Category: Entertainment

  • FILM REVIEW | I am Woman – Hear me Roar!

    FILM REVIEW | I am Woman – Hear me Roar!

    Rating: 4 out of 5.

    An Australian singer, with a young daughter in tow, arrives in 1996 New York to make it as a singer. The woman’s name was Helen Reddy.

    Yes, Helen Reddy the legend who sang such hits as “I Don’t Know How to Love Him”, “Delta Dawn” and “Angie Baby” and the iconic “I am Woman” started her career in NYC as a singer in a bar lounge. Thus begins the story of one of music’s greatest superstars in the new film I Am Woman.

    Yes, she was sure a woman. And Reddy, who just recently passed away in September in Los Angeles, had it rough when she moved to NYC after winning a singing competition in Australia where the prize was a ticket to NYC and a recording contract. But with a suitcase and only $230 in her pocket, and with no recording contract, she was determined, and desperate,  to make it on her own.

    Besides hanging out with rock journalist Lillian Roxon (Danielle Macdonald), she also meets Jeff Wald (a fantastic Evan Peters who steals the movie), a young aspiring talent manager who becomes her agent and eventually husband, and he helps her get to the top. After their move to Los Angeles, Reddy’s singing career began, and continued to hit new peaks, where she became the first Australian singer to top the US charts, and even winning a Grammy award in 1973. But Wald had a cocaine habit, which eventually got worse and worse, and with Reddy not home a lot due to a Las Vegas singing residency, and with a new son to take care of, their relationship started to crumble, and eventually ended when Reddy found out Wald had made bad investments with her money. 

    However, I am Woman is the story of a woman, against all adversity, who was determined to make her dream come true. Reddy not only became the most successful female recording artist of her time, but she also broke stereotypes and led the way during the most crucial period of the women’s liberation movement. And she became a role model for what all women could achieve.

    It’s an incredible story, made all the more real by director Unjoo Moon, who has very little experience in the directing world, and by Tilda Cobham-Hervey, who effectively plays Reddy, but unfortunately, it’s not an award-winning performance. It’s Peters’ performance who steals the film as her husband. But it’s also Reddy’s life and legacy that will most stick with you. What she had to do and what she accomplished, in a time when women’s rights were just a passing hope, and how perhaps her message through song and her voice really did help propel the feminist movement in helping to pass the equal rights bills across America.  

    IN CINEMAS AND ON DIGITAL PLATFORMS FRIDAY 9TH OCTOBER

  • Iris Prize 2020: The Diversity of LGBT+ Films

    Thirty-five international filmmakers are set to compete for £30,000 prize money as the organisers of Cardiff’s International LGBT+ Short Film Prize, Supported by The Michael Bishop Foundation have today announced the shortlisted films in competition for the world’s largest international LGBT+ short film prize. The Iris Prize LGBT+ Film Festival runs 6th to 11th October at www.irisprize.org

    Iris Prize has 25 international partner festivals who nominate films each year for the Iris Prize shortlist, with the rest being chosen by a pre-selection jury from a record number of films entered through open submissions.

    UK audiences can join in the experience for the first time in the festival’s history, by watching all the nominated shorts for free online, ensuring it reaches a wider audience than ever.

    Directors from India, China, Brazil and Macedonia compete with counterparts from the UK and around the world, offering dramatically diverse representations within the global LGBT+ community. Filmmakers share personal family expectations and the intimacy of relationships alongside the transformative impacts of meeting the right person at the right time. They stand alongside sobering stories of cultural, political or even family restraints that mean fighting for the freedom to be true to self, overcoming fear, hostility and alienation. We encounter characters who are tentatively exploring their sexuality for the first time or breaking free of their past to embrace unique identities and genders. Plus, at a time when we need it most, there are reminders that there is plenty to be joyful about, and reason to laugh out loud.

    The one uniting factor in all 35 films is an exhilarating celebration of lives of LGBT+ people across the world.

    The festival opens on Tuesday 6th October and closes on Sunday 11th October, with all screenings, talks and events available online for free. There will also be a pay-per-view catch-up service which will run until the end of October.

    This year’s shortlisted films in alphabetical order are:

    1-1 (Sweden, 2020)  –  directed by Naures Sager
    ALL GOOD THINGS  (Australia, 2019) –  directed by Simon Croker
    BABY (USA, 2019)  –  directed by Jessie Levandov
    BATHROOM TROLL (USA, 2018)  –  directed by Aaron Immediato
    BLACK LIPS (Australia, 2018)  –  directed by Adrian Chiarella                   BLACKN3SS (Brazil, 2018)  – directed by Diego Paulino
    BOYS (BANIM) (Israel, 2020) –  directed by Lior Soroka
    BREAK IN (USA, 2020) –  directed by Alyssa Lerner
    CICADA (Czech Republic, 2020)  – Piaoyu Xie
    DIRTY (USA, 2020)  –   Matthew Puccini
    DOWN DOG (USA, 2020)  – directed by Shae Xu
    DRIFTING (China, USA, 2019)  –  directed by Hanxiong Bo
    HIS NAME (HANN) (Iceland, 2018) –  directed by  Runar Thor
    OCTOBER (USA, 2019) –  directed by  Mae Mann
    ON MY WAY (Belgium, 2020) –  directed by Sonam Larcin
    ORVILLE + BOB (USA, 2019) –  directed by Alan Griswold
    PEACH (Australia, 2020) –  Rowan Devereux & Sophie Saville
    PRETTY GIRL (CAILÍN ÁLAINN) (Ireland, 2019) –  directed by Megan K Fox)
    QUEENS (UK, 2020) –  directed by  Nick Bechman
    SAVING CHINTU (India, 2020) –  directed by Tushar Tyagi
    SELMA AFTER THE RAIN (Brazil, 2019)  –  directed by Loli Menezes
    SHEAR AVORY: TO BE CONTINUED  (USA, 2020)  –  directed by Abram Cerda
    SHHH! (HYSJ!) (Norway, 2019)  directed by Nini Kjeldner
    SHORT CALF MUSCLE (Netherlands, 2019)  –  directed by Victoria Warmerdam
    SNAKE (Macedonia, 2020)  –  directed by Andrey Volkashin
    THE CYPHER  (USA, 2020)  –  directed by Letia Solomon
    THE PASSING (UK,  2020) –  directed by Nichola Wong
    THE SHAWL  (USA, 2020) –  directed by Sara Kiener                               THE WAY WE ARE (Canada, 2020)  –  directed by Amanda Ann-Min Wong
    THRIVE (UK, 2019) –  directed by Jamie Di Spirito                                UNTITLED SEQUENCE OF GAPS (Germany, 2020) – directed by  Vika Kirchenbauer
    VICTORIA (Spain, 2020 –  directed by Daniel Toledo Saura)                       WE NEED TO TALK ABOUT THE RING (Taiwan, 2020) –  directed by Yichi Chen
    WHEN IN ROME (PAESE CHE VAI) (Italy, 2020)  –  directed by Luca Padrini     WINGS (UK, 2020)  –  Jamie Weston

  • Royal Vauxhall Tavern backs G-A-Y’s legal challenge to 10 PM curfew

    Royal Vauxhall Tavern backs G-A-Y’s legal challenge to 10 PM curfew

    One of London’s longest-running LGBT+ pubs, the Royal Vauxhall Tavern (RVT) has backed G-A-Y’s Jeremy Joseph in his quest to legally challenge the controversial restrictions placed on the hospitality sector across the UK, which the government has said is a “necessary measure” to stop the spread of Coronavirus.

    In a message of solidarity, the RVT’s CEO James Lindsay echoed Jeremy Joseph’s comments that the 10 PM curfew “made no sense” adding, “not only us it another massive blow to us as a business, but it also puts our customers at more risk” as the 10 PM kick out means that hundreds of pub and restaurant-goers are forced out into the street at the same time.

    No science to back up the curfew

    four women chatting while sitting on bench
    Photo by ELEVATE on Pexels.com

    They added, “We totally support Jeremy Joseph and the action he has taken with the NTIA (Night Times Industries Association) to hold Boris Johnson and Matt Hancock account for this dangerous and shortsighted action that seems designed to blame the night time industry for increased numbers of Covid-19 cases when there is no science to back it up.”

    Adding her voice, London’s night czar Amy Lamé wrote on social media, “Another weekend of London’s struggling hospitality businesses closing early due to the Govt’s arbitrary curfew. When will @10DowningStreet realise they are part of the SOLUTION, not the problem? @SadiqKhan and I are calling for an urgent review + financial support

  • LGBT Films at the BFI London Film Festival 2020

    LGBT Films at the BFI London Film Festival 2020

    From 7-18 October 2020 The BFI London Film Festival will be broadcast online and in cinemas at the BFI Southbank, partner London venues and all across the UK.

    All shorts, events and a virtual exhibition of XR and immersive art will be accessible for free online. Here are some of the LGBT film highlights:

    Supernova

    After twenty years together, Sam and Tusker’s blissful life has been shattered following Tusker’s diagnosis with early-onset dementia. Intent on spending as much precious time together as they can, the pair travel across England in their old campervan, visiting loved ones and returning to special places from their past. Colin Firth and Stanley Tucci star in a film directed by Harry Macqueen.

    Ammomite

    A fictionalised account of the life of the 19th-century palaeontologist Mary Anning, Kate Winslet plays the pioneering scientist with Saoirse Ronan as the gentlewoman who falls in love with her while staying in Mary’s beloved Lyme Regis. Directed by Francis Lee (God’s Own Country).

    Kajillionaire

    In Miranda July’s assured third feature, Old Dolio (Evan Rachael Wood) and her parents (Richard Jenkins and Debra Winger) are a trio of offbeat, small-time hustlers. Old Dolio’s heart is stirred when she meets Melanie (Gina Rodriguez).

    I am Samuel

    Born and raised in rural Kenya, Samuel moves to the capital and falls in love with Alex. This courageous debut feature offers an intimate portrait of a young couple navigating their way in a country where homosexuality is criminalised.

    If It Were Love

    This Teddy Award winner for Best Documentary at Berlinale 2020 is an intoxicating exploration of love and desire, documenting the production of choreographer Gisèle Vienne’s Crowd, a work exploring the 90s rave scene.

    Days

    Tsai Ming-Liang’s profound commitment to less is more flourishes in this transfixing work, in which a middle-aged man suffering from chronic pain hires a young male masseur. This film is intentionally without subtitling.

    Cicada

    As introspective bisexual Ben embarks on a new relationship, he is forced to face the traumas of his past in this remarkable debut feature based on personal experiences of the filmmakers.

    For more information and tickets, please go to: https://www.bfi.org.uk/london-film-festival

  • FILM REVIEW | Blackbird – A four-star weeper

    FILM REVIEW | Blackbird – A four-star weeper

    Rating: 4 out of 5.

    Susan Sarandon is amazing as Lily, a woman slowly losing her faculties and who has decided that at the end of a perfect weekend she will choose to die. The perfect weekend includes visits by her two daughters – Jennifer (an unrecognisable Kate Winslet) with husband Michael (Rainn Wilson) and their teenage son Jonathan (Anson Boon); dysfunctional Anna (Mia Wasikowska) and her female partner Chris (Bex Taylor Klaus). Also along for the ride is Lily’s best friend Elizabeth (Lindsey Duncan) as well as her loyal and handsome husband Paul (Sam Neill), who has always been by Lily’s side. 

    The family is not a perfect one – Jennifer has controlling issues while Anna has never been truthful and transparent about her life. Sure she’s in a same sex relationship but there’s been times where she’s fallen off everyone’s radar – but Lily is still proud of both of her strong daughters who she raised to be just like her. But as the clock ticks to the final moment we know is coming, there is some excellent family time around the house, including the emotional ‘Christmas Dinner’ they have which is Lilly’s last evening meal. There is also lots of tension when several unresolved issues are revealed.
    ‘Blackbird’ is hard to sit through – it’s very emotional and very real, but up until the end, when every truth has been told and every tear has been wept, Sarandon still holds the screen – and our attention. It’s one of her finest film performances. 

    Blackbird is now on Digital Download & DVD

  • Icon Dame Shirley Bassey set to release new single and last ever album

    Icon Dame Shirley Bassey set to release new single and last ever album

    Listeners in the UK can tune into Radio 2 this Sunday to hear a brand new track from the legendary Dame Shirley Bassey.

    The single, and title track from her next album “I Owe It All To You” was written by Don Black, who famously wrote another of Shirley’s mega smashes, “Diamonds Are Forever”.

    Don Black will be playing the song on his very last show on Radio 2, at 11 PM.

    Could this be the last ever studio album from Shirley Bassey?

    It is assumed that this album will be Dame Shirley‘s, now 83, grand finale and one of her greatest pieces of work. As the title of the album would suggest, it’s a gift made with love for her fans to celebrate a lifetime of their support. 

    Speaking about the song, Don said, “I’ve had the phrase ‘I Owe It All To You’ floating around my head for some time. As soon as I heard that Shirley was making her final record a light came on!  I then wrote it with her in mind knowing that she doesn’t just sing songs she lives them. She is a songwriter’s dream and one of the best story tellers of all time. The lyric tells of the contentment that can be found on stage and the uncertainty that comes when the curtain comes down.

    Dame Shirley added, “Don has a gift of writing beautiful songs. This track feels instantly classic and the lyrics mirror exactly how I am feeling. It’s as if Don found a way into my mind! “I owe it all to you, you were always there; making my dreams take flight”. This song is for my fans” 

  • FILM REVIEW | Monsoon – Quiet and Meditative

    FILM REVIEW | Monsoon – Quiet and Meditative

    From the man who brought us the brilliant ‘Lilting’ in 2014 returns with his new offering Monsoon.

    Lilting, directed by Hong Khaou, told the story about the death of a young gay man leaving his lover to deal with a grieving Chinese Cambodian mother. It was quiet and meditative as is Khaou’s new film Monsoon.

    In Monsoon a young man of Vietnamese descent, who now lives in Britain, returns to Saigon to return his mother (her ashes) to her home country, a country her and her husband fled during the Vietnamese war. But Vietnam is also a country that Kit (Henry Golding) also knows very little about – he was 5 when they left. So his return to the home country is a poignant one, his father has also died and Kit’s brother is bringing their father’s ashes so him and Kit can bury them together. While Kit returns and visits old friends of his and his mothers, he falls for American Lewis (Parker Sawyers) and establishes a semi-relationship with him. While the gay storyline is a bit irrelevant to the focus and mission of the plot, it’s played out against the backdrop of a city full of traffic, noise, people, motorcycles, and beautiful sunsets that linger in the horizon.

    Monsoon also brings us lulled moments – quiet and contemplative – in a film that’s oh so short at 85 minutes.

    Henry Golding (Crazy Rich Asians) is good in the role – but the film itself could’ve explored more of his background and his relationship with his family (perhaps flashbacks) to give more of a background into his homosexuality. In all, if you’re looking for a meditative and quiet film, this film is for you.

    ‘Monsoon’ is now out in UK Cinemas.

  • Has one anyone gay, lesbian, bi or transgender ever won Strictly Come Dancing?

    Has one anyone gay, lesbian, bi or transgender ever won Strictly Come Dancing?

    Let’s start with the number of LGBT+ contestants that have appeared on the show. Out of the 222 contestants of the show, there has never been an out or openly LGBT+ winner of the show.

    What’s even more concerning there has never been an openly transgender contestant on the show that has been running since 2004. There have also been very few openly lesbian or bisexual stars on the show.

    The closest any LGBT+ contender has come to winning was Julian Clary in series three who placed third. Colin Jackson was a runner-up in his series, but he was not out at the time of his appearance in the show.

    Of 222 contestants since the show’s premiere in 2004, these are the openly LGB stars of the show.

    Series 1

    Jason Wood was the first openly gay person to take part in the show in 2004. He was paired with Kylie Jones and was voted out in week 2. The winners of the series were Natascha Kaplinsky and Brendan Cole.

    Series 2

    Julian Clary performed alongside Erin Boag and came third. The winners of the series were Jill Halfpenny and Darren Bennett Cole.

    Series 3

    Colin Jackson appeared in the third season, however, he was not openly gay at that time. He came second in the competition. The winners of the series were Darren Gough and Lilia Kopylova.

    Series 9

    Russell Grant danced with Flavia Cacace and was booted in week 8. The winners of the series were Harry Judd and Aliona Vilani.

    Series 12

    Scott Mills was paired with Joanne Clifton and was voted out in week 6. The winners of the series were Caroline Flack and Pasha Kovalev.

    Series 14

    Will Young appeared in the show and danced with Karen Clifton until he with withdrew in week 3.

    Judge Rinder danced alongside Oksana Platero and was voted out in week 11. The winners of the series were Ore Oduba and Joanne Clifton.

    Series 15

    Rev Richard Coles danced with Dianne Buswell and was voted out in week 3.

    Susan Calman danced with Kevin Clifton and was voted out in week 10. The winners of the series were Joe McFadden and Katya Jones.

    Series 16

    Dr Ranj Singh danced opposite Janette Manrara

    Series 17

    There were no openly LGBT+ participants in Series 17.

    Series 18

  • In the midst of COVID misery, a new LGBT+ bar has opened

    In the midst of COVID misery, a new LGBT+ bar has opened

    Everything is doom and gloom in the hospitality industry as you might expect. With restrictions and ever-changing guidance from the government, the industry has become, for many, almost unsustainable.

    One bar in Cardiff has been forced to close for the duration of the newly introduced 10 PM curfew.

    However, Zodiac Bar London is bucking the trend and has actually flung open its doors, which for some may seem a strange business move what with everything going on in 2020, but it turns it’s been very popular with the local community.

    The bar actually opened its door back in July and has proved a success for LGBT+ folk in the North London area.

    From a one-off to extended days and opening hours.

    Zodiac Bar started off as an LGBT+ night in July at a “Northern Soul” bar on Junction Road, N19, but due to the success it’s actually taken over the venue from Wednesday to Saturday, 5 PM until 2 AM, (now 10 PM due to COVID-19 restrictions).

    According to the venue’s website, the bar was “The brainchild of TransWoman Jade (aka Lady Phoenix) and her partner, they have now introduced theme nights for Bears, The Trans Community (including TS,TV & CD), Lesbians; and also plan to include fetish nights, Drag Acts & Cabarets (when rules allow), LGBTQ talent contests and Bingo/Quiz nights in the near future.”

  • Where are the cast of Brokeback Mountain now?

    So what happened to the cast of Brokeback Mountain?

    It was one hell of a game changer. A short-story from Ang Lee that was turned into a major Hollywood film. It raked in millions in Box Office receipts and home / rental sales, but where is the cast now?

    Jake Gyllenhaal

    When Brokeback Mountain was released, Jake was already a renown Hollywood star, having made his name in films like Donnie Darko and The Day After Tomorrow. However, after appearing as Jack Twist in BBM, Jake’s stock as an actor had a phenomenal rise. His appearance in films has netted film studios nearly a billion dollars in box office revenues. Brokeback Mountain is his third biggest movie, preceded by Prince of Persia, The Sands of Time ($90.7m) and The Day After Tomorrow ($186m)

    Heath Ledger

    Heath Ledger was big box office news up until his untimely death in 2008. He died of a heart attack brought on by prescription drug intoxication. The lifetime gross box office of his films is over $955,000,000, with over half of this coming from the smash film, The Dark Knight in which he played one of the scariest Jokers of all time. Again, like Jake, Brokeback Mountain was his third most financially successful film in which he played Ennis Del Mar. This success was preceded by The Patriot and followed by A Knight’s Tale. The last film in which he starred was 2009’s The Imaginarium of Doctor Parnassus.

    Anne Hathaway

    via GIPHY

    Since Anne was in BBM as Jack’s wife, she’s not stopped working, becoming one of Hollywood’s most bankable actors. Since 2005 she has starred in over 19 films, the highest grossing was The Dark Knight Rises. She outstrips the boys’ lifetime grosses by over a $1bn with a stunning worth of $2.4 bn in box office receipts.

    Michelle Williams

    via GIPHY

    Michelle started her film career in the family favourite Lassie in 1994. BBM was her third film of 2005, where she played the wife of Ennis. At the time she and her co-star Heath Ledger were a couple, however, they split in 2007.  Since BBM she’s appeared in 16 feature films. The best-selling was Oz The Great And Powerful which grossed $234m at the Box office.

    Randy Quaid


    BBM is Randy’s 2nd best-selling film, the first being Roland Emmerich’s’ Independence Day in 1994 where he managed to save the world by flying a jet into the Alien’s mothership. The 66-year-old has appeared in over 90 films and grossed a stunning $948m in box office receipts.

  • 12 Things Gay Porn Didn’t Teach Us About Sex

    12 Things Gay Porn Didn’t Teach Us About Sex

    Gone are the days of watching Charlie Hunnam getting rimmed on Channel 4 or stealing a look at the Chippendale annual.

    The internet is practically 98% porn these days and it’s a magical world where everyone is beautiful and versatile. But here’s the parts they like to gloss over…

    1. You can’t just shove it in.

    Nope nope nope, don’t you dare go in dry and without a little finger action first. Unless you’ve found a guy with a self lubing, gradually increasing in size penis, there’s absolutely no way that’s going near my butt hole without enough lube to drown a killer whale and not before you’d diddled my fancy for a bit first. And speaking of lube…

    2. Lube gets EVERYWHERE.

    In the films, there’s zero mess, but reality is a totally different thing. You get lube all over your hands, the bed, each other, the cat, your grandma and next door’s begonias, and you’ll go through several pairs of underwear wiping that stuff off before you can even contemplate being seen in public.


    ALSO READ: 17 Confessions About First Time Gay Sex

    ALSO READ: Is There Life After Gay Porn?


    3. Douching is not only polite but a necessity.

    Spontaneous sex in gay porn is a lie, we all know that if you’re going to bottom you need to do the nice thing and make sure you’re clean first. This will obviously require a thorough shower and/or a good douching, and that takes planning. Even a hook-up requires at least a half hour’s notice.

    4. You’re not going to get a straight guy to “turn” for money (well maybe)

    There are numerous sites out there of “straight” men being paid to let a horny cameraman play around with him. I dare you to try the same thing on your street, it most likely wouldn’t work. In just the same way you wouldn’t go near a lady garden for any amount of money, a straight guy isn’t going to allow you to top him for £100. Most “straight” men in porn are either gay, or bisexual. Maybe you’ll get lucky and a straight guy will let you fondle him over clothes for a pint.

    5. Threesomes are far more awkward than you think.

    One of the ultimate fantasies, the threesome. You’re all douched, they’re all douched, you have lube to hand and you’re ready to go. Whether it’s with two random hookups or a partner and extra person, when it gets down to the nitty-gritty, you’re generally not entirely sure when to start and who touches who, and you can spend a few very tense minutes just chatting random shit before one of you gets naked. Even then there’s the issue of who’s getting the most involved, so to speak.

    6. Condoms don’t magically appear.

    Rarely in porn do you see a guy opening the box, and struggling to get a condom out of the packet with his teeth, all while still getting you ready for the onslaught and then faffing about with putting it on. In porn, you see an unsheathed member just about to *hem hem* enter and then suddenly the camera angle changes and he’s magicked a johnny onto his dick. Unless all gay porn stars are witches, I think they might be being a little economical with the truth.

    7. No,  not all actual people look like that.

    If porn is to be believed, all twinks look the same, as do all daddies, and bears. This obviously isn’t the case, someone with a twink body could have a face like a road accident, daddies aren’t all under than 45, and not all bears are basically a hairy, slightly older Zac Efron. Gays come in all shapes, sizes and ages and the sooner you accept that, the more likely you are to get laid instead of waiting for fantasy guy

    8. The pizza guy/repairman/delivery driver/your lecturer isn’t going to sleep with you either.

    You can’t get out of paying for a service by offering your dick, and chances are the pizza delivery guy is going to be a spotty 17-year-old who would punch you if you made a grab for his junk. Your washing machine isn’t going to be repaired in exchange for an angry handy J. And your lecturer isn’t going to give you an A because you offered your A. Pay for your stuff you cheapskate.

    9. The dicks look bigger for a reason.

    Now the average dick size is around 5 – 6 inches, but porn stars seem to all possess donkey dicks that make you ponder your own. Here’s a little secret, most male porn stars are under 6 feet tall because a 6-inch dick on a 5′ 6” guy is going to look bigger in comparison (Remember Justin Bieber is only 5′ 7”) Camera angles (we’ve all taken a flattering dick pic) also add to the illusion of monsters. So don’t be disheartened.

    10. Public sex isn’t as fun as it seems.

    At the gym, in the video store (they still have those?) outside, on a train etc. etc. is a hotbed of illicit and horny sex where the general public is utterly oblivious to what’s going on if porn is to be believed. But unless you’re in the middle of nowhere and it’s after dark you’re in all likelihood going to get caught out. You can’t just drop your kecks in Asda and bone over the grapefruits without someone politely asking you to stop because you’re scaring their elderly mother.

    11. Most of those positions are not comfortable.

    Gay porn stars seem to have just come off the set of a Cirque du Soleil “who’s the bendiest?” video shoot with some of the positions they manage to get themselves into. A vast majority of them are purely aesthetic and used to get the best looking shot, and notice how they never stay in those positions for long, it’s because your legs would happily divorce you and take half your stuff if you were trying to hoist a guy around for 20 minutes in the same ludicrous position.

    12. Not everyone is versatile.

    Shock horror right… Ok maybe not. But in porn there’s flip-flopping around, everyone gets a go and everyone is happy. But the reality is a nasty business, and this isn’t happy gay fluffy bunny land. You’re going to get guys who are 100% bottom or 100% top and no amount of persuasion will convince them otherwise, give it up buttercup.

    by @AndyEG1982

    This article was first published in May 2016