THEGAYUK

Tag: Four Star Film Review

The latest four-star film review from THEGAYUK.

  • FILM REVIEW | Fast the Furious Hobbs and Shaw

    ★★★★ | FAST & FURIOUS : HOBBS & SHAW

    Nutshell – Two huge gay icons get their own spin-off (sort of) from the mega Successful F&F franchise. The cop and villain from the last four movies Misters Johnson & Statham have to chase the latest MacGuffin world killing virus through London, Russia and The South Seas in the biggest stunts of the year.

    Incredible action, but with these two highly likeable stars you get so much comedy to balance it out often aimed at The Stath’s height or The Rocks muscles and everything is a fun competition between these two even bashing heads.

    Running Time – 137 Minutes – Cert PG-12A.

    Tagline – ‘One is fast & the other is Furious but there is a new protagonist in town’

    The Gay UK Factor – With two of the fittest men in movies together for their own extended films this is a gay guy into muscle’s wet dream and the film they have been waiting for all year.

    The eternal mano et-mano posturing throughout here is reminiscent of every bit of gym or locker room banter you have ever heard and they do everything together except fuck. The Rock even goes shirtless for an extended Haka scene and the Stath jokes about him losing his baby oil…

    It could not get any queerer if the stars of Rocketman, Bohemian Rhapsody and Mamma Mia turned up for a lip-sync battle mid car chase.

    Idris Elba also goes shirtless too more than once as do many of the hot macho henchmen.

    Cast – Dwayne ‘The Rock’ Johnson, Jason Statham, Idris Elba on bad guy duties & Vanessa Kirby as the female lead and then we have a new thing in F&F land endless cameos from Helen Mirren, Rob Delaney, Kevin Hart, Ryan Reynolds, etc etc.

    Key Player – This is the perfect double act. The producers saw the chemistry between these two guys in The Fast & The Furious and greenlit this new strand especially as The Rock and Vin Diesel were at loggerheads constantly so a new direction was needed. They are both the ultimate believable action heroes rather than say short arse Tom cruise who both have perfect comic timing that would get them a slot on Live At The Apollo any day of the week.

    Budget – $200 Million and it is all up there on the screen with one massive gravity-defying set piece after another. Worldwide Box office for the first week was 180 Mil and that was without the lucrative Chinese market where this series really cleans up. This is a box office bonus bonanza for Universal Studios being their 5th biggest opening of all time (And most of them are previous entries in this saga) it is also the biggest opening ever of both these two megastars.

    Best Bit – 1.16 mins; There is a tremendous car/bike chase through the busy packed streets of London’s Square mile early on but all the best bits come from the one-liners and they peak in a tremendous corridor fight scene where the stars wordplay hugely tops the great martial arts action with the endless gun-toting goons.

    Worst Bit – 0.28 mins; Jason Statham is 52 years old whilst Vanessa Kirby is 31yo but looks 10 years younger and here we are supposed to believe that they are brother and Sister & that she is an unstoppable fighting machine. It requires more suspension of disbelief and the strangest casting since a tank top wearing Denise Richards was cast as Dr Christmas Jones ‘a nuclear expert’ in James Bond’s The World Is Nor Enough.

    Little Secret – With the exception of the tropical climax and the studio scenes this film is shot entirely on location in the UK from Glasgow to The City Of London via High Wycombe and part of the fun is spotting the many locations you may know well… even the supposed many Russian set scenes are filmed across our fair isle.

    When this was greenlit it so annoyed Vin Diesel that he cut some of Johnson’s scenes in the last F&F film as he was exec producer and then failed to turn up for a days work leaving over 1,000 crew members idle. Idris Elba refused to say a scripted line for his character, calling himself “the black James Bond”. He instead used the phrase “black Superman” not to look too needy that he wanted the 007 job.

    Further Viewing – Fast & Furious 1-8, Need For Speed, The Cannonball Run, All Mission Impossibles, Spy, I Spy, and any mismatched buddy film from The Lethal Weapons to The Rush Hours, Bad Boys, Midnight Run & The 48 Hours movies not Wild Wild West though or anything with the words Jay & Silent Bob in them..

    Any Good – You know what you are getting here and there are no surprises but what you do get is another great chapter if you like this sort of thing and it seems everyone from 11-61yo does judging by its receipts. The surprise is the humour which really works and gives a great 80’s hit movie feel to it. The action is on par but maybe no real wow moment as in previous chapters but this is still great fun and the long-running time flies by.

    Whether this franchise goes down the Hobbs & Shaw route or back to the Vin Diesel ‘It’s all about family’ set-up time will tell but this is now the third longest-running franchise in history just passing Harry Potter and you would not bet on this overtaking Star Wars very soon.

    77/100

  • After 82 Review: A moving documentary film about the AIDS stories that need to be told

    After 82 Review: A moving documentary film about the AIDS stories that need to be told

    ★★★★☆ | After 82

    AFTER 82 is a new documentary about the AIDS crisis and the people who were affected by it most, is now available on VoD.

    These men tell their stories of what they went through, what it felt like to receive a death sentence, and why they can’t really understand why they are still here after having lost so many friends and lovers in the 1980s and 1990s. We also hear from some of the women who were also in the front lines of the early days of the epidemic.

    Narrated by Dominic West, Ben Lord and Steve Keeble’s compelling documentary looks back to the very early days of the pandemic when there were no medications available and a positive HIV test meant almost certain death.

    The documentary features interviews with the actor Jonathan Blake (portrayed by Dominic West in the BAFTA-winning film Pride) who has lived with the virus for over 30 years. Dr Rupert Whitaker, who was still a teenager when he fell in love with Terrence Higgins, recounts their relationship, and Higgins’ subsequent death.

    Lord Norman Fowler describes, with actual footage, of his visit to AIDS wards in San Francisco and sees for himself how the US was not dealing with the disease very well. He was part of Margaret Thatcher’s government and is the only man to have changed her mind about the then escalating crisis in the UK.

    Thanks to his persistence and massive campaign surrounding HIV/AIDS during the 1980s HIV infections started to decline. Lisa Power OBE, who co-founded Stonewall, provides testimonies and insight to an era where hysteria from fear spread across the world through lack of knowledge and understanding. And Gary Brough, so eloquently and movingly tells his own personal story of having the disease in his 20’s and how now, in his 50’s, he has a mortgage, is in a civil partnership, and is thinking about retiring after having lived so long with the disease.

    AFTER 82 is a moving documentary about stories that need to be told, and the ones told in this documentary are just a few of thousands of stories that have yet to be told.

    After 82 is available now to stream on demand and buy as well as selected screenings.

  • FILM REVIEW | Rocketman

    FILM REVIEW | Rocketman

    ★★★★ | ROCKETMAN

    Taron Egerton as Elton John in Rocketman from Paramount Pictures.

    The story of Elton John, Is it a musical definitely, is it a biopic partly is it sanitised? No damn way – 25 years of his life from 17-42 years-old, warts and all with added chems and gay relationships.

    Nutshell – Not really a chronological life story nor with chronological music but a celebration of our favourite ivory tickler with the many up’s and just as many down’s. The songs are not sung by Elton but by Taron and the cast which makes it a bit more interesting than the straight Queen lip-syncing in Bo Rhap for example. We get his early none fame days, his breakthrough worldwide and all the drugs, rock n roll and gay sex you could want largely featuring the long relationship with Manager John Reid plus his straight marriage. The story goes up until he finally checks in to rehab in the early ’90s and gets clean for life so no Lion King, David Furnish, Billy Elliott, Princess Di or AIDS campaigning.

    Running Time – 121 Minutes – Cert 15.

    The Gay UK Factor – The costumes, the endless music with many songs turned into ready for the stage musical versions and not skimping on his voyage of sexual discovery including gay kissing so a huge gay appeal indeed. The legendary two bare man ass sex scene has not made the final cut though fingers crossed for the extended or outtake DVDs for fans of Egerton and Madden’s asses. Maybe just as well as the kissing and hugging are enough to get the movie banned in some backward thinking countries alone. Taron Egerton is one great looking guy for anyone’s wank bank and he is fully supported here by the lush Richard Madden and a Jamie Bell looking much hotter than we have ever seen before. A new gay icon has arrived and it is Billy Elliott himself all grown up and as masculine and f**kable as a striking coal miner.

    Cast – Taron Egerton, Jamie Bell, Richard Madden, Bryce Dallas-Howard, Gemma Jones, Stephen Graham fresh from a good throat slitting in Line Of Duty and even unbelievably a low key Keith lemon himself.

    Key Player – A three-way split between the director Dexter Fletcher fresh from his three week stint saving the Oscar sponge Bohemian Rhapsody and doing a better job here. Taron is sensational and he has a great singing voice and most importantly he does his own thing than rather doing an impersonation which was Elton’s request. Finally of course Sir Elton himself whose endless superb songbook could fill four movies and some. There are many favourites here but just as many missing and it truly helps the movie fly by surely demanding repeated viewings.

    Budget – $40 Million – Yet this has already made six figures and is heading for 200K fast. Maybe it won’t make the 800K that the Queen film made last year (and this is the better film) but it is a bona fide hit and Taron’s stock has gone up as fast as Elton’s greatest hits sales have. So get ready for the George Michael film, the Bon Jovi biopic, the Steps & Vengaboys films, How the Weather Girls became big, the biopic of Shakin Stevens and the Chesney Hawks story probably all being green lit as we speak.

    Best Bit – 0.44 mins; When Elt makes his big American breakthrough at the Troubadour club in LA, the singer, band and the entire audience all levitate to ‘Crocodile Rock’ as someone’s star goes stratospheric in one short night and things will never quite be the same again along the ‘Yellow Brick Road’.

    Worst Bit – 1.39 mins; There is nothing that out of step here but ‘Bennie And The Jets’ as a live performance is the weakest link in a very strong chain… maybe because we don’t really like that song in Europe (A number 1 in the US though). ‘Border Song’ goes nowhere but not helped by coming after an incredible version of ‘I want Love’ and do we really need ‘Tiny Dancer’ again when there are so many other hits that could jump straight in (Although frustratingly it’s lyric fits the movie like a glove).

    Little Secret – Over the years in development James McAvoy, Daniel Ratcliffe and Tom Hardy were to play Elton, the singer himself was originally very keen on Justin Trousersnake until he met Taron Egerton. Besides there filming together in the Kingsman sequel Taron also did a lengthy version of ‘I’m Still standing’ in the hit cartoon animal film ‘Sing’ as a giant Gorilla! The film suggests that Elton Hercules John took his first name from a band mate and the last name from John Lennon, in fact, it was inspired by the other sixties singer Long John Baldry… He took the name Hercules from Steptoe And Son’s rag and bone cart horse.

    Further Viewing – Bohemian Rhapsody, A Star Is Born, The Greatest Showman, Mamma Mia’s 1 & 2, Moulin Rouge, Mary Poppins Returns (with a few more ‘fks’ here’), Les Mis, Walk the Line and all Elton’s movie appearances from Pinball Wizard in Tommy through to him co-starring with a certain sexy as fk suited and booted Taron Egerton in Kingsman: The Golden Circle.

    Any Good – Yes, if you are not an Elton fan (what’s wrong with you!) and YESSSS if you like the John Lewis ad botherer from Pinner like a true gay music aficionado. This is great fun and it flies by as you count the hits off and wait in anticipation for ‘Your Song’ the title track or ‘I’m Still Standing’. You will learn a lot about the great man and really enjoy his and Bernie’s company for two happy hours.

    There could even be a sequel in our view there are enough quality tunes that is for sure. In the meanwhile let’s have the soundtrack, the sing-a-long cinema and DVD version and most importantly the hit stage show as this is ready to go with or without Ben Elton’s interference. Of course we all have fave Elton John tracks that we would love to have seen included ours would be ‘Lucy in The Sky With Diamonds’, ‘Sacrifice’ and ‘Nikita’ but there are 25 hits to be going on with here including a brand new song over the end credits which is as good as anything he has done.

    A great night out at the movies with what feels like an old friend – kudos to all involved.

    FOUR STARS

     

    In Cinemas now

  • FILM REVIEW | Yuli

    FILM REVIEW | Yuli

    ★★★★ | Yuli

    Famous Cuban ballet dancer Carlos Acosta plays himself in a beautiful drama/documentary about his life as a ballet star as well as his life growing up poor in Cuba.

    ‘Yuli’ – the nickname given to him by his father Pedro – is very unique in its storytelling. It not only goes into detail about his struggle to become a ballet dancer, but the film also deals with his relationship with his family, his home country of Cuba, as well as the troubled relationship he had with his father. Scenes of the adult Acosta are interspersed with scenes of his childhood, with Edilson Manuel Olbera more than ably playing Acosta as a young boy in a poor area of Havana with his family and separated parents who still live together.

    Cuba is also a star of the film. There are beautiful shots of the Malecon (a broad road esplanade hugging the coastline in Havana), old yet beautiful architecture in Havana, long shots of the city streets, and a stunning finale shot of the famous Great Theatre of Havana, where a young Acosta learned ballet.

    Members of Acosta’s family ended up fleeing Cuba for the United States. Yet Yuli’s parents continued to urge him to dance, and they, along with ballet teachers, saw something special in him. He gets chances to go to the best ballet schools, ending up in both the U.S. and then in London, where he became a permanent member of The Royal Ballet for 17 years. Keyvin Martinez plays Acosta as a young man, a man who misses home and almost decides to give it up all just so he can return to his beloved Cuba (and mom).

    There are lots and lots of beautiful dance scenes that impact the viewer on what a beautiful, stunning and amazing are that ballet is. The dance scenes are transitional – these dance scenes guide us from one scene to the next, and this works beautifully. And Acosta, as an actor, is very good at playing himself.

    Yuli is such a beautiful film – it’s an event film that is beautifully directed by Icíar Bollaín, but this is Acosta’s film.  What Yuli doesn’t do is to convey how famous Acosta was during his heyday. Sure he is world-renowned for his dance work, but the film doesn’t really convey this, nor does it show much of Acosta interacting socially with fellow dancers, most of whom are gay (Acosta is straight). But these are just minor blips. ‘Yuli’ is a film that can be enjoyed whether you love ballet or not. 

    Yuli now playing at a cinema near you.

  • FILM REVIEW | Benjamin

    FILM REVIEW | Benjamin

    ★★★★ | Benjamin

    Comedian Simon Amstell has directed and written his first film – it’s called Benjamin.

    He actually also could’ve called it Simon. Benjamin follows the life of filmmaker Benjamin (played by the charming Colin Morgan). He is a frustrated, self-doubting filmmaker, and is not very optimistic about his latest film – ‘no self.’ He is also not very optimistic about his love life – an ex is very angry at him for writing negatively about him in a film. Benjamin’s best friend is comedian Stephen (Joel Fry), who after ten years on the stand-up scene is almost ready to throw in the towel.

    But one day Benjamin’s publicist/friend Billie (Jessica Raine) takes him to a chair opening party (yes, that is what it is called) where Benjamin meets the adorable French Noah (Phénix Brossard). Noah is younger than Benjamin but over time their relationship blossoms. But as Benjamin’s insecurities about relationships, and life, get worse, will he be able to confidently promote his new film while at the same time keep up his crumbling relationship with Noah?

    Anstell wrotes scenes for this film from almost every relationship he has ever been in. And lead actor Morgan can actually pass for his younger brother, while Stephen, a comedian, was perhaps modelled on Anstel’s early career.

    Benjamin is a great date movie – for both gay and straight couples. It’s charming and original.’ And while it won’t change your world, it’s a great first effort from Anstell – hopefully, he can continue to make more charming movies such as this.

    In Cinemas and on Digital 15th March

  • FILM REVIEW | Girl

    FILM REVIEW | Girl

    ★★★★ | Girl

    Girl is the story of a 15-year old trans child who feels like she was born in the wrong body.
    In an amazing turn by newcomer Victor Polster who plays the lead Lara, Girl takes us on a journey of a young child, assigned male at birth desperately wanting to rush hormone treatment to become a girl. But Lara also has a yearning to be a ballerina, and the pressures of being born in the wrong body to be able to fulfil her dream is the challenge that Lara may or not make it through.
    She lives in a apartment with her taxi-driving father and much younger brother and suffers with the usuals pressures of school, including not being able to disrobe in the locker room. But first-time director Lukas Dhont draws us into Lara’s life by focusing the entire movie on her – we see and feel her emotions, the anxiety, fear, and at times happiness about the huge change that is going to take place in her life. And Polster is just simply amazing as Lara.
    Girl has won lots of awards, including the Un Certain Regard prize at Cannes last year, along with an award for Best Performance for Polster. Girl also won Best Feature Film at the London Film Festival.
    Girl is not a perfect movie. There are lots of scenes of Lara while she is in ballet practice, and we are shown Lara’s bloodied toes from the rigorous training way too many times, and the ending comes as a bit of a shock and is quite controversial. But see Girl for the story (written by Dhont and Angelo Tijssens) and the amazing performance by Polster.
    UK release date – 15th March
  • FILM REVIEW | Boy Erased

    FILM REVIEW | Boy Erased

    ★★★★ | Boy Erased

    In 2004, at the age of 19, American Garrard Conley was sent by his parents to a conversion therapy program to rid him of his homosexual feelings. This true story is now a film called Boy Erased.

    The amazing Lucas Hedges (Lady Bird, Manchester by the Sea) plays Garrard. He is a young man growing up in a small bible belt community in Arkansas. His father Marshall (Russell Crowe) is a respected pastor in the local church while his mother Nancy (Nicole Kidman) believes in everything her husband says. But Garrard is given a choice by his parents when he tells them he is gay: either agree to attend the church-support conversion therapy program where he will have to go to a camp with similar young adults or risk losing his family, a family that he is quite close to. Garrard has no choice but to go through therapy. Garrard is happy being gay – even entering into a relationship with a fellow student at college – but it is his religious upbringing (and a stern father) which helps him make the decision to go to therapy.

    Once he is at the Love in Action gay conversion therapy assessment program, he meets fellow young men like himself (including director and actor Xavier Dolan, and Joe Alwyn – at the time of this writing Taylor Swift’s boyfriend). They all struggle to not come to terms with the way they are, meanwhile all the time guided by the chief therapist Victor Sykes (writer and director of the film Joel Edgerton). But of course, Garrard has urges that he can’t control, while his parents feel that for him to lead a happy life is to lead the life of a straight man.

    The real Garrard Conley, of course, luckily survived his time in the therapy program to write the book which is now this film, and it’s a very good film. Hedges, as always, is fantastic. One never knows what he’s thinking because of his inquisitive facial expressions, and he steals the movie from the two heavyweight actors who are playing his parents. Crowe is excellent as the self-righteous father but Kidman is both warm and tender as the mother who loves her husband but perhaps loves her son a bit more. Boy Erased is at times heartbreaking, but for the most part, it’s triumphant.

    Boy Erased is out now and available to order from Amazon

  • FILM REVIEW | Can You Ever Forgive Me?

    FILM REVIEW | Can You Ever Forgive Me?

    ★★★★ | Can You Ever Forgive Me?

    Melissa McCarthy and Richard E. Grant both play gay characters in the fantastic Can You Ever Forgive Me?

    Based on the life of book author, and Lesbian, Lee Israel, and fluidly directed by Marielle Heller, Can You Ever Forgive Me? based on the late Israel’s memoir, tells about the misadventures of Israel’s life. She was a Manhattanite who didn’t have much money to rub together, so she starts forging signatures of famous people and then sells them to collectors, raking in big money.

    Questions start arising about her charade, and soon enough she has to pull back, and then enlists her gay best friend Jack (Richard E. Grant – in his best performance ever) to take over her sales duties to pawn more fakes to the collectors. It’s early 1990’s New York City, and one gets the feeling that anything can happen then (‘if you can make it there you can make it anywhere’), and that Israel will rise above it all, but in the end, we know what is coming. But before, director Heller (working from a screenplay by Nicole Holofcener and Jeff Whitty) perfectly sets the mood and vibe of New York, with bookshops almost at every corner (long gone now no thanks to the internet) and quite a few of the scenes in the film were shot in the West Village’s classic gay bar Julius.

    Can We Ever Forgive Israel? Yes, we can definitely forgive Israel for what she’s done because it has brought us this fine movie. McCarthy and Grant have been nominated for Oscars, let’s hope that if anyone of them wins, it will be Grant. He is just superb in his role, debonair, chilled, and like a fine wine, getting better with age.

    Order Can You Ever Forgive Me on DVD

  • FILM REVIEW | Aquaman

    ★★★★☆ | Aquaman

    FILM REVIEW for Aquaman

    AQUAMAN – The DC Superhero universe continues the fight back against Marvel with this great musclebound outing. We have had spandex guys everywhere you can imagine from Africa to World war 2 and including outta space so it’s time now to go underwater.

    Nutshell – Land lubber Arthur Curry discovers he is in line to the throne of the underwater kingdom Atlantis. Unfortunately his sexy as fuck half-brother has other ideas, he feels responsible for his mother’s death and the Atlanteans are about to fight back with us surface developers for decades of undersea warfare and now our modern plague of plastic pollution. Cue all-out war and our favourite new hunk of beefcake is right in the middle of it.

    Running Time – 143 Minutes – Cert PG-13. Superhero movies just keep getting longer and longer but it works here.

    Tagline – ‘Home Is Calling’ & ‘He’s Not From Around Here’

    The Gay UK Factor – Jason Momoa is one of the hottest new gay fantasy men out there and here he is topless for the duration. This massive tall muscular stud is heavily tattooed, has sexy scars and great long straggly hair you just want to run your fingers through. He starred in his own Baywatch TV series before heading off to Westeros to be the none English speaking shirtless and bare arsed Dothraki King in Game Of Thrones inducing a huge increase in wanking sock abuse. His Aquaman movie introduction was as small parts in Batman Vs Superman and Justice League where he stole your eye away from a lot of other hot leads but it has all been heading to this his very own two-hour special.

    Cast – We are not sure there was anyone else here besides Momoa as we only had eyes for him but we think we spotted Dolph Lundgren, Willem Dafoe, Nicole Kidman, Amber Heard some guest star appearances as other kingdom monarchs and one of the most underrated sexy men currently acting Patrick Wilson who no gay man would kick out of bed.

    Key Player – James Wan the director keeps the action and key set pieces a coming and turns what could easily be a pile of fantastical dog poop with men riding sharks and seahorses into battle into something believable, current and most of all… fun.

    Budget – $160 Million but it seems to be money well spent as this will dominate the Christmas Box Office as everything else is kiddie blockbusters (Mary Poppins/The Grinch/Spiderman Cartoons) and helped by the major failure of the pretty rough Fantastic Beasts, JK Rowling’s first ever Waterloo and the postponement of the Bond.<

    Best Bit – 1.12 mins; We get a great spell out of the water to undertake a breathtaking downhill rooftop chase with one great stunt after another and serious fingernail chewing jeopardy.

    Worst Bit – 1.25 mins; A fight with a giant mythological creature seems a bit out of place here and more suited to any of a hundred forgettable sword and sandal Sunday afternoon Greek epics which all merge into one. Luckily the scene is short lived and it is soon back to the ocean for the big climax.

    Little Secret – James Wan is, of course, the king of horror making the Insidious/Annabelle/Saw/Conjuring etc movies but don’t worry as he has a different focus here basin this on Raiders Of The Lost Ark and Romancing The Stone but whatever made him decide to include a drum playing octopus no-one will ever know. With this film, the DC universe will cross the four billion dollar mark at the box office in the fastest time ever just six films so take that Messrs Bond, Potter, Tolkien, Sparrow, Vader and especially Marvel.

    Further Viewing – Wonder Woman, The Justice League, Various Spidermans and Batmans and everything from the DC movie universe or the enemy Marvel studio. 20,000 Leagues Under The Sea, Beyond Atlantis, The Meg, The Abyss, Sanctum, Lords Of The Deep but not Finding Nemo or The Little Mermaid.

    Any Good – This works and it so easily might not have. Very fast paced and extremely noisy but it all seems to be in support of the extensive plot. Wholly separate from every other superhero films so no cameos here as it lives entirely in its own domain. It looks great is thoroughly enjoyable and fully launches Jason Momoa to the top of the A-list heading straight at the slightly tarnished Dwayne Johnson crown who has had a very rough year indeed. The Worlds highest paid movie star in history suddenly needs to look over his shoulder for a tatted man with even more muscular and possibly a better actor to boot.

    70/100

  • FILM REVIEW | Bohemian Rhapsody

    ★★★★☆ | Bohemian Rhapsody

    The life and times of Freddie Mercury and his band queen from there humble West London beginnings to storming Live Aid the biggest show the world has ever seen.

    Nutshell – Freddie meets Roger Taylor and Brian May and together latterly with John they create some of the greatest rock music of all time. Their songs still stand the test of time today and include heavy metal, disco, 50’s rock n roll, opera and film themes along the way. The film also focuses on Freddie’s sexuality, his struggles with this and inner band dynamics plus hangers-on form the basis of this excellent rock biopic. Over twenty queen songs spanning the 70s/80s and 90s and then latterly comes the spectre of AIDS to bring the third act’s somber drama.

    Running Time – 134 Minutes – Cert 12A.

    Tagline – The only thing more extraordinary than their music is his story

    The Gay UK Factor – Freddie is about as big a gay icon as there has ever been and his incredible life story is nothing more than outstanding gay folklore. His love live and decadence is fully covered here in all its horny details but the reminder to a modern young audience about how devastating HIV and AIDS was in the pre prEP era of the 80’s and 90’s is the most important factor here. So many gay men gone but should never be forgotten, Freddie was just the brightest star to be extinguished at that time and this movie brings that right home.

    Cast – Rami Malek, Lucy Boynton, Aidan Gillen from Queer As Folk, Tom Hollander, A completely unrecognisable Mike Myers and keep your eyes peeled for Adam Lambert as a truck driver.

    Key Player – Rami Malek is the spit of Freddie, and after five minutes you forget he is an actor. Likewise, Gwilym Lee is a dead ringer for Brian May and this together (The less said about the Bob Geldof lookalike, the better) with the great musicianship helps the biopic feel as real as possible. Of course it is the Queen songbook which is possibly the best that exists besides Abba and the Beatles just when you think you have heard all the best songs there are another half a dozen memory joggers around the corner.

    Budget – $52 Million… opening weekend $50 Million USA alone, so that is a result then, They are still the Champions… of the world, mic drop.

    Best Bit – 0.57 mins; The biggest concert crowd ever at the time was the mega Queen concert in Rio and when the crowd take over one of the bands lesser known songs “Love Of My Life” you will be joining in too.

    Worst Bit – 0.12 mins; The formative Queen band ‘Smile’ (one of them was a dentist) and their songs here are average, to say the least – maybe it is necessary for the structure of the film but speeding through this may have made room for “One Vision”, “Somebody To Love” or “Flash”.

    Little Secret – Partway through filming, director Bryan Singer left the production and replaced by Dexter Fletcher. Singer the director of movies such as The Usual Suspects and X-men started turning up late, leaving early and then strangely disappearing for three whole days. Rami Malek, in particular, pushed for a change of directors. Twentieth century Fox the studio behind. The Wembley Stadium set for Live Aid was one of the biggest ever and was constructed from scratch as of course the Wembley twin towers have long since been demolished.

    Further Viewing – A Star Is Born, any of the Beatles, Elvis or Cliff films, Mamma Mia, Rock Of Ages, Spiceworld, What’s Love Got To Do With It, Can’t Stop The Music, Jersey Boys, Straight Outta Compton, The Pet Shop Boys Movie, Whitney, TGIF but most of all next years Taron Egerton Elton John Biopic Rocket Man which looks incredible.

    Any Good – Go for the music alone it is the very best. This is well put together and the live performances especially the mock-up of Live Aid with four songs alone here is sensational. A very enjoyable, exciting, thought-provoking, tuneful entertainment with a sad twist in the tail.

    73/100

  • FILM REVIEW | A Star Is Born

    ★★★★☆ | A Star Is Born

    The 4th version of this movie is all very up to date but how does Lady Gaga shape up in the ultimate diva battle against her predecessor’s madams Streisand and Garland?

    Nutshell – A well-trodden story of a male superstar whose career is on the skids who falls for a nobody whose star then goes stratospheric. 1937/1954 and then 1976 this exact story has been filmed all very successfully with the first two focusing on movie stars and the last one moving it to the music industry so as Barbra Streisand can belt out her top three hit ‘Evergreen’. The success of the 2018 film depends on the talent on show namely Bradley Cooper… fucking hot as hell and Gaga who is the current queen of our gay stratosphere plus the quality of the songs. With ‘Shallow’ now atop the singles chart and the album alongside it, we very definitely have all three massive ticks in the movies credit column. Yep, this is good stuff indeed.

    Running Time – 136 Minutes – Cert 15. This is a long drawn out affair maybe some of the middle songs could have been ditched.

    The Gay UK Factor – Lady Gaga‘s first full length starring roll including over a dozen new great anthems what could be queerer than that? Well just to make sure that plenty of pink pounds get handed over the cinema counter we get hunky Bradley Cooper topless too for many of the scenes – maybe the first movie ever where you will wank and lip sync at the same time.

    Cast – Bradley Cooper, Lady Gaga, Sam Elliott, Andrew Dice Clay, David Chappelle and far too briefly, Alec Baldwin.

    Key Player – Although this is Bradley’s directing debut and he co-wrote it and starred in it as well as singing adequately many of the songs the movie always comes to life most when her ladyship is on the screen. This is a one-woman show. She is completely stunning and steals every single scene she is in and others sag without her regal presence. Never has a movie been so aptly titled… maybe a Megastar is born here certainly a new triple threat at least.

    Budget – $60 Million and its already made twice that back in just America alone – a bonafide hit plus CD sales, massive DVD sales, merchandise and with touring conglomerate Live Nation finance here this probably even a tour and stage show. This will run and run.

    Best Bit – 0.44 mins; The first time Bradley forces Gaga onto a stage in front of her first big audience is a real showstopper and it’s the fantastic big new number one hit ‘Shallow’ she sings and sings fucking well.

    Worst Bit – 1.25 mins; When Gaga makes it big and starts performing her own music we get a disappointing run of three sub-Ariana Grande type rejected album tracks when the film is crying out for another ‘Poker Face’ or ‘Bad Romance’. This section of the movie is as about as limp and as unfortunate as your cock after 10 pints when Tom Daley out of the blue offers you a booty call.

    Little Secret – Bradley Cooper sang and recorded some scenes live from the Pyramid stage at Glastonbury in 2017 immediately before he introduced the booked act Kris Kristofferson who was the male lead of the 1976 A Star Is Born opposite Streisand. This reboot was planned by Clint Eastwood in 2011 starring Beyonce until she became pregnant then it was Rihanna, Shakira & Selena Gomez; male leads were those well-known singing talents Christian Bale, Leonardo DiCaprio & Tom Cruise. Not only does Bradley write, direct and star in the film but one of his kids appears and the dog is his own hound, Charlie.

    Further Viewing – A Star Is Born 1-3, and musicals like Mamma Mia Here We Go Again, The Greatest Showman, La La Land, Bohemian Rhapsody etc plus Moulin Rouge, My Fair Lady, The Bodyguard, Strictly Ballroom and every romantic musical back to The Golddiggers Of 1933 belting out the ‘Lullaby Of Broadway’.

    Any Good – A stunning directorial debut by Cooper and a film that will make Gaga into a movie legend… it could have been written for her if it wasn’t 81 years old. This just works from start to finish and the 98% new songs (Only ‘La Vie En Rose’ you will recognise) are mainly memorable and downloadable. Well acted, beautifully shot and with an earth-shattering finale and climatic number. Gaga may have just missed out on the Oscar for best song two years ago but she is now the bookies favourite for Feb 2019. This is a great original musical applied to one of the oldest and oft-repeated stories in cinema. Never mind ‘Born This Way’ it appears she was Born to act.

    Rating- 77/100