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Tag: Movie Genre Trans

  • FILM REVIEW | Linga Franca – delicate and moving portrait of a Filipina Transwoman

    FILM REVIEW | Linga Franca – delicate and moving portrait of a Filipina Transwoman

    Rating: 3 out of 5.

    Linga Franca follows the story of an undocumented Filipina transwoman Olivia (Isabel Sandoval) in Brooklyn’s Brighton Beach Russian neighbourhood. 

    Olivia is the live-in caregiver for elderly feeble Russian Olga (Lynn Cohen – remarkable). Olivia has yet to get her green card, and she’s vulnerable to getting kicked out of the country in Donald Trump’s fetish for kicking out illegal aliens – it’s his rhetoric and voice that permeates in the background of the film. Olivia’s best friend and fellow Filipina transgender friend Trixie (Ivory Aquino) has found happiness with a good-looking American man and is more or less guaranteed a green card. 

    One day Olga’s Grandson Alex (Eamon Farren) returns from being away for a year – he’s the black sheep of the family. He stays with Olga and Olivia in Olga’s house and gets a job in a meat factory owned by his uncle. 

    Sure enough you can guess what happens next. Alex is attracted to Olivia and perhaps all too suddenly they fall into each other’s arms and make love. But is this what Olivia really wants? She had just been dumped by a guy who promised her the world, and Olivia, who was at a loose end and desperate, should’ve welcomed this new man in her life, but she doesn’t. We never really get to understand what makes Olivia tick and what will indeed make her happy. 

    While Lingua Franca is a very sensual and provocative film, we never really get to the heart and soul of Olivia. And the love affair between Olivia and Alex is a bit too easy. And while the direction and writing by Sandoval herself are delicate and moving, she brings us into an already chartered territory (it’s hard to top 2017’s ‘A Fantastic Woman’).

    Lingua Franca may frustrate you a bit but it’s saved by terrific acting – especially by Cohen (she played Miranda’s housekeeper in ‘Sex and the City‘), who unfortunately passed away earlier this week.

    OPENS IN SELECT THEATERS AND ON NETFLIX AUGUST 26

  • FILM REVIEW | The Death And Life of Marsha P. Johnson

    ★★★★★ | The Death And Life of Marsha P. Johnson

    review the death and life of MArsha P Johnson

    “There’s a massive number of trans women who have been murdered, and they’re yelling out from their graves for justice”.

    Director David France makes stunning a return with The Death And Life Of Marsha P Johnson, and it’s devastatingly relevant as dozens of trans women, particularly of colour, are murdered every year across the globe.

    In 1992 Marsha went missing she was last seen on the 4th July, two days later her body turned up in the Hudson River, New York. Police and an autopsy ruled her death a suicide, but friends and relatives believe that she would never end her own life.

    Was her death an accident, suicide or something more sinister? This is the question that activist and crime victim advocate Victoria Cruz from the New York Anti-Violence Project has set out to determine as she launches her own investigation into the death of one of New York‘s most prominent LGBT figures.

    Marsha was and is, without a doubt, one of the leading activists who created the modern LGBT+ rights movement in the USA. The film also pays kind tribute to another unsung hero of the movement, Sylvia Rivera who died in 2002. Previously unseen, fascinating footage of Rivera shows her to be a formidable character and unrelenting trans and gay rights advocate. Her life was cut short at the age of just 50 of complications from liver cancer.

    Documentary maker David France, whose other notable work includes, How To Survive A Plague, uses stock and archive footage and touching interviews with those who knew Marsha to haunting effect, bringing alive the formative years of the burgeoning gay rights movement in New York, following the Stonewall Riots in the summer of 1969.

  • FILM REVIEW | A Fantastic Woman

    ★★★★★ | A Fantastic Woman

    Daniela Vega gives an award-worthy performance in the Chilean film A Fantastic Woman. Vega’s performance as a woman who, after the death of her lover, is rejected and scorned by his family that is superb.

    You see, Vega is transgender, and her character Marina Vidal, who happens to be an aspiring singer, is also, of course, transgender. She and her lover Orlando (Francisco Reyes) had a regular relationship, but his ex-wife and son never truly accepted her nor her relationship with Francesco. But after a birthday celebration where they shared a romantic dinner, a sexy dance in a club, and a night of passion at home, Francisco starts having problems breathing, and after a tense drive to the hospital, Francesco dies, and in panic and a state of confusion, Marina walks away from the hospital. But after a police car picks her up and takes her back to the hospital, she realises that she’s being treated as a suspect in Francesco’s death and not as a grieving partner. To make matter much much worse, Francesco’s grown up son wants her out of Francesco’s apartment, and his ex-wife wants his car and explicitly tells Marina, to her face, that their relationship was perverted and not normal. It’s too much for anyone to take, but Marina is strong, and she will do anything to attend Francesco’s funeral, even when Francesco’s family tries to keep her way. Marina loved Francesco and wants to say a final goodbye.

    There’s no doubt about Vega’s performance. We feel her pain, and her anger, and her confusion over the series of events that have happened in her life in a short period of time. Vega is a revelation, and she should’ve been nominated for a Best Actress Oscar, nevertheless she’s been nominated for a slew of other awards, and has won Best Actress at the Palm Spring International Film Festival, while the film, written and directed by Sebastiån Lelio, won the prestigious Teddy Award at the Berlin International Film Festival. ‘A Fantastic Woman’ is really fantastic, one of the best films of the year, and Vega’s performance will most definitely move you.

    A Fantastic Woman is now playing.

  • FILM REVIEW | The Danish Girl

    FILM REVIEW | The Danish Girl

    Oscar-winning Director Tom Hooper (‘The Kings Speech’) and Oscar-winning Actor Eddie Redmayne (‘The Theory of Everything’) bring us the life of a male Dutch artist who, with the support from his wife, becomes a woman, in the new film ‘The Danish Girl.’ ★★★

    Based on the book of the same name by David Ebershoff, ‘The Danish Girl’ tells the real life story of Einar Wegener (Redmayne) who never felt right as a man so transitioned into a woman, being one of the first known recipients ever of reassignment surgery. It was with the support of his wife and fellow painter Gerde Wegener (Alicia Vikander) that gave him the courage and hope that helped him through the transition to live the rest of his life as Lili Elbe. But the film portrays Einar’s transition and Gerde’s acceptance as a dull one, there are no real revelations, nothing exciting about the story, and even Redmayne’s performance is a bit under the radar. It’s Vikander who steals the movie right from under Redmayne’s corset.
    The movie tells us that Einar’s interest in all things transgender suddenly happened when Gerde asked him to fill in for a female model who didn’t show up for one of her painting sessions. So she asks Wegener to put on a dress so that she can finish the painting. Wegener likes the way it feels, but more importantly he likes the way he looks in it, and this suddenly awakens Einar’s inner woman. This takes place in 1926 while the couple was living in the liberal land of Copenhagen, though such things were not done, nor not even discussed back then. But with Gerde’s full support, and help, Einar starts dressing up as a woman outside of their house. Things get a bit more complicated when another man, Henrick (Ben Whishaw) takes an interest in Einar, who by this time has started calling herself Lili.
    Gerde is asked to go to Paris so that she can work for a local art dealer, and while her career flourishes, their marriage slowly dissolves. And a childhood friend of Lili’s, Hans (Matthias Schoenaerts) shows up and forms a complex triangle with the couple. And it’s not long before Einar goes ahead with the surgery.
    ‘The Danish Girl’ is dull. It’s not a sweeping European love story where love conquers all in the midst of one man’s gender confusion and one woman’s loyalty to such man. Hooper’s direction can’t bring Lucinda Coxon’s boring script to life. Not even the actors can accomplish this.
    Redmayne is good as Einar/Lili, yet there were times when I thought I was still watching him play Stephen Hawking. It’s his eyes, he blinks them quite a lot in this film, just like the way he did in ‘The Theory of Everything.’ However, ‘The Danish Girl’ is pretty much Vikander’s movie.
    She’s beautiful and emotional and accepting when the times call for it – it’s just as good a performance as Felicity Jones was as in ‘The Theory of Everything.‘ Vikander’s star is on a meteoric rise, having appeared in three films this past year (‘Ex Machina,’ ‘The Man from U.N.C.L.E.‘ and ‘Burnt‘). She’s currently filming the fifth Bourne Identity film with Matt Damon and Tommy Lee Jones and has two other features coming out in 2016. I was very disappointed that ‘The Danish Girl’ was not as good as I had hoped, perhaps it might be better to read the actual book, and skip the movie.by Tim Baros

  • FILM REVIEW | Tangerine, A Film You Will Not Want To Miss

    ★★★★★ | Tangerine

    Two transgender prostitutes tear up Santa Monica Boulevard in the brilliant new film ‘Tangerine.’

    In a week that also sees the releases of Michael Fassbender in Steve Jobs and Dame Maggie Smith inLady in a Van, Tangerine is far and above the best film of the three.

    It is one of the most funny and original films of the year. and stars two transgender actresses in the lead roles, roles that will make them both stars.

    Mya Taylor is Alexandra, and Kitana Kiki Rodriquez is Sin-Dee (yes, Sin-Dee), it’s Christmas Eve in Los Angeles, and Sin-Dee has just got out of jail after spending 28 days for holding drugs for her pimp boyfriend Chester (James Ransom). She finds out, from Alexandra, that Chester has been having sex with Dinah (Mickey O’Hagan), so Sin-Dee goes on a mission to find Dinah and then to confront Chester. And Alexandra is having her own drama – she’s performing at a local bar that night and has passed out fliers to everyone she knows. Meanwhile, she’s got one of her regular customers, Razmik (Karren Karaguilian), looking for her. Razmik has problems of his own, he’s attracted to transgender prostitutes, but he’s married with a young daughter at home. He’s also got his nosy mother-in-law visiting for the holidays.

    Sin-Dee finds Dinah in a motel room with several other prostitutes and their naked male customers, so she literally kidnaps her and then heads to confront Chester. Alexandra, meanwhile, scuffles with a customer who doesn’t feel like he should pay her because he didn’t come. But she does have sex with Razmik in a brilliant uncut sex scene in a car wash. All these characters converge together at the local Donut Shop as they confront each other about infidelity in a very dramatic and hilarious ending. Tangerine is a Christmas tale not of the typical Christmas kind.

    Shot on three iphone 5s’ on a $105,000 budget, Tangerine is not the sort of movie you would expect to be dazzling, funny, dramatic, adventurous and original, but it is. Thanks to the many elements that bring this 88-minute film to fruition which make it so; the guerrilla style filmmaking is excellently created by Director, Editor, Co-Cinematographer and Co-Writer Sean Baker (co-written along with Chris Bergoch). And the actors are fantastic. Baker initially met Taylor at the Los Angeles Lesbian Gay Bisexual Transgender and Queer Community Center, and she introduced him to all her friends, including Rodriquez, which is how ‘Tangerine’ came to be, and these two actresses more than carry the movie, they are the movie, you can’t take your eyes off them. The rest of the cast is also brilliant; especially Karaguilian (who is a professional actor) brings sympathy to his role as a man trying to do the right thing but who also harbours a secret, and O’Hagan as the ‘other’ woman who is literally dragged around Los Angeles by Sin-Dee in the search for Chester. The Los Angeles neighborhood where this film is shot feels like another character in the film; the hued and hazzy skies, cheap motels, strange people and very cheap fast food restaurants litter the area. And the music (and script) is cutting edge; pulsating, loud, sharp, a perfect match for a film with characters who are the same, who spew lines such as, “He just went from half fag to full fag” to “You forget I’ve got a dick too,” with copious amounts of the word ‘bitch’ and ‘whore.’

    Tangerine is a smorgasbord of wit and sarcasm. It’s also brilliant and must be seen to be believed.

  • FILM REVIEW | Boy Meets Girl

    ★★★★★ | Boy Meets Girl

    Eric Schaeffer’s refreshing and enchanting drama about three 20 year-olds looking for love in a small backwater town in Kentucky gently challenges us to suspend our preconceived views on gender labels and be as open to what happens as these lovelorn kids are. Ricky is a confident and determined transgendered young woman who is marking her time working in the local coffee until she is accepted at Fashion School in NY and can get on with the life she dreams of. She’s been best friends with Robby since they were 6 years and he now works as a mechanic at her father’s garage and the two of them are totally inseparable.

    Then one day their world gets shaken up more than a little when Francesca breezes into the coffee shop and within minutes it’s clear that there is a mutual attraction between her and Ricky. Francesca is the spoiled rich kid of a local Politician and is engaged to be married to a Marine presently serving in Afghanistan. When she and Ricky hang out with each other and start to really bond, Ricky breaks the news about her identity to her new friend by text even though they are sitting next to each other at the moment. It sets a tone on how all the intimate moments are so superbly handled in this touching tale of romance.

    Francesca has been ‘saving herself’ for marriage … well, that’s the line she has feeding David her fiance… but soon finds herself in bed with Ricky. She asks after making love if this now makes her gay, to which Ricky simply replies ‘it makes you human.’ The situation soon intensifies when David comes home on leave unexpected and is horrified to discover that his fiance’s new best friend is the transgendered Ricky. It turns out that his homophobia is, however, to do with his own secret past which he shared with Ricky.

    The one person who is even more upset with the two girl’s relationship, which ends before it even gets a chance to really take off, is Robby. Turns out that he now realises that he must come to terms with his own feelings for his best friend, and once he can let go of his preconceived ideas of her gender, he can love her for who she really is.

    Schaeffer’s script handles this all with such refreshing candour which empowers these young people to find it within themselves to accept and value who they are without being hung up on the labels that society insists on doling out. Ricky’s own journey of discovery up to that point was certainly not easy as she had to deal not only with bullying and taunting during her school days but also with the demons of misremembering her late mother’s opinions. She is, however, fortunate to have the unconditional support of her blue-collared father and her younger brother.

    Superb casting also contributed a great deal to the undisputed success of the movie, and the presence of the incredibly talented transgendered actress Michelle Hendley making her film debut as Ricky lifted the whole piece to a different plane. She gave a riveting performance of Ricky as a sassy strong-willed young woman, not immune to the world’s negativity and ignorance about her sexuality, but one who was determined that it wouldn’t stop her being her own true self.

    It’s warm and often very funny and an entertaining, intelligent, sensitive treatment of an oft-misunderstood subject and probably the most enlightening and best movie that I have seen on it so far. It truly deserves the widest audience possible way.

  • FILM REVIEW | Sexing The Transman

    When the opening credits roll in Buck Angel’s new documentary and you see that it is an ‘I Love My Vagina Production’, you know that this is going to be a no-holds-barred look at demystifying the whole aspect of sexuality of trans men.

    What the charismatic handsome hunky Angel does is fill this highly unusual ‘sex education’ movie with scenes of explicit sexual activity to ensure that we are shocked enough not to forget his message of how liberated these men became after transitioning.

    In a series of in-depth interviews Angel talks to a several FtM (female to male) trans people about how they felt alienated from the bodies that they were born with and their decisions to transition into a male persona. They all had a great deal in common as they discussed the surgeries to get rid of their breasts, and how the effects of taking testosterone changed their lives in ways they never expected.

    Before transitioning some of them had played the traditional female roles with their boyfriends, some of them were in relationships with lesbians, but once all the hormone treatments kicked in, they all seemed to notice that their sexual libido shot through the ceiling and they started to be much more fluid and open to all different types of people to have sex with. Most of them also followed the same route that Angel took and opted not to have ‘bottom surgery’ with the end result that have started to be proud of the vaginas that had disgusted them previously, and now they were being penetrated and actually enjoying it.

    They all unanimously agreed that transitioning had changed their lives completely and for the better. Some of them are now in relationships, some have sex with other FtM guys like themselves, some like sex with men, some others like it with women. In terms of gender they all feel male. In terms of sexual orientation, they are very different – some of them are heterosexual (they like sex with women), some are gay (they like sex with other men or FtM men) and some like to experiment with men, women and FtM guys.

    As an outsider, it is often hard to get beyond our preconceived ideas of gender and the labels that society insists that we all use. One of Angel’s talking heads was the comedienne Margaret Cho who perfectly articulated her take on it all. Her sexuality had been ‘straight’ and then ‘lesbian’ and then she realised that she loved men sexually, and trans men in particular. She now identifies, as being queer as that, she feels, is not limiting and it makes sense to her as ‘gay’ simply doesn’t cover who she is. And she aptly sums up the feelings she shares with many trans men by saying that she is happy with strap on’s…’a dick is a dick, whether it’s been bought or grown.’

    The message that is loud and clear in Angel’s film is that the effects of injecting so much testosterone is that it makes you aware of many more possibilities and that your sexuality is never finite whatever your gender is. I am however also convinced that we would have completely grasped that concept without nearly all of the film’s subjects getting naked and playing with themselves on camera.

    Above everything, Angel is a powerful advocate for making this community visible and giving them a voice, for which he needs to be applauded for.

  • FILM REVIEW | 52 Tuesdays, Uplifting and Optimism For Trans Issues

    The closing gala film of the B.F.I. Flare LGBT film festival was an inspired choice and a fitting end to a spectacular program with a wide range of films including the premiere of Lilting with Ben Whishaw and James Franco’s intriguing Interior Leather Bar. The festival attracted huge audiences, great acclaim and was sponsored by big names such as American Airlines, showing how industry now has a commitment to supporting LGBT people.

    ★★★★

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  • REVIEW | Transparent

    ★★★★★ | Transparent

    After Netflix’s phenomenal success creating original content for its streaming service with two Award winning television series, now Amazon has also stepped into the area which was once the sole territory of network and cable television with the launch of Transparent its very first own series. If you haven’t caught it yet (it’s free for AMAZON PRIME subscribers) then you’re missing out as it is one of the most innovative and enjoyable family dramas that has been seen on television for years.

    It’s the story of Mort Pfefferman who has indulged and spoilt his grown-up children for years and now that he has retired he wants to share with them something that is important to him. When he asks them to gather to hear his news, they all just assume that it’s going to be something very tragic, like having terminal cancer.

    What they are not prepared to learn is that Mort is going to become Maura. This is the female who has been trapped inside him since he was a kid, and now he wants to be true to him (or rather her) self.

    The news doesn’t go over too well as these three self-absorbed siblings are all wrapped in their own lives, none of which are going too well. Sarah the oldest one feels trapped in an unhappy marriage and when Tammy her old college roommate with who she had a serious fling with shows up again, she finds an escape route.

    Jay the middle one is a successful music producer and probably the most selfish of the three. He is used to dating girls young enough to be his daughters, although that goes a little sour when one of them double crosses him at the record company where he works. He finds salvation in religion. Well to be more precise, in dating the female Rabbi. His past will catch up with him in the end as is revealed in the final episode of this first series.

    Then there is Ali the directionless brainy one who is too bright to hold down a day job so still relies on her father for handouts that she euphemistically calls ‘loans’. Her love life is equally impossible to define and when she starts dating a trans man, her brother Josh jokes that there he is now no longer the only one in his family that still likes ‘pussy’. Except his mother, but the mere thought of even contemplating his aged mother’s sex life is rather stomach turning.

    She remarried soon after divorcing Mort years ago and her ancient new husband is now fading fast. A fact that Shelly is annoyed about as not only is looking after him as his sole career a great deal of hard work, but it interferes with her own life.

    Amazon has billed this as a ‘downbeat comedy’ but what it is, in fact, is a wonderfully warm and funny series about the extraordinary journey that Maura is taking with such spirit and determination and how her choices are playing out with her family. It’s an astonishing career-defining performance from veteran actor Jeffrey Tambor who imbues the character with empathy, dignity and resilience even through the transitioning process is not always easy or comfortable. Maura may not be the most natural or charming of women, but somehow Tambor compels us to be so completely drawn to her and so wanting her to succeed.

    Great supporting cast that includes Jay Duplass, Melora Hardin, Gaby Hoffman, Kathryn Hain and Amy Landecker. However, the only other scene-stealer in the piece (besides Tambor) is veteran actor Judith Light playing the classic Jewish mother/widow to the hilt.

    The series is created and directed by Jill Soloway (Producer ‘Six Feet Under’) whose father revealed his own transitioning to her just three years ago. Although she claims that this is not at all autobiographical, she does nevertheless handle this potentially controversial subject superbly showing both remarkable insight and understanding. They were a few mumblings when the idea was initially announced that they not going to cast a transgender actor in the lead but no-one could possibly have portrayed Maura as superbly as Tambor. (Soloway did, however, make this a trans-friendly production hiring 20 in the cast and crew, and more than 60 trans men and women were employed as extras.)

    Transparent is both bold and groundbreaking and is sophisticated quality programming that is usually the Hallmark of BBC or HBO, and I cannot wait for Series 2 to arrive.

  • FILM REVIEW | Mr Angel

    ★★★★ | Mr Angel

    Buck Angel is a brawny muscular red-headed good-looking bearded hunk. With his heavily tattooed body, his twinkling eyes and his infectious smile, he is in fact one very hot man. In our label-fixated society Buck is actually transgender, or as he loves to describe himself so succinctly, he is ‘a man with a pussy’.

    What strikes you immediately in this extraordinary wonderful documentary by Dan Hunt, is that before you start to try to get your head around all the gender-transitioning is how remarkably charismatic and engaging Buck truly is. He is full of charm, totally fearless with such a strong sense of purpose which we soon discover is something he achieved only after battling so many demons in his past.

    Buck has always identified himself as a male – even when he grew up – he was a rather stunning looking woman who carved a career out of fashion modeling. That in turn led to cocaine and then a rapid spiral downwards where he ended up turning tricks, more suicide attempts and then literally ending up in the gutter.

    Life eventually changed for him for the better after taking hormones and testosterone and he had a double mastectomy and ‘Buck’ was born. Not content with just being a male, he worked out aggressively and once he achieved a really great physique he launched into a career in porn. Here he carved out a unique niche for himself because as he kept saying ‘he never had bottom’ surgery.

    As we follow him making personal appearances at Sex Industry Trade Shows he is unabashedly proud about his career and although he repeatedly insists that he is not a sexual oddity, he definitely is challenging the accepted terms and classifications we are currently used too. For examples he shoots videos with gay men for the gay market, but as his partners are penetrating his vagina, doesn’t that make it ‘straight’ sex? And when he does another scene with a MTF person who still has a penis, isn’t that also heterosexual sex?

    I have to say that regardless of the technicalities of the actual penetration that takes considerable mind-blowing, you are firmly persuaded by a combination of Buck’s words, demeanor, attitude and spirit that he is very much a man.

    The documentary made over 6 years sees Buck now happily married to Elayne, a piercing expert, and they are living in Mexico with countless dogs. Buck is now re-positioning himself from sex-worker to sex educator as he undertakes a series of speaking engagements and advocacy about gender-roles in particular. I would normally be skeptical about how anyone can switch sides like this and be either accepted or respected, but it’s hard not to be swept away by the combination of Buck’s enthusiasm and the belief in has in himself.

    One of the biggest hurdles Buck had to overcome was helping his parents and siblings come to terms with his new persona. It’s not just the gender altering but it is also the porn career, which is hard for all of them to get their heads around. It is a remarkable journey that they all take together, and I defy anyone not to reach for the tissues when his father breaks down.

    This is not a film for everyone… Some of the imagery is very graphic. I do hope it gets the biggest audience it deserves.

    Full credit to Mr. Hunt for not only helping to start de-mystifying some of these questions, but more essentially for the respect that he accorded both Buck and his story.

    Available on Amazon

  • FILM REVIEW | She Male Snails

    ★★★★★ | She Male Snails

    An exceptional art based film employing experimental film work to explore androgyny, living beyond a conformity of gender; visually fulfilling for any art film lover.

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