Category: Film

  • Convicted paedophile director of Jeepers Creepers had child abuse joke in his new film

    It has emerged that Victor Salva, convicted of child molestation in 1988 had child abuse jokes in his new film Jeepers Creepers 3.

    The director, who was sentenced to three years in prison in 1988 for abusing a child on his film Clownhouse is said to have incorporated child abuse jokes into his new film.

    The film, allegedly had a scene in which a character sympathised with a child molester saying,

    “Can you blame the step-dad, though?

    “I mean, look at her. The heart wants what it wants, am I right?”

    Joke did not make the cut

    The scene did not make the cut in the officially released version of the film but was featured on the screener versions sent to film critics and reviewers.

    The film had a controversial start when the Union of British Columbia Performers released a statement to Canadian casting agents warning them that Salva was looking for an adult actor to play the part of the 13-year-old girl. Numerous casting sites dropped the ad.

    After his conviction in 1988, Salva served 15 months of his three-year sentence and completed his parole in 1992.

    Speaking about his abuse, actor Nathan Forrest Winters said of Salva: “He spent the better part of a year grooming me and my parents. Developing the trust. It was very calculated, and a long process, as it is with most paedophiles.”

    THEGAYUK.com reached out to the film’s US distributor, Screen Media Films for comment.

    Jeepers Creepers 3 is out now in US cinemas.

  • FILM REVIEW | Borg vs McEnroe

    ★★★★ | Borg vs McEnroe

    FILM REVIEW | Borg vs McEnroe

    1980 was the year that Swede Bjorn Borg competed against American John McEnroe for the Wimbledon men’s championship, and what a game it was. The new film “Borg vs McEnroe” totally captures this exciting match.

    Not only does the film capture, in very good detail, the match to end all matches, it also goes deep into the lives of both men, their upbringing, their careers as the world’s top tennis players, as well as their relationships with others. However, this being a Swedish production, the film mostly focuses on Borg (played by a practical look-a-like in Sverrir Gudnason). McEnroe, played by Shia LaBeouf, is also very good as the bad boy of tennis which almost mirrors LaBeouf’s offscreen behaviour.

    We see Bjorg as young man (played by his own son Leo) in the city where he grew up and started playing tennis against a wall near his home; we see him as a successful tennis player, living the life of luxury, high atop a luxurious apartment building in Monaco which he shares with his partner Marianna (Tuva Novotny). She stands by his side and allows him to stay focused on his games, even if that means him being very obsessed with the preparation of each match, and the torment by his parents who have taught him never to be second best. Borg’s relationship with his coach Lennart (an excellent Stellan Skarsgard) is a volatile one, but it’s also like father and son. Meanwhile, McEnroe has demons of his own – his reputation precedes him, and it’s going to be a duel to the finish at the Wimbledon championships as to who’s going to come out the winner.

    Borg vs McEnroe, a multilingual film, ends with the play by play of the 1980 men’s championship final. And if you don’t remember who won, it’s a nail-biting 20 minutes that will keep you on the edge of your seat. And it’s this finale that makes Borg vs McEnroe one of the best sports films since 2013’s racing car film “Rush.” Danish Director Janus Metz keeps the suspense and drama very much alive while writer Ronnie Sandahl expertly crafts the 110-minute movie to include aspects of both champions lives as well as their tennis successes.

  • FILM REVIEW | It

    IT – The big horror movie of the year is here as we welcome back Stephen King‘s homicidal shapeshifting sewer dwelling killer clown so what does this mean for the larger world of scary movies?

    FILM REVIEW | It

    Nutshell – From the original 80’s blockbuster book through the very popular two-part TV series in 1990, our favourite grinning red helium balloon fan is once again crawling out of the gutter to terrorise a new raft of dysfunctional kids. Set in classic small-town Stephen King’s Ville, this hugely anticipated thrill-fest sees the youngsters slowly work out why their town is the world’s hotspot for missing kids and decide that Pennywise needs to have that fu*king smile wiped off his smug face once and for all.

    Running Time – 135 minutes; That is the longest butt-numbing horror film we can ever remember.

    Certificate – 15

    Tagline – ‘You’ll Float Too” & “It Comes In Many Forms” is the best they could come up with really?

    THEGAYUK Factor – All the heroes are kids and the villain is a murdering bugger so unless you jerk off to clowns playing with balloons then save the man gravy for the muscle studs in the upcoming Kingsman, Thor, Jumanji and Bladerunner.

    Cast – Bill Skarsgard plays Pennywise and his most famous appearance to date is in the unsuccessful Atomic Blonde. Everyone else are newbies – this is not a star vehicle as the book and concept take that role, that will change with the adult sequels.

    Key Player – Stephen King probably the world’s most famous writer, whose books have been turned into classics like The Shining, The Green Mile and Stand By Me but just as many right wank rags such as The Mangler and The Dark Tower which make us shudder for all the wrong reasons.

    Budget – $35 Million and so far it has made back a whopping $189 Million and climbing, parts 2 and 3 are already in the works expect that budget to start going way up and returns to fall as severe disappointment kicks in.

    Best Bit – 0.07 mins; The keynote scene of a young lad losing a toy boat down a large water drain and coming face to face with the never-blinking clown of everyone’s nightmares and then it gets really nasty.

    Worst Bit – 1.45 mins; Basically anything in the last third is not brilliant and sometimes laughable. Nothing is quite as scary as that opening scene and as the CGI takes over and the baddie turns up everywhere and in every shape, this becomes as realistic as a steroided muscle mary’s stuffed jockstrap – this could have been so much better.

    Little Secret – Bill Skarsgard was on set for the whole 32 week schedule but did not go in front of the cameras until the 18th week. Yes the clown is in it that little! This is the original story where the kids’ “The Losers Club” face Pennywise for the first time, they then have to face him again as adults hence the first sequel due 2019. Jessica Chastain is up for one of the parts and they also want sex gods Chris Pratt and Jake Gyllenhaal too.

    Further Viewing – The Shining, Thinner, The Green Mile, Pet Semetaries 1 & 2, The Stand, Carrie, Christine, Children Of The Corn, The Mist, The Running Man; basically any of the 43 King adaptations you can find but maybe not that last Arnie one.

    Any Good – This is so similar to the original film and book that the first question is why bother and no Tim Curry this time. Its problem is that it is just not scary and so very very long. It was truly anticipated and the box office should lead to a wealth of new big-budget horrors next year and beyond and not just the cheapie Saw, Purge, Paranormal & killer dolls we have had to suffer lately. Just expect huge diminishing returns and disappointment to this franchise.

    Rating – 48% out of 100.

  • France picks AIDS drama ‘120 Beats Per Minute’ for Oscar bid

    France has selected Robin Campillo’s “120 Beats Per Minute”, this year’s Grand Prix winner at the Cannes Film Festival, as its submission in the best foreign-language film category of the Oscars.

    A tribute to direct-action group ACT UP, Campillo’s new feature is a deeply moving drama about gay activists striving to live life to the fullest… (more…)

  • 16 quotes that prove First Wives Club is the campest film ever

    I had guests…

    Back in the mid-90ss, 1996 to be precise, three of our favourite divas (and a whole host of others) got together to create the gayest film on earth – the First Wives Club… Here are just some of the quotes that made the film epic.

    Elise on Plastic Surgery

    “Plastic surgery is like good grooming, it’s like brushing your teeth.”

     Elise on the best decade ever…

    “It’s the 90’s, for God’s sake”

     Elise on ageing

    Morris: You’re 45! If I give you one more facelift, you’re going to be able to blink your lips. I mean, don’t you want to be able to play a part your own age?

    Elise:”My own age?” No no. You don’t understand. There are only three ages for women in Hollywood; “Babe”, “District Attorney”, and “Driving Ms. Daisy.” And right now, I want to be young. Science-fiction young.

    Brenda on Elise’s Plastic Surgery

    “Honey she’s quilt”

    Doctor Packman on Elise’s lips

    If I give you one more face lift you’re going to be able to blink your lips!

    Brenda on Elise’s drinking?

    Let’s examine the evidence… (empties out a huge amount of empty bottles of booze)

    “I had guest”

    “Who? Gun N’ Roses?”

     

    Brenda on Elise’s drinking

    Elise: I drink because I am a sensitive and highly strung person.

    Brenda: No, that’s why your co-stars drink.

     

    Elise on being an actor

    You think that because I’m a movie star I don’t have feelings. Well you’re wrong. I’m an actress. I’ve got all of them!

    Sometimes it wasn’t even the quotes that were iconic…

    It was the looks…

     

    There was even a Trump moment… who reminded us not to get mad…

    via GIPHY

    “Ladies, you have to be strong and independent, and remember, don’t get mad, get everything”.

     

    Elise has a fan

    via GIPHY

    “Hi, I’m Phoebe. I’ve seen all your movies and I want to be just like you. Only, me!”

     

    New girlfriend Shelly meets ex-wife

    “Make it go away”

    Brenda is not happy that Shelly comes to her son’s Bar Mitzvah…

    Brenda: He brought her to our son’s bar mitzvah?

    Annie: Is she a gift?

     

    Brenda gets her accounting wings

    “Wake up and smell the audit!”

    Annie coming to terms with her lesbian daughter

    “Lesbians are great now-a-days”

    Annie’s super break out moment…

    “Come on Annie hit me”

    Basically if you’ve not seen it… BUY IT

     

  • Rami Malek is stunning as Freddie Mercury

    The Mr Robot star Rami Malek looks stunning as Freddie Mercury.

    The first picture of Mr Robot star Rami Malek as Freddie Mercury for a biopic about the iconic singer has been released – and he looks incredible.

    The picture was released by Entertainment Weekly.

    Speaking to Entertainment Weekly, Rami said, “When you’re able to open your eyes and see a different person staring back at you in the mirror, it’s a very affirming moment”.

    The film, directed by Bryan Singer about the life and times of Freddie Mercury and the iconic rock band Queen.

    Bohemian Rhapsody will be out (out Dec. 25, 2018) and chronicles Queen from 1970, when Mercury teamed with Brian May and Roger Taylor, until the band’s performance at Live Aid in 1985. The film ends six years before the singer died of complications from AIDS.

    Malek admitted that he’s currently recording, in London’s Abbey Road studios, some of Freddie’s epic songs – but the film makers are planning to use original recordings and re-recorded works.

  • FILM REVIEW | God’s Own Country

    ★★★★ | God’s Own Country

    In 2005 there was Brokeback Mountain, and in 2017 there is now God’s Own Country.

    Being referred to as a West Yorkshire Brokeback MountainGod’s Own Country tells the story of a young farmer who works on the family farm and has casual sex with some of the local boys. But when a Romanian migrant worker shows up to help him out on the farm, their working relationship turns into more than just work, changing both their lives. Shot against the beautiful backdrop that is Yorkshire, God’s Own Country is definitely this year’s hottest and most mainstream gay film. Director and writer Francis Lee, in his feature length directorial debut (he has acting credits that go back to 1994), has crafted a gay romance set on a farm, a romance that, when it gets lit, is explosive.

    Josh O’Connor is fantastic as Johnny Saxby, a young man who thinks he has only one purpose in life – the farm. He lives in a house on top of a hill with his grandmother (Gemma Jones) and sick father (Ian Hart). But as his father is unable to participate in the hard daily chores, a Romanian immigrant, and ruggedly handsome, Gheorghe (Alec Secareanu) arrives, and with his arrival comes the romance that we know is going to happen.

    God’s Own Country is not the perfect film, Johnny and Gheorghe’s first stab at having sex, outdoors, right in the middle of the farm, was a bit unbelievable (and it looked cold). And Johnny’s habit of taking presumably straight men into his local pub toilets for sex (that would be every gay man’s fantasy – no?) is far-fetched. But God’s Own Country is beautiful, complex and engaging, and it doesn’t hurt that we get to see both O’Connor and Secareanu naked.

    God’s Own Country has already won several awards, including Best Film at both the Berlin and Edinburgh International Film Festivals as well as the World Cinema Directing Award at Sundance. And it’s gotten rave reviews, with some critics calling it “The British Brokeback Mountain,” but better.

    In cinemas now

     

     

  • FILM REVIEW | Patti Cake$

    ★★★★ | Patti Cake$

    FILM REVIEW | Patti Cake$

    Can a white overweight girl from New Jersey become a rap star? You bet – and her name is “Patti Cake$”.

    Danielle Macdonald plays Patricia Dombrowski, an unemployed 23-year-old who has been given the nickname ‘dumbo’ by her contemporaries.

    There’s very little opportunity for her; she’s been fired from her most recent job, her mum is an alcoholic, her grandmother is confined to a wheelchair, and she’s a dreamer about hitting the big time. But when she gets together with her friends, including pharmacist Jheri (Siddarth Dhananjay), she’s no longer just plain Patricia, she’s Patti Cake$.

    When an opportunity arises for them to enter a rap contest, Patti has doubts, not only because the competition will be fierce, but also because she lacks the confidence which she never got from her own mother (Bridget Everett), who is always trying to show her up. But where there’s a will there’s a way, and Patti and her gang (now called PBNJ) must prove that they’ve got what it takes. And this makes Patti Cake$ a sweet and engrossing tale of a misfit girl who can and will make it.

    Australian Danielle Macdonald is superb as Patti Cake$. She nails it as the rough around the edges but very soft to the core Patti who will have the audience in her corner. Everett also has a showy role as Patti’s mother, always trying to look good for potential male suitors. New Jersey native and music video director Geremy Jasper showcases the real New Jersey in this film and brings us a sweet tale of a girl who has larger than life dreams and tries to make them happen.

     

  • FILM REVIEW | Logan Lucky

    ★★★ | Logan Lucky

    The man who gave us Sex, Lies and Videotape, Out of Sight, Erin Brockovich, Magic Mike, and the Ocean’s Trilogy (Steven Soderbergh) has returned with a film that, while it’s not groundbreaking, is littered with excellent performances but its a case of been there seen that.

    So alike Logan Lucky is with Ocean’s Twelve and Thirteen that it could as well have been Ocean’s fourteen but set in the Confederate state of Virginia. Logan Lucky is the story of a bank robbery, a bank robbery that’s so cleverly planned and executed that it’s a bit unrealistic and unbelievable.

    Channing Tatum is down on his luck Jimmy Logan who can’t seem to get a break and keep a job due to his permanent limp. His daughter, Sadie (a memorable and amazing little Farrah MacKenzie) is a beauty pageant winner wanna be, and she’s in the care of his ex-wife Bobbie Jo (a very good Katie Holmes). His one-armed brother Clyde (a good as usual Adam Driver) owns a bar called Duck Tape, and they have a sister Mellie (Riley Keough). Jimmy, after talking to brothers Sam (Brian Gleason) and Fish (Jack Quaid), who have mentioned that their other brother Joe (Daniel Craig, at his best ever, better than his James Bond character), who happens to be incarcerated, can and will break out of jail and can help the gang break into the underground cash-handling system at the Charlotte Motor Speedway during one of the it’s busiest days of the year – the Coca Cola 600 race. Did I mention that the plot is a bit far-fetched?

    Clyde (who got himself arrested just for the sole purpose of helping Joe escape jail for the day) and Joe successfully, in another ridiculous moment, escape jail. And it’s then a dream team attempting to steal money from a stadium chock-a-block full of people yet there is absolutely no one guarding the underground area where the money is dropped in via a tube system. Absolutely no one, not a security guard, employees, garbage collectors, no one at all. And all seems to go according to plan, thus lacking in any suspense whatsoever.

    It’s in the performances where Logan Lucky is saved, barely. Craig is fantastic as the seasoned thief, Driver is good (as always) as the one-armed brother. Holmes surpasses expectations as Jimmy’s ex-wife who is now married to a wealthy man (more of her in the future please), while Seth MacFarlane is unrecognizable and fantastic as an arrogant personality famous for who knows what. The script, by Rebecca Blunt, has some very good moments but Logan Lucky is basically “Ocean’s 14” but with a better cast and a cool and quirky Southern vibe. Perhaps Soderberg’s next film will be an original, this one certainly wasn’t. But he’s putting together “Ocean’s Eight” at the moment, so it will be more of the same.

  • LGBT+ films to be shown in Delhi at Miranda House

    India’s first traveling campus LGBT+ film festival ‘ KASHISH Forward’ and Sridhar Rangayan’s ‘Purple Skies’ will screen at Miranda House in Delhi University, to raise awareness about LGBT+ issues

    After travelling to 13 cities with 16 screenings, KASHISH Forward now travels to New Delhi to screen at Miranda House, University of Delhi on August 25th from 11.30am to 4.00pm. The event which is open to all will screen 7 LGBT+ films focused on youth and their issues like gender identity, coming out and family acceptance.

    The event will also screen Sridhar Rangayan’s acclaimed documentary film on LBT (lesbians, bisexuals and transmen) ‘Purple Skies’, produced by PSBT India and Solaris Pictures. This was the first lesbian themed film to receive a U certificate from the censor board and also was telecast on Doordarshan.

    “Lesbians and bisexual women face double discrimination – as same-sex loving persons and as women – and have a tougher time negotiating for their rights in Indian society. There has to be a move to make LBT community more visible and their concerns heard loud”, said Sridhar Rangayan, director of the film and festival director of KASHISH,

    “It is important to start dialogue at college level with young minds”, he added.

    The event, organised by the Women’s Development Cell of Miranda House and KASHISH Arts Foundation, the parent body of KASHISH MIQFF in association with Queer India Support and Movies That Matter (Netherlands).

    “We at Miranda House believe in creating inclusive, safe and brave space where diversity is accepted and equitable access between all individuals is normative”, said Aishwarya Unnikrishnan, President of Women’s Development Cell, Miranda House whose motto is “Together We Rise”, aiming to forge solidarity with different movements happening across the globe to anchor beyond the binaries.

    Queer India Support is a new initiative that essentially aims to be the first line of support for LGBT+ individuals and their allies and a platform that surpasses geographical constraints with the digital medium.

    “We are happy to bridge the gap between such compelling film screenings and the campuses. Hope this contributes to the sensitization of the students and becomes a step in building a more inclusive society”, said Harsh Aggarwal, Founder of Queer India Support, which aims to be the first line of support for queer individuals and their allies.

    The films to be screened at the event are Keep Your Head Up from Ireland, Amar: Deaf Is An Identity and Scarlines from Canada, No Matter Who  from France,  To Mum (Love Me) from Singapore, and All About Love and My Child Is Gay, I Am Happy from India

  • FILM REVIEW | Tom of Finland

    ★★★ | Tom of Finland

    FILM REVIEW | Tom of Finland
    (C) PECCAPICS

    We all know who Tom of Finland was, but not many people know the real life story of the man behind the sexy images – Touko Laaksonen. The new movie ‘Tom of Finland,’ tells us about his fascinating, and interesting life.

    But it’s a bit of a shame because the film is not very exciting. It should have been given that this man is most famous for his drawings of muscular and very well-endowed men in various incriminating sexual positions, but this aspect of the film takes a bit of a backseat to the more biographical nature of his life. Laaksonen, (ably played by Finish actor Pekka Strang), was a decorated officer in WWII and fought in battles against the Nazis where he was face to face with the enemy, and which makes an indelible impression on him for life. After the war, he returns home to live with his homophobic sister Kaijia (Jessica Grabowsky) and leads a very unexciting life working at an advertising agency. It’s only when he starts drawing men is when he starts feeling alive, more so because he starts to explore his sexuality in a place where it was illegal. Laaksonen then falls in love with the young lodger Veli (Lauri Tilkanen) he and his sister take in. This relationship instils confidence in Laaksonen and this is when his artistic talent starts to blossom.

    Instead of getting sexier and more erotic, Tom of Finland the film maintains its understated and muted tone. As Laaksonen’s work (who by now goes by the name Tom of Finland given to him by his publisher) becomes more well known around the world, he goes to Berlin and then is whisked away to Los Angeles at the behest of a rich gay patron (played by Seumas Sargent) where we get glances of men frolicking in a swimming pool but it’s not enough to warrant any sort of excitement in a film that should be releasing hormones right and left. Some of the supporting characters start getting sick but there’s no real mention of the words HIV or AIDS in the film and it’s this disease that hits his community hard, at a time when no one really knew how the virus was contracted. And with no timeline mentioned in the film, it’s a bit difficult to know when these events took place to put the story into some sort of context.

    Directed by Finnish Director Dome Karukoski and written by Aleksi Bardy, Tom of Finland has, of course, a very Finnish feel to it (definitely foreign and a bit dull and grey), which may or may not have impacted the film’s lack of excitement and dramatic possibilities. But the cast are all very believable and Strang does a very good job of playing Laaksonen’s life over a span of 50 years (!!). But Laaksonen deserves a more fitting tribute. He was a seminal figure in gay culture, one of the most influential and celebrated figures of twentieth-century gay culture, and ‘Tom of Finland’ the movie is not quite what I’d hoped it would be.

    If you want real excitement, there is the Tom of Finland Organic Vodka to try – launched in the UK last month. Made in Finland from a blend of the finest organic wheat and rye with no added sugar, the vodka pays tribute to Tom of Finland through its smooth, spicy taste and flavour and it’s sexy packaging. The vodka was launched to coincide with the release of Tom of Finland.

    The vodka is available now from select retailers including Gerry’s Wines and Spirits in Soho, London for an RRP of £32.50/50cl. I’ve tried it and it is superb.