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  • Column | The Burden Of Survival

    When you hear of somebody surviving an accident, recovering from an illness or defeating odds there are always the same buzzwords. We say we are blessed or thankful or grateful. Those who enquire get regaled with the story of our hurdles as people earnestly hold our hands and thank God for your still being on Earth. The one word you never hear mentioned is ‘burden’.

    When I was born, the doctors immediately knew something was wrong. My body was contorted, my ear was deformed, my foot was clubbed to the extent where they had to immediately cut my hamstring to loosen the tightness. I was operated on as they battled to save me. This deformed boy and his twin sister. My sister recovered quickly from the harshness of a caesarian section but for me, it was just the beginning. My parents sat, solemn, as they were told the boy they dreamed of would not be long on this Earth. He would never walk, talk or crawl. They sat frozen, as they were told I had a two year life expectancy.

    Then my third birthday came. And I could crawl, I began to walk and I could talk. My parents, like others, believed it was a miracle. They believed that God had shined a light on their son. They sat, operation after operation, wondering if the miracle would finally run out. Like they were in a pay and display parking bay and the metre was near empty. But I would return. Scarred, sure, but alive. The miracle kept on being a miracle. And so the baby became a child, whose parents were told would never be able to feed himself, began getting good grades in school. My parents looked on in proud amazement with each examination certificate, each award, each monumental step they thought they’d never see. And with this came the burden. To always do more and be more. Their child, their miracle.

    My parents never put this pressure on me. Nor did anyone else. But boy do I feel the expectation. You begin to feel invincible. I have been through operations where I have flatlined on the table, where they once intubated me with such force it pushed my teeth forward requiring braces. I have felt the grip of asthma, cruelly squeezing my lungs of their last breath. I have overcome so many hurdles, and it’s hard not to think there’s a reason. I don’t believe in God but how many times does one person get to cheat Death? To defy the odds? But with each time, the burden got greater. The burden to be something that makes a difference in the world.

    This ambition has led me down so many paths, has forced so many mistakes. It has seen me desperate for affection and make some poor decisions, just to be noticed. I want to believe that me being alive makes a difference in the world so that, if the miracle runs out, it was all worthwhile. So every misstep hurts that little bit more. Coming out as gay hurt a little bit more because it felt like I was disappointing others. It makes me give things up way too soon because I constantly feel like I’m running the clock. That I have to get to some sort of finish line.

    I believe that I have met the true love of my life. He felt like the missing piece, my true second half. But he came with his demons and I tried to stand by him but when it looked like our relationship wasn’t going to be PERFECT, I backed off. I began to grow tired of his low moments, I grew angry that he didn’t have the same ambition I did. He wanted to be happy but he had his own battles to face, so he wasn’t. My need to both be the best boyfriend and HAVE the best boyfriend added pressure. It pushed him away. And now I struggle to even date because I don’t believe anybody could match him in my mind or my heart.

    Then, in March, I almost died. It was discovered that I was a insulin dependant Diabetic. My Doctors had confused the symptoms for a stomach virus and my body began shutting down. I was told I was around two days away from death. This has added a whole new aspect to my life. My body is black and blue with the bruises from injections. My fingertips glow red with the endless pricking and drawing of blood I have to do. And I’m exhausted. Mentally and physically. This has broken me. People keep telling me that I’ll get used to it, that it’ll become normal but I implore them to try injecting themselves five times a day and feel normal. I am tired of having to be careful, frightened of what might happen. And then, there’s the burden. That I have been given the freedom to live, as long as I take my medication. Years ago, when Diabetes was unknown, people just died. It killed them fast. Now I have the responsibility of being grateful for the power of modern medicine. So when I feel down and exhausted, I feel ungrateful and selfish too.

    Nobody ever talks about the burden of surviving. But I’ve experienced operations and rehab, pain and heartbreak and near-death and recovery. And as I get older, the burden of survival somehow lessens. Because with each new day, life teaches me that I have no control over what’s going to happen. So the burden slowly chips away to reveal that, deep down, the only thing I need to feel is lucky. And all I can do is my best to remember that. To breathe in and feel the air in my lungs because no matter how I feel when I wake up, I must always try to take a moment to feel blessed, to be grateful and to give thanks. Because, the crux of it all is: I’ve survived.

    Opinions expressed in this article may not reflect those of THEGAYUK, its management or editorial teams. If you’d like to comment or write a comment, opinion or blog piece, please click here.

  • THEATRE REVIEW | RAGTIME

    ★★★ | RAGTIME, London Theatre

    The US is in turmoil: racial discrimination is rife while immigrants arrive by the boatload to escape feast and famine in their own countries. This could describe present-day US but it’s actually the early 20th century in the new production of Ragtime now playing at The Charing Cross Theatre.

    Ragtime the novel was originally written in 1975 and had its London stage debut in 2003, after it had debuted on Broadway in 1998. The revival of the show was brought back to London’s Regent’s Park Open Air Theatre in 2012. This new version, directed by Thom Southerland, is very ambitious, with a very crowded cast of 24 on a stage barely able to fit in their singing, dancing and acting.

    It’s the turn of the 20th century in New York and we are sung the story of three different groups; an upper class family, African Americans, and Eastern European immigrants, and eventually all their lives will cross in a show that packs a lot in its over two hour running time in a theatre that was too hot and a bit too uncomfortable.

    The upper-class family takes from and centre. It’s the wife, who’s called Mother (Anita Louise Combe) with a young son and a husband who leaves the family behind to go on an exhibition to the North Pole. Then there’s the African Americans, fronted by Coalhouse Walker Jr. (Ako Mitchell), a Harlem musician whose girlfriend Sarah (Jennifer Saayeng) leaves her baby on Mother’s doorstep, but eventually moves in with Mother and is found living there by Coalhouse. Then there’s the immigrants – Tateh (Gary Tushaw) and his daughter (Alana Hinge) – who arrive in the big city with nothing to their name. However they don’t find their American dream in New York so Tateh decides they should go to Boston but right before their trip they meet Mother and her son. And trouble is in store for Coalhouse and Sarah who get harassed by unfriendly locals and it’s at this point when the first half ends.

    The second fails to match the first half’s intensity and drama. It neatly wraps up the storylines, with themes of reunions and acceptance but it’s all a bit of a letdown after the energetic and frantic first half. The cast are all fine, with the excellent vocal chords of Saayeng and Bernadette Bangura. And Combe and Tushaw provide much dramatic acting in their roles, while Samuel Peterson is adorable and perfect as the son on the night I saw it.

    If there ever was a musical that’s full of music, this is the one. It’s a good old classic American story that’s pure red, white and blue – there’s nothing as American as this show. And what a pertinent time to have on display this show of Americana, when the U.S. is going through a most unusual election, and where black men are continuously getting killed, and immigrants from all over the world wanting to live to live there. What took place in the early 20th century is still taking place today.

    Ragtime is now playing at the Charing Cross Theatre until Dec. 10th.

     

  • Finally, the world’s first Hollywood gay porn film, King Cobra

    Finally, the world’s first Hollywood gay porn film, King Cobra

    We have had Al Pacino in the gay leather epic Cruising and Mark Wahlberg in the straight porn classic Boogie Nights and this month gay porn hits your multiplexes in the form of King Cobra a James Franco project and you simply won’t believe its incredible back story.

    CREDIT: King Cobra
    CREDIT: King Cobra

     

    This movie ripped straight from the headlines is “based on a true story” of the early career of the biggest gay porn star of the moment, Brent Corrigan. The movie stars Christian Slater (Robin Hood Prince Of Thieves), James Franco (Spiderman), Alicia Silverstone (Clueless) and Molly Ringwald (The Breakfast Club), yes this is one big expensive Hollywood cast and it contains a whole host of man on man gay sex too as we take a peek behind the curtain of the world gay porn industry.

    The film which stormed the Toronto Film Festival had its European premiere at the London Film Festival recently before going on full release in Europe and across North America from 21st October. The film has stirred up a lot of controversies as it shows the discovery of Brent Corrigan before two other agents then decide to take charge of his mega career which leads to an infamous murder that shocked the porn industry, remember this is real and true life story.

    The controversy has been fanned by Brent himself refusing to support the movie and worse has denounced it on social media as taking liberties with his life story and massively showing the gay porn industry which Brent is a big supporter of in a very bad light.

     


    ALSO READ: 11 of the hottest moments of King Cobra


     

    The film directed by Justin Kelly is based on the successful book Cobra Killer written by Andrew E Stoner and Peter A Conway. It centres on the 2007 murder of gay porn producer Bryan Kocis (played in the film by Christian Slater) by two aspiring producers (James Franco as Joe and Keegan Allen as Harlow) who wanted to buy out Corrigan’s performing contract. It is doing great business which you would expect with that A-list Hollywood cast and with the huge interest factor of being the first real mainstream foray into our hugely popular and sleazy gay porn royalty world.

    The Idaho-born Brent Corrigan was coerced into the gay porn industry at the earth shatteringly underage of 17-years-old. He immediately won Best Newcomer awards but was denounced from many a porn award stage by the likes of uber-producer Michael Lucas for lying about his age to get work and also the studios that used him knowing he was too underage to have bum sex in any form never mind on film in front of millions of viewers. His boyfriend, who he met when he was 16, got him to do his first gay porn film with Bryan Kocis who was also his scene partner then immediately signed him to a six picture deal and paid him for his first scene with a second hand Vauxhall Jetta car rather than cash.

    Kocis’s company was called Cobra Studios and he continued sleeping with the underage Corrigan privately as he had done with other guys as young as 15. Brent soon became unhappy at Cobra.

    Writing on his blog in 2007 Brent shared,

    “Every scene Bryan has had me shoot with him he insists on making the boys cum in my face. I HATE CUM IN MY FACE. I hate it. Bryan knew I hated it. I don’t care how many people out there think it’s hot, it sucks to do it on set.

    “On top of it, I have somewhat of a sensitive skin type. Each time it happens, my face becomes irritated and red after the shoot.

    “So basically every time you see a picture with cum on my face, just know that I’m unhappy doing it.

    “I’m sure this is why since my falling out with Cobra Video; Bryan has made it a point to put a considerable more amount of pictures out there with cum on my face.”

    Brent was ready to work for others and Joe and Harlow two up and coming producers were keen to make a blockbuster film with Corrigan but instead of entering into contract arrangements and sharing the rewards they cack-handedly decided to kill Kocis instead and not just any old murder we are talking decapitation here and 28 stab wounds – remember this is all a true story from the wacky world of gay ass-banging on film.

    To see the whole story and what happens next go see the film that is picking up rave reviews and getting in advance of 75% positive ratings from the world’s critics. Brent went on to have the biggest career of recent times and he has a great life working with his number one passion horses in New Mexico so not all porn stars have sad tales. As we speak in October 2016 he has 190,000 followers on twitter which is the highest number of any guy doing either gay or straight porn on planet earth – he is much loved.

    As we speak in October 2016 he has 190,000 followers on twitter which is the highest number of any guy doing either gay or straight porn on planet earth – he is much loved.

    During the filming, Brent went on record, writing on his Facebook page, about his involvement,

    “The internet has been a buzz regarding some recent news that a movie is being filmed right now in New York State chronicling the Bryan Kocis murder and the early days of my adult career. I was originally approached to be a part of the film as a consultant and the cast. I was asked to play a small part in the film and declined the role. Ultimately, I chose to move forward with my own plans to finally release my book in place of taking part in someone else’s presentation of events that I personally lived as a young adult. Even with the time that has passed, the memories are still very real and raw for me.”

    “Yes, I’ll see it. (he added) Likely in the independent theatre with everyone else. I’m stubborn, but still curious. I have very poignant ideas about the screenplay, which was presented to me about 10 days before principle photography was slated to begin in New York. I met with the director and his agent. They were insensitive right out of the gate in our interactions with them. They wanted me to come on board without even considering what dredging all that up was really asking of me.”

    He continued,

    “When it was all said and done, I had no dealings with Franco or his people. I chose to stay out of it because it was clear to me they were not trying to make a movie that would serve gay men, the gay adult industry, or any justice with what happened to Bryan, or what I lived through with Grant [Roy]. Grant played an integral part of the investigation, He wore a wire for the feds! I was always just the bait, but Grant was the true hero. These filmmakers couldn’t even write him a part in the movie. They made it seem like I navigated it all alone and even went so far to present their version of me as extorting Bryan. I never did that. I wanted out and away, and I hid behind Grant and the law when push came to shove. I was a kid, not a martyr.”

    Brent has loads more to say on his social media so go check it out about the movie and the forthcoming book which we will feature when it is published.

  • Lewis Bloors mighty schlong gets another airing

    Lewis Bloors mighty schlong gets another airing

    Yes, we may have already seen it, but Geordie Shore‘s Marnie Simpson wants the world to know that her BF, Lewis Bloor, has a huge peen.

    CREDIT: Marnie Simpson/Snapchat
    CREDIT: Marnie Simpson/Snapchat

     

    Remember this summer, in Celebrity Big Brother when Lewis Bloor exposed himself (more than once) well now his GF, Marnie Simpson, is doing the exposing for him.

    She recently uploaded a picture of Lewis completely naked to her Snapchat. It seems she has no qualms about the world seeing her beau’s enormous appendage, which she has described as “scary”.

    Wanna see the picture CLICK HERE, because it’s not safe for work.

  • Charlie Condou pays tribute to “first real love” Richard Nicoll

    The fashion and entertainment world is reeling after hearing about the sudden death of fashion designer Richard Nicoll.

    Embed from Getty Images

    Respected fashion designer Richard Nicoll passed away in his Sydney apartment aged just 39. A cause of death has not yet been released, but a source close to the designer said that he died from a suspected heart attack.

    British actor Charlie Condou has paid tribute to the designer calling him his “first real love”.

    Embed from Getty Images

    Taking to twitter the actor told fans that he was “devastated” to hear about the death of Mr Nicoll calling him “a beautiful man both inside and out.”

    In the heartbreaking tweet, Charlie said that he missed him “terribly”.

    Having graduated from Central Saint Martins in 2002, Nicholl’s work was widely admired and his entire graduate collection was bought by Dolce and Gabbana. He worked extensively with Louis Vuitton, Cerruti Paris and high street retailer Topshop.

     

     

  • Fashion designer Richard Nicoll dies, 39

    A British design has died at his Sydney home at the age of 39.

    Embed from Getty Images

    Respected fashion designer Richard Nicoll has passed away in his Sydney apartment aged just 39. A cause of death has not yet been announced by medical staff, however, a source close to the designer said that he died from a suspected heart attack.

    According to reports paramedics were called to his home in the Kings Cross district in the Austrailian city of Sydney and he was taken to St. Vincent’s Hospital where he passed away. He was famed for working with Topshop and his high street sensibility.

    He was famed for working with Topshop and his high street sensibility.

    Vikki Burns, CEO of fashion show agency giant Go2Show, worked with Mr Nicoll many times, said that the designer would be “sadly missed” and his incredible work ethic was what made him stand out from the crowd.

    “He had an amazing sense of humour and never took his work too seriously. It was always a joy to work with him as he had an incredible work ethic and eye for detail.

    “It’s such a young age to die, and it’s such a sad loss. He will be sadly missed”

     

    Embed from Getty Images

    Embed from Getty Images

     

    Having graduated from Central Saint Martins in 2002, Nicholl’s work was widely admired and his entire graduate collection was bought by Dolce and Gabbana. He worked extensively with Louis Vuitton, Cerruti Paris and high street retailer Topshop.

  • Kylie just shared the cutest Throwback Thursday picture with her sister…

    They are both Austrailian showbiz royalty, but who knew that both Kylie and Dannii were so cute when they were growing up.

    CREDIT: © s_bukley | Depositphotos

     

    Gay icons Kylie and Dannii Minogue look so cute together in a throwback picture shared by Kylie on Instagram. The pop-princesses look so happy together, holding hands, in the ultimate throwback picture. Kyles was wished her little sis a happy birthday, who is 45 today.

    Kylie recently launched a pro-gay marriage  campaign with her hubby-to-be. The pair promised not to get married until their Aussie LGBT friends could also get married in the country.

  • TV star David McIntosh leaves nothing to the imagination and gets barred from Instagram

    TV star David McIntosh leaves nothing to the imagination and gets barred from Instagram

    TV star David McIntosh has left nothing to the imagination. He’s not naked but he might as well be.

    David McIntosh

    Once again Celebrity Big Brother star David McIntosh has found a rather showing picture of his being pulled by Instagram, but luckily for you, Twitter is a little less fussy.


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    In one of his latest posts, David uploaded a picture which fully shows off the size of his manhood and all we can say is WOOF. Click here to see the picture NSFW (ISH)

  • REVIEW: Red Dwarf XI Episode 5 – KRYSIS

    Red Dwarf has used various styles this series and this new episode is no different. After a fast paced big cast episode, a filmic flashback, a horror time travel episode and a body horror technology based episode we have another first for the series: cute and fuzzy friendship feels!!

    ★★★★

    Red Dwarf – Series 11 – Ep05 – “Krysis” –

    This episode proves just how much the characters have grown and developed over the years. The bickering foursome have developed into a dysfunctional but caring family. Sure they might bicker and grumble, but after so many centuries together, they do care.

    Kryten (Robert Llewellyn) is feeling depressed and the guys fear he might suffer from a midlife crisis and they are soon proven right. As Kryten goes through various stages of midlife crisis at an alarming speeds and feels increasingly low about himself and his accomplishments, Dave Lister (Craig Charles) thinks it’s time for an intervention. Of course things do not go completely to plan.

    Red Dwarf – Series 11 – Ep05 – “Krysis”

     

    What makes this an interesting episode is seeing Arnold Rimmer (Chris Barrie) and the Cat (Danny John-Jules) as part of the team, trying to help out but with their characteristics still in tact. This is very clever writing. It’s good to see characters grow up and learn and it shows that the show works even without constant clashes and insults. The heart of the show is these characters being there for each other despite their differences.

  • LOOK AT ME: Sassi Afika

    LOOK AT ME: Sassi Afika

    Since arriving on the scene in 2013, Sassi Afrika has quickly made her mark as a unique talent and fresh addition to the UK’s drag scene. After taking some time out to record her second album, Pleasure, Sassi is now back on the scene and ready to conquer the world. But first I wanted to pull the great lady to one side, admire her weave, and put some burning questions to her.

    Drag Queen Sassi Afrika
    CREDIT: Jake Hook/TheGayUK

    DB: Sassi, you are back with some new music and a brand new album. Tell me about it.
    SA: Darling, it’s fabulous. It’s much better than my last album. I’m even in tune on parts of this one. It’s a lot more sexual and way more Sassi.

    DB: Well you are certainly sassy. You’ve been doing some live shows recently too. Your outfits appear to be getting more and more revealing. Is there a reason for that?
    SA: Have you seen me? I’m hot, that’s why. I’ve got it, so I flaunt it. You should wear something a bit more revealing yourself. Show a bit of cleavage, dear. This album is called Pleasure, so I’m doing all I can to give pleasure. My outfits are part of that.

    DB: And you’ve been spreading out into the world of presenting this year too. Is there no end to your talent?
    SA: Oh please, I don’t have talent; I am talent. I sing, dance, act, present, and can tie a knot in a cherry stalk with my tongue. I’m very talented.

    DB: Last year TheGayUK named you as one of the top ten UK Drag Queens who would be great on RuPaul’s Drag Race. That’s quite a compliment, right?
    SA: Yes, it’s an honour. I love RuPaul’s Drag Race. I can Sassi That Walk.

    DB: You’ve said in the past that you are a modern day Madonna. Do you still view yourself in that way?
    SA: I have nothing but admiration and respect for Madonna. She has been there, done it, done everyone, got the leotard, and is still going. I felt for her when she had the cloak incident at the Brits. But hey, she got up and kept going. Of course, people are going to compare us. We’re both global superstars, natural blondes and have a new face for each album.

    DB: Let’s talk about the changing faces of Sassi Afrika. You’re looking fresh at the moment. What’s your secret?
    SA: It’s no secret that I’m a fan of cosmetic procedures. I hook up with my surgeon on a regular basis. He nips, tucks, lifts and injects until I’m looking my best again. Also, a local clinic that does cosmetic procedures have recently offered me 50% off all treatments so I am able to have some top ups through the year. There isn’t much of me that’s not plastic, but I look good. I do know that, darling.

    DB: Well all the work you’ve had done has clearly been worth it. You look sensational. Moving on, in your last interview with TheGayUK you spoke about your love of the gays. What is it about gays that you love so much?
    SA: Oh gays are a hoot. I see myself as the mother of the gays. They come to me for advice, fashion tips and lip gloss. Also, gays lives are full of drama. I just love that because as you know, I don’t do drama; I am drama. I have to say that the gay community has always been there for me and I will always be there for them. We need to stick together, now more than ever. We are family.

    DB: Do you know what Amyl Nitrate is?
    SA: Poppers, darling. I use them all the time to loosen up Victoria.

    DB: Who’s Victoria?
    SA: Oh, it’s my pet name for my pussy.

    DB: So you have a cat as well as a dog now?
    SA: No babe.

    DB: I’ve heard that Baywatch is your favourite television show and with a film version being made, I wondered who you would snog, marry and avoid out of the following:
    a)    David Hasselhoff
    b)    Zac Efron
    c)    Pamela Anderson
    SA: Oh god, I’d snog them all. Do I have to pick? Erm… Well, if I must. Ok, I’d snog Pammy. She’s like me; she’s just got it. So I’d snog Pamela Anderson. Or would I marry her? Ok, I’d snog Pamela Anderson and then marry her. I’d do more than snog Zac Efron but put him down for a snog. I guess that means I’d have to avoid The Hoff. Will he be in the new film? I used to love watching him trying to hold his stomach in as he ran along the beach. Gotta love a bit of David Hasselhoff.

    Never miss another issue of THEGAYUK subscribe for free by clicking here

    Sassi Afrika is clearly a woman who speaks her mind. You can discover more on Twitter @SassiAfrikaand introduce yourself to her music on Bandcamp.

  • THEATRE REVIEW | Safe, London Theatre

    THEATRE REVIEW | Safe, London Theatre

    ★★★ Safe, London Theatre

    The statistics about homelessness people are alarming. 25% of homeless and at risk youth in the UK identify as LGBT, a shockingly high proportion.  Alexis Gregory has made a verbatim theatre piece looking at the subject. He interviewed a group of young adults who had been at risk or homeless and created a powerful set of interwoven monologues.

    CREDIT: Jane Hobson
    CREDIT: Jane Hobson

    Alicia started stealing her family’s painkillers to self-medicate against her confusion and worries about her sexuality.  Spiralling into a cycle of alcohol addiction she hurtles towards homelessness and hits rock bottom. Jack is confused by his gender, growing up as a boy in a girl’s body, suffering anxiety attacks and verbal abuse from his family who refuse to call him by his correct gender or use the right pronouns. Samuel realises that he’s gay at a young age but his ultra-religious Nigerian parents aren’t sympathetic to his sexuality. When he’s outed by his sister he ends up facing a volley of abuse and barrage of prayers along with plans to send him to Africa to ‘cure’ him. Understandably he flees. Alicia (same name, different character) is rejected by her mother and ends up in children’s homes and foster care. Trapped in the wrong body she works as a rent boy to get cash to get by.

    The stories are a mix of pathos, humour and horror. Samuel’s story (told by the talented Michael Fatogun) is laden with wry humour and the vibrant wit of his character comes through. Riley Carter Millington is among the cast and plays Jack. Better known for his portrayal of Kyle Slater in ‘Eastenders’; Riley was the first transgendered actor to play a transgender character in a T.V. soap opera. It’s a strong cast and they’re gifted a beautiful script (or transcript, even). There’s a hint of music with alternating singers at the start of the show (Rudi Douglas did a spine-tingling acapella version of ‘Smalltown Boy’ on the show I saw). There’s also a series of thought provoking 15 minute curated talks each night after the hour-long performance.

    The interspersing of the monologues with interactions of other actors playing subsidiary roles stalls the action and reduces the impact a little but it’s otherwise pitch perfect.

    Troubling and painful as the stories can be there’s ultimately something redemptive about them too. The Albert Kennedy Trust’s work figures highly in their support of young LGBT people in crisis. This is a performance worth catching. There can’t be many LGBT people out there who don’t find something to identify with here, too. These are exceptional stories in one sense but not in another. These are ‘everyman/woman’ stories that are sure to resonate.

    Follow Chris Bridges on Twitter