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  • Do you have a gay name? Most common gay names revealed

    Do you have a gay name? Most common gay names revealed

    A new name has topped the poll of gayest names, I mean who knew a name could be gay – but peeps at ranker.com users have been voting on it… So it must be a thing.

    CREDIT: © nito103 /Depositphotos

    So last year we reported that Christopher was voted the most common name for gay men. This year it’s all changed as people vote a brand new set of names as the top 10 most common names of gay men – yep. This is being voting on.

    The votes have been taking place on the ranker.com website.

    So last year, the top four most common names for gay men were: Christopher, James, Jimmy, and Michael. This year Christopher has dropped 77 places to number 78.

    This year it’s all changed and there’s a brand new most common name for gay men, namely Sebastian. Now we’re not sure on this one – for last year’s Christopher – we were able to find a number of out celebrities with the name Chris/Christopher but we can’t think of any called Seb or Sebastian. Can you?

    In 2013, Latina magazine reported that Mexican soap star Sebastián Ligarde came out as bisexual and was inspired by Ricky Martin to come out.

    Anyways here’s the top 10 most common gay names.

    Here’s the top ten!

    Sebastian

    Tristan

    Julian

    Stefan

    Gaylord

    Troy

    Justin

    Gabrial

    Quincy

    Lukas

  • RESTAURANT REVIEW | Texas Joe’s Slow Smoked Meats

    There are now two American style meat serving restaurants named Joe in London – Joe’s Southern Table & Bar and Texas Joe’s Slow Smoked Meats. And while they both share a common first name, Southern Joe’s is all about the deep south with lots of variation on chicken, while Texas Joe’s is all about traditional BBQ meats, done the Texan way.

    Texas Joe’s, located behind London Bridge Station right near the upper end of trendy Bermondsey Street, is like stepping into a wild west saloon. A bit small on the inside – 70 seats (though there are plenty of tables outside if the weather is conducive), Texas Joe’s aim is to bring the spirit of Texas into a very small pocket of London. Does Texas Joe’s succeed? Yes.

    Luckily the menu, which is cleverly printed in the style of a 1936 Texas newspaper named ‘The Big Smoke Signal’ and features articles written by Texas BBQ journalists, is not overwhelming. There are five different types of main courses; beef (brisket or short rib), chicken (wings, thighs or breast), pork (shoulder, belly and ribs), tacos (brisket, mutton or pork) and mutton (shoulder and ribs). What, you might ask, is mutton? It’s similar in texture and flavor to lamb.

    Visiting Texas Joe’s six weeks after it’s opening, me and my dining companion were ready to savour the meats and other Texan-style dishes on the menu, food that I was very familiar with having grown up in New Mexico. I decided to go for the beef brisket, as I am a huge fan, while my companion went for the mutton. We were torn between the excellent variety of sides, but then settled for bone marrow (basically fat nestled into a bone), a house salad, cornbread and brisket chilli. As it was too hot that night to drink alcohol, we ordered the very refreshing root beer and cream soda from new brand Soda Folk.

    My beef brisket was absolutely delicious. There were many larges slices presented on a platter, alongside coleslaw, lots of pickles, and a few slices of bread. The brisket, as you would imagine, was tender and lean while a cup of very mild and not too thick BBQ sauce accompanied it. The coleslaw was a bit too creamy for my taste, however, it had onions which gave it a nice kick. My companion’s mutton was thick, a bit colorless, but nonetheless delicious. Our starters were also very good – the house salad (quite a generous portion for £5), the bone marrow (a bit too lardy and fatty for us), corn bread (deliciously tasting with a hint of jalapeño, just like they make it in the southwest), and the brisket chilli – which was absolutely amazing. Yes it was spicy, but the massive portion given (at £5.50) is almost a meal in itself. So is the Mac & Cheese, which the people next to us were eating. The mains are reasonably priced based on how much meat they give you (most in the £12 to £15 range, though the chicken is no more than £9). The bread served with the meals is a bit unnecessary – cornbread should be served as that would make for a better companion to the food, though perhaps if you want to make a sandwich with the meat, then it’s makes sense. To top it off, we had pecan pie with vanilla ice cream for dessert. The portion was just the right size, it was moist, warm and freshly made. After finishing our dinner, we didn’t feel too stuffed, and we were very satisfied. And compliments go to our waitress Beth. She was very knowledgeable about the menu, knew when we needed something, and was very charming and friendly. Too bad the goes back to school in Manchester in a couple weeks – she’s an asset to the restaurant.

    After your meal, I highly recommend a visit to Joe’s Honky Tonk Bar, located right next door, which serves Texas bourbons and whiskeys, along with Texan Lone Star Lagers and a selection of local beers. And while you are there, pick up a bag of Texas Joe’s Beef Jerky. It comes in two flavors – Low & Slow BBQ and Lean & Mean Beef Jerky. it’s actually the best jerky I’ve ever tasted here in England!

    Texas Joe’s has all the delicious dishes and southern hospitality that you could possibly want, in the central but deceptively discreet surroundings of Bermondsey.
    And make sure you meet the owner Joe, he’ll say a big HOWDY to you all!

    REVIEWED BY: Tim Baros

    ADDRESS: 8-9 Snowfields, London, SE1 3SU

    WEBSITE: http://texas-joes.com

    STAR RATING: ★★★★ (explained)

    COST RATING: £££ (explained)

    TIPPING POLICY: At the customer’s discretion

  • Mark Ruffalo apologises to trans community over CIS casting for trans character

    American actor Mark Ruffalo has apologised to the trans community after a backlash against the casting of Matt Bomer in a new transgender movie Anything.

    Mark Ruffalo
    CREDIT: -tanka_v-Depositphotos

    The Normal Heart actor Mark Ruffalo has apologised for causing ‘pain’ after casting openly gay actor Matt Bomer in his new movie, Anything, in which he plays a transgender sex-worker.

    Trans advocates have criticised the casting decision of a cis-gender actor playing a trans character.

    Actor Jen Richards suggested that having a cis-gender male playing a male to female transgender character reinforced the notion that trans women are “still really just men”

    Taking to Twitter Ruffalo, who is an executive producer of the film, said that he could “hear” the criticism over casting a CIS male actor and that it was time to have the “conversation”.

    He defended his decision to cast Bomer after bonding with him in a “profound experience” he had with the actor during the filming of The Normal Heart.

    A petition, by Hannah Howard, has been created calling for the producers not to release the film, saying,

    “The practice of using cisgender male actors to portray transgender women and trans femmes isn’t just about erasure, or about depriving transgender actresses of roles they ought to get.

    It directly leads to violence against the most vulnerable in our community, particularly transgender women of color and trans femmes of color.”

    The petition’s creator has said that if the film is released that the petition will turn into a boycott petition of the film.  So far there are 537 supporters.


    ALSO READ: Zoolander faces harsh criticism and boycott threat over the non-binary character “All”


  • Remember Neville Longbottom… My my hasn’t he changed

    We were reminiscing about Harry Potter as you do – and we were wondering what did ever come about Neville Longbottom’s actor Matthew Lewis…

    Well that kid grew up to be one hot fella since his first film appearance in 2001. Judging by some new smouldering pictures that have emerged from his production of Unfaithful currently playing in London – we think he must have cast some kinda sex spell.

    Matthew Lewis is looking hotter than ever!

    Niamh_Cusack__Matthew_Lewis_Photo_Marc_Brenner

    So since the last Harry Potter in 2011, Matthew has launched into theatre work and TV – appearing in Ripper Street and Happy Valley.

    Matthew_Lewis_Photo_Marc_Brenner

    Basically HOT!

  • THEATRE REVIEW | Unfathful at Found 111

    THEATRE REVIEW | Unfathful at Found 111

    ★★★★ | Unfaithful at Found 111

    UNFAITHFUL_1_Sean_Campion_Niamh_Cusack___Ruta_Gedmintas_Matthew_Lewis_Photo_Marc_Brenner

    What happens when your once passionate relationship starts to become stale and sexless? In the case of Tom and Joan, you sleep with a stranger, tell your wife about it and then wait for the explosions of bitterness, venom and rage. Oh…and the retaliation.

    Found 111 is a pop up theatre on Charing Cross Road in an old college building. It’s hosted critically acclaimed hits including ‘The Dazzle” with Sherlock’s Andrew Scott and “Bug” with the luscious James Norton. It’s a tiny space and in the case of issues about sex, for once, small is good. This play works well in a cramped environment. It’s a hilarious and excruciating 75-minute trawl through moments in the lives of two couples as they lurch around a bed on the stage. This is a voyeuristic and intimate experience that is as painfully uncomfortable as it’s intriguing. Thankfully, it’s very funny too which helps.

    Niamh Cussack (of the Cussack acting dynasty) shows her pedigree and is monumental as the wronged wife. She’s a delicious mixture of seething, uncontained anger contrasted with insecurity and hurt. She’s magnetic and is almost impossible to draw your gaze away from. She’s more than ably accompanied by Sean Campion as her feckless and beaten-down by life husband. They have the best lines in the play and Joan and Tom are well rounded and fascinating in their ordinariness.

    Matthew Lewis (Harry Potter’s Neville Longbottom all grown up and buff) and Ruta Gedmintas play less instantly credible characters. They eventually flesh out (as well as getting flesh out) and in spite of a slightly creaky plot, become almost plausible. Lewis plays a well-hung male hooker with a heart and Gedmintas plays his lost-soul girlfriend, so bored with her life that hooking up with middle aged men in bars seems a diverting pastime.

    Owen McCafferty’s script is tight and engaging with no slack moments and the characters are mostly resonant and sympathetic. This isn’t a Whitehall farce or a night at the musicals but there’s something thrillingly earthy about the whole experience. Theatre in microcosm with a stellar central performance like Cussack’s is a rare opportunity and one to be embraced.

    Unfaithful plays at Found111 until 8th October

    Follow Chris Bridges on Twitter

  • COLUMN | I don’t need Pride to be Proud

    COLUMN: Pride & My Prejudice

    I have never been to Pride before. Any Pride. I’ve been asked, even had an offer to buy my ticket but I have just never really fancied it.

    Originally, it came from internal homophobia. I used to tell myself when I was younger that Pride was a ridiculous idea. I was blinded to the fact that homophobia and transphobia is a daily occurrence, I had never truly faced “real” homophobia, the kind that makes it into the papers. My mind naively threw a filter over the micro-aggressions I hadn’t then realised I faced every day. “They didn’t mean it like that”, I would tell myself despite knowing, deep down, that I felt uncomfortable or hurt for a reason. Even as the years grew on, I never cared much for Pride. I felt it was just a massive party rather than a social message. So what was the point in going?

    Then Orlando happened. And in the days after I attended an event that opened my eyes. Together, hundreds upon hundreds of LGBT people and allies held hands and created a chain around the entirety of Manchester’s Gay Village. I stood with them, I consoled others as they cried, the idea of something so heinous being too much for anyone to process. Then I heard the thunderous speeches from community figures, heroes and activists whose words hit me hard, like a train, waking me up to what had previously blinded me. I got lost in the beauty of the candlelight vigil, the flickering of the flames danced defiantly, refusing the be dampened by the rain. I realised then that we were indeed a community and that Pride was still intrinsically vital and felt shameful for my past judgement.

    When this year’s Pride rolled around, I was still on the fence. I am not a person who enjoys nightclubs or crowds. At 26, I feel I have seen and done everything that can be seen and done in gay bars. I had a wild time when I was younger and I enjoyed it but now I am easily bored and would rather be at home or in a pub having a laugh. The samey music, the awkward dancing… the entire thing just gives me anxiety. But in the back of my head was a nagging feeling that this year, I should go. That I should give Pride a chance. To make up for those times I disparaged it. The guilt won, and so I bought my ticket.

    The first night was fun but I got far too drunk during pre-drinks. It was Day 2, on the Saturday, where I came into my own. I was merrily and, this time, appropriately buzzed, surrounded by friends.  I wandered the street. I saw men openly kissing, I saw people dressed in leather, even dressed as puppies. Drag Queens roamed, their unmistakably fabulous cackles echoing around Canal Street’s historic alleyways. The floors vibrated gently thanks the collective thump of the surrounding music. I could feel it in my toes. And so my heart swelled. In the face of everything, here we were, partying. Come as you are, warts and all.

    In one bar, I got talking to some friends about our first relationships. We all had a similar story. Aged between 13 and 15, our first boyfriends were mentally and sometimes physically abusive. They were supposedly straight and, in their confusion, lashed out at us. We talked about how deeply those relationships had shaken our trust, our self-esteem and our belief in love and what is acceptable. We wondered if we allowed ourselves to be in these relationships because, at the time, we weren’t taught anything else. We couldn’t speak with our parents because that’d mean coming out, we couldn’t speak to our friends in case they exposed us and so, instead, we stayed with the people we thought loved us, even though they hurt us. For us then, it was the only way to feel accepted.

    Yet, there I was, 13 years later telling this story in a gay bar. Surrounded by happy, proud gay men. I looked around and wondered how many of them had the same story as my friends and I. How many broken people arrived and, piece by piece, were mended by this community? I relished in every opportunity to flirt in a queue, to catch the eye of a cute guy without fear. I felt empowered.

    Still, I feel that this will likely be my first and last Pride. Pride is, indeed, a big party and it’s essentially endless drinking for days. The clubs didn’t allow anybody to take their drinks outside after 11pm so there was no respite from the punishing Bank Holiday heat, the temperature rising with every additional body that entered the club. The crowds were spectacular and would snake for miles, everyone packed together. It was a level of intimacy I’ve never found comfortable. I am a man of simple pleasures; a book, a TV show or an in-depth chat. I feel my days of twerking and sweating in a heaving gay bar are over. It is time for me to sashay away.

    Although my club days are numbered, I am still full of love for Pride. It made me forgive myself for my earlier prejudice. It made me proud to be gay. As I walked to get my Taxi on Sunday, bidding farewell to this spectacular festival, I couldn’t help but smile, thinking of the memories I had made in a short weekend. Not a single person within the cordon cared about how they were dressed, who they loved and who they were. I looked back at that special place, sacred, its magic power to heal the wounds of pain and injustice.

    So, sure, I may not be present next year, propping up the bars and wandering the streets but I promise this, every single year, month, week and day of my life; I will still be filled with Pride.

  • FILM REVIEW | Golden Years

    FILM REVIEW | Golden Years

    ★★★★ | Golden Years

    Golden Years
    PR Provided

    The pensioners in the new DVD release ‘Golden Years’ try to get even at the system that they feel is robbing them.

    It’s a cute and funny film about older people trying to get back what’s theirs. They feel the system is corrupt, so they take matters into their own hands. Retired couple Arthur Goode (Bernard Hill) and his wife Martha (Virginia McKenna), who is ill with Crohn’s disease, eke out a living on their pension while spending time at their local social club with friends Royston (Simon Callow), Brian (Philip Davis), and Shirley (Una Stubbs).

    One day Arthur finds out that the company he spent a lifetime working for has gone bankrupt, and so has his pension. He doesn’t know what to do… how is going to be able to take care of Martha? An opportunity presents itself when, while in front of a bank when money is being delivered, one of the guards trips, falls and gets knocked out on the ground, while the guard inside the truck inadvertently hands over a container of money to Arthur, who gladly takes it and runs. It sets off an idea where he enlists Martha, and eventually his friends, to rob banks. Who would expect pensioners as bank robbers, with cucumbers acting as guns, of stealing money?

    Golden Years is a delightful film with a cast of great actors all relishing their role as bank robbers. It gets even funnier when the local police keep thinking that the bank robbers are a malicious and very dangerous gang.

    I would’ve liked to have seen more of Ellen Thomas, the loquacious and horny local diva, she’s got some of the best lines in the film. Some of the robberies the gang pulls off are, however, a bit unbelievable and far-fetched, especially when they’re attempt at running away is basically a slow walk. But nonetheless it’s a charming film that will make you think what retirement holds in store for you – perhaps robbing banks to get even with the system.

    GOLDEN YEARS is available on DVD from Amazon
    www.facebook.com/goldenyearsmovie @goldenyearsfilm

  • Rugby star leaves nothing to the imagination, gets completely naked for selfies

    It’s not everyday a sports star reveals himself, utterly and completely… but hey we’re not complaining.

    Uruguayan rugby player Leandro Leivas has posted pictures to guyswithiphones.com and leaves nothing to the imagination.  In 2015 he was on the national team for the Rugby World Cup. The 28-year-old hunk plays in Wing position – and clearly isn’t shy in sharing with the world his very very nekkid pictures.

    To see more of Leandro click here

  • THEATRE REVIEW | Much Ado About Nothing

    THEATRE REVIEW | Much Ado About Nothing

    ★★★★ | Much Ado About Nothing

    Shakespeare fans “roll up roll up” – thou art in for The Tempest of treats. The young British theatre company, The Faction, have refashioned, revved up, edited, Selfridges-styled and speared Much Ado About Nothing into the 21st century – much like Alessandro Michele’s influence on Gucci.

    Much Ado About Nothing at Selfridges
    CREDIT: PR Provided

    Popping a pop-up theatre in the basement of Selfridges is poetry to one’s ears. Sampling Roja Parfums: A Midsummer Dream, eau de parfum – a snip at only £295 – while passing through the perfumery. Then straddling the escalator to the lower deck – a quick whizz through Conran and Danish design brand Hay, followed by a spot of wick sniffing in Jo Malone – all before parking your derrière in the contemporary mini-catwalk 122-seat auditorium.

    You wouldn’t produce a production of Romeo, and no Juliet – so why a theatre and no bar? #justsayin

    Director Mark Leipacher and Co-director Rachel Valentine Smith have sharpened William’s comedy of confused love, slander and tell-tales with news bulletins, Kooples clobber, an enthusiastic, flowery and playful cast thrown in with some horny, animalistic line-dancing. The story is clear and punchy. They’ll be no “wherefore art thou amusement” – the humour is as fresh as the dark amber and ginger lily emanating from the defusers in Selfridges Ultra Lounge.

    “The course of true love never did run smooth” – but Shakespeare, Selfridges and The Faction is no question, to be.

    Much Ado About Nothing plays at Selfridges Refashioned Theatre until the 24th September

  • Renee Graziano just snubbed Bear with the most EPIC put-down

    Renee Graziano just snubbed Bear with the most EPIC put-down

    Runner up (and winning American) Celebrity Big Brother star Renee Graziano just slayed winner Bear with the most EPIC put down, even Mariah would have been impressed.

    CREDIT: Channel 5

     

    It’s fair to say that Renee and Bear did not get on in the celebrity Big Brother house – in fact it looked at times as though Renee would tear Bear a new one if he didn’t get out of her way.

    Well some people have been suggesting that Renee has been having a case of the sour grapes because she didn’t win. Well honey. She ain’t having any of it.

    Renee
    CREDIT: Channel 5

     

    Taking to Twitter she told fans that she wasn’t jealous – and could she possibly be – when she told her fans that Bear’s signing fee for CBB was allegedly less than hers – in fact she goes on to say that her flight was more expensive that his fee!

    Ouch.

    Bear.
    CREDIT: Channel 5

    But as we like to say. Harsh But Fair.

  • Is it true what they say about black men?

    Is it true what they say about black men?

    You get what you’re not looking for. The best things in life aren’t necessarily free (you get what you pay for, too), but they’re often completely unexpected: love, friendship, the perfect job, a stunning view, a grand epiphany. Oh, the thrill of happy accidents, things you stumble upon when you’re looking for something else, or when you aren’t looking at all.

    I had no idea what I was looking for when I launched my expat adventure around the world. I’d always been driven by wanderlust, so travelling was in my soul. I’d spent years dreaming of being born again, rising from corporate journalism’s golden coffin lined with biweekly paycheck stubs and 401K receipts, and relocating to a land far, far away. I didn’t think I’d ever actually do it, though. Where would I put all of my stuff?

    After fifteen years as a magazine writer and editor in New York City, I was feeling restless and craving change. I loved my job, but I hated my work. As much as I respected the publications for which I had toiled over the years (People, Teen People, Us Weekly, Entertainment Weekly), I felt like a hack. I was doing it for the money, and I wasn’t making enough of it to distract me from the bigger picture.

    I wanted to write about something more meaningful than baby bumps, PDA and who was sleeping in Britney Spears’s bed, but I wasn’t sure how to reinvent myself. The first thing they teach you in journalism school is to “write what you know.” I knew a lot about music, movies, pop culture and celebrities. But I didn’t really know anything at all.

    I needed a new classroom. New York City had been good to me. I made decent money, and I owned a great apartment in an ideal location, on 14th Street, right off Union Square. I was at the center of the universe, surrounded by friends and colleagues. But I felt so alone. In my twenties, I’d had three significant relationships (with Derek, Khleber and Tommy) that each lasted for around one year. My thirties were defined by short romances (with Todd, Kevin, Khleber again, Bryan-with-a-y), none lasting longer than a few months, and one-night stands, each less fulfilling than the one before it.
    “Why don’t you have boyfriend?”

    That question was the bane of my bachelorhood in New York City, frequently asked by concerned friends and curious strangers. Why was I still single? I have four theories.
    1) Living in New York City is not conducive to long-term romance. Anyone who has seen Sex and the City knows that. And being a salty, cynical Miranda (with the occasional Samantha rising) didn’t do my love life any favors.

    2) I was a black man in a white gay world. Therefore, I was largely invisible. I wasn’t what most American gay men, white or black, were looking for, which came as quite a surprise to a black woman who started talking to me one night at the Cock, a raunchy sex dive on Avenue A in the East Village. She couldn’t understand why I was standing on my own, watching men walk right past me to line up to get to Dave, my white, blue-eyed best friend. “Everyone here should be all over you,” she insisted. “The gay men in New York City must either be blind or racist as hell.” By way of commiseration and flattery, she had nailed an undeniable urban truth.

    3) I was too picky. On the day I turned twenty-eight, my mother, Dave and I were on our way to my birthday dinner in Tribeca when the subject turned to my chronically pitiful romantic status. Mom offered her own theory to explain it: “You give up on people too easily.” I didn’t see it her way — not entirely. I just didn’t have the patience to cling to a relationship that clearly wasn’t working in hopes that it one day might. She didn’t raise no fool for love.

    4) I didn’t really know what I was doing.

    My sister once shared an interesting quote with me: “Men need to make love to feel love. Women need to feel love to make love.” What nobody ever told me was that men need to have intercourse to feel like they’re making love. In some ways, I was practically a virgin. I’d lived in New York City for fifteen years and traveled all over Europe and, somehow, I had escaped that dreaded “Top or bottom?” question. I had no idea what I wasn’t missing.

    I could have counted on one hand the number of men with whom I went all the way during my first decade and a half of gay sexual activity, which began at age twenty-two with Ken, also twenty-two, whom I met at a long-defunct East Village gay watering hole called Tunnel Bar, a few weeks into my life as a new New Yorker. He was the first guy I ever let inside of me (with a condom, of course, for I was an obedient child of the safe-sex era) and the last in New York City to request entry via the back door.

    Most of my boyfriends and the men I hooked up with didn’t seem to be any more interested in anal sex than I was. For me, it was too painful as a “bottom,” too boring as a “top.” I certainly wasn’t going to initiate it, and the men I met didn’t either. Maybe the fear of HIV and AIDS and the still somewhat primitive treatments discouraged them from pursuing intercourse with the wild abandon that was to come, but I can’t help but wonder how many of them must have left my bedroom disappointed, determined never to return.

    It wasn’t until I moved to Buenos Aires that I realised how crucial penetration and sex roles were to gay love and romance, for horny Argentines, especially the twenty-something ones who came of age during the era of HIV drug therapies, when being positive was no longer a death sentence, were nothing if not forthcoming and sexually reckless.

    The gay world there was divided into two types: activos y pasivos (“tops and bottoms”), especially for the latter. The “bottoms” seemed to be the majority and, for the most part, they were interested only in what you could give them. The blacker, the bigger (according to that old urban myth, which they embraced with lustful gusto). The bigger, the better! I’d traded one fringe existence for another!

    The feeling of forever being an outsider and the sense of isolation that came with it was what had led me to Buenos Aires in September of 2006. (My aforementioned “stuff” went into a Brooklyn storage space.) After so many years in New York City, I still didn’t know where I fit in there, as a human being, as a journalist, as a gay man, as a black man.

    I’d had a lifelong complicated relationship with people of my own colour. It began when I was four years old and my family moved from the US Virgin Islands, where I was born, to the US mainland, in Kissimmee, Florida, where I would spend my fourteen most formative years. We eventually settled in an all-black neighborhood, and despite the physical similarities I shared with our neighbors, I probably wouldn’t have felt more like an outsider if we’d ended up in the whitest part of town.

    The racism that Kissimmee’s white redneck population directed toward me didn’t compare to the racism and xenophobia I encountered from the black Americans there who resented my family because we were black and foreign. They called us “noisy Jamaicans” because, apparently to them, one Caribbean island fit all. We spoke with strange accents, and we kept to ourselves. Who did we think we were? What did we think we were: better than them?

    When my first-grade classmates asked me where I was from because of the funny way I spoke (counting to “tree” instead of three), I sometimes lied and said the Virginia Islands, hoping they wouldn’t realize that no such thing existed. I was too ashamed to say “the Virgin Islands.” I wanted to fit in, and if the way I talked was going to lead to ostracism by my black classmates (interestingly, I can’t recall a single white kid ever ridiculing me for that), at least I could come from a place that wasn’t so exotic.

    White bullies limited their racism to verbal cut-downs. It never touched me physically. “I smell nigger” coming from rednecks on the playground damaged my eleven-year-old psyche, but the black-on-black racism left physical as well as emotional scars. If they thought their words could never hurt me, the black bullies started picking up sticks and stones.

    The physical bruises healed, but the mental ones never did completely. It wasn’t until I went to the University of Florida in Gainesville that I finally escaped the emotional and physical cruelty. For the first time, the majority of black Americans I met didn’t treat me like the enemy. If my exposure to them helped me to eventually overcome the fear and resentment of black people that had been borne from my experiences in Kissimmee, I never forgot how difficult and confusing it had been to be one of them, a so-called African-American, while not being accepted as one of them.

    I didn’t set out to write a book. I just started writing — long emails to friends in which I shared my travel tales, articles for various magazines and websites, entries in Theme for Great Cities, the travel/entertainment/lifestyle blog that I launched in 2008. It was my blog readers — a combination of old and new friends, family members, former colleagues and people I’d never met — who convinced me to compile my experiences as a stranger in strange lands negotiating love, lust and racism in new cultural settings and in different languages into a book. (The names of most lovers and other strangers have been changed to protect their privacy.)

    I had stories to tell the world. I also had bills to pay. Freelance writing doesn’t guarantee you’ll earn enough money to get around any city, much less around the world. I was fortunate enough to have done relatively well financially.

    When I traded New York City for Buenos Aires, I had two apartments — one in the city I was leaving, one in my destination — to show for my decade and a half of professional effort. I lived mostly off my savings and rental income from the one in New York City for my first three years in Buenos Aires, before selling it in late 2009 and dialing 1-800-GOT-JUNK to arrange for the disposal of most of my mostly forgotten stuff, which was now officially “junk,” in the Brooklyn storage space for a $500 fee. The tidy profit from the apartment sale continues to finance my expatriation.

    Meanwhile, I perfected the art of living on $10 to $15 a day, which was fairly easy in cheap cities where the U.S. dollar was strong, like Buenos Aires and Bangkok, but a considerable challenge in overpriced Melbourne. The money you save by not eating out, not being a slave to the latest fashion and not accumulating new possessions you can put toward other nonessentials, like plane tickets.

    The rest you just improvise. I didn’t intend to spend four and a half years in Buenos Aires. I’d gone there on my three previous holidays and bought a one-bedroom apartment in Palermo on the third one, so it seemed like an excellent time to put it to good use. I arrived for the fourth time expecting to last six months there. Four years later, in 2010, I visited Australia for the first time with tentative plans to make Sydney my new home and fell in love with Melbourne instead. I went to Bangkok for one month only in July of 2012 and ended up spending a total of seventeen months there during the next two years.

    You get what you’re not looking for. I knew that when I set sail from one “New World” to another. I was hoping that somehow, unexpectedly, I’d find it.

    Printed with permission by Jeremy Helligar. Follow Jeremy on Twitter

    Taken from Issue 9. Download or Subscribe now.

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