THEGAYUK

Tag: UK

  • Theatre Review | Fame – National Tour

    ★★★ | Fame – National Tour

     

    Based on the film and classic TV series, Fame follows the trials and tribulations of a group of young students studying at the New York School of Performing Arts as they hone their skills in music, dance and acting, as well as falling in love, clashing with the establishment, battling personal demons and dabbling in the dark side of fame. The show follows a small group of students from the first meeting to graduation, looking at the challenges they face in their academic studies, their artistic studies and their personal lives. Issues such as drug use, unrequited love and illiteracy are all canvassed as the friends make their way through their time at school.

    Despite its 1980’s setting, the show looked and sounded bang up to date. The variety of musical styles and the vocal gymnastics reflected the modern style and the dance routines covered a wide variety of styles, from hip-hop and street dancing to classical ballet and even a flamenco-inspired number.

    The show boasts around 20 songs which flow in rapid succession giving the show more of a feel of a musical revue than a piece of musical theatre. The opening number “Pray I Make/Hard Work” set the tone of the show nicely and was modern and contemporary.  “Tyrone’s Rap” and “Dancin’ on the Sidewalk” were up-tempo numbers, both of which were infused with a display of hip-hop and street dancing. But the standout song was saved for the finale, with “Bring on Tomorrow” being a traditional rousing conclusion to the proceedings which was well performed by the ensemble.

    Fame is currently on National Tour. 

  • Theatre Review | The Band – Sheffield Theatres

    ★★★★☆ | The Band

    In 1993, teenager Rachel and her best friends are obsessed with The Band, and sneak off behind their parents back’s to a concert where, on the way home, they discuss the future, make promises to each other and swear that they will be best friends for ever. But when something happens that shatters their world, the girls go their separate ways. 25 years later, The Band brings them back together, when Rachel wins a competition to see them in Prague, and decides to invite the group she had lost touch with. But with an awkward reunion on the cards, it’s going to be a trip they will never forget.

    What elevates The Band high above other jukebox musicals is the story written by Tim Firth. Firth successfully interweaves great characterisations with nostalgia, comedy and genuine emotion in a heartfelt story about friendship, self-belief, realising that it is never too late to achieve your ambitions and that life doesn’t always pan out how you planned.

    The back catalogue of Take That songs is ripe for the picking, and with plenty of hits spanning their 30-year-career, including Relight My Fire, Greatest Day, Prey, Shine and Back For Good, the show primarily presents the musical numbers not as standalone songs, but almost as if it is the soundtrack to the character’s lives; and cleverly places them naturally into the story; meaning that they are there to support the narrative and not because the fans expect them to be shoehorned into the show somehow.

    In a cast which is fairly faultless and which works incredibly well together, Rachel Lumberg excels as Rachel, the bubbly woman whose love of The Band brings her friends back together; Alison Fitzjohn provides many of the laughs as the self-depreciating Claire and the young ensemble who play the teenage friends are brilliantly put together.

    As for “the Band” the Let It Shine TV show winners,  were everything you would expect; putting on a great performance as they belted their way through the musical numbers,  singing and dancing their hearts out with confidence and professionalism; and looking great to boot.

    The presentation of the show, especially for a touring production, is big budget and incredibly well done, with inventive staging, immersive lighting, a solid sound design and direction which keeps the show moving along flawlessly. The production is incredibly slick and polished and barely stops for breath as it speeds along.

    The success of the show is how all of the individual elements are present and come together to produce the whole package; and The Band surpasses all expectations and is a crowd-pleasing, foot tapping, fun packed show crammed with genuine warmth and emotion at its heart.

    Details can be found at the show’s website.

  • THEATRE REVIEW | Richard Carpenter is Close To You, Touring the UK

    ★★★☆☆ | Richard Carpenter is Close To You

    Don’t expect to hear any Carpenters’ songs at the show misleadingly titled Richard Carpenter is Close To You.

    Why? Because this show does not have the rights to perform any of the Carpenters’ songs. Performer and writer Matthew Floyd does his best to not play more than six words of any of their songs otherwise he could be sued. And there is a disclaimer for this show: The affectionate but unsparing parody is not endorsed by the real Richard Carpenter.

    So what are we left with? A musical show that somewhat makes fun of Richard Carpenter, mocking him as the second fiddle to ‘the voice’ that was his sister’s – Karen Carpenter – for it was she, not Richard, who was the face, and of course the voice, of The Carpenters – the biggest selling American group in the 1970s (American groups versus other Non-American groups as Floyd states in the show).

    But poor poor bitter Richard. After the death of his sister 35 years ago (has it been that long already?), Richard is left to look for work in any way shape or form he can. He has an agent who pays him no mind, though she books him on the QVC channel where pushes his new remaster of last month’s remastered Carpenters Greatest Hits. He’s also trying to push his own new album but no one is having it and/or buying it.

    Richard used to be on top of the world (with his sister), though now he’s back at the keys of his piano and his sister’s legacy is still looming as large as ever. What will become of Richard? Will he be relegated to the not-so-famous group of famous siblings in heaven – such as Solange Knowles and Serena Williams? Go see Richard Carpenter is Close To You and find out! Every sha la la la la la la la la……..

    RBM COMEDY PRESENTS RICHARD CARPENTER IS CLOSE TO YOU UK TOUR 2018 DATES / INFO:<

    LONDON / 11-12 OCT
    HARROGATE / 19 OCT
    NORWICH / 27 OCT
    GRAVESEND / 1 NOV
    LYME REGIS / 2 NOV
    HEDGE END / 3 NOV
    EXETER / 4 NOV
    CARLISLE / 8 NOV
    SALE / 9 NOV
    GUILDFORD / 15 NOV
    READING / 16 NOV
    BANBURY / 17 NOV
    CAMBRIDGE / 23 NOV
    HUDDERSFIELD / 24 NOV
    SHEFFIELD / 25 NOV
    FAREHAM / 28 NOV
    BRIGHTON / 29 NOV
    MILTON KEYNES / 7 DEC
    BARTON ON HUMBER / 8 DEC
    Please click here for more information and to purchase tickets:

  • Owen Jones calls the Natural History Museum to cancel Saudi Embassy event

    In a tweet, Owen Jones has called upon the Natural History Museum to cancel an event hosted by the Saudi Embassy.

    (C) National History Musemn

    According to Guardian Journalist, Owen Jones, the Saudi Embassy is to hold an event at the Natural History Museum tonight. He called upon the museum to cancel the event saying, “The Saudi dictatorship is massacring thousands in Yemen and is currently accused of kidnapping and murdering a journalist.”

    Saudi Arabia is also one of the countries where being gay can still attract the death penalty for those found guilty.

    The Natural History Museum, which sees 5.2 million people pass through its doors every year, is often used to host charity and gala events in its iconic building in London.

    Amnesty International notes,

    “Women and girls continued to face discrimination in law and practice, despite the government’s promised reforms. Women were required to have permission from a male guardian – their father, husband, brother or son – to enrol in higher education, seek employment, travel or marry. They also remained inadequately protected against sexual and other forms of violence”

    “Courts continued to impose death sentences for a range of crimes, including drug offences or for conduct that under international standards should not be criminalized, such as “sorcery” and “adultery”. Many defendants were sentenced to death after unfair trials by courts that convicted them without adequately investigating allegations of coerced “confessions”, including under torture.”

    Commercial events bring an “important source of external funding”

    Speaking to THEGAYUK.com a spokesperson for the museum said,

    “The Natural History Museum was booked by the Saudi embassy over two months ago as a venue for an external event to celebrate Saudi Arabia Day. No Museum staff are attending as guests or speaking at the event.

    “Enabling commercial events to take place outside of public opening hours in our iconic spaces brings the Museum an important source of external funding, which allows us to maintain our position as a world class scientific research centre and visitor attraction. We hold a wide variety of commercial events and it is made clear to any host that doing so is not an endorsement of their product, service or views.

    “We have an Ethics Policy and a Third Party Engagement Policy. These policies are publicly available on the Museum’s website.”

  • This photographer agency just refused service to “gay-cake” bakers

    This photographer agency just refused service to “gay-cake” bakers

    “We appreciate that this looks like tit for tat, and it is”

    (C) PERFOCAL

    Perfocal, a photographer booking agency just refused service to the Ashers Bakery following on from the UK Supreme Court ruling yesterday which said that the bakery had not discriminated against a customer because of his sexuality, but because of the political message, he had asked the cake, “Support Gay Marriage” to be emblazoned with.

    Perfocal enables members of the public to book photographers in major UK cities is, after learning of the details of a job they were booked for, refusing to share the photographs taken with The Christian Institute, a charity and lobby group supporting the owners of a Northern Irish bakery at the centre of a discrimination row.

    The Christian owners of a Northern Ireland bakery won their appeal at the Supreme Court yesterday after refusing to make a cake with the slogan ‘Support Gay Marriage’. The dispute began in 2014, after the customer, gay rights activist Gareth Lee, sued the company for discrimination on the grounds of sexual orientation and political beliefs after the bakery had already accepted payment for the order.

    Charity and lobby group The Christian Institute, paying the legal fees for the family that owned the bakery, used a photographer booking website to capture the moments before and after the case was heard. With estimated legal fees of £450,000 between both parties, the £36.50 cake has been described as ‘the most expensive cake in UK history’.

    Private companies can accept bookings and then cancel if it offends their sensibilities.

    The founder of the photographer booking website, Perfocal.com, has said in a statement on the company’s blog that the photographer booked on the day has been paid in full for their time by Perfocal, and the Christian Institute has been refunded. The Christian Institute paid for a 3-hour photography session, photo edit, all photos and extra for a 24-hour turnaround as opposed to the company’s usual 48-hour service. The statement made is within that 24-hour period, and the customer has been contacted.

    The statement, including details of the £239 (+ £28 for rush delivery) booking, can be read here

    In a statement, Tony Xu, the founder of the photographer booking site Perfocal.com said,

    “It’s been accepted in the highest court in the UK that private companies can accept bookings and then, if they feel that it goes against their morals, refuse that booking if it offends their sensibilities and it not be counted as discriminatory.

    “We appreciate that this looks like tit for tat, and it is. We had no idea what the case was when the booking was made – we simply see the basic information, date, time, location. When our photographer on the ground learned what it was while doing the job, they felt immediately uncomfortable with the situation, as many members of the public are, but remained professional. As soon as I found out though, I realised this was an opportunity to highlight exactly why this kind of result is damaging. This isn’t just about standing up against discrimination, I hope our stance serves as an example of exactly where this kind of judgement could lead us. Where does it end?”

    In the blog statement, Xu highlighted that the company is ‘proud to have been booked for many religious ceremonies’, including Christian, Jewish and Muslim celebrations and same-sex weddings, including high-profile individuals, and that they welcome customers from all backgrounds.

  • THEATRE REVIEW | All You Need Is LSD, Birmingham Rep

    ★★★★☆ | All You Need Is LSD

    A bonkers performance by the cast of Told by an Idiot and the Birmingham Rep. I am not sure how to describe this show, other than trippy?

    It was a historical, educational, thought-provoking play through deranged comedy and insane multi-part playing, with hallucinogenic elements.

    Turns out that LSD is the least dangerous form of abuse with alcohol being number 1, so you can imagine that this performance was a socialist fete where politics around drugs took a lead role. The constant changing of characters with accents and costumes was formidable, a very dextrous cast. Especially, Jack Hunter who must have spoken with the greatest number of accents, that I was not sure what Jack’s native accent was. George Potts was insanely brilliant, with effervescent energy with speech, movement and action – playing Doctor Who was genius, and that was when this show really picked up. Even though I am not a Doctor Who fan, it was great to see the portrayal by George. Annie Fitzmaurice played the author Leo Butler with such relish that when she spoke it was just comedy gold. My favourite line was: “If tripping off your tits is a sin, let him cast the first stone.”

    Sophie Mercell did a great job at playing Dr Hoffman the creator of LSD, who happened to come about it by accident. Her Helen Mirren impersonation was outstanding too.

    What was really fresh about this production was the gender-neutral casting, almost intentionally the opposite – dad was played by a female actor and mother played by male actor, and so on. It was great to delve deep into your imagination to see this as a possibility and it was a great achievement.

    I’ve never done hard drugs, but this was a very good sell – my plus one had actually tried LSD and said it was very relatable what he saw on stage.

    All You Need Is LSD plays at the Birmingham Rep

  • UK Supreme Courts rules that “gay cake” bakery did not discriminate on the basis of sexuality

    The UK’s highest court has ruled that Ashers Bakery did not discriminate against a customer because of his sexuality.

    gay cake, wedding,
    (C) Londondeposit Depositphoto

    Speaking on the ruling President Lady Brenda Hale said, “It is deeply humiliating, and an affront to human dignity, to deny someone a service because of that person’s race, gender, disability, sexual orientation or any of the other protected personal characteristics, but that is not what happened in this case.”

    “The bakers did not refuse to fulfil his order because of his sexual orientation. They would have refused to make such a cake for any customer, irrespective of their sexual orientation.”

    “The bakers could not refuse to supply their goods to Mr Lee because he was a gay man or supported gay marriage but that is quite different from obliging them to supply a cake iced with a message with which they profoundly disagreed.”

    Baroness Hale once called for a “conscience clause” for Christians who have anti-gay beliefs during a trial of anti-gay B&B owners, Peter and Hazelmary Bull.

    First, they lost, but appeal after appeal, finally success for Ashers Bakery

    The Asher’s Bakery row has rolled on since 2014 when the Christian run Ashers Baking Co. in Northern Ireland refused to make a pro-gay marriage cake, which featured a slogan “Support Gay Marriage – Queer Space Born 1998” with a picture of Sesame Street characters Ernie and Bert, because it says it clashed with the ethos of their company, saying,

    ‘We thought that this order was at odds with our beliefs, certainly was in contradiction with what the Bible teaches.’

    Queer Space is an organisation, which seeks to increase the visibility of the Lesbian, Gay, Bisexual and Transgendered (LGBT) Community in a positive manner to counteract the disregard, and negative images presented to the general public.

    “Discrimination Clash”

    Rhian Radia is a leading lawyer who specialises in discrimination cases, and a Director at Vardags. She said today, “A judgment of the Supreme Court today has found that a bakery in Northern Ireland did not discriminate against a gay man by refusing to bake him a cake with a message supporting gay marriage.

    “The bakers oppose the introduction of gay marriage on religious grounds. The Supreme Court’s decision found that the refusal to bake the cake was because of the message on the cake rather than the sexual orientation of the customer or his association with Queerspace, a volunteer-led organisation for the LGBT community. Sexual orientation and support of gay marriage were viewed to be two separate things. The judges decided that people of all sexual orientations can and do support gay marriage.

    “The judgment is being touted as a victory for free speech by those who believe that the bakers should not have been forced to bake a case with a message they disagreed with.

    “This is the latest in a line of employment law cases where types of protection from discrimination clash with each other, in this case religious belief and sexual orientation and political belief. But is baking a cake as part of providing a service to a customer really about free speech where the rights of a business beat those of an individual?”

    Time Line:

    JULY 2014: Gareth Lee reports that Ashers Bakery refused to bake him a gay which said “Support Gay Marriage”. The Christian Institute provided the bakery with legal support.

    MAY 2015: A UK court found in 2015 that Ashers Bakery had been unlawful in refusing to bake a cake for Gareth Lee. The bakery owners were ordered to pay £500 in damages.

    JUNE 2015: The bakery announces its outline for appeal

    OCTOBER 2016: Ashers loses it appeal at the Court of Appeal, which upheld the original judgement that the bakers had acted unlawfully.

    NOVEMBER 2016: Ashers announce it is to appeal again

    OCTOBER 2018: Ashers wins its case in the UK Supreme Court

     

    The McArthurs, who own the company, have insisted that the issue was never with Mr Lee’s sexuality, but with the message that he had requested on the cake.

     

     

     

  • LGBT activism group ACT UP changes “traumatic” AIDs posters

    LGBT activism group ACT UP changes “traumatic” AIDs posters

    If you’ve been around Soho or South London recently you may have seen a  multi-colour poster which states “I’m Too Sexy To Have AIDs”, activist group, ACT UP LONDON have defaced the posters to read something different.

    (SUPPLIED BY ACT UP)

    Members of ACT UP LONDON have taken it upon themselves to change bill-posters designed by the late David McDiarmid and exhibited by Studio Voltaire because of the emotional trauma they may cause some people. The poster, is a multicoloured artwork which reads, I’m Too Sexy To Have AIDs”. According to Studio Voltaire, McDiarmid “produced these works in response to his own, and his community’s, experience of the AIDS crisis, and the multiple forms of devastations it manifests –political, emotional, intellectual and medical”.

    McDiarmid died in 1995 from complications brought on by AIDs.

    However some members of ACT UP LONDON have taken to defacing some of the posters because the message “isn’t helpful to the battles people living with HIV fight today”.

    Cé from ACT UP LONDON explained, “Firstly, I would like to say that the main thrust of the action was never intended to censor the artist or to silence queer voices. Expanding on this, it’s important to point out that although the artwork may have been targeted at those that understand where this it comes from and why it exists, in its current state it is used out of context and isn’t helpful to the battles PLHIV fight today. The use of this piece of art taken so out of context not only takes us backwards in a fight that we are already struggling to win, but it also contributes to the stigma surrounding HIV. On the back of this it has the potential to be traumatic for those living with HIV, particularly for those with new diagnoses and especially for those who don’t have sufficient support networks to speak through the emotions conjured by the text in the artwork.”

    (SUPPLIED BY ACT UP)

    Dani Singer from ACT UP LONDON said “We are incredibly supportive of Studio Voltaire and their decision to curate an exhibition of David McDiarmid’s work – as the second silence of HIV rages on, the more voices speaking out representing those affected by HIV and AIDS, the better. We see this action as a collaboration between ACT UP London and McDiarmid, in keeping with the strong tradition of ACT UP working with radical Queer artists throughout its existence to widen its message of ending the HIV pandemic, stigma, and pharmaceutical greed.

    In a statement to THEGAYUK.com ACT UP London said, that the exhibition was counterproductive, with no supporting literature or context.

    Explaining the works, Studio Voltaire explains on their website that they are displaying, “series of public works” which will be shown intermittently across sites in Clapham and Brixton, in partnership with This is Clapham and Art on the Underground. Studio Voltaire say that they will over the course of a year, publish artworks at various locations including neighbouring LGBTQ+ venue Two Brewers, the façade of Studio Voltaire, Brixton Underground station, and other temporary locations.

    David McDiarmid (1952–1995) was an Australian artist, designer and activist, recognised for his prominent and sustained artistic engagement in issues relating to LGBT+ identity and history. Rainbow Aphorisms are a series of printed multiples, produced from 1993 until the artist’s death in 1995 of AIDS–related illnesses. McDiarmid produced these works in response to his own, and his community’s, experience of the AIDS crisis, and the multiple forms of devastations it manifests –political, emotional, intellectual and medical.

    Siobhan Fahey from Rebel Dykes Film said, “The poster I’m Too Sexy to Have AIDS worried me, and I took my concerns to the gallery. When David was making art, in the 1990s, ironic art was much in vogue. It was powerful. But in today’s climate, with Trump and Brexit, we are almost post-irony. Statements like this need careful contextualisation. I support the aim of ACT-UP in repurposing these posters in a way I am sure that David McDiarmid would approve.”

  • Three assaulted in homophobic attack in London

    Three assaulted in homophobic attack in London

    One of the three victims was left with injuries that required hospitalisation.

    (C) MET POLICE

    Cops in London are seeking information that can lead to the identification of two men they wish to speak to in connection with a brutal homophobic assault on three men in their early twenties in North London.

    The attack in Wood Green happened on the 4th October at around 4:30 AM. Haringey police were called to Station Road near the junction with High Road, N22, where three men aged in their 20s had been assaulted by two suspects, according to a police report.

    In a statement from the Met Police, one of the men attacked required hospital treatment, but he was subsequently discharged.

    Detectives from Haringey are investigating. They are releasing images showing two men they wish to trace in connection with the incident. One of the men is seen in both images, the second man is only seen from the back in one of the images.

    There have been no arrests and enquiries continue.

    Anyone who knows the identity of either of the men, or has information that may assist the investigation, is asked to call detectives in the Haringey Community Safety Unit via 101 quoting CAD 969/oct04.

    To remain anonymous, call Crimestoppers on 0800 555 111.

  • THEATRE REVIEW | Cilla The Musical

    ★★★☆☆ | Cilla, The Musical

    Cilla The Musical is a new musical biopic which tells the story of one of the nation’s best-loved singer turned television personalities, following the star’s journey from humble beginnings as a teenager in the Cavern Club (singing with The Beatles) through to her number one hits and her attempts to crack the American market. Cilla’s backstory lacks the dramatics and off stage histrionics of other stars of the era, such as Dusty Springfield, meaning that the show only broadly addresses her rise to fame; but instead focuses more on her relationships with those around her, and primarily her two managers, Brian Epstein and her self-appointed manager-come-boyfriend, Bobby Willis.

    Kara Lily Hayworth appeals in the lead role as Cilla, and effortlessly nails the two big numbers in the production; ‘Anyone Who Had A Heart’ and ‘You’re My World’ with a beautiful singing voice that I could have happily listened to all evening. Nestling amongst Cilla’s hits, the score features a great selection of other songs from the era, such as ‘California Dreaming’, ‘Dancing In The Street’ and ‘Twist and Shout’, which when coupled with the costumes and set provide a real feel of the swinging sixties.

    Overall, Cilla is a musical biopic by numbers, with the rise to fame; the self-doubt and the love story all playing their part. The stage direction is lacking at times; and there are no major revelations about the artist’s life in the story, meaning that audiences will come away without much more of an insight into her life than they went in with; but what Cilla The Musical does offer is some solid performances, some of her greatest hits, a nostalgic feel, a vibrant and colourful second act, a smattering of classics sixties songs, a satisfying musical-medley finale and a production which is ultimately enjoyable, feel-good and exceeds expectations.

    Cilla is currently on a national tour and details can be found on the show’s website. Thank you to Sheffield Theatres for facilitating the review.

     

  • RESTAURANT REVIEW | Wellbourne Brasserie, London

    RESTAURANT REVIEW | Wellbourne Brasserie, London

    ★★★★★ | Wellbourne Brasserie, London

    There’s a hidden gem of a restaurant right at the doorstep of the old BBC studios in Shepherd’s Bush that’s still a bit undiscovered but well worth the effort to seek out.

    The restaurant is Wellbourne Brasserie, and the food is really really delicious, and very very unique. One look at the menu and you will understand why; you’ll know you’re in for something very different and very satisfying.

    Wellbourne Brasserie is steps away from the White City tube stop of the Central Line, which is also steps away from the western end of Westfield Shopping mall and the new John Lewis megastore. The trendy new Soho House is right down the street, as is the new buzzy Bluebird Cafe. But I recommend you continue walking up Wood Lane, past White City tube station, where you’ll see a small park and just beyond that park is Wellbourne Brasserie in a building complex called Westworks that still houses some BBC offices. There are some other cafes in this complex (Feast is one of them), as well as a Starbucks across the way, but it’s Wellbourne Brasserie that will want to be your destination.

    It’s well worth the visit for the food. I want to go back to re-experience eating the Vol-au-vents. They are small stuffed puff pastries, and for the bargain price of 3 for £6, you can have one each which include broad beans, ewe’s cheese & mint, salt cod brandade, and pulled lamb shoulder with violet mustard. They’re so unlike anything you’ve ever tasted; cooked with care and eaten with love – highly recommended. Me and my dining companion, in between sips of glasses of their refreshing Aperol Spritz (£6), asked each other ‘how can they top this?” Well, they did. The mussels, 15 for a mere £8, were served in a big bowl with two large pieces of sourdough toasted bread with vinaigrette dressing, were a mussels lovers dream. Also very good was the Lyonnaise Salade which came with a hen’s egg, bacon, and a divine dijon mustard vinaigrette – for only £7.50 a delicious starter. We also ordered ‘La Latteria’ burrata with white asparagus – it was a mozzarella and cream blob, and if that’s your thing, you will enjoy it (£8).

    I’m not exaggerating when I say I had the best duck I’ve ever had. Their duck leg confit is smashingly served over crushed apple and green lentils in a large bowl where I absolutely savoured every bite. The dish looked gorgeous and tasted even better. And for only £12, it’s perhaps the best bargain on the menu. My dining companion was very satisfied with her Whole lemon sole, which came with sea vegatables. The sole is boned, its a very light dish, and perhaps a bit pricey (£17), but with delicious and large sides of spinach (£3) and green asparagus (£6), she, and me, were fine. But It was the duck that spoke, not the sole, and it spoke wonderfully!

    Wellbourne Brasserie has an amazingly extensive wine list, too large to mention here. However, our courses were paired with the perfect wines. Our first wine was the lively white Australian Berton Vineyard wine – perfectly smooth, see-through – making it very light, and an excellent choice. With our mains, again I was elated with the Rose Groot Constantia from South Africa, as I didn’t fancy red so this rose was a perfect match, as was the Red Colomba Bianca which my dining companion highly enjoyed with her fish. I would be remiss if I left out dessert. We had the amazingly delicious and fresh Lemon Leaf Sorbet (£4) – a nice way to finish off our meal. If you prefer something a bit more substantial I say go for Summer pudding or the Dolce de Leche Ice Cream Sandwich (both £6).

    The team behind Wellbourne Brasserie have over 30 years experience running a restaurant. Ross Gibbens was most recently head chef of the popular Dabbous while Michael Kennedy comes from Bristol’s popular Wallfish Bistro. Between both of them, and an amazingly nice staff, both front and back of house, bring to us a restaurant, while minimalist in decor but at the same time sharp and clean, food that is cooked with care and that tastes absolutely wonderful. Wellbourne Brasserie is a quality dining experience in a relaxed brasserie atmosphere at reasonable prices. I hope the locals, and others, find this hidden gem as it offers an excellent alternative to the many chain and fast food restaurants at the nearby Westfield Shopping Centre.

    https://wellbourne.restaurant/whitecity/

    Westworks Building, 195 Wood Lane,
    London, W12 7FQ
    Telephone 0203 4174865
    Monday – Friday 11.30am-10pm
    Saturday – 11.30am-9pm
    Sunday – Closed