I’m all for shaking things up in the bedroom. Sure the doggie, the missionary and the cowboy are all fun – hey, all sex positions are basically fun, but there are some totally extra positions that you should definitely add to your sexresumé.
Say hello to the Butter Churn
Basically, this is an upside-down position for the btm, but it’s pretty easy to achieve.
The btm lies on his back and hoists his legs into the air, straight up, so the majority of his weight is on the top of his back and shoulders. While in this position it’s important you don’t move your head from side to side too much , as there will be a lot of pressure on the neck. To help firm up the position he can place his hands on his lower back, with his elbows pressed into the floor.
The top then enters from above, plunging his penis (the churner!?) into the hole (or butter jug in this scenario) and begins to churn!
Another great element is that if you’re a top and love feet you’ll have full access to his toes for you to suck on. Bonus point for you and him!
Whats the beef?
Now a word of warning for the btm… This position could potentially cause you to “beef”. That’s the butt version of a queef. A fart, but not an intestinal fart but a trapped air one. So as long as your both comfortable with that possibility, i.e you’re both capable adults who can shrug these things off, after all, it is an asshole, then you’ll be grand.
The threeway butter churn
Now if you happen to be in a threeway situ, you can upgrade the butter churn to a double plunger churn! For those btms who are able to, or want to try the double penetration version.
The Btm lays on his back, with his butt in the air and his legs towards his chest or shoulders. Both Tops face away from each other, butts touching, whilst squatting over the Btm and straddling one of the Btm’s legs, creating a crisscross or the look of frog’s legs. Then pointing their dick’s down, enter the Btm. The fun thing about this position is that both Tops can control the trusting and slipping out is less of an issue.
And commence the butter churn… Either one at a time or both together! Just add cream 🙂
Today (Friday 11 December 2020) the Court of Appeal ruled that Reynhard Sinaga’s sentence of life imprisonment with a minimum of 30 years would be extended a further 10 years. This means that Sinaga, who was previously convicted of 159 counts of sexual offences against 48 different men, will serve a minimum of 40 years before being considered for release instead of his original sentence of 30 years. Today is a milestone and an extensive sentence – the longest sentence given in a rape case.
Is it thought that there could be many more victims of Sinaga’s assaults. Police have suggested that they believe there to be at least 206 victims, 60 of whom are currently unidentified.
Assistant Chief Constable Mabs Hussain said: “We welcome today’s ruling and are very pleased that Sinaga will be behind bars a further 10 years. From speaking to many of his victims, we know that many will be comforted by this outcome and feel that the extension reflects the heinous nature of the crimes committed.
“At the very heart of this case has always been the victims and supporting them through their horrific ordeal. The bravery that these men continue to show has been nothing short of incredible and we, alongside partners such as St Mary’s Sexual Assault Referral Centre and Survivors Manchester, will continue to offer as much support as possible to the victims and help them in every way we can.
“Since reporting restrictions were lifted in January 2020, a number of reports were made to our dedicated incident room from people who were concerned they may have been a victim of Sinaga. As a result of this, we have been able to identify a further 23 of Sinaga’s victims. Like many other victims, the majority of these men had been enjoying nights out in Manchester City Centre before being preyed on by Sinaga as they made their way home. We are continuing to offer these men our full support and help them in any way we can.
“As a result of further evidence coming to light, our investigators now believe that Sinaga committed sexual offences against 206 men. We are yet to identify around 60 of these men and would urge anyone who thinks they may have been a victim to please get in touch with us. If you don’t feel like you want to speak to police, specialist support services are widely available with organisations such as St Mary’s SARC and Survivors Manchester.
“I would like to say a huge thank you to all of those who have contributed. First, a thanks to our investigation team whom I am incredibly proud of and have had to endure watching the most sickening of video evidence, which was created by Sinaga himself. I would also like to extend my heartfelt thanks to our partners, including representatives from the NHS, health and support services, whose top priority has always – and will continue to be – the victims.
“We hope the work of the investigation team sends out a clear message that Greater Manchester Police is committed to investing time and resources into bringing those who carry out sex offences to justice. We also hope it demonstrates our firm commitment to working alongside specialised partner agencies in order to provide victims with any support they need. We will leave no stone unturned in the pursuit of justice.”
If you have been affected by this case or believe that you may have been a victim of Reynhard Sinaga, then please contact police or specialist support agencies using the contact details below.
All reports made to police will be fully investigated and Greater Manchester is nationally recognised as a model of good practice in terms of support services available to victims.
Information can be passed to police via the Major Incident Public Portal https://mipp.police.uk/operation/06GMP19V24-PO2 or by calling 101. The MIPP will also provide contact details for support agencies to anyone who accesses it.
For anyone who wishes to seek support but does not want to talk to police, St Mary’s Sexual Assault Referral Centre can continue to be reached on 0161 276 6515 and Survivors Manchester can be contacted on 0161 236 2182.
The show, which stars Andrew Lancel, will open at Liverpool’s Unity Theatre for six performances over three nights, this will be the first live performances at the theatre since closing in March due to the on-going coronavirus pandemic.
The show then moves on to The Atkinson Southport, Lighthouse Poole, Swan Theatre Worcester, Belgrade Coventry, Dukes Lancaster, City Varieties Leeds, and Capitol Horsham. All venue will present to socially distanced audiences and more dates are to be confirmed soon.
Swan Song was first staged at the Edinburgh Fringe Festival in 1997, before transferring to Hampstead Theatre with award-winning comedy actress Rebecca Front in the lead role. Jonathan Harvey adapted the 70-minute play especially for Liverpool Theatre Festival for Andrew Lancel to play the solo role of Dave Titswell. Due to critical acclaim, the play will now perform at venues across the UK next year, these new dates replaced the November 2020 dates which were cancelled due to lockdown, now a longer tour is planned for Spring 2021.
The news also comes as Andrew Lancel is set to have an appearance in the Royal Variety Performance, which is televised on Tuesday 8 December. Andrew appears as Brian Epstein in Cilla The Musical, he also played Brian in Epstein The Man Who Made The Beatles in 2012, where Andrew Lancel first met Bill Elms who produced the play in Liverpool and London’s West End.
“Funny, clever and inspiring production”
Producer and the artistic director of Liverpool Theatre Festival, Bill Elms said: “Swan Song is a funny, clever and inspiring production which opened the inaugural Liverpool Theatre Festival. Andrew Lancel, Jonathan Harvey, and Noreen Kershaw are an incredible blend of creative talent, and the play went down a storm in Liverpool. It is such a lovely piece that I approached Andrew and the team with the idea to tour. People are excited for the return of live theatre – and we’re excited to give them that experience back after such a long time with a really special production.”
Swan Song is a bittersweet comedy written by Jonathan Harvey. Set in Liverpool, it is Christmas 1997, the world is changing and in the staff room, Gay, forty-something, English teacher Dave Titswell finds that not all change is welcome. He has a crush, but life, love, and work are never straight forward for Dave. Will a school trip to The Lakes change things for the better, or make things decidedly worse? Swan Song will make audiences laugh, but equally pull at the heartstrings. Everyone knows someone like Dave – or could even be a Dave themselves.
Ⓒ DAVID MUNN PR SUPPLIED
Andrew Lancel is no stranger to audiences. Well established on the national theatre scene, Andrew is also widely known for his television roles as DI Neil Manson in The Bill and super-villain Frank Foster in Coronation Street. He has twice played Beatles’ manager Brian Epstein on stage to great critical acclaim, first in Epstein – The Man Who Made The Beatles (also produced by Bill Elms) which premiered in Liverpool and went on to play London’s West End, as well as playing Epstein in the national tour of Cilla The Musical, Bill Kenwright’s stage adaptation of the TV series written by Jeff Pope.
AndrewLancelcommented: “The last play I saw before lockdown was Jonathan Harvey’s Our Lady of Blundellsands at The Everyman Liverpool, which I loved – so it’s very cool, and a little ironic, that my first play back is with Jonathan. We have known each other for years and worked together a lot but never on stage, so it’s humbling that he has adapted this play for me. It’s very funny, moving, and I think people will really relate to it today. His characters are literally gifts to play and to watch.
“This play is about reuniting too. Reuniting theatre and audiences with live performance is extra special. To be back with Epstein producer Bill Elms is a buzz, and I’ve worked on some very serious storylines on Corrie with Noreen Kershaw. It feels like coming home for us all in so many ways.”
Award-winningJonathan Harvey’s credits include Gimme Gimme Gimme; Murder Most Horrid;Coronation Street; Call The Midwife; and Tracey Ullman’s Show. Hisplays include Beautiful Thing, Corrie, Canary, Hushabye Mountain, Babies, Boom Bang A Bang’ and Rupert Street Lonely Hearts Club. He also wrote the 2001 stage musical Closer to Heaven with the Pet Shop Boys and its sequel Muzik. He has won the John Whiting Award, the George Devine Award, two Manchester Evening News Awards, an Evening Standard Award, two British Soap Awards and a Writers Guild of Great Britain Award.
Jonathan added: “Swan Song is a comedy about a teacher who’s trying to hold onto his dignity while the education system crumbles around him – and I’m thrilled Andrew is playing Dave. I’m delighted to also be working with Noreen again, she directed many of my Corrie scripts and my last episode of Call The Midwife. As the original Shirley Valentine, Noreen definitely knows a thing or two about one person shows.”
Noreen Kershaw’s directing credits include Our Girl, Moving On, Scott & Bailey, Emmerdale, Shameless, Heartbeat and Coronation Street. She is also known for acting in Life On Mars, Brookside, and Watching. Noreen also originated the title role of Willy Russell’s Shirley Valentine at Liverpool’s Everyman Theatre.
Galop has launched a Domestic Abuse Survivor’s Forum as part of its National LGBT+ Domestic Abuse Helpline Service.
The Forum, which will go live on Thursday, December 10th, 2020, is a safe, anonymous, online space for LGBT+ people who have been affected by domestic abuse. The forum will allow users to share their experiences, support one another and receive information and support from the team at the National LGBT+ Domestic Abuse Helpline.
According to the charity the forum will introduce peer-to-peer support for its users.
Historically, domestic violence services have demonstrated how vital peer support spaces are for survivors of abuse. There are very few spaces where LGBT+ people can come together and share their experiences with abuse and receive support from those with the lived experience of being LGBT+. The LGBT+ Domestic Abuse Survivors Forum will provide this safe space for LGBT+ people to support one another.
How does the forum work and how are users kept safe?
The forum is accessible to all LGBT+ survivors of domestic abuse so that they can read valuable information about abuse even if they do not feel ready to register and post themselves. In order to keep every user of the forum anonymous, all posts are moderated before they are made visible on the forum. This includes checks for identifying information (which is then edited out), abusive or harmful behaviour, and on the welfare of the poster.
The helpline team moderators can see the e-mails of users, so we can reach out to anyone if we’re concerned about their welfare or their behaviour on the forum. Our central focus is ensuring the forum is always safe and supportive for everyone that uses it, and at every stage of design and development, the needs of domestic abuse survivors and their safety have been key.
If someone wants to register, they can click ‘Join’ at the top of the forum, enter some demographic information that helps us understand who is accessing the forum, and register with an e-mail address and username. This is then checked by the team to ensure they can’t be identified from the username. The user is then sent a confirmation link, which takes them to set their password. This means no user is ever e-mailed their login details.
We’d welcome all our partners and other agencies that work with LGBT+ and/or domestic abuse survivors to promote the forum to their clients and service users, or to other organisations who can share this with LGBT+ survivors of domestic abuse.
Robert seems to have it all but in reality, he doesn’t. His fate is revealed in the new hard-hitting play GH Boy.
Now playing at the Charing Cross Theatre until December 20th Robert (Jimmy Essex) has the perfect boyfriend in Sergio (Marc Bosch). Sergio is young, cute, fun and just adores Robert – who in Sergio’s eyes can’t do no wrong. Robert also has an understanding mom (now played by Nicola Sloane after Buffy Davis injured herself), a very good friend in Jasminder (Anryana Ramkhalawon) and an understanding therapist (Devesh Kishore). But Robert hides a secret – he’s way over his head in East London’s party scene (party = drugs).
Meanwhile, there are whispers of a gay serial killer who entices gay men with promises of drugs, drugs, and more drugs. Robert desperately wants to leave the scene behind him and to enjoy his engagement with the adorable Sergio – but Robert can’t seem to escape the clutch on drugs – and this might just lead to a rendevous with the serial killer who seems about to snare Robert into his dangerous web.
GH Boy tackles the misconceptions around gay culture and promiscuity and questions why gay men like Robert are drawn to this scene to the point of self-destruction in this show by debut playwright Paul Harvard.
Originally supposed to run at The Vaults earlier this year but cancelled due to COVID 19 – catch it now while you can before possible tier 3 restrictions come into effect.
Do you remember when Gwyenth Paltrow sold a candle that smelled of her vagina? It was, for some reason, an instant success and led to her goop site being swamped with customers wanting to get a whiff of a famous Vajayjay.
The candle apparently smells an “unforgettable, slightly familiar, slightly novel scent” according to the makers of the candle, which retails for $29.00 on the website, a far cry away from Gwyenth’s $75 fragrance.
The makers add, “People often ask; “what does it smell like?” Well, it smells like Bussy, duh. But not just any Bussy, this is Bussy perfected, Bussy as it should be. Truly exquisite Bussy. So, no, it doesn’t smell “bad.” This is actually a scent you will enjoy.”
The question is would you really want the smell of butt (no matter how lovely it is) wafting around your home this Christmas, instead of a plugin Glade Pine and Spice Apple blend?
Ian, who bought the candle recently said, “Even after a short burn, the sweet smell from the bussy candle lingers long in the air…it almost reminds me of when I had a boyfriend, except it smells even better than he did.”
While Hector added, “I thought I’d seen it all but here we are. It really is the perfect gift for the gay who as it all”
$2 from every candle sold goes to the Trevor Project.
The word Bussy has one main meaning and it’s not offensive per se, but it all depends on who’s using the word and why they are using it.
What does bussy mean?
Bussy is the combination of Boy and Pussy – which is used to describe a bottom’s bottom. So really you’d only use it in a sexual context, to describe a body part of a guy, or a bottom himself would use Bussy to describe an area of his own body.
It’s essentially a slang word for a gay / bi guy’s butt hole. It shouldn’t be used to describe the vagina or front opening of a trans man – unless he uses those words. In this regard, it could cause offence.
Is Bussy offensive to say?
If you were to use the word outside of a sexual context it could be considered offensive – but again it’s all about context – who you’re saying it to, why you’re saying and the intention behind your words.
When was the word bussy invented?
(C) BIGSTOCK
This definition is also backed up by Urban Dictionary who have a many, many definitions for the word, one of which dates back to 2004, which suggests the “B” actually stands for butthole rather than “boy”.
The oldest definition of Bussy that we could find was in 2003, which read “Butt pussy; The occurrence of too much anal sex where the butthole is stretched out to form a vagina.” Which is a myth, that we discuss in this article.
Although the word has been in use for well over a decade, nearly two, it’s popularity has only just started to grow.
According to Urban Dictionary there was a peak in October 2017 for the word and then again in December 2020.
Can you expand this definition? Use the comments below and your answer could be used to expand or define this glossary entry.
Lord Maginnis, an independent Ulster Unionist Peer, was found to have broken conduct rules by using homophobic language according to an investigation by the Lords Conduct Committee. The punishment is an 18-month suspension from The Lords, although that suspension could be increased if he fails to undertake a designated course of bespoke behaviour change training and coaching.
The Lords Conduct Committee, which made the investigation advised Lord Maginnis that he would need to take “behaviour training” or face an even longer suspension. Maginnis has refused to embark on the training, meaning that his suspension could run longer than a year and a half.
An inquiry into the Lord’s behaviour found that there were a series of complaints brought against Maginnis in early 2020.
First, there was a report from a parliamentary security officer, Christian Bombolo, who reported that the Maginnis was “verbally abusive” after he was requested to show his pass to enter the Palace of Westminster on 7 January.
Scottish National Party MP Hannah Bardell intervened and says that she was treated “rudely and aggressively”.
On 11 February, Lord Maginnis apparently became “agitated” during a meeting of the All-Party Parliamentary Group for the Armed Forces when not called upon to ask a question. He apparently addressed “rude remarks” to the meeting’s chair, Labour MP Luke Pollard.
The 82-year-old Lord then complained about Mr Pollard via email sent to a number of parliamentarians – including the APPG chair, Conservative MP James Gray. The email apparently contained a “homophobic subject line” allegedly, “Discrimination by Homos” and contained “remarks about Mr Pollard which centred on his sexual orientation and were homophobic”.
Lord Maginnis later discussed the incident with the media, using “disrespectful and derogatory” language about Mr Bombolo and “homophobic and derogatory” language about Ms Bardell.
Labour MP Toby Perkins asked Lord Maginnis what had happened, and claimed that the peer answered by being “homophobic, aggressive and disrespectful, including by making further homophobic remarks” about Mr Pollard and Ms Bardell, the inquiry found.
A few weeks later on 4 March, Lord Maginnis was embroiled in a “heated discussion” with Mr Gray at an APPG breakfast meeting after he was told he couldn’t attend due to his behaviour towards Mr Pollard.
Who is Lord Maginnis?
Lord Maginnis, was the Ulster Unionist MP for Fermanagh and South Tyrone between 1983 and 2001. He had previously served in the Ulster Defence Regiment. He became a life peer in 2001.
One of music’s most iconic artists, Boy George, has released a new song with Israeli rapper Asaf Goren – listen here. ‘Rainbow in the Dark’ touches on themes of unity, LGBT+ rights and the freedom to be oneself. The pandemic’s lockdown has allowed the singer/songwriter the space to explore creatively; this release with Asaf Goren is the first of many exciting collaborations he’s been working on during this time.
Boy George is one of the world’s most influential, universally loved artists, best known as the lead singer of decade-defining, Grammy award-winning group, Culture Club. He has racked-up numerous top ten hits in the UK and across the globe. On 19th December, Boy George and Culture Club will take over The SSE Arena, Wembley for ‘Rainbow in the Dark’, a globally live-streamed show.
Earlier this year, Boy George unveiled new album This Is What I Dub, Vol. 1, the first body of work to be released independently via his own label, BGP (Boy George Presents). A piece of his visual artwork, entitled ‘When Things Get Dark Look For The Light Switch’, was sold as part of the #ArtForHeroes campaign, where donations exceeded £1millon for the UK’s NHS heroes during the coronavirus pandemic.
Asaf Goren is an upcoming Israeli rapper, dancer and personality, known for The Challenge MTV and So You Think You Can Dance. He has an international following after winning Israel’s Big Brother and is quickly growing his resume in the states. Goren had reached out to Boy George with his work. After being completely inspired by what he heard, Boy George suggested they worked together on a new song.
Two dates down with Rick and we still hadn’t shared anything more intimate than a handhold. This was definitely some kind of record for me. It’s been a rare occurrence for me to get past the first date without a bit of How’s your father.
But with Rick. De nada. Not even a kiss. Some friends thought this was a bad sign. Others believed it was romantic. I started to panic. I needed to know if that spark was there when our lips locked. As Cher categorically states, “It’s in his kiss.”
On our third date, which was only FOUR days after our second, (YES, we were certainly having a whirlwind romance), I decided a kiss had to happen. We had so much chemistry emotionally, I needed to be certain it was there physically too.
I booked us tickets to see a one woman show in a theatre in the West End. And the one woman was none other than Amanda Muggleton. YES, Amanda Muggleton.
I’m anticipating the perplexed looks of most readers, scratching their heads. Who the fuck is Amanda Muggleton? Well, let me tell you. She is one of my favourite actresses from the 1980’s cult classic, Prisoner: Cell Block H.
We sat in the theatre, watching the amazing performance. (I know, I’m biased). And we were holding hands. What had this boy done to me? When it comes to friends, I have no problems expressing my emotions and feelings. But, until Rick, I’d never been very tactile when it came to men. Apart from the odd bunk up.
As we left the theatre, we decided to grab a bite to eat. We found a beautiful little Thai place that served the most delicious Thai Green Curry. The best I’d ever got my mouth round. Rick was very cultured when it came to eating out and he was very well travelled.
We walked back towards the tube, the moonlight glistening down on the pavement and I decided now was the time. I had a duty to Cher to find out if it’s really in his kiss. Without warning, I pounced like a lion on its prey.
Words will NEVER do justice to THAT kiss. But if it had been a Hollywood movie, fireworks would have been exploding above our heads and topless dancers would have been doing backflips and cartwheels down Trafalgar Square.
I had him pinned up against the wall, sheer passion erupting from my lips, like a scene out of trashy super soap FOOTBALLERS WIVES.
He finally managed to escape my grip, and my lips, and looked me straight in the eye.
“Alright Tanya Turner”, he managed to say, as the blood came rushing back to his gums, tongue and lips. “I feel like Conrad when Tanya fucked him on the washing machine.”
That was the best compliment any man had ever given me. Besides Joan Collins, Zoe Lucker as Tanya Turner is my IDOL. And I really could have taken Rick on a full spin cycle. But I felt Trafalgar Square wasn’t the appropriate place for our first fornication.
It was time for our fourth date and we were back in Windsor, where it had all begun, just two weeks prior. After a romantic dinner date under the arches, we went for a moonlit stroll along the river. Although we didn’t make it as far as the Thames.
As we went to walk past a pub, three very drunken ladies stumbled out in front of us. Rick’s face dropped, faster than a whore’s drawers. Confused, I looked at Rick. And then at the ladies. And then back at Rick. Rick broke the silence.
“MUM! AUNTY JOY! NAN!”
I saw the horror on Rick’s face. I don’t think he had intended me to meet his family just yet. And not under these circumstances.
“Dis… a very handsome boy you have here Rick”, I heard a woman slur as she grabbed my cheeks. I assumed it was his Nan. Unless his mum had had a hard life.
Another of the inebriated women elbowed Rick and whispered. Well, it wasn’t actually a whisper, but I think they intended it to be.
“You’ve done well for yourself here Rick!”
I felt myself grow a bit taller and a slight blush pop up on my face. Although Rick was mortified and he quickly said his goodbyes to his drunken relations and abruptly dragged me off towards the river.
Our fifth date arrived and I made the decision to do something I hadn’t done with a man since my first boyfriend way back in 2003. I invited him to meet my friends. I planned a dinner party at my house.
We had a homemade curry and he went down a storm with my pals. Chatting, playing games and laughing. I looked at Rick interacting with my friends, and I just knew I would marry this man. How wrong could I be…
That week, he was due to go to Canada for a month to visit a friend. As I said goodbye at the departure gates at Heathrow, I did my best Tanya Turner impression and kissed him passionately up against a terminal five wall.
Little did I know that that was to be our last kiss.
The weeks went by and he was due back from Canada. Excited, I planned a romantic, home cooked, welcome back meal to mark his return. I had fillet steak, potato dauphinoise and as much as I hate the stuff, copious bottles of white zinfandel.
But he never turned up. And I never heard from him again…
What has literally lasted 40 years, started with a Swahili song, made with different collaborators and producers, gone on to make 11 albums to date, have an entry in the Guinness Book of Records, looks to have no signs of slowing down and in my eyes at least, the envy of many groups?
Bananarama that is what. 2020 has been a funny year and to help while away the time, Sara Dallin and Keren Woodward sat down to write their story and what a story.
It’s a blanket and PJ book for a cold day. Written in a style that reads as though the girls are with you for a cozy chat about the past and present, it starts before they even knew they would be famous or forge an enviable back catalogue of music and memories. To top this there is also a friendship that makes you the reader both happy and wishful that you too can have one as close as this. Some of it captured in 47 pages of pictures.
Coming from a time before the internet gave you “access all areas” of a celebrities life, it was quite shocking to read that Keren was pregnant during the True Confessions album. I can’t proclaim to be a super fan, to be honest, personal details of celebrities I admire the most don’t really both me, so this was a surprise to me. And the revelations kept coming.
Along the way we had snippets of time where the girls would mingle and hang out with the likes of the late George Michael and Keith Flint. All stories affectionately told. It’s a glimpse into the life they have as pop royalty.
The warts-n-all come with Keren confessing about her struggle with mental health. She has been been surrounded by it since childhood with her own mother suffering badly from it at a time when there were no self-help books or support groups.
They talk about their struggles from bedsit living to the glamour of getting a council flat where they held a brief conversation with Robert DeNiro before agreeing to meet him. And the struggles of not really being taken seriously.It’s easy to dismiss girl groups in the male dominated industry and this topic is mentioned throughout the book. And you can be forgiven for thinking that they just turned up and sang songs. Delve in deeper and you discover they are more than pretty musical things. Bananarama write most of their songs.
What is apparent is the almost absence of mentioning Siobhan Fahey and Jacquie O’Sullivan. Not really a criticism because when you strip back the banana skin, Bananarama has been a 2 piece girl group for 30 years. Hard to really compute that they were only a 3 piece for 1 decade. It’s in this book that for me as a reader, my mind is blown away. You simply forget they are a 2 piece.
So is this a book about the end? Not a chance. At 58 and 59 respectively, the Banana’s give zero hints that they will be hanging up the microphones soon and personally I’m glad about that. I’m quite sure they really have something more to say. Book 2? I suspect so. In the meantime, you need to read this one first.
