Category: Entertainment

  • THEATRE REVIEW | Beautiful: The Carole King Musical – National Tour

    ★★★★☆ | Beautiful: The Carole King Musical


    During the 1960’s Carole King was part of one of the most successful songwriting partnerships of the era, writing hits for The Shirelles, The Drifters and Little Eva; leading to success with songs including “Will You Still Love Me Tomorrow”, “The Loco-Motion”, “(You Make Me Feel Like) a Natural Woman”, “You’ve Got A Friend” and “I Feel The Earth Move”.  But behind the success was a personal struggle for King in trying to make her marriage with Gerry Goffin, her philandering husband and song writing partner, work; and it is her rise to the top and her troubled home life which form the backbone of the story for this musical biopic.

    Beautiful really stands apart from the usual jukebox musical/musical biopics, given the quality of the writing, presentation and performances. The narrative absorbs you straightaway; and there is an abundance of instantly likeable characters, a wonderfully sharp script filled with warmth, humour and personality and a lighting design which really does bring the stage to life, making it feel bright, bubbly and brimming with energy.

    But the quality was not reserved only for the look of the piece, but extends to its rather talented cast members. Bronte Barbe was delightfully charismatic as Carole King, projecting a powerful voice without ever having to force a note; and exuding a natural and believable on-stage chemistry with Kane Oliver Parry as King’s husband, Gerry Goffin. Amy Ellen Richardson and Matthew Gonsalves bounced off each other nicely as the bickering Weil and Mann; and the entire cast, including the ensemble, all stepped up the plate in terms of their vocals, alongside some incredibly competent acting, giving rise to very believable performances across the board.

    The first act, detailing King’s success within the music industry, brings with it a barrage of 17 musical numbers which are performed with flair and vigour; whilst the second act is slightly more downbeat and more drama focussed, as the decline of King’s marriage and her growth into a solo artist are depicted.

    Although you may not have heard of Carole King, her music is embedded into popular culture, and with the number of songs that you immediately recognise adorning the stage, you realise just how much of an influential songwriter King really was. Ultimately, this is a story of love, hope and determination, and a production which rises above the usual jukebox musicals with a set of strong central performances, in particularly Bronte, and a polished, professional and quality feel.

    Beautiful is at the Sheffield Lyceum Theatre until Saturday 10th February 2018. For details and tickets visit www.sheffieldtheatres.co.uk.

    The show then continues on its national tour until 23 June 2018. Click here to book tickets.

  • Dumbledore Won’t Be ‘Explicitly’ Gay In Fantastic Beast: The Crimes Of Grindelwald

    It was several years ago when J.K. Rowling revealed that beloved Hogwarts headmaster, Albus Dumbledore, is gay. By then, she finished writing her books and the “Harry Potter” films were also done. Now that the character will be brought back to life by Jude Law in “Fantastic Beasts: The Crimes of Grindelwald,” Potterheads were excited to see his sexuality explored. (more…)

  • Call Me By Your Name wins big at the annual Dorian Awards

    The distinctly unique GALECA: The Society of LGBTQ Entertainment Critics, comprised of over 200 gay, lesbian, bisexual, transgender, queer and ally entertainment journalists in the US, Canada and UK, has announced its ninth annual Dorian Award winners.

    This year’s 26 TV and film categories, again running from mainstream to LGBTQ-centric, include inaugural awards for Supporting Film Performance. A handful of select recipients will join the group for GALECA’s annual Winners Toast on Saturday, February 24th in Beverly Hills.

    Call Me By Your Name, which led with nine nominations, was named 2017’s Film of the Year. The bittersweet story of two American men — a teen and a 20something — falling for each other in Italy also earned Timothée Chalamet a Dorian for Film Performance of the Year — Actor. Chalamet, seen in Dorian nominee Lady Bird as well, was also the group’s Rising Star pick. Meanwhile, Greta Gerwig, writer and helmer of the female-focused coming-of-age drama Lady Bird, was named Director of the Year.

    Jordan Peele, formerly of TV’s acclaimed Key and Peele sketch comedy series, earned Screenplay of the Year for Get Out, the heart-stopping thriller and acidic satire about a black man (Daniel Kaluuya) who discovers his white girlfriend’s “liberal” parents are secretly murderous racists. Peele was also crowned Wilde Artist of the Year (nominees included Gerwig, Patty Jenkins, David Lynch and Guillermo del Toro) and Wilde Wit of the Year (in a tie with Saturday Night Live fixture Kate McKinnon). For the second year in a row, the talented McKinnon scored TV Musical Performance of the Year for her wowza impersonation of Kellyanne Conway taking her “alternative facts” act to Broadway.

    Film icon and feminist activist Meryl Streep was the group’s latest choice for Timeless Star, a career achievement honour previously won by such equally beloved stars (and human-rights champions) Jane Fonda, Dame Angela Lansbury and Sir Ian McKellen.

    “Who doesn’t love Meryl Streep outside of non-feminist Donald Trump?” quipped Diane Anderson-Minshall, GALECA’s president as well as editorial director of The Advocate magazine. “Streep’s latest film, The Post, speaks to her commitment to playing, and supporting, strong women who push for or at least embody the need for equality. As The Washington Post’s firebrand Katherine Graham, she inhabited the role of the first female publisher of a major American newspaper — a woman who went from housewife to overseeing the revelations of both Watergate and the Pentagon Papers at a time when most of the men around her were too afraid to take on either. And this was all long before the #MeToo movement.”

    Adds John Griffiths, GALECA’s Executive Director, “From Sophie’s Choice to Postcards from the Edge, Streep’s an incredibly stirring and affecting actress who transports, delights and nails various accents like no other. I’d say she definitely qualifies as a timeless star — and amid all the headlines about sexual harassment in Hollywood, she’s also a very relevant current voice.” Fun fact: Streep won a Dorian Award for The Iron Lady back in 2012.

    In additional trademark races, God’s Own Country — 2017’s other visceral love story involving two gay men — won as GALECA’s Unsung Film of the Year (the competition included director Angela Robinson’s Professor Marston and the Wonder Women). Awards-season darling The Shape of Water impressed as Visually Striking Film of the Year. And mother!, Darren Aronofsky’s over-the-top psychological chiller starring Jennifer Lawrence, was deemed Campy Flick of the Year.

    Among TV categories, HBO’s sleek murder mystery Big Little Lies took TV Drama of the Year, with star Nicole Kidman (as a battered wife) triumphing too. Kyle MacLachlan was Kidman’s male counterpart for Twin Peaks: The Return. Starz’s provocative gods-among-us fantasy American Gods took Unsung TV Show, fittingly as its future, the freshman series’ future is reportedly up in the air. And programs each celebrating their second win in a row: TBS’ Full Frontal with Samantha Bee (Current Events Show of the Year) and the Lady Gaga-loved gay performance contest RuPaul’s Drag Race (LGBTQ Show).

    Below is the complete list of Dorian winners.

    GALECA, The Society of LGBTQ Entertainment Critics, previously known as the Gay and Lesbian Entertainment Critics Association, includes members who review, write and/or report on film and television for a diverse number of media outlets, including BuzzFeed, The Daily Beast, Entertainment Weekly, TV Guide, The Advocate, CNN, the Associated Press, People, Variety, The Hollywood Reporter, Collider, Vanity Fair, Screen Crush, The Los Angeles Times, The San Francisco Chronicle, New Now Next, The Guardian and the BBC. For more information, visit GALECA.org. Also find us at #DorianAwards, and enjoy our posts via @DorianAwards on Facebook • Twitter • Instagram

    GALECA 2017/18 DORIAN AWARDS — WINNERS

    FILM OF THE YEAR
    BPM (Beats Per Minute) – The Orchard
    Call Me By Your Name Sony Pictures Classics (WINNER)
    Get Out – Universal
    Lady Bird – A24
    The Shape of Water – Fox Searchlight

    DIRECTOR OF THE YEAR (FILM OR TELEVISION)
    Sean Baker, The Florida Project – A24
    Guillermo del Toro, The Shape of Water – Fox Searchlight
    Greta Gerwig, Lady Bird – A24 (WINNER)
    Luca Guadagnino, Call Me By Your Name – Sony Pictures Classics
    Christopher Nolan, Dunkirk – Warner Bros.
    Jordan Peele, Get Out – Universal

    BEST PERFORMANCE OF THE YEAR — ACTRESS
    Sally Hawkins, The Shape of Water – Fox Searchlight (WINNER)
    Frances McDormand, Three Billboards Outside Ebbing, Missouri – Fox Searchlight
    Margot Robbie, I, Tonya – Neon
    Saoirse Ronan, Lady Bird – A24
    Daniela Vega, A Fantastic Woman – Sony Pictures Classics

    BEST PERFORMANCE OF THE YEAR – ACTOR
    Nahuel Perez Biscayart, BPM (Beats Per Minute) — The Orchard
    Timothée Chalamet, Call Me By Your Name – Sony Pictures Classics (WINNER)
    James Franco, The Disaster Artist – A24
    Daniel Kaluuya, Get Out – Universal
    Gary Oldman, Darkest Hour – Focus Features

    SUPPORTING FILM PERFORMANCE OF THE YEAR — ACTRESS
    Mary J. Blige, Mudbound – Netflix
    Tiffany Haddish, Girls Trip – Universal
    Allison Janney, I, Tonya – Neon
    Laurie Metcalf, Lady Bird – A24 (WINNER)
    Michelle Pfeiffer, mother! – Paramount

    SUPPORTING FILM PERFORMANCE OF THE YEAR — ACTOR
    Willem Dafoe, The Florida Project – A24
    Armie Hammer, Call Me By Your Name– Sony Pictures Classics
    Richard Jenkins, The Shape of Water – Fox Searchlight
    Sam Rockwell, Three Billboards Outside Ebbing, Missouri – Fox Searchlight
    Michael Stuhlbarg, Call Me By Your Name – Sony Pictures Classics (WINNER)

    LGBTQ FILM OF THE YEAR
    BPM (Beats Per Minute) — The Orchard
    Battle of the Sexes – Fox Searchlight
    Call Me By Your Name – Sony Pictures Classics (WINNER)
    A Fantastic Woman – Sony Pictures Classics
    God’s Own Country – Samuel Goldwyn Films

    FOREIGN LANGUAGE FILM OF THE YEAR
    BPM (Beats Per Minute) — The Orchard (WINNER)
    A Fantastic Woman – Sony Pictures Classics
    First They Killed My Father – Netflix
    The Square – Magnolia Pictures
    Thelma – The Orchard

    SCREENPLAY OF THE YEAR (ORIGINAL OR ADAPTED)
    James Ivory, Call Me By Your Name – Sony Pictures Classics
    Jordan Peele, Get Out – Universal (WINNER)
    Greta Gerwig, Lady Bird – A24
    Guillermo del Toro, Vanessa Taylor, The Shape of Water – Fox Searchlight
    Martin McDonagh, Three Billboards Outside Ebbing, Missouri – Fox Searchlight

    DOCUMENTARY OF THE YEAR
    (theatrical release, TV airing or DVD release)
    Bombshell: The Hedy Lamarr Story – Zeitgeist/Kino Lorber
    The Death and Life of Marsha P. Johnson – Netflix
    Faces Places – Cohen Media Group (WINNER)
    Jane ­– National Geographic/Abramorama
    Kedi – Oscilloscope

    VISUALLY STRIKING FILM OF THE YEAR
    (honouring a production of stunning beauty, from art direction to cinematography)
    Blade Runner 2049 – Warner Bros.
    Call Me By Your Name – Sony Pictures Classics
    Dunkirk – Warner Bros.
    The Shape of Water – Fox Searchlight (WINNER)
    Wonderstruck – Amazon

    UNSUNG FILM OF THE YEAR
    BPM (Beats Per Minute) – The Orchard
    Beach Rats – Neon
    God’s Own Country – Samuel Goldwyn Films (WINNER)
    Professor Marston and the Wonder Women – Annapurna
    Wonderstruck – Amazon

    CAMPY FLICK OF THE YEAR
    Baywatch – Paramount
    The Disaster Artist – A24
    The Greatest Showman – 20th Century Fox
    I, Tonya – Neon
    mother! – Paramount (WINNER)

    TV DRAMA OF THE YEAR
    Big Little Lies – HBO (WINNER)
    The Crown – Netflix
    Feud: Bette and Joan – FX
    The Handmaid’s Tale – Hulu
    Twin Peaks: The Return – Showtime

    TV COMEDY OF THE YEAR
    Better Things – FX
    GLOW – Netflix
    The Good Place – NBC
    The Marvelous Mrs Maisel – Amazon (WINNER)
    Will & Grace – NBC

    TV PERFORMANCE OF THE YEAR – ACTRESS
    Clare Foy, The Crown – Netflix
    Nicole Kidman, Big Little Lies – HBO (WINNER)
    Jessica Lange, Feud: Bette and Joan – FX
    Elisabeth Moss, The Handmaid’s Tale – Hulu
    Reese Witherspoon, Big Little Lies – HBO

    TV PERFORMANCE OF THE YEAR — ACTOR
    Aziz Ansari, Master of None – Netflix
    Sterling K. Brown, This Is Us – NBC
    Jonathan Groff, Mindhunter – Netflix
    Kyle MacLachlan, Twin Peaks: The Return – Showtime (WINNER)
    Alexander Skaarsgård, Big Little Lies – HBO

    TV CURRENT AFFAIRS SHOW OF THE YEAR
    Full Frontal with Samantha Bee – TBS (WINNER)
    Last Week Tonight with John Oliver – HBO
    Late Night with Seth Meyers – NBC
    The Late Show with Stephen Colbert – CBS
    The Rachel Maddow Show – MSNBC

    TV MUSICAL PERFORMANCE OF THE YEAR
    Lady Gaga, “God Bless America,” “Born This Way,” etc., Super Bowl LI – Fox
    Kate McKinnon, “(Kellyanne) Conway!” Saturday Night Live – NBC (WINNER)
    Brendan McCreary, John Mulaney, “I’m Gay,” Big Mouth – Netflix
    Pink, “Beautiful Trauma,” American Music Awards – ABC
    Sasha Velour, “So Emotional,” RuPaul’s Drag Race – VH1

    LGBTQ SHOW OF THE YEAR
    Difficult People – Hulu
    RuPaul’s Drag Race – VH1 (WINNER)
    Sense8 – Netflix
    Transparent – Amazon
    Will & Grace – NBC

    UNSUNG TV SHOW OF THE YEAR
    American Gods – Starz (WINNER)
    Dear White People – Netflix
    Difficult People – Hulu
    At Home with Amy Sedaris – TruTV
    The Leftovers – HBO

    CAMPY TV SHOW OF THE YEAR
    Dynasty
    Feud: Betty and Joan (WINNER)
    Riverdale
    RuPaul’s Drag Race
    Will & Grace

    WE’RE WILDE ABOUT YOU!’ RISING STAR AWARD
    Timothée Chalamet (WINNER)
    Harris Dickinson
    Tiffany Haddish
    Daniel Kaluuya
    Daniela Vega

    WILDE WIT OF THE YEAR AWARD
    (honouring a performer, writer or commentator whose observations both challenge and amuse)
    Samantha Bee
    Stephen Colbert
    Kate McKinnon (WINNER – TIE)
    John Oliver
    Jordan Peele (WINNER – TIE)

    WILDE ARTIST OF THE YEAR
    (honouring a truly groundbreaking force in the fields of film, theatre and/or television)
    Guillermo del Toro
    Greta Gerwig
    Patty Jenkins
    David Lynch
    Jordan Peele (WINNER)

    TIMELESS STAR
    (to a living actor or performer whose exemplary career is marked by character, wisdom and wit)
    Meryl Streep (WINNER)

    GALECA’S MISSION
    Home of the Dorian Awards for the best in film and TV, GALECA aims to generate camaraderie in an unsettling media environment, and elevate professional entertainment criticism and journalism, all while bolstering art and humanity. Via panels, screenings, events and its occasional “Ten Best” lists, this 501 c-6 organization also strives to remind the everyone from at-risk youth to bullies that gay, lesbian, bisexual, transgender and queer people have a rich history of putting great movies and TV on the radar. How would the world fare without knowing what’s campy?

  • Oscars 2018 – The winners and the ones that should win

    Oscars 2018 – The winners and the ones that should win

    Once again it’s my annual review of the Oscars looking at who should win against who will win at the Kodak Theatre in barmy Hollywood on March 4th, 2018.

    Will this year’s Call Me By Your Name feature in Paul’s Oscar predictions?

    As always the top twenty movies of the last year are wholly absent from the nominations and there is such a wide chasm between what the critics ejaculate over and then win trophies as to what people actually want to go and see, buy popcorn and snuggle with a hot guy in the back row.

    If you are a true movie fan, read on and see what the Oscars should be like if they gave statuettes to people and films folks have heard off and those with a gay bent.

    BEST PICTURE – Should Win: Paddington 2 The highest rated movie in IMDB/Rotten Tomatoes history because every single critic loved it…

    Will Win: Three Billboards Outside Ebbing Missouri if the aged voters can put up with all the swearing ‘f*cks’ and ‘c*nts’ throughout, (it is f*cking good though)

    BEST ACTOR – Should Win: Chris Hemsworth’s member in bulging spandex in Thor Ragnarok or Arnie Hammer The Man From Uncle and Lone Ranger kissing a bloke and seeming to love it…

    Will Win: Gary Oldman for the Darkest Hour well that is good make-up for ya.

    BEST ACTRESS – Should Win: Gal Gadot for busting everyone’s balls in the megahit WonderWoman or Emma Watson who with Beauty and The Beast became the biggest box-office female earner of all time and she is British…

    Will Win: Frances McDormand who is very good in an Oscar-baiting way in Three Billboards.

    BEST SUPPORTING ACTOR – Should Win: Dwayne Johnson’s speedos in Baywatch and Jon Hamm’s tight jeans in Baby Driver or possibly Hugh Grant in Paddington 2

    Will Win: Sam Rockwell in a career-best performance in Three Billboards with the best character arc of all time.

    BEST SUPPORTING ACTRESS – Should Win: Keela Settle for her Top 10 charting great gay anthem showstopping song ‘This Is Me’ in The Greatest Showman

    Will Win: Laurie Metcalf in Ladybird but we preferred her on TV in Roseanne.

    ANIMATION – Should Win: Johnny Depp’s acting in the appalling Pirates 5.….

    Will Win: Coco, yes the incredible out of this world Coco…..is it the best-animated film in history?… quite possibly.

    Best Foreign Language Film – No such thing according to my dictionary but if so it should go to T2Trainspotting 2 as we could not understand a bloody word…

    Will win: the Swedish film nominated but there is a Russian nominee, and we all know how they like to fix results in their favour!

    Costume Design – Should Win: Baywatch great tight beach gear on Dwayne Johnson and sex god Zac Efron.

    Will Win: Unfortunately Victoria and Abdul which is the filmic equivalent of sleeping tablets.

    Directing – Should Win: Edgar Wright for the hit of the summer Baby Driver.

    Will win: Guillermo Del Toro for the monster shagging under the sea in The Shape Of Water.

    Editing – Should Win: Baby Driver as it was just so cool.

    Will Win: Dunkirk possibly the most overrated film of the year and boy did it do very poor business overseas.

    Makeup & Hair Styling – Should Win: War Of The Planet Of The Apes by a mile.

    Will Win: The Darkest Hour (Yawnnnnnn !).

    Music – Should Win: Beauty And The Beast or The Greatest Showman both great musicals BUT…

    Will Win: Dunkirk purely because of who the composer was. No more WW2 movies for a bit, please.

    Original Song – Should Win: “Days In The Sun” or “Evermore” from Beauty And The Beast

    Will Win: This Is Me The new great Gay Anthem from The Greatest Showman still climbing the charts one month on and a trophy will help it gain eternal popularity.

    Sound Mixing – Should Win: Thor Ragnarok, Marvel’s hit of the year and third biggest film ever.

    Will Win: Star Wars The Last Jedi.

    Visual Effects – Should Win: The genuinely incredible record-breaking Fast And Furious 8

    Will Win: Blade Runner 2049 now officially one of the year’s biggest flops.

    Adapted Screenplay – Should Win: Call Me By Your Name, and it will win too – simply the best gay film since a couple of cowboys f*cked on a mountain without any douching facilities.

    Original Screenplay – Should Win: Baby Driver

    Will Win: Get Out which was a very clever little profitable movie.

    The Gay Oscar Film of the YearBaywatch for the sex appeal, Wonderwoman for the camp and Call Me By your Name for taking the LGBT+ film world forward.

    Stunt of the year – Arnie Hammers tonsil cleaning scene with his hot younger lover in Call or 15 separate sections of Fast and Furious 8 THE action movie of the year and the second biggest earner worldwide and boy was The Stath funny.

    Hunk Of The Year – In a year where we had Zac Efron on the beach, pure hot man roles for Arnie Hammer, Chris Hemsworth and Chris Pratt the award goes to…..drum roll… Hugh Jackman who bowed out from Wolverine in Logan after nine movies and even more years with his shirt off showing an eight pack and sweating muscles which has been a work of pure gym and eating dedication for a decade.

    Lifetime GAYUK Achievement Award – Superstud and man mountain Dwayne ‘The Rock’ Johnson the former wrestler with a body to die for and die under started the year with the astonishing Fast and Furious 8 and finished it in the number one slot with Jumanji Welcome To The Jungle knocking Star Wars for six after just a fortnight and giving it a bloody nose or sore ass becoming the Winter surprise hit of the year.

    Obituary of the Year – The Transformers franchise – what a f*ck up, Celebrity cameos Beckham in Robin Hood, Sheeran in Game Of Thrones, McCartney in Pirates, Ade Edmondson in Star Wars… please please make it stop; Also the end of TV movie reboots as Baywatch and CHIPS suffer, and many other careers go pear-shaped (Tom cruise in the terrible Mummy!) as huge blockbusters bomb like never before….The Great Wall, Dark Tower, Pirates 5 and Assassins Creed to name some of the biggest bombs of 2017.

  • Courtney Act wins Celebrity Big Bro, Year of the Woman

    After 32 days and for the final time, Emma Willis addressed the Celebrity Big Brother house and announced live that this series’ winner, who received the most votes was Courtney Act and Ann Widdecombe as runner-up.

    CBB’s champion left the house to cheers from the crowd, greeted by Emma.

    Courtney confirmed, “This is just amazing! Thank you! Thank you to the eight glorious women who were in the house and to all of my other housemates. Those people made it possible, those experiences we had…this is so surreal right now. It’s amazing to think the public have chosen me, I guess it’s validation. I guess this is validation that it’s OK to be different.”

    Shane J / Courtney added, “You forget about the people watching at home and making their own opinions on the conversations…I guess they liked the conversations!”

    On Andrew, “Had a crush on him! He’s just so comfortable about everyone and everything, just knowing who he is. I love that and respect that about him. I do respect his boundaries. It’s fun to flirt!”

    Courtney confirmed the wardrobe malfunction on launch “wasn’t planned”.

  • What was it like to live through the 80’s AIDS epidemic? Derek Crowe writes a memoir

    What was it like to live through the 80’s AIDS epidemic? Derek Crowe writes a memoir

    While social attitudes towards homosexuality have improved beyond anyone’s expectations in just three decades, it’s important not to forget the fierce oppression and undue criminalisation gay people faced in Britain’s recent history. Part of that story is the AIDS epidemic of the 1980s.

    At that time, Derek Crowe was dealing with the recent diagnosis of his partner, Pip. Little was understood, much of the available help was reluctant and society-at-large had opinions that were a secondary disease in themselves.

    In his poignant and ultimately beautiful new memoir, PiP: Experiencing AIDS in the 80’s – a personal story, Derek tells the story so the attitudes of yesteryear will not only never be forgotten, but never be repeated.

    Synopsis from the author Derek Crowe:

    This story was written 30 years ago and was originally called “Love has no gender”. Initially, it was written as a cathartic exercise after the death of Pip my partner from AIDS.

    Much of the reactions to this illness in the early ’80s is forgotten, the fear, anxieties, the bad press and how the government handled what was subsequently to become a big social problem.

    My story tells of our meeting, our move to Spain where we opened a salon in the fashionable area of Marbella and the discovery that Pip was soon to be diagnosed with this terrible illness. Due to the help of an incredible doctor in Spain, Pip eventually returned to the UK and was hospitalised on a specialist ward at St Mary’s Hospital Paddington.

    In the book I tell of how the illness slowly manifested itself and how the medical teams battled to find treatments for the various illnesses that each patient was confronted with. It was done with care, compassion and was non judgemental. A new drug had arrived from America, AZT, hopefully a step towards a cure. It was a trial drug with no proper knowledge of its side effects or if it would work. Pip was the third person to be administered with it and the side effects were horrific, he was a guinea pig. Sadly it was not to be the cure that we had hoped but thankfully over the years it has progressed and is now part of current AIDS treatment.

    Within the covers I tell of the hatred and bigotry directed towards gay men in those early days and I also expose the love and understanding from so many other people. The heart of this story is the love of two people through one of the most dramatic medical nightmares in recent years, a love of two gay men bound by fear and a hope and desire to conquer the worst nightmare.

    Telling this now is, I feel, part of our social history.

    “When you look at it, very little has actually been written about the onset of AIDS, from a deeply-personal level,” explains the author. “This story may be over three decades old but, with social attitudes continuing to evolve, it’s highly relevant to today’s social fabric. We’re now celebrating pride and diversity rather than condemning it. Still, the harsh stories of our past deserve to be retold and remembered.”

    Continuing, “I’m donating a portion of all proceeds to the Terrence Higgins Trust, who continue their life-changing work as the largest voluntary sector provider of HIV and sexual health services in the UK. They remain underfunded and underappreciated, so I hope my book can be a vehicle of great value to them and their maverick mission.”

    Reviews for the book have been extremely positive. One reader comments, “A story of true love and loss through AIDS in the 1980s. This book details a piece of social history in a deeply personal way, and the associated stigma attached to this diagnosis at that time. A great read that I couldn’t put down.”

    Another adds, “A compelling read, written from the heart, bringing to life the challenges and prejudice at this time in our social history. It is well written, easy to read and very engaging because Derek is sharing such a profoundly personal experience – I found it difficult to put down once started.”

    ‘PiP: Experiencing AIDS in the 80’s – a personal story’ is available now from Amazon.

    About the Author:

    Now retired, Derek lives in a small village within the South Downs National Park where he is surrounded by the beautiful countryside of Hampshire.

    Hairdressing has played a major role for Derek where during his career he owned 3 hair and beauty salons, one being in Marbella where part of this story is set. He also held two executive positions with two of the leading hair cosmetic companies allowing him to travel extensively.

    Pip is a poignant, profound memoir and a dark reminder of oppressive 1980’s attitudes towards homosexuality and AIDS. It is an excellent read, funny, heartwarming, and very sad, but it’s a story that’s so eloquently told. Stories like this should not die with use, they should live through us, and this is exactly what Derek Crowe does with his memoir. A must read!

  • THEATRE REVIEW | Hairspray, Sheffield Theatres

    ★★★★☆ | Hairspray – Sheffield Theatres

    Set in Baltimore in 1962, Tracey Turnblad is a big girl with a big heart, big dreams and even bigger hair. Tracey (with her best friend, Penny, in tow) cuts school one afternoon to audition to be a dancer on The Corny Collins Show, her favourite daytime TV programme. Despite the best efforts of Velma Von Tussel, the show’s producer, Tracey is chosen to be the new dancer; but when Tracey learns that her black friends aren’t allowed to dance with the white kids on the show, she sets out to change things once and for all. But can Tracey unite black and white on TV, win the hand of her heartthrob and fellow dancer, Link Larkin, and walk away with the Miss Teenage Hairspray Pageant crown?

    Based on the 1988 John Walters film, this is a colourful and energetic production which ups the camp value and fun factor to create a feel good, crowd-pleasing musical with a strong underlying message about social inequality.

    Matt Rixon pleases as Edna Turnblad, and bounces nicely off Norman Pace as Wilbur; whilst Brenda Edwards (X-Factor) belts out the tunes as Motormouth Maybelle and manages to nail her big number with ease. Rebecca Mendoza makes her professional debut as Tracey Turnblad, and despite some unnecessary gurning and an overly squeaky American accent, gives a competent performance, although one which would have showed her talents far better if her direction was reined in slightly, allowing the role to be played with a straight bat. The remaining cast provided for a spectacular ensemble, filling the stage to the brim in the musical numbers, and bringing with them an infectious enthusiasm.

    Featuring the songs “You Can’t Stop The Beat”, “Good Morning Baltimore”, “Welcome to the 60s” and “I Know Where I’ve Been”, the numbers come thick and fast, and are catchy, upbeat and instantly likeable. The dance routines are full of energy and ensure that there is always plenty to look on the stage, whilst the lighting and costume designs flood the stage with colour, adding to the pop-bubblegum feel of the piece.

    Utterly engaging and utterly enjoyable, Hairspray is a musical treat which is so much fun that you will find it hard resist its charms.

    Hairspray is at the Sheffield Lyceum (www.sheffieldtheatres.co.uk) until Saturday 3rd February 2018 before continuing on an extensive national tour until 4th August 2018. To book tickets click here.

     

  • THEATRE REVIEW | Mary Stuart, Duke of Yorks Theatre

    ★★★★★ | Mary Stuart, Duke of York’s Theatre

    Two queens fighting to the death. No, not Vauxhall on a Saturday but a fascinating slice of Elizabethan history. Mary Stuart seeks refuge in England only to be imprisoned by her cousin, Queen Elizabeth the 1st, as a potential threat to the English throne. Mary anxiously awaits her fate whilst Elizabeth tortures herself deciding the best course of action. Sounds dry, fusty and irrelevant? Not in the slightest in this bold and modern update on Schiller’s play.

    Robert Icke is a director who can breathe extraordinary new life into works. His versions of Hamlet, 1984 and Uncle Vanya (to name a few) have garnered awards and shown his skills. Here, he’s taken the text, staging and costume and made it feel thoroughly modern and relevant. There’s barely a ruff in sight and the dialogue feels like something you might eavesdrop upon in Parliament in 2018.

    Two top UK actors take the lead roles, Juliet Stevenson and Lia Williams (currently to be seen in Kiri and The Crown). There’s a gimmick but it’s one with no hint of tackiness. Both actors switch roles depending on the results of a tossed coin at the start of the play. It’s a tense moment for both the actors and the audience as the two face off on stage and await their role allocation.

    All in, it’s a riveting three hours. The stripped back set, pared back dialogue and emotional intensity combine with two killer performances to make this a nail-biting experience. It’s a fine example of top acting in a top production that also remains entertaining.

     

    Mary Stuart runs at the Dukes Of York’s Theatre until 31st March 2018

  • THEATRE REVIEW | Dietrich: Natural Duty

    ★★★★★ | Dietrich: Natural Duty

    Described as a one (wo)man show, Peter Groom’s take on legendary teutonic beauty Marlene Dietrich is literally breathtaking at points. There’s an uncanny likeness between him and the screen goddess with his cat-like cheekbones and arched brows. He’s clearly spent a vast amount of time studying her mannerisms and speech too as he captures every wink, every drag on a cigarette and each sultry gaze. There’s something uncanny about his appearance that makes you feel that you’re anywhere but in the Vaults which is essentially a dank series of tunnels under Waterloo Station. The bare brick and smoky interior is entirely appropriate with it’s underground club feel.

    Groom has written a witty show with a touch of pathos based around Dietrich’s wartime experiences. It was a stark choice for her as she made the decision to leave behind her beloved mother along with her mother country and flee to America. Taking on the role of ‘Captain Dietrich’ she entertained and supported the troupes and saw first hand some of the horrors of war.

    The show is based around a saucy cabaret performance with Groom slinking on in a spectacular gown and rasping out some of Dietrich’s songs. Heckling by a reporter makes her pause and reluctantly answer some probing questions. Not only is Groom a fabulous mimic but he’s also a deft and skilled writer as the script lurches between camp comedy and deep sadness. This is an absolute tour de force. If you can catch this tonight or tomorrow then get down to the Vaults Festival. If not then keep your eyes peeled as this is a show that’s sure that make a return.

    Dietrich: Natural Duty runs at the Vault Festival until 28th January 2018

     

  • RuPaul’s Drag Race: All Stars Season 3 Premiere – RuCap

    The third All Stars is finally here and the premiere was full of twists and turns and shocks and surprises, as Alaska and Chad Michaels promised it would at the beginning of the episode.

    OBVS: There are spoilers ahead…

    Their manic laughter soon dissolves, however, as they sigh and reveal The Drag Race Hall of Fame to not be what they – or anyone else – were expecting. They walk off in their creepy red robes and white hats, only to pop up again at the end of the episode… but more on that later.

    The queens’ entrance looks were as eclectic as ever, this group of fan favourite girls really are a mixed bunch.

    Trixie Mattel was the first to roll on in, the crown-less drag superstar of season seven. She claims to be here to make amends, feeling like an all star after her run on the show but never during. Being such a well-liked talented queen, many are theorising that Trixie will be the crowned winner of this season. She has strong competition, that’s for sure, and from what we’ve seen so far Trixie needs to step up her game to snatch the crown – which I low-key want her to do. I think she’s proved she’s the one to beat off the show but now’s her time to separate from the herd and make herself known to those who maybe don’t follow her work off Drag Race.

    Zaddy’s home! Milk’s runway look is a denim Pinocchio inspired look, that’s truly Milk. She’s mainly been doing modelling after her run on the show, and rumours claim she doesn’t get very far on All Stars which is a shame – her out of the carton thinking makes for such interesting, artistic drag. Only time will tell, though. Her commentary is certainly interesting, I don’t remember Milk being this outspoken on the last season.

    The trashbag queen with a heart of gold, Chi Chi DeVayne, brings with her the swampiness that we loved from season eight. She claims that she has her mind and her drag together, the full force of the dancing queen will be upon us this season. Truth be told, she isn’t exactly off to a great start.

    Next to walk in is Thorgy Thor, who Chi Chi says is always talking about how she didn’t win because of Bob the Drag Queen, the season eight winner of RuPaul’s Drag Race. Even her reads during the mini challenge revolve around Bob, and she claims to have found ways to focus this season so I guess we’ll see how well she does. To quote Chi Chi, “There ain’t no Bob here, let’s see what you got.”

    A season two queen, Morgan McMichaels exclaims, “I look pretty good, for a dead bitch.” The other girls react pretty well to her, calling her fierce competition and a workhouse, someone to beat. She’s definitely as sharp-tongued as ever, immediately formulating her own plan when the rules are set out by Ru.

    Aja wheels in next, on a scooter, having some unfinished business. Her approach this time around, fresh off season 9, is just to be more lax about everything. Having felt like the ugly duckling of her season, she’s back with some new additions to her face a la some plastic surgery, with a confidence that she definitely channels in the challenges.

    BenDeLaCreme stumbles in next and, I’ve got to be honest I never saw what everyone loved about her, but she’s clearly still as favourable as ever wanting to, yes, win the crown but do so with kindness and integrity. “You don’t have to be a bitch”, she says, which I can definitely stan but immediately afterwards she makes a comment about Valentina that doesn’t sound too congenial and Milk – in her one-on-one interviews – calls her out for being fake.

    Kennedy Davenport glitters as she walks in next, wearing an outfit we would have never seen her brave on her season, boasting how much she’s grown. She wants to dance her way to the top and immediately sticks to Chi Chi, who claims they’ve developed a very close mother/daughter relationship. Trixie even calls them the same person. How much she’s grown, however, is up for debate as she launches into her old attacking habits when Shangela gives her two cents about Aja returning and Kennedy shuts herself down before being called “the mean one” of the season again. At least she knows when to quit, now.

    Speaking of Shangela, haleloo, she’s back and the third time’s the charm. Shangie’s definitely racked up a lot more experience since her two-time stint on the show, working in television, film and even headlining her own Vegas strip show! Not having seen her in season 3, I was definitely excited for her to shine on again in All Stars and boy did she bring it.

    Lot’s of people speculated about this season’s 10th queen and the controversial pick turned out to be none other than the season one winner of RuPaul’s Drag Race – Bebe Zahara Benet. Never having seen the first season, I didn’t know anything about Bebe. The queens were all pretty intimidated by her, since she’s the only one of them to actually already have a crown, but she hasn’t been on since 2009. If she wins she’ll be the first queen in herstory to have two crowns under her belt but even if she doesn’t, despite some people thinking she has no place on All Stars, I think this is a great way to re-introduce her to the younger viewers who (like me) don’t know much about her. From what I’ve seen, though, I already love her – she’s definitely one to keep your eye on.

    Ru definitely seems to be banking on the success of the second season of All Stars

    RuPaul meets the queens after introducing Bebe, setting out the rules of the game which mostly follow AS2. Each week, the top 2 queens will lip sync for their legacy and the winner will receive a $10, 000 tip + the power to eliminate one of her fellow queens. Morgan McMichaels is instantly very vocal about her plan to eliminate competition – finally a queen who is honest about playing the game. All Stars 2 was about being friends with the winner (Roxxxy Andrews making it as far as she did is proof of that) which Shangela echoes later, when they’re talking about how to decide who to eliminate – their consensus broke down, which is why I was confused as to why everyone came for Morgan when she said what she said. She’s playing the game and everybody else better do the same rather than kumbaya like last season and have another Roxxxy slip into the top four.

    While there were some good zingers in the mini-challenge, I can’t help but compare it to All Stars 2 where the one-liners were stronger and fresher and funnier. Everyone came for BenDeLa and her absence from the drag scene since her season, but she proved once again how funny she is and won the challenge.

    Charisma, uniqueness, nerve and talent – bigger and better than ever

    The real tea is that the variety talent show didn’t have much variety.

    Shangela started it off performing an original song, complete with a quick-step dance routine, outfit change and a death drop that was very well-received both by the judges and the crowd – landing her in the top. The judges loved the dancing, the way she commanded the room as soon as she walked out, but the bodysuit she had on was basic.

    Bebe followed her, also performing a dance number but one that was inspired by her African culture. The beautiful outfit she revealed flourished with the beat, making her one of the four safe queens.

    Thorgy’s violin number was a bit of a snooze, to me at least. The judges loved her jumpsuit and the way she married classical music with drag but Vanessa Hudgens clocked her for being bashful, wanting to see her own her fierceness. She made it to the top.

    Aja came out with a dance number to her original track that had everyone shook. I mean, we knew that she could dance but nobody was expecting her to bring it like she brought it, sis. RuPaul even shouted, literally nobody was ready. She raised the bar and, as Ross Matthews said, jumped off it. When asked about what made her come out of her shell, Aja said this time around she didn’t care what anybody had to say about her and Mama Ru told her to just “jump on their ass”. She was one of the two winners of the challenge.

    Kennedy followed Aja, and maybe that was the reason I wasn’t really into her dance number – since she was the fourth to do it – but she spun and kicked and flipped off and onto the stage. She was, deservedly, safe.

    Ben brought a re-vamped comedic burlesque show, throwing off bra after bra with more exaggerated nipple tassels every which way. Her shtick was, the judges said, stunning and the comedy was great. She was the other winner.

    Chi Chi’s flat jazz shoes, lack of padding and poor wig choice made for a poor fifth dance performance which the crowd cheered her for, but neither the queens nor the judges were all that impressed. She looked beautiful but the shoe and the hair flopped and landed her in the bottom.

    Morgan’s mediocre lipsync of her original track, which she performed for the first time tonight, was nerve-filled and mostly performed to the queens rather than the judges. According to Matthews, the way she usually controls the room was lacking in this performance. Despite looking amazing, wearing a bodysuit Michelle Visage called her favourite, she was also in the bottom.

    The last two performances were a live country song by Trixie, that was well-liked and made her safe, and a paper runway show by Milk that the queens were over immediately but that made her, also, safe. They both blended into the background in this episode, doing average and being okay with doing average – according to a behind the scenes World of Wonder video. Trixie said being safe, in a group of such talented girls, was a compliment.

    The Lip Sync

    The deliberations were exactly like they were in All Stars 2, one-on-ones with the queens who won and the bottoms saying the same generic lines of acknowledging their mistakes but wanting to continue fighting. Ben put it well, saying her and Aja’s position was like “the worst double-edged sword”. She claimed to want to play fair and not help herself personally, which is all fine and dandy, but when it came down to her eliminating the bottom queen – I was a little suspect of her decision.

    The lip sync itself wasn’t the best we’ve had (I, personally, don’t think Alyssa Edwards vs. Tatiana will ever be beat) but it was finally a Nicki Minaj song. Aja busted a few good moves but, ultimately, Ben’s comedy won her out – and with the amount of screentime she got during the lipsync, it was no wonder – so she launched into a monologue about a unanimous consensus among the group that Morgan went against, defending her choice based on that. The queens were pretty silent while Ben talked backstage about how they reached decisions last All Stars, but they certainly didn’t agree on conforming to one way and if she had based it off of the judges’ critiques Chi Chi would have definitely gone home. Milk was onto something when she said Ben was trying to play congenial and appeal rather than be authentically herself. So she sends Morgan home, based on a group consensus that nobody really agreed to, but in the workroom when she picks up that trophy, behind her are Chad and Alaska donning the same creepy red robes with a message from RuPaul that promises something wicked this way coming. Morgan stays, confused, wondering if someone will tell her what’s going on when the screen cuts black and the episode comes to an end.

    Predictions

    With the Ruveals and Rureturns and Rupocalypse, it’s impossible to predict 100% accurately what will happen but I’m definitely here for #TeamTrixie, #TeamMilk and #TeamAja making it to top three – realistically, though, I think it will more likely be Trixie, Ben and Kennedy but Trixie has to step up if she wants to be serious competition.

    After Morgan, I think Chi Chi will be fine if next episode’s preview is anything to base off of – I think it’s a dance challenge – but there are lots of rumours that Thorgy and Milk don’t get very far in the competition and that BenDeLa actually eliminates herself to bring Morgan back. It’s clear they’re following the same formula as AS2, so if a queen is eliminated she might get to come back.

    What did you think of the premiere? Who’s #Team are you on and who do you want to see go home?

  • The Show-Bromance is over as Andrew is evicted from Big Brother

    It was such a beautiful thing…

    Andrew and Courtney’s showmance is officially over as Apprentice star, Andrew Brady is evicted from the Big Brother house.

    Viewers had been voting to save Andrew, Daniel, Jonny or Shane J. Last night – in a triple eviction – Emma Willis revealed live to the house that Andrew and Jonny received the fewest votes and would be the sixth and seventh housemates to leave Celebrity Big Brother January 2018.
    Andrew left the house first and was greeted to a mixed reaction from the crowd.
    On how it felt to be out of the house, Andrew told Emma, “Epic. To be part of such a fantastic series. Three weeks out of four, that’s good going I think. It’s been amazing.”
    Emma asked Andrew about the language he used when speaking about Ann, “That was out of order. I’ll hold my hands up and say it was out of order.”
    When asked about first meeting Courtney, Andrew told Emma: “I was like pow, this girl’s fit. We got to know each other quite quickly. Genuinely, Courtney has the biggest heart of anyone I’ve ever met.”
    Emma then asked if he thought of Shane J and Courtney as different people, “No, not at all. Shane has the biggest heart. I’ve got so much admiration for him, for what he’s gone through in his life, and for what message he has. We should all be listening to that sort of message.”

     

    Celebrity Big Brother continues until the 2nd Feb on Channel 5