Category: Entertainment

  • TV REVIEW | Rupaul’s Drag Race season 11 episode 6: Drag Olympics

    This week the theme was “sport” and the Olympics. Not words you expect to hear in Drag Race, but the Sport was Jane Fonda based and the Olympics turned out to be in fact “The Olympics of Drag”, so any worry soon disappeared.

    For the mini-challenge, we were introduced to a drag friend of Ru’s: Love Connie, who led the queens through a vigorous and funny retro aerobics challenge. For those of you who don’t know: Connie is a rather famous queen, having starred in movies like Legally Blonde. She was also hilarious.

    Winners of the challenge were Plastique Tiara and A’Keria C. Davenport who were told to select teams for the Drag Olympics. At the end of the selections, the queens were split evenly into two teams: those who could move and those who … couldn’t …

    Over to rehearsals of an intricate choreography based on the history of ballroom culture. This is where storylines came into play.

    Yvie Oddly who pushes through the pain because her time is limited: her illness will progress over the years and she knows she may very well end up in a wheelchair (though she knows that still won’t stop her performing.)

    There was also the Scarlet Envy story: most of the queens are looking down on her and seemed gleeful about her struggling with dancing.

    Vanjie is starting to feel depressed and is a lot more subdued. Fighting through tears she explains she feels she isn’t presenting her best self and letting Rupaul down.

    We also saw Plastique Tiara a bit more involved in it all, in Untucked she was actually part of a fight.

    Silky accused her of looking down on her and other queens. This because Ariel Versace left some wigs and hair at her (Plastique’s) station which Silky and others took. Plastique knew it was meant for her but said it didn’t matter as the other queens needed it more. Silky saw that as an insult and claimed Plastique couldn’t know the hair was for her. Ariel confirmed on Twitter that yes is was for Plastique.

    Okay, the Olympics themselves were fabulous with the teams dancing to remixes of Drag Race quotes past. The only cloud over this was poor Yvie’s ankle rolling, still, it was a joy to see Brook Lynn swoop in to carry her so she could take part in the finale.

    The Runway this week was all about gold. Most memorable being Yvie, who used her injury to her advantage.

    The team featuring the best dancers naturally won, with team leader A’keria winning overall.

    Then a sad moment where the losing team all deciding to throw Scarlet under the bus, which saw her end up in the bottom two at a disadvantage.

    Second-bottom two entree was once again Ra’Jah, who miraculously survived again despite Scarlet’s lip-sync being more original and entertaining. This result caused quite the stir on the internet.

    So that’s it for this belated review, hopefully back to normal next week!!

  • Netflix is about to get a whole lot more gayer

    Netflix is about to get a whole lot more gayer

    The good eggs at Netflix are all about giving to the gays, this time, they’re giving us a whole series of Tales Of The City.

    Armistead Maupin‘s Tales Of The City is coming back to life thanks to Netflix, who are giving us a 10 episode series launching on the 7th June 2019. The show stars Laura Linney, Ellen Page, Olympia Dukakis, Paul Gross, Murray Bartlett, Charlie Barnett, Garcia and May Hong.

    When is Tales Of The City coming to Netflix?

    So what is Tales Of The City all about?

    Inspired by the books of Armistead Maupin, Netflix Limited Series Armistead Maupin’s Tales of the City begins a new chapter in the beloved story. Mary Ann (Laura Linney) returns to present-day San Francisco and is reunited with her daughter Shawna (Ellen Page) and ex-husband Brian (Paul Gross), twenty years after leaving them behind to pursue her career. Fleeing the midlife crisis that her picture-perfect Connecticut life created, Mary Ann is quickly drawn back into the orbit of Anna Madrigal (Olympia Dukakis), her chosen family and a new generation of LGBT+ young residents living at 28 Barbary Lane.

    When is Tales Of The City coming to Netflix?

    Tales Of The City will be streaming on Netflix from the 7th of June. It is believed that all episodes will be available to stream immediately on the service.

  • The Best of Flare 2019 – LONDON’S LGBT FILM FESTIVAL

    The Best of Flare 2019 – LONDON’S LGBT FILM FESTIVAL

    BFI Flare, London’s LGBT+ Film Festival, had a successful 33rd year with over 50 features and more than 80 shorts, with special events, guest appearances, club nights – it was a very busy 9 days!

    It is hard to compile a ‘best of’ list as myself, and everyone I know, did not actually watch ALL the films – but herewith are the best films that I saw at Flare, some of which will soon be at a theatre near you.

    ‘Mapplethorpe’ – the controversial American photographer Robert Mapplethorpe’s life is given a dramatic re-telling, and it’s just as sensational as it’s subject matter. Matt Smith gives it his all, and then some, for a movie that is just about perfect – a film that was lucky enough to get permission to use all of the sexy and dirty images that Mapplethorpe created in his lifetime. This film is already in limited release in the U.S., however, no UK release date has been announced, but this is a must see film for THE GAY UK readers.

    Also a must for GAY UK readers is ‘Jonathan Agassi Saved My Life’ – a documentary about sexy Israeli gay porn star of the same name. We are taken on a ride, and whatta a ride it is, in a documentary that’s emotional (we loved his mother), sexy (lots of gay sex is shown) and hard-hitting (drugs). Directed by Tomer Heyman, the man who brought us the excellent ‘Whose Gonna Love Me Now’ in 2016, ‘Jonathan Agassi Saved My Life’ is both erotic yet car crash cinema.

    ‘Consequences,’ starring the very sexy Matej Zemljič, who plays a teenager with behavorial problems. When his parents send him to a juvenile correctional facility, he bonds with a group of men who are violent yet fluid in their sexuality. He falls for the ring leader, who instructs Matej’ character to rob and steal, but consequences ensue until one final incident that changes everyone’s lives.

    I am really glad that I saw ‘Transmilitary,’ a documentary about the lives of four soldiers who risk dismissal or demotion to fight for Transgender rights in the U.S. Armed Forces. Very very current – this documentary takes us up to early 2018 – it’s also very timely in light of President 45’s ruling to ban certain Transgender people from the military. And I guarantee you will fall for Senior Airman Logan Ireland; he’s sexy, muscular and with the most amazing smile and eyes. And he used to be a woman.

    Another military-based documentary that also deals with discrimination – The Fruit Machine – is an historical account which exposes decades of governmental criminalisation of LGBTQ+ members of the Canadian Armed Forces. Yet many many years later, many of these members say that after being kicked out, disgraced, and, according to the Canadian Government at that time, criminalistic, they all agreed that they would proudly go back and serve their country.

    ‘Jose’ is a cute and light story of a young Guatemalan man who lives with his struggling mother all the while looking for love in, literally, all the wrong places. Kudos go to filmmakers Li Cheng and George F. Roberson for immersing themselves in Guatemalan culture and hiring locals for the film, which was all shot in Guatemala.

    Another great documentary was ‘Light in the Water,’ a look at the West Hollywood Swim Team. Of course we get to see many men and women in tight swimming costumes, but it’s the people in the swimming costumes that we really get to know and bond with, including a man in his late 40’s who was previously married with kids, then divorced, came out as gay, joined the swim team and met friends for life. Footage of previous Gay Games, as well as lots of shots in the California Sunshine, are an extra bonus. An overall feel good film.

    ‘Papi Chulo,’ starring Matt Bomer, is a sentimental film about a television weatherman who has a breakdown after the end of a relationship with an older Latino boyfriend. He instantly falls in love with the older migrant worker he hires to paint his deck. It’s a bit silly and sentimental, but the migrant worker, played by Alejandro Patino, is excellent.

    ‘The Heiresses’ was just delicious. An older Lesbian couple are separated due to the actions of one of them, which gives the other one time to explore new experiences and venture into new territory, and this includes meeting a younger attractive woman who lights a spark in her. Both leads Ana Brun and Margarita Irun are superb.

    This is just a small taste of what was on offer at Flare this year. And now only 6 more weeks until the Cannes Film Festival!

  • 7 things you actually need to do at Savage Disco & Sink The Pink’s Sunday Service

    7 things you actually need to do at Savage Disco & Sink The Pink’s Sunday Service

    Sunday is about to get epic.

    If you’re in London on the 14th April then you might want to check out the camptastic, dragtastic and fantastic Savage Disco & Sink The Pink’s Sunday Service. An epic event that will leave you breathless and certainly a way to queer up your Sunday. So here are the 7 things we absolutely suggest you do if you go to Savage Disco & Sink The Pink’s Sunday Service.

    1) Check out the DRAG

    On Sunday you’ll see the full Savage Disco family of dancers and performances from Asttina Mandella, Barbs Balls, Bimini, Bourgeoisie, Carlie Carpenter, David Cummings, Hairy Rose and more…

    2) Be one of a million

    Well, 5000 in fact. Yep, this is going to be the biggest, queerest event in London

    3) Spread yourself out


    There are two rooms of music, including Printworks iconic main room the Press Halls, plus specialist bars for craft beer, cider and cocktails as well as a spacious outside courtyard with food vendors and plenty of seating to relax between dance floor stints. Queer club night Transmissions will also be overseeing the locker space with podiums, inviting party-goers to heaven or hell.

    4) Beautiful people


    Dress to impress or dress to feel comfortable. Savage Disco & Sink The Pink’s Sunday Service is all about feeling the most you. Be outrageous, be camp, be flamboyant or whatever makes you comfortable, go for it. As they “you do you, baby”.

    5) Get into Hymn…


    Sing along to the House Gospel Choir with hymn sheets handed out on the day or make big shapes on the dance floor to house and disco spun by legendary DJs Kenny Dope and Todd Terry.

    6) Room Bounce

    One of the great things about there being multiple rooms of music and beautiful people is that you can room hop. From the cavernous Press Halls where several ‘services’ will take place throughout the day, to the intimate Crypt hosted by Savage Disco’s DJ, and Sink The Pink’s Pop Heaven room with Tete Bang, the organisers will be pulling out all the stops with immersive production at this alternative Sunday homage – expect rows of confession booths, smutty stain glass windows, foul-mouthed preachers, the best in drag cabaret and a whole load more… This daytime extravaganza isn’t just a party, it’s a festival

    7) Get third release tickets now

    Third release tickets start at £32.50 + BF and grant access to the full event including the balcony with stunning views of the Press Hall dance floor. All tickets available from: https://www.printworkslondon.co.uk/listings/sunday-service/

    This article was sponsored by (what does this mean)

    Printworks:

    https://www.facebook.com/printworkslondon

    https://twitter.com/printworks_LDN

    https://www.instagram.com/printworkslondon/

     

    Sink The Pink:

    https://www.facebook.com/sinkthepink.page/

    https://www.instagram.com/@sink_the_pink

    https://twitter.com/SinkThePinkLDN

  • THEATRE REVIEW | Calendar Girls The Musical – National Tour

    ★★★☆☆ | Calendar Girls The Musical

    When Annie’s husband John dies from leukaemia at an early age, her close friend Chris, suggests that they raise funds though their Women’s Institute group to purchase a comfortable sofa for the visitor’s lounge in the hospital where John was treated. But Chris’ plans are to forego the usual Jam and Jerusalem traditions of the organisation and to get the girls to agree to pose for a nude calendar with only WI pastimes to hide their modesty.

    Based on the well-known true story, Tim Firth’s script vacillates between tickling the funny bone and tugging on the heart strings as it works its way to a laughter inducing denouement and a touching closing scene; but never at the expense of (if you’ll pardon the pun) fleshing out the main characters and the supporting cast. Gary Barlow’s accompanying music is pleasant and carries forward the narrative with a mix of the catchy and the bittersweet, with Anna Jane Casey’s heart-breaking rendition of Kilimanjaro, a song about the struggle to carry on after the loss of a loved one, a real highlight.

    But the show is rightly all about the girls, and Casey is just superb playing the bereaved Annie, bouncing nicely off Rebecca Storm as her best friend Chris. Thrown into the mix, amongst others, are Denise Welch (TV’s Loose Women), Fern Britton (This Morning) and Karen Dunbar, who all come together to give you a group of ladies who form a formidable ensemble cast.

    Based on the true story, Calendar Girls follows in the footsteps of the film and original stage play in celebrating the remarkable achievement of the group of women. Whilst is it a little twee at times, it carries a strong story about friendship, challenging expectations and taking a risk, as conventions and traditions are dropped as quickly as the girls’ clothes.

    Calendar Girls The Musical is at the Sheffield Lyceum until 13.04.19 before continuing on its national tour.

  • TV REVIEW | Rupaul’s Drag Race season 11 episode 5: BEAST!!

    Okay … this episode was a little confusing as … it wasn’t really about anything.

    via GIPHY

    Yes, there was a ball – a Monsterball even. But something felt off.

    Much as I love Drag Race, this year it seems hard to connect to the show. It isn’t Ru’s fault: he is doing wonderful. He really seems to have found his groove back, harking back to his excited self from earlier series. More involved and actually part of the judging team.

    No, the error seems to lay in the editing which seems intend on focusing on things that don’t matter much and contestants who seem to care more about making good TV and talking heads instead of actually BEING ON DRAG RACE!!

    This time last year I knew the contestants and felt part of it all. This year it seems we are only allowed to know a select few. A few weeks ago I was rooting for A’keria Davenport but she’s so rarely featured I had completely forgotten about her until she was included in a talking head this week. Same for Plastique Tiara and some others.

    It’s really distracting having to go “who’s that? Oh yes …” even five weeks in. Despite it working with fourteen last year, maybe having fifteen queens is just too many, as it’s harder to connect with all of them. Having the narrative revolve around only a few of them doesn’t help either.

    So what happened this week? Well, mainly a surprising amount of Alyssa Edwards references which made many people (including me) expect she would appear in this episode. She didn’t, though Trixie Mattel did. The All Stars winner led the contestants through a mini challenge. The challenge was turning yourself into a doll that could befriend Ru’s new Rupaul doll. Meaning that for once it truly was Rupaul’s best friend race. Ra’Ja won.

    Then the Maxi Challenge: the Monsters Ball. Now I’m always a fan of the ball episodes, but I prefer them later in the series when we can really focus on the final 5/6 queens getting ready for their big moment. When the one queen that can’t sew has a wobbly bur regains themselves. And then Rupaul returns reminding them: ya … erm … you also have to do a song …

    This week there was no song and because we had to feature 33 looks in one episode we hardly saw any workroom activity. Though we did get a huge amount of Silky chanting something about a runway and some more insight into the “Branjie” (Vanjie and Brook Lynn) relationship.
    It’s a shame as the queens conversations often make the show even more than the challenges and fashion.

    In Untucked Nina West once more showed why she is this years Latrice or Chad when talking about LGBT rights history and why we need to learn from the past. I would have loved to see this conversation in the main show.

    Then over to the runway. So 33 looks … a bit much and after a while it’s hard to remember all of it, making guessing who will be in the bottom difficult. In the end the Brook Lynn won while Shuga Cain and Ariel Versace ended up in the bottom two. Poor Ariel lost as she fell halfway through.

    A bit of a lesser episode compared to the earlier ones, hopefully next week will be better. Maybe Alyssa Edwards will turn up!!

  • THEATRE REVIEW | American Idiot – National Tour

    THEATRE REVIEW | American Idiot – National Tour

    ★★★☆☆ | American Idiot – National Tour

    In a post 9/11 America, three friends go their separate ways to try to find both themselves and where they belong in society. Will stays in suburbia to try and make his relationship with his pregnant girlfriend work, Tunny joins the army and Johnny stays in the city to find friendship but finds a part of himself he never expected. But it doesn’t take long for the American Dream to come crashing down around them as they become increasingly disenfranchised trying to fit into a world where they don’t seem to belong.

    Based on the songs of pop-rock band Green Day, America Idiot presents itself as a sing-through rock opera, where the relentless barrage of songs tells the story and there is little room for any script. The show opens with the title song and, for the first act, literally doesn’t let up from there. Tom Milner (Waterloo Road) as Johnny is a charismatic lead with a performance brimming with cocksure swagger and confidence, whilst Joshua Downen portrays Tunny’s journey from angry young man to war veteran with subtlety.

    After exploding onto the stage, the first act is loud, bold, brash, rebellious, angry and exhilarating; and has an unyielding, in your face energy which carries the audience along for the ride, assaulting their senses and reverberating the bass guitar in their chest. However, the second act doesn’t maintain the energy of the first, and as they story grows very dark and the pace slows down, the show loses some momentum.

    America Idiot reflects a warts and all portrayal of a recent time in American politics and a biting attack on a divided society which will be recognisable to angst ridden teens; whilst Green Day’s music continues to speak to a generation and still maintains relevance in today’s current political climate.

    America Idiot is at the Sheffield Lyceum until 30th March 2019 before continuing on its national tour. The show contains adult themes and strong language.

  • TV REVEW | RuPaul’s Drag Race Season 11, episode 4: The Future Is Female

    TV REVEW | RuPaul’s Drag Race Season 11, episode 4: The Future Is Female

    This week saw a very different Drag Race, as the show got political.

    Drag has always been political in a way: as it is a mirror towards society and it’s expectations. It is a political act just to exist as a drag queen and many a queen has fought back against those in power in her shows. Ru herself has often used Drag Race and her own position to urge people to vote, be involved and make change happen.

    But Trump the Rusical marks the first time the politics were addressed heads on. This shows how problematic society has become. Knowing hate crimes against the LGBTQ+ have risen 226% in areas where Trump held rallies you just can’t remain silent anymore.

    Most of the episode spoke about living in a world where you can be attacked for being who you are. Nina West described her life on a campus where she was abused and threatened. She grew up in a deeply conservative and political environment and was terrorized in college when she ran for student government, once people knew she was gay. She also linked her story to the tragic case of Matthew Shepard which happened at the same time. It was a time when LGBTQ+ tolerance was at a low, where it sadly seems to be heading again now.

    A timely as well as a cautionary tale.

    Then Mercedes Iman spoke out, regretting not doing so last week. She talked about having to fight hate and stereotypes from many sides (being a gay drag queen as well as a black immigrant and Muslim). She wants to show the world that Muslims are not terrorists, despite living in fear on a daily basis. It is good to see her finding herself.

    It would have been great to hear the voice of Plastique Tiara as well in this, as growing up gay in a conservative Vietnamese household raised by her grandmother would give her a unique perspective as well. Sadly she never featured in the episode at all.

    Of course Silky had another surprise up her sleeve: she is a registered republican. Not because she is republican but to fight the power from the inside!! “Re-movement of the districts… Get smarter than them, register as a Republican.” In Untucked Silky also showed a different side of herself when she comforted Vanjie who had a semi panic attack thinking she’d be in the Lip sync.

    Meanwhile Yvie Oddly revealed she suffers from a connective tissue disorder that causes all of her joints to be hyper-flexible and therefore prone to dislocation in physically demanding situations.

    “I have a disease called Ehlers–Danlos syndrome type 3. I don’t produce a whole lot of collagen, so I have extra skin everywhere…. but it’s not going to hold me back in this competition!” She added.

    So after a new kind of mini challenge (newsreading in the style of Rachel Maddow) and a brutal choreography training with Deadpool ballet dancer Yanis Marshall (where Ra’ja found out boosting about dance training isn’t very wise when it was decades ago) it was over to the musical itself.

    Based on Grease it told the tale of the women of Trump who, with a little help from Oprah, find out that being your own person is better than being a dictators possession. It ended with an ode to womanhood and a call for more women to run for office.

    All the queens did very well with a few standouts including Yvie and Nina but in the end Silky’s Oprah was singled out as a winner.

    Talking points were Michelle Visage’s clear dislike of guest judge Joel McHale and the growing relationship between Vanjie and Brookelyn. Vanjie still seems to want to play it down, though.

    It was sad seeing Mercedes leave the show just as she found her voice, it would have been great to see her stay just a little longer as she has already proved herself to be iconic.

    Hope to see you back one day Opulence Queen!!

    RuPaul’s Drag Race is available to stream on Netflix

  • 10 questions we gay men hate hearing!

    10 questions we gay men hate hearing!

    There are a number of things in life that annoy everyone. Trains running late, an unexpected bill, people that do very little work but get all the rewards, Katie Hopkins, the realisation you’ve missed the McDonalds breakfast timings… those sorts of things.

    But there are some things that annoy us gays specifically and things that, one day everyone will be suitably informed and emotionally aware enough to not ask these utterly stupid questions. I’ve run through the top 10 of these questions and thank to you those that fed back on these on twitter.

    Are you the man or woman?

    I’ve been in a serious long term relationship on 2 occasions in my life. On both occasions at least once each time someone has asked (seriously or not) “so who is the man in the relationship?”. Or, the other variation of “so she is the man and woman?”

    First, and foremost, who said relationships have to be defined by gender stereotypes? When did this become unwritten natural law? And second, would being ‘the woman’ be such a bad thing as indicated by your tone?

    It’s usually the straights that do this and they are simply imprinting onto to us their own understanding on how relationships work. One person is the man (or boss) and the other is the woman (not the boss). Although many relationships I know of straights, the man is very rarely the boss. So the whole concept is just crap. Not offensive to hear, just bloody annoying after a while.

    Top or Bottom?

    Within our own community, this question does grate on me. Usually online but you do get it face to face as well. “Are you top or bottom?”. Now, I’ve written more than one blog post on bottom shaming, Top vs Bottom etc so I freely admit that I may have added to this problem. But in all my posts I encourage sexual freedom. Don’t be defined or confined by it like this loaded question is designed to do.

    Whenever someone asked me I tend to give a sarcastic response. “Are you a top” is usually met with an “ooooh I love this questionnaire things. I filled one in the other day and it said that I was most like a polo shirt. Stylish, functional and only really used by men of a certain age”.

    Instead, why not ask someone what they enjoy doing sexually? Personally, I enjoy anal but for various practical reasons, I can’t take anything anally. I’m not your typical top as I actually care about the pleasure someone gets and am very patient and understanding about accidents. Something which very few ‘tops’ are. Something which needs to change!

    Two tops or two bottoms – how does that work then?

    Linked to the above is the really probing questions many couples face. When someone finds out if you are one thing or another then just have to know “So, you’re both tops/bottoms? How does that work then?”.

    For which my usual, completely over the top response usually is, “Sorry Mavis, with your piles and John’s hip, how does it work for you?”.

    Piss off, in short. Such questions have nothing to do with the outside world and are not someone one straight couple would ask another. While the temptation to be nosey is there, my eyes roll when I hear it as it’s just an excuse for someone to be nosey, intrusive and completely inappropriate.

    Two friends together however over a wine or two, very different. No subjects are taboo in that scenario!

    Have you ever had sex with a woman?

    via GIPHY

    I always laugh at this one. It’s not like cheese tasting where you try a Danish Blue and decide strong cheese isn’t for you. Gays and indeed Bisexuals have a wide range of backgrounds. Some have drunk from the lady cup, others have not. One is not more valid than the other. Yet, once again, this usually comes from the straights. I’ve seen the odd gay man ask it but not usually with any seriousness and usually with context around our histories.

    Don’t you want to try sex with a woman?

    The straights, however, love to ask. Usually followed up with a “would you though, for the right woman?”. For which, once again, the answer is also no. Sexuality isn’t a cheese tasting course. I’m not going to grow a taste for the odd bit of Wensleydale with a nice dark port. P**s off.

    So, that guy you mentioned, have you slept with him?

    via GIPHY

    When we start talking about a friend we know, if they are male, both gays and straights alike, always get the urge to ask if we have slept with the said man.

    The gays usually do it because they are your friend and they are being nosey looking for a juicy bit of gossip on what happened. Which is fine, sort of, but annoying none the less especially as the answer is usually no even though deep down we really wish it was a yes.

    Did you always know you were gay?

    via GIPHY

    Now this one is very context driven as there are occasions where it is a perfectly valid question between friends. But as one of those Ice Breaker questions when’s someone learns of your sexuality, that would be a no-no.

    For me personally, I came out at 19 and I was only really in the ‘closet’ for about 4 years leading up to that point. Until midway through puberty my thoughts were very much about girls, I would even draw erotic art about girls. But after time I found myself drawing more of the male figure and focusing more on their roles in my short (erotic) stories. Around that point, I realised and starting going through the motions.

    Yet those that haven’t been through what we have, don’t assume that. They just assume we have always lived and breathed being gay and therefore always knew. Not so, for many of us, this was something that developed or being realised at a point later in life. That doesn’t make us any less gay, yet the question seems to imply that we aren’t ‘purebred’ because we weren’t ‘gay from birth’.

    Have you watched Drag Race?

    via GIPHY

    I’ll admit, I do watch Drag Race. But even I get annoyed the number of times I am asked by straight friends and people I meet who learn I am gay. Last time I checked there wasn’t a ‘required watching’ list in order to be a gay man in the 21st century (and even if there was, Drag Race would not be on it). So it always makes me laugh how people take the most obvious part of the LGBT/Queer life and suddenly thing gay = must watch drag race.

    Sorry boys n girls, I know plenty of gay men then don’t watch it and I admire / perve on them all the same.

    How can you be gay, you don’t look gay?

    via GIPHY

    Breaking news everyone, a scientist has discovered that gays are born and grow physically different from the rest of the human race. Research has found that a gay man has
    – a higher metabolism, therefore, is often leaner in body shape (and has a larger penis because of it)
    – has developed different vocal cords, therefore, their voice is often softer and of a higher pitch
    – has weaker joints, therefore, things list wrists, elbows and knees bend easier leading to limp wrists, mincing walks and flexible body parts
    – only seems to have the genes for lighter hair and eye colour
    – skin that tans easily
    – lower cognitive abilities resulting in a tendency for dry wit & humour (often referred to as “sass”.

    Have you not heard of this discovery? No? Well, that’s because it’s a load of old rubbish. There is no such thing as a ‘gay look’, other than the typical image given to us by mainstream TV.
    – Camp
    – Blonde
    – Blue or Green eyes
    – Well built
    – softly spoken
    – sassy

    I can see why people have had this impression, therefore, imprint it onto the wider community, but really? I am rarely any of these things (some things I am more of when drunk) but many of the physical things I most certainly am not. Especially the high metabolism part. Yet the last time I checked I was a gay man, capable of loving and pleasing other gay men?

    That one I do find more offensive than annoying, but it is still annoying all the same.

    Do you orgasm every time you have a poo?

    via GIPHY

    This one came into me via Twitter from a follower. Apparently, a straight friend of theirs was curious about anal and asked the question. And for simple minds, I could see why they would come to the conclusion that having a rather large shit was the same as a good-sized cock up your arse.

    I can safely say that they are not related, at all. So don’t ask you narrow-minded gibbon. It’s the same logic as so when you have a swab down your urethra, that’s just like having a piss right? No, it isn’t. ?️‍?

  • What to watch at the BFI Flare: London’s LGBT+ Film Festival

    What to watch at the BFI Flare: London’s LGBT+ Film Festival

    BFI Flare, London’s LGBT+ Film Festival, is back in its 33rd year and will take place from 21st – 31 March 2019.

    It will be ten days of films and events for our community, a celebration of all things LGBT that promises to offer a vibrant space for all of us who are able to attend. Flare will also be ten days of seeing people you only see during this festival – and a time to meet up and grab a drink or a cup of coffee in between screenings. It will also be a great opportunity to meet new friends and some of the filmmakers and actors.

    BFI Flare will present over 50 features, more than 80 shorts, and a wide range of special events, guest appearances, club nights and much much more. Here is a very brief summary of some of the highlights:

    Flare will open with the period drama Vita & Virginia, charting the passionate relationship between Virginia Woolf (played by Elizabeth Debicki) and aristocrat Vita Sackville-West (Gemma Arterton).

    A must-see for the gay male crowd will most definitely be Mapplethorpe, which stars sexy Matt Smith as the legendary photographer in this no-holds-barred exploration of the controversial and one of the most feted photographers. Another one for the boys is Papi Chulo which stars Matt Bomer as a heartbroken gay television weatherman who forms an unlikely friendship with an older straight migrant worker.

    Another must-see will be the closing night gala screening of JT Leroy. Starring Laura Dern and Kristen Stewart, the film tells the story of how Savannah Knoop (adapted from her memoir) became JT Leroy – a fictional character who came true to life and bedazzled New York’s downtown scene for years.

    The UK premiere of Jonathan Agassi Saved My Life takes place during the festival and paints a portrait of one of the world’s most successful gay porn stars – Agassi – in a life of highs and lows.

    Anna Paquin and Holliday Grainger portray two women who fall in love in 1950’s Scotland in the film Tell it to the Bees, while in Rafiki two young Kenyan women attempt a relationship despite it being illegal in their country.

    On the documentary front, a queer Lucha libre wrestler is profiled in Cassandro, The Exotico, while Halston is a portrait of the American Fashion legend, complete with rare archive footage. Another legend, Montgomery Clift, is profiled in the self-titled film in the search to discover who was the real Clift. Tongues Untied features the work of black gay filmmaker Marlon Riggs, while in Transmilitary, four soldiers risk dismissal to fight for transgender fights in the U.S. armed forces.

    Events/debates include: Trans Creative at the Movies: a discussion that will feature transgender moments in film; At Lethal Lesbians will be a talk about how queer females are deadlier than the male species. In Operation Spanner: Then and Now – 16 men were prosecuted in the late 1980s for their participation in consensual S&M sex sessions, will be explored in two short films and in a discussion.

    The Big Gay Film Quiz is back as well as the very popular Club Nights that take place in the BFI Southbank’s Benugo Bar & Kitchen – great weekend nights out to let your hair down and boogie the night way.

    Also, don’t miss The 25th-anniversary screening of Priscilla, Queen of the Desert which will take place during the festival.

    Full details, and to buy tickets, please go to this link:

    https://whatson.bfi.org.uk/flare/Online/default.asp

  • THEATRE REVIEW | Standing at the Sky’s Edge – Crucible Theatre, Sheffield

    THEATRE REVIEW | Standing at the Sky’s Edge – Crucible Theatre, Sheffield

    ★★★★ | Standing at the Sky’s Edge

    Standing on the Sky’s Edge is a new musical which centres around Sheffield’s Park Hill Flats housing estate, and cleverly overlays three stories of three families over three decades as they take residence in the now infamous building. From the ground breaking optimism of the buildings with “streets in the sky” in the early 70s; through the estates decline in the 80s and 90s and onto the current regeneration projects, the show delicately weaves the lives of the seemingly unconnected families together whilst looking at the social and economic changes faced by the city and its residents.

    Richard Hawley (known for his music with The Longpigs and Pulp) provide a mixture of new and old songs which melt seamlessly into the narrative and which are well spaced, well performed and slot nicely into the proceedings; whilst Chris Bush’s script is warm, witty and brims with northern charm and humour.

    But mostly, and at the show’s heart, are stories about love and how it can be tested in so many different ways; wrapped up in a love letter to any building which you can call home and to the city itself.  A husband who has given up, and a wife who won’t; a young couple who face tragedy and a young woman trying to break free of the ghost of girlfriends past all address the central issues with genuine emotion and a warmth radiating from the stage.

    The production is instantly accessible, with characters that feel familiar almost immediately, and some fast paced and assured direction from Robert Hastie, providing a feel of the business and hustle and bustle of the estate. The ensemble cast blend beautifully together as the years portrayed merge into one; and Faith Omole took everyone by surprise with a singing voice so serene, it quite literally stopped the show.

    Despite being a very local piece of theatre, there is enough in there to entertain those unfamiliar with the flats or its history; and makes the trip to Sheffield worthwhile, and being home the message, loudly and clearly, that home is where the heart really is.

    Standing on Sky’s Edge is at Sheffield Theatres until 6th April 2019.