBT+ community that “represents a wide cross section of society”.

    A Downing street Spokesperson said,

    “We are hosting a reception in Downing Street to celebrate the contribution that lesbian, gay, bi and trans people make to our country. We have invited members of the LGBT+ community from the charitable sector, the media, the armed services and the worlds of business, sports and politics which represents a wide cross section of society.”

  • THEATRE REVIEW | The Wedding Singer, Sheffield Lyceum Theatre

    ★★ | The Wedding Singer, Sheffield Lyceum Theatre 

    THEATRE REVIEW | The Wedding Singer, Sheffield Lyceum Theatre

    Robbie Hart is a popular wedding singer who has his belief in love shattered when he is jilted at the alter by his fiancé. But as he has promised to sing at the wedding of affable waitress Julia to her sleazy, materialistic boyfriend, Glenn, he spends his time helping her prepare for her big day. But amongst the gift registry and dress shopping, the two of them slowly fall for each other, and as Julia’s big day approaches, will they both find the courage to tell each other how they feel?

    This 80’s set musical is based on the film of the same name and is packed with a full list of original songs, a smattering of ensemble pieces and a rapping granny. In terms of the cast, Ray Quinn (The X-Factor) stood head and shoulders amongst the performers, with a good performance as Glenn, whilst Cassie Compton (The X-Factor) and UK Eurovision singer Lucie Jones provided competent support and, to their credit, some superb singing.

    But aside from a handful of good performances, sadly, the whole thing just simply didn’t hang together. The onslaught of songs became intrusive to the progression of the narrative, the clunky and cumbersome set changes interrupted the flow and the show overall fell somewhere between lacklustre and dull. Add into that an incredibly cringe worthy seduction scene between Robbie and his ex-fiancé, a significant lack of chemistry between the two leads and some borderline offensive stereotypes of gay men which felt more like ridicule than parody and you have a rather disappointing production.

    But where the show really lets itself down is in its lack of an 80’s feel, especially given that the decade is ripe for the picking in terms of its cultural identity.  Part of the charm of the film that the show is based on is its nods to the decade, from the fashions to the music; something that is noticeably missing from this show. It takes more than a randomly placed Rubiks Cube, a Sony Walkman and a reference to the size of a mobile phone to set the 80’s scene. But the biggest omission is that the original songs didn’t have even a tinge of 80’s synth pop to them and were so generic that, on the whole, they could have come from any musical set in any decade; whilst the costumes missed the opportunity to fully exploit the decade that fashion forgot.

    The show did finally come alive during the last scene and the curtain call, but it was far too little far too late, and couldn’t avoid the show receiving a rather muted reception from the generally unimpressed audience.

    The Wedding Singer is currently playing at Sheffield Lyceum Theatre until Saturday 22nd July 2017

     

  • THEATRE REVIEW | Dirty Dancing, Palace Theatre Manchester

    ★★★ | Dirty Dancing, Palace Theatre Manchester

    Set in the 1960’s, Frances “Baby” Houseman goes to Kellerman’s holiday camp with her family. She befriends the staff of the camp and develops a crush on charismatic dance teacher, Johnny Castle. When Johnny’s dance partner cannot perform at a show at a local hotel, Baby steps in to ensure that they do not lose their jobs. But as Johnny and Baby rehearse, they fall in love and learn more from each other than just the dance moves.

    THEATRE REVIEW | Dirty Dancing, Palace Theatre Manchester

    Based on the hugely popular film of the same name, Dirty Dancing hits the stage with a show which follows the story of the film very closely, with the bulk of the script being comfortingly recognisable from the film. There are some additional scenes thrown in, which mainly expand on the political changes in the 60’s and some which flesh out the relationship between Baby and Johnny; whilst the show’s music came from a combination of both live and pre-recorded tracks, including “Hungry Eyes”, “Love Man” and “(I’ve Had) The Time of My Life”

    Katie Eccles and Robert Colvin took the lead roles of Baby and Johnny, and had some chemistry between them; and they were supported by a broadly competent cast of singers, dancers and musicians. Unsurprisingly, the dancing was better than the acting, but given that the show’s main focus is the musical numbers it doesn’t cause too much of a problem.

    The show has been given a major overhaul and is all the better for it. This production has a vibrant lighting design and has ushered in a luxurious, well designed and thoroughly detailed set which transform smoothly without ever interrupting the story; whilst the show has been sexed up a little with a few more bare chests and muscular arms on display. Overall, the production values here are very high and very impressive.

    But where the show really succeeds is in its ability to bring the movie to life and recreating it on stage. All of the familiar lines, plot points, dance routines and songs are there and there is something very comforting about watching such a faithful recreation of the movie. For those who have not seen the film, the show is a good introduction to the world of Kellerman’s. For established fans of the film, the show will be hard to beat.

    Dirty Dancing is playing at the Palace Theatre Manchester until 22nd July 2017

    • Review taken from the Sheffield Theatre production
  • THEATRE REVIEW | The Play That Goes Wrong, Malvern Theatre, Worcestershire

    ★★★★★ – Dangerous, jaw-dropping and comedy genius!

    Mischief Theatre, in role as The Cornley Polytechnic Drama Society, brought to the Malvern Theatre stage an uproariously funny murder mystery entitled The Murder at Haversham Manor and it went south, literally.

    The Play That Goes Wrong was a comedic masterpiece, like its successor Peter Pan, Goes Wrong, with dangerous and risky tricks that left audiences clutching on to their seats as pieces of stage fell off and got thrown around, sometimes missing the actors by inches. The actors were so efficient in everything they did, from balancing three objects across two body parts, to expertly delivering their lines while dodging canvasses, candelabras and each other. What was sublime about The Play That Goes Wrong was that if ever you have seen an amateur, or a badly produced professional, play, this show embodies the different mistakes and disasters that have occurred in the former shows. There’ll be a moment where you cannot help but recall a bad production where sets had fallen down or actors had genuinely forgotten lines and asked for “line” throughout entire speeches.

    Jason Callender who plays Jonathan playing Charles Haversham was brilliant. His gag was always turning up at the wrong point in the play, revealing the ending every time. It was very comedic, too, when Jonathan was rarely allowed to play dead, for actors clumsily walked on him, sat on him, or fell on him. He made the audience laugh at his every entrance, and I chiefly loved his sneaking off stage wriggling subtly on the floor as if to kid the audience that we couldn’t see him depart. Patrick Warner who plays Chris playing Inspector Carter was a comedy genius. Every reaction was crafted to perfection, and his lines were well-timed with the action. The audience hung on to every word he said. He played the director too, so it was particularly hilarious when, under his breath, he would mutter a direction to understudies that had come on to fill in for a part. Ham acting is a feature often prominent in amateur murder mystery productions, and Alastair Kirton playing Max playing Cecil Haversham did a sterling job showcasing this. Max’s sawing the air with his hands and over dramatising his role while stopping to smile as the audience laughed during one of his lines, was incredibly entertaining. When Max changed role to be the Gardener he flashed his clothes to tell it was still him, and that he had returned, but as a different character. Absolutely hilarious. Lastly, Natasha Culley as Sandra Wilkinson enacting the role of Florence Colleymoore was a treat. Sandra was everything that had ever gone wrong with acting all sewn together in one actress. Her ticks, shallow demeanour, and not able to improvise without direction, was a great feast for the senses. Her overproduction of movement as she spoke, too, was hilarious. Overall, each cast member contributed to one of funniest nights I’ve had this year.

    The Play That Goes Wrong was especially entertaining for the set was a safety hazard, as the study, built atop of the drawing room, with no rails or support, collapsed gradually while the actors were still on there. It eventually fell down while an actor was under it, but the dexterity by which the actors moved and positioned themselves, made the accidents sort of safe, and we could exhale once again.

    Mischief Theatre is like Alton Towers, you queue to get on, you get several scares, and then you want to hop on again and again.

    The Play That Goes Wrong is playing at the Malvern Theatre until 22nd July 2017

     

    Originally reviewed at the Birmingham Rep

  • From April 2018 the government is going to restrict access to porn

    From April 2018 you will have to prove your age before accessing porn sites in the UK.

    From April 2018 the government is going to restrict access to porn

    The Conservative government are forging ahead with plans to require adults in the UK to prove they are over 18 before accessing porn sites. Digital minister Matt Hancock signed the commencement order today, which will enable the Digital Economy Act.

    Although no details about how the scheme could or would work, experts have suggested that proof of age could be provided by credit card details. The government could force Internet Service Providers such as BT and Virgin Media to block access to websites which do not comply with the new rules.

    The rules will apply to any website or platform which offers porn on a “commercial basis”.

    It is hoped that the measures will protect children from online porn.

    The Adam Smith Institute has reacted in dismay over the news.

    Sam Dumitriu, Research Economist at the Adam Smith Institute, said,

    “Requiring adult websites to force users to provide their credit card details poses a dangerous threat to privacy and will enable widespread credit card fraud.

    “Consenting adults shouldn’t be forced to announce that they’re looking at pornography to their credit card company.

    “There are massive fraud risks. It could mean that users are nudged into handing over data to unsafe sites – leaving them at the risk of fraud. Pornography is especially attractive to fraudsters as victims are often too embarrassed to flag up unexpected payments to adult sites to their credit card company.

    “Politicians should stop trying to regulate things they don’t understand.”

    In December 2014 pornography produced in the UK was subject to strict rules under the David Cameron’s Tory government. The types of scenes which studios could film were severely restricted with an amendment to the 2003 Communications Act.

    Some of the activities banned by the Conservative government could overtly affect the porn consumption of gay men in the UK – including those who watch BDSM, rimming (facesitting) and fisting.

     

  • THEATRE REVIEW | Boys in the Buff, Stockwell Playhouse, London

    ★★★★| Boys in the Buff

    REVIEW | Boys in the Buff, Stockwell Playhouse, London

    If you want an entertaining, fun, sexy and scandalous night at the theatre, then Boys in the Buff is the show for you.

    It’s a show that objectifies the male body, and a musical bacchanalia full of fabulous song and dance by a crew who don’t take the show, or themselves, too seriously – they’re having fun and they let the audience in on all the fun as well.

    Natalie Harman as Diana is the hostess with the mostest – our compere for the evening. However, she, unfortunately, tells the boys what they can, and cannot do, and that means she demands that they don’t take their clothes off too soon in the show:(! But before they do the dirty and exciting deed, we are treated to song after song of camp musical numbers in a show that packs a lot into its 90 minutes runtime.

    Energetic and handsome William Frazer as Dan belts it out in the cute number “I Can Fly,” while the gang of men gets physical in “The Gym.” Shaun Riddick as Richard practically brings the house down in “My Foreskin and Me” and the hot and sexy and muscly Adam O’Shea gets to strut his stuff (along with his buff body) throughout the show which will have you screaming for more. And finally, there’s Phil (Julian Quijano), who soon finds the confidence to strip off for the audience.

    It’s all done in a style that creates a cosy Chicago-style like cabaret show in a venue that’s perfect for its content – the Stockwell Playhouse (AKA Lost Theatre). Boys in the Buff is a musical revue with lots of skin on show that’s The Full Monty but with lots of laughs and thankfully some Monty.

    Boys in the Buff is playing at the Lost Theatre until July 29th

  • THEATRE REVIEW | Yank!, Charing Cross Theatre, London

    ★★★| Yank!

    THEATRE REVIEW | Yank!, Charing Cross Theatre, London

    A gay fictional World War II love story that tells some of its story via musical numbers is now playing at the Charing Cross Theatre.

    In Yank!, Stu (Scott Hunter), also given the name ‘light loafers’ by his 89th squadron fellow soldiers, is an 18-year-old wet behind the ears soldier drafted for WW II. His fellow soldiers know that he is gay, hence the nickname, but they must also contend with trying to save their lives as battles loom ahead. It’s not too long before Stu and fellow soldier, the hot and sexy Mitch (Andy Coxon), get together. After a few side glances and more than a few cheeky conversations, they expectantly kiss when they’re forced to share a bunk bed (ah, it’s all of our fantasies!). But is Mitch really gay or is he caught up in the moment? Their sort of relationship takes a turn when Stu is offered a job writing for Yank Magazine (it might just as well be called Wank magazine). It’s a job Stu wants because it will take him away from fighting on the front lines and will hopefully one day help him to publish the diary he has written of his exploits as a soldier. Stu’s new position takes him all over but he begs his editor Artie (Chris Kiely) to go to Hawaii as this is where the 89th is fighting, and it’s of course where Mitch is. Stu can’t stop thinking about Mitch and they rekindle the romance they had, well now it’s more than a romance, it’s a full blown relationship as Mitch discusses them moving back to his hometown and living together. But it’s the evil Tennessee (Lee Dillon) who steals Stu’s diary and turns in into the authorities in a time when homosexuality was absolutely forbidden in the army. And things will not be the same for Stu and Mitch and the rest of the 89th- war, death, and jail rear it’s ugly head.

    Yank! is reminiscent of the war musicals of Rogers & Hammerstein (South Pacific) where romance, between a man and woman, was inter-spliced with memorable musical numbers. In Yank!, brothers David and Joseph Zellnik have created a gay WWII love story that pays homage to these 1940’s musicals and cleverly takes the name of their show from the WWII army publication Yank, the Army Weekly. Having opened up, appropriately, on gay pride weekend, Yank! is a celebration of gays in the military, but it does make a few missteps along the way. Hunter is fine as the scared soldier Stu, but I didn’t find him as charismatic as he should’ve been, while some of the staging and songs are a bit off, including a song about pin-up girls (“Betty”) that goes on way too long. Coxon shows that he’s the true stage actor among the cast – his acting and singing are excellent, while the rest of the supporting soldiers do the best they can do with what they have been given (a scene about gay telephone operators is a bit dreadful and really doesn’t need to be in the show). There is at times clever use of the stage, including during the battle and interrogation scenes, and Sarah-Louise Young is just about perfect in her various roles. Director James Baker just doesn’t get it exactly right in making this show a must see event. While it’s a show that is light on its feet and has a few snappy musical numbers, it’s not groundbreaking nor particularly excellent.

    Yank! is playing that the Charing Cross Theatre until the 19th August

     

  • Book tickets to see Mamma Mia, The Musical at Sunderland Empire Theatre

    Tickets for Mamma Mia the UK Tour are available to buy today.

    Books tickets for Mamma Mia at Sunderland Empire Theatre

    What is Mamma Mia About?

    Sophie is determined to have her father walk her down the aisle at her forthcoming wedding. After finding out that there are three potential guys who may be her father, she invites them all to the forthcoming nuptials; but will she find out which one really is her father, and how will her mother react when three of her former lovers all turn up unexpectedly?


    BOOK TICKETS


    RUN DATES

    17th October  – 11th November 2017


    Our review

    ★★★

    The real star of the show is the music, and with a soundtrack which plays out like your ABBA Gold CD, there are more than a few songs here that you will know every word to. There are some storming numbers, which work really well; “Money. Money, Money”, “Mamma Mia” and “Does Your Mother Know” are good ensemble pieces, and the collision of the stag and hen do’s to “Voulez Vous” was an enjoyable highlight; with this show reminding you of just how good ABBA really were. (Paul Szabo)


    Watch a clip from Mamma Mia UK Tour

     

    We use Ticketmaster as our official ticketing agent.

  • The Bishop of Liverpool just became the Patron of Pride 2017

    Liverpool Pride today announces a new Patron for the 2017 festival which takes place over two packed days this month.

    The Bishop of Liverpool, the Rt Rev Paul Bayes, says he is delighted to back the region’s established annual celebration of all things LGBT+, and is looking forward to taking part in this year’s festivities.

    Liverpool Pride 2017 takes place on Saturday 29 July and Sunday 30 July, with the spectacular entertainment returning to the stunning St George’s Quarter for a third year.

    The festival, in its eighth consecutive year, has an exciting star-studded line-up to make the 2017 free event a colourful celebration of all things LGBT+.

    Thousands of people are expected to take to the streets for the colourful annual Liverpool Pride March on Saturday 29 July as it wends its way around the city centre. Bishop Paul will be among those invited to speak at the Muster outside St George’s Hall ahead of the march setting off on its route.

    Atomic Kitten are headlining the main Barclays Festival Stage on 29 July, while there is also a packed programme planned for the annual We Are Family day on Sunday 30 July.

    And there is a busy line-up of Pride Community events including exhibitions, workshops, music, literature, theatre and Pride at the Pictures.

    Meanwhile, a host of Liverpool landmarks will be lit in rainbow colours as part of the Come Out of the Shadows initiative – helping make Liverpool the most visibly LGBT+ city in the UK.

    Bishop Paul said,

    “Ever since the tragic death of Michael Causer, Liverpool Pride has stood for the struggle for justice as well as the celebration of LGBTI+ life in our city and region. I am privileged to identify with Pride’s contribution to tackling prejudice and promoting awareness of the richness of our LGBTI+ community. As a Christian, I really believe that Jesus wants a community where all are included and free from fear.

    “Now we all know that the Christian church in general, and the Church of England as part of that, can get itself into a twist over inclusion and equality issues. I myself have been advocating in the church for LGBTI+ inclusion, and all Christians have to agree that homophobia and hate crime are evil and are to be resisted.

    “At the recent meeting of our General Synod the Church of England made some clear and positive statements resisting so-called conversion therapy and exploring services of welcome for trans people who want their true identity to be recognised before God.

    “When I came to Liverpool three years ago and met LGBTI+ Christians across Merseyside, and in particular our Open Table LGBTI+ Christian community, I saw again the real joy we can know as a church when we are open and welcoming to all.”

    Liverpool Pride’s Lucy Day added,

    “We are all delighted that the Bishop is to be a patron of Liverpool Pride, and we welcome him to the Liverpool Pride family. We’re very much looking forward to him joining us at Pride weekend this month.

    “Pride respects people of all religious beliefs.”

    The theme of this year’s Pride is International Love, complementing the city’s wider 50 Summers of Love festival, which celebrates 50 years since the decriminalisation of homosexuality.

     

  • Man left blinded in one eye in attack walking to gay club in London

    A man has been left with serious eye trauma during an attack after he went to the Fire nightclub in Vauxhall on pride night.

    Police are appealing for information after a 37-year-old man was attacked in Vauxhall at 11.00 PM on Saturday night (8th July). The victim was left with a serious eye injury which has resulted in a permanent loss of sight.

    During his attack, the unnamed man was left unconscious and his next memory after leaving the club was waking in a central London hospital the next day.

    Police do not believe the attack happened at the nightclub and are looking for witnesses to help with their inquiries.

    His phone and some personal property were also missing.

    Detective Constable Julies Lyons, of Lambeth CID, said,

    “We are desperate to find out how this man received this terrible injury. We have made enquiries at the nightclub and we believe the injuries did not happen there.

    “The victim has suffered a terrible trauma to one of his eyes and and I would appeal to anyone who who might be able assist to call police. At this time we have not be able to find out how and where he was hurt, or even how he got to hospital, and your call may be vital in helping us understand what happened.”

    Officers would like to speak with anyone who saw the victim.

    To assist, he is described as black with light skin, 5ft 8ins tall and of medium build. He was wearing black jeans, a black T-shirt with flowers on the sleeve and a black hat. He was carrying a navy blue bowling-style bag.