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  • Theatre Review | Flowers For Mrs Harris – Crucible Theatre

    ★★★★ | Mrs Harris is a post-war charlady and widow, struggling with austerity and living a life of the mundane, until, that is, she stumbles across a Christian Dior dress in the wardrobe of a wealthy client she cleans for. Obsessed with owning such a thing of beauty, she works and saves for the dress, and finally journeys to Paris, where she realises what really makes her happy.

    Photo Credit – Johan Persson

    The show is adapted from the novella by Paul Gallico and is presented, in the main, as a sing-through musical. The show is a muted affair, but benefits immensely from its style and presentation. The set is a sparse affair; a monotone of grey with scant scenery. There are no big production numbers or show stopping moments and there is a limited but talented cast. But what this provides in exchange is an abundance of intimacy and emotion; a heart-warming tale with characters you can emotionally invest in and a central character who is, quite frankly, nothing special, but actually, doesn’t need to be.

    The story is one of investment of kindness in others; and of letting go. Mrs Harris’ determination to own the dress of her dreams, to bring glamour and beauty into her uneventful life, is laced with a poignancy which somehow manages to celebrate the ordinary. Written and composed by Richard Taylor and Rachel Wagstaff, the show carries with it a sense of tradition, having a real air of an old fashioned musical. Even the songs, which are all brand new, sound somehow familiar and there is warmth resonating from the production as a whole which adds to its seasoned feel.

    Clare Burt’s portrayal of Mrs Harris is tender and down to earth, whilst it is Anna-Jane Casey as Vera, Mrs Harris’ best friend, who steals her scenes; and Lois Maskill is in fine voice throughout in the dual roles of Bob and Andre. Director, Daniel Evans, makes a low key finale to his tenure at Sheffield Theatres, and it is somewhat fitting that his swan song is about the impact of giving to others.

    With gentle references to My Fair Lady and It’s A Wonderful Life; and just a hint of Pretty Woman; Flowers for Mrs Harris is unashamedly sentimental with an emotional ending to a story of love, loss, rebirth and finding out what really counts in life.

    Flowers for Mrs Harris has just had its world première at the Crucible Theatre, Sheffield and plays until 4th June 2016. Visit www.sheffieldtheatres.co.uk for details or call the box office on 0114 249 6000.

     

     

  • FILM REVIEW | Sing Street

    FILM REVIEW | Sing Street

    ★★★★ | Sing Street

    (C) Lionsgate

    CREDIT: (C) Lionsgate

    It’s 1985 and the music of Duran Duran, Tears for Fears and Spandau Ballet were at the top of the charts. Sing Street follows the story of one young man during this era who decides to start his own band to woo a local girl.

    Dublin during this time was not a very good place to grow up. People were flocking to London where careers and money were to be made. Fresh, young and innocent Cosmo (Ferdia Walsh-Peelo), baby-faced yet intelligent and going through puberty, is struggling with the eminent divorce of his parents. They no longer can afford to send him to private school so he’s chucked into attending the very rough Synge Street school where he immediately gets beaten up by the school’s bullies. But Cosmo comes up with the idea of forming a band because he wants to impress pretty 16-year old Penny (Maria Doyle Kennedy) who he spots sitting on her stoop at a girl’s boarding house where she lives. Cosmo immediately takes a liking to her but she says that she’s going to become a model and is planning on moving to London with her ‘adult’ boyfriend. But Cosmo is really keen on her and in order to impress her, together with his mates, they form the Sing Street band, but there’s a small matter of sourcing instruments and getting others (preferably talented) to join. After lots and lots of practice in a friend’s living room, Sing Street actually become very good. But Cosmo is still keen on impressing Penny, so he and the band invite her to star in their music video, made on the very cheap. As Sing Street continue to get better and better, and with fellow band members, they become local celebrities. With Cosmo’s no good for nothing brother Brendan’s support (Jack Reynor), who was never actually able to follow his dreams of leaving Dublin, Sing Street continue their plans to be successful and to conquer Dublin.

    Sing Street is a good old fashioned British musical that could’ve been made with the Monkees back in the 1960s. But it’s now 2016 and Sing Street is a very good throwback to that era and captures the look and feel and sound of that time. Sing Street really works thanks to a great young cast and crisp direction and writing by John Carney (the Oscar-winning 2007 film Once). But it’s the music in Sing Street that will get you to tap your toe and to hum along. Music by the actual actors in the Sing Street band in the film, Duran Duran, Hall & Oates, and Adam Levine make this musical comedy drama a must see.

    Order your copy from: Amazon

  • Everything You Need To Know About Birmingham Pride

    Everything You Need To Know About Birmingham Pride

    Birmingham Pride happens this weekend and thousands of people will be filling up the city to celebrate LGBTI life.

    (C) ArenaPhotoUK-bigstock

    (C) ArenaPhotoUK-bigstock

    Birmingham Pride is held over the spring bank holiday – this year that falls on the 28th and 29th May. For two days Birmingham City centre will give way to one of the UK’s biggest pride events, with over 2600 people apparently taking part in the parade.

    Where does Birmingham Pride Parade Begin?

    The Birmingham Pride parade starts off at Victoria Square at 12.00pm (noon) on Saturday 28th May.

    What Route will the Birmingham Pride Parade Take?

    Leaving Victoria Square, the parade will travel down New Street and left onto High street. It will then turn right at Carrs Lane and right again on to Smallbrook Queensway. The parade will then turn left onto Hurst Street until it reaches the Pride festival site.

    The Festival

    The Pride festival kicks off from 12:45PM until 12:00AM and then from 1PM till midnight on Sunday. Entry to the festival is by wristband only. After 8pm only attendees over the age of 18 will be permitted to enter the festival area. Under 18s already within the site are permitted to stay, but if they leave they will not be allowed reentry.

    You can still watch the parade if you don’t have a wristband.

    To buy a wristband click here.

    Tickets cost £33.55 / £37.95 for a weekend pass or £23.65 for Saturday or £19.80 for Sunday.

    Concessions are priced at £15.40 to £17.60.

    Who’s Performing At Birmingham Pride?

    Fleur East, Katy B, Lawson, Liberty X and Lucy Spraggan are just some of the names confirmed to perform on the Saturday. Sunday’s performers are confirmed to include Andy Bell, DJ Fresh, Lisa Stansfield, MNEK, Blonde, Vengaboys, Karen Harding and Stooshe

    Where to stay?

    TheGayUK recommends both the Hotel Du Vin and La Tour Hotel.

     

  • Theatre Review | Priscillia – Queen of the Desert – National Tour

    ★★★★ Priscilla Queen of the Desert | In this joyous musical based on the cult film of the same name, three drag queens “unplug their curling wands and go bush” to travel across the outback; as they bitch, bicker and laugh their way across the desert en route to a show in a casino in Alice Springs.

    The trio continuously ensure that they are looking their best whilst “dressing up in women’s clothing and mouthing the words to other people’s songs” as they fall in love, cement their friendship and learn about life on the way to the show of their lives.

    Following the story of the cult film fairly closely (albeit it with some minor changes) it was a show which is unashamedly flamboyant. The show uses a combination of gay club disco classics, including “I Will Survive”, “I Love the Nightlife”, “Go West” and “Finally”, meaning that the whole audience were clapping, cheering and laughing from the moment the curtain went up.

    In terms of the cast, Jason Donvan was functional as Tick, and poked a little fun at his Neighbours days, but played the part with a little bit too much camp, watering down the interplay between the straight laced Tick and outrageous Adam, whereas Simon Green filled the stiletto’s of Bernadette perfectly, with a rounded, character filled performance. The supporting cast were, as you would expect, ludicrously attractive and threw themselves into the musical numbers with energy and gusto.

    The whole thing was colourful, exuberant and thoroughly entertaining with a sharp, funny script, including many of the quotable lines from the movie and all of the characters  that you know and love from the film (including good ol’ Shirl). But where the show really came into its own was in the musical numbers, taking some from the film and adding some new ones just for the show. The routines were over the top, bold, brassy and ballsy, with costumes to match (flip flop dress, anyone?). Everything from dancing paintbrushes, lizards, Marie Antoinette’s, Ostriches and scantily clad, leather wearing dancers were all on stage in a dazzling spectacular.

    If you haven’t seen the show, then go and treat yourself. If you have, then go again, even if it is to spot a few changes in the production this time around, (although not all of them work – especially ditching It’s Raining Men as the opening number). There is an underlying message of acceptance in society and strength in friendship underneath it all, but it is smothered in a thick layer of campness and kitch which plants the show firmly in realms of the feelgood musical.

    Overall, this was a really great, fun show and a piece of feel-good, uplifting and ultimately heart-warming theatre which has its tongue firmly lodged in its cheek. It’s a real feast for the eyes, the ears, the heart, the soul and the funny bone.

    Priscilla is currently at Sheffield Lyceum Theatre until May 28th 2016 (www.sheffieldtheatres.co.uk) before continuing on it’s national tour. See www.priscillathemusical.com for details.

     

  • Social Media Is Calling To Give Captain America A Boyfriend

    Social Media Is Calling To Give Captain America A Boyfriend

    Social media users are calling for Captain America to get a boyfriend with the Hashtag #GiveCaptainAmericaABoyfriend

    Photo Credit: Zade Rosenthal..© Marvel 2016

    Photo Credit: Zade Rosenthal. © Marvel 2016

    Following the success of #GiveElsaAGirlfriend, users on Twitter are calling on Marvel to give Captain America A Boyfriend.

    The hashtag is so popular it has become a trending subject in the UK.

    Earlier this month Disney were called upon to give Elsa a girlfriend after many LGBTI activists said that there were not enough openly gay or lesbian lead characters in films. Reps from Disney have yet to respond to the calls but Idina Menzel, who played Elsa in the animated smash hit,  praised the campaign saying that she thought the idea was “great”.

     

    (C) Marvel

     

    Many fans of the superhero franchise are suggesting that making Captain America, played by Chris Evans, gay or bisexual would not affect the character but would give greater visibility and representation to the LGBTI community in cinema.

     

    @elkknight
    #GiveCaptainAmericaABoyfriend it’s 2016 and we shouldn’t be so afraid of showing different sexualities on the big screen.

    @bulkybarnes
    Can you imagine kids growing up with LGBTQ superheroes I WANT IT #GiveCaptainAmericaABoyfriend

    @queerwitches
    #GiveCaptainAmericaABoyfriend because it is painfully important for queer kids to know a superhero who they admire can be just like them

    @KenSergienko
    Straight people don’t realize how it hurts the soul to never see your kind of love idealized like theirs is. #giveCaptainAmericaABoyfriend

    To date no major lead character in an action hero or animated feature has been openly gay or bisexual.

    (C) Marvel

    However some Twitter users have acting negatively to the idea of queering up the Captain.

     

    @EyeAmSMF
    Do NOT #GiveCaptainAmericaABoyfriend Go create a NEW gay superhero, please, and give THAT one a boyfriend.

    @MiyazakiNoise
    What I’ve learned from #GiveCaptainAmericaABoyfriend is that the homosexual community has no integrity.Rain ‏

    @rainboom_crash
    GiveCaptainAmericaABoyfriend Is an example of the success of commie brainwashing. Turn us all into liberal faggot pussies to make us weak.

     

    The latest film in the Captain America franchise opened in the US on the 6th May and grossed $1 billion worldwide – the first film to do so in 2016.

  • Duncan James To Join The Cast Of Hollyoaks

    Duncan James To Join The Cast Of Hollyoaks

    Duncan James is to join the cast of Hollyoaks later this year.

    CREDIT: Monty McKinnen for THEGAYUK

    Hunky man-bander Duncan James, 38,  is to join the cast of Hollyoaks. The star who has just enjoyed a successful run of dates in a UK tour of Priscilla Queen Of The Desert, is now set to continue his acting success by joining the cast of teen soap Hollyoaks.

    Excited to be joining the cast, Duncan said,

    “I am absolutely thrilled to be joining the Hollyoaks team.

    “I’m looking forward to working with the fantastic on and off screen talent on the show and bringing the character of Ryan to life.”

    The openly gay singer will play a grounded “committed” family man who moves into the Chester fictional suburb of Hollyoaks.

    However in a cryptic tweet last night Duncan hinted that his character would be working “very closely” with the gay character Ste Hay, played by Gaydio presenter Kieron Richardson.

    “Well all I’m gonna say it that my character will be working very closely with !!!! Watch this space!”

    Although the singer has appeared on television many times, this will be his first major acting role. He did however appear in the long running Police soap, The Bill in 2009 for one episode.

    Meanwhile his band Blue have also been having success – with a UK wide tour and a crowd-pleasing appearance at Pride in London last year.

    Good luck Mr James!

  • FILM REVIEW | Philomena

    ★★★★★ | Philomena

    It’s Anthony’s 50th birthday, a fact that Jane discovers when she finds her mother Philomena crying over an old photograph.

    Anthony is the son that she had out of wedlock as a teenager in Ireland and who was forcibly taken by nuns and given away for adoption. It’s a tale that she has kept to herself for all these years but she can longer hold back on wanting to know whatever became of him.

    A chance meeting leads Jane to Martin Sixsmith a former BBC journalist who just had to resign as a government spin doctor over a scandal and was now at a loose end. As an ex-foreign correspondent used to loftier matters he initially resisted the approach to investigate Philomena’s story as he considered human interest pieces beneath him. But he did reluctantly take on the project even though he initially had a great deal of difficulty adapting to Philomena and her world. She was still a devout Catholic, and a retired nurse with very simple tastes, plainly spoken and completely unworldly. And he was ex Oxbridge & Harvard, having spent years as the BBC’s correspondent in Moscow & Washington and was urbane, sophisticated and very sarcastic.

    They started by taking a trip together back to the convent in Ireland where the baby had been born. Philomena still believed that the nuns would help her in her search even though all those years ago they had been prepared to let her die as a penance for her sins when it was a difficult breach birth. However, they drew a blank as the nuns claimed that all the papers relating to all the babies born there had been burned in a fire long ago. But later at the local pub where they were lodging, Martin learned that the nuns had burned all the evidence because they had actually been selling all the babies off to wealthy families in the USA.

    Now that he senses that there is a real story to tell, he gets a contract with a magazine that will finance the next part of their search which will mean them both of flying to Washington D.C. to investigate any leads they can get from adoption agencies on immigration officials to find Anthony. Finding the son who was given away turned out to easier than even the intrepid journalist believed. However not only was it not the outcome that either of them had wished for, but it was what they also discovered about themselves as a result that had a profound effect on them both.

    Director Stephen Frears (The Queen, High Fidelity) is so back on form with this wonderful new movie after his last three misfires. Based on a true story written by Martin Sixsmith …. and with a script co-written by Steve Coogan, who plays Martin in the movie … it’s a harrowing heartbreaking tale that fills one with so many emotions. In fairness, it starts out slowly, but once Philomena hits her stride and you begin to realise that this is far from a predictable birth-mother and child reunion story, that you start to choke up … and get angry too.

    Dame Judi Dench reunited with Mr Frears (Mrs Henderson Presents) is flawless as Philomena, who she reveals has this wonderful sense of wicked humour, and on certain matters is a lot more worldly than we ever expected. Her rigid belief in her faith regardless of all the evil she uncovers is both remarkable and totally convincing, albeit hard to approve off. Despite all that she went through, she asks for very little ….’I’d just like to know what he thought of me, I have thought about him every day’. And she does at least get that. It is a breath-taking performance.

    Steve Coogan plays Sixsmith rather drolly as a total non-believer and in the investigation itself is the ‘bad cop’ to her ‘good cop’ role. He and Philomena hold different views on almost everything, but as the search moves closer to its conclusion they develop a close bond together and a deep respect for each other.

    This movie will probably end up on my year’s Best Movie List … I think it best to go into this movie knowing no more of the plot than what I have revealed here, but there is a very specific reason why all readers of thegayuk.com will so relate too it. Although I should perhaps share that you will more than one pack of kleenex handy, and also if you had a low opinion of the morals of Catholic nuns before this, you will discover that they are even more despicable evil than that. Urgh!

    Such a treat.

    Available to buy / view on: Amazon | Amazon Prime | iTunes

  • Are You Wasting Two Days Of Your Holiday Thinking About Work?

    One in three British workers don’t ‘switch-off’ on holiday while many even EXPECT work-related calls, texts and emails, new research reveals.

    CREDIT: © adam_r / Depositphotos

    A study of 2,000 found a large percentage purposely keep their phones on during their sunshine break while one in five says they have to check their work emails while on holiday ‘just to be able to relax’.

    Research revealed millions of us find it hard to switch off even after we have landed at our chosen destination, with worrying about targets or work performance, job security and office politics the main issues.

    In fact, Brits lose the best part of two days of the typical holiday to worry or stress from their home life, before they can properly switch off, results showed.

    The research, which was commissioned by Travelbag.co.uk, the tailor-made long-haul holiday specialist, found the average person spends at least 15 minutes per day contemplating work while supposedly on holiday.

    And over a fifth can’t help but day dream about work while on the beach or relaxing by the pool.

    While fears over mounting workloads and what they’ll be returning to plagues a third of Brits.

    Other stresses which tend to follow us on holiday include nagging thoughts over finances, followed by general work worry and the worry about family other members’ health.

    Paul Hopkinson, a spokesman for Travelbag.co.uk says,

    “It’s no secret that the expectations and pressures surrounding modern working lives have changed.

    “Increasingly, workers are asked to be more contactable and as a result it can be much harder to separate work and leisure time.

    “Making sure people get the time to properly unwind and disconnect from their routines and regular stresses is important in keeping people happy, relaxed and returning to work all the better for it after a break.”

    Results also showed we can be our own worst enemy even when there’s nothing to worry about– a fifth of tortured holiday goers say they imagine problems going on at work in their absence and that it puts them on edge.

    A frazzled one in six workers say their work expects them to be contactable even while on holiday.

    That’s why one in seven has checked emails while poolside or at the beach and says that they would be worried on returning to work if they hadn’t made any contact before stepping back into the office.

    Worryingly more than a quarter of people said they found going away for a holiday more stressful than relaxing at times.

    And 14 per cent of those polled said they’d wished they hadn’t gone on holiday in the first place after returning to massive workloads.

    Hopkinson adds:

    “The research shows people not only struggling to switch off but actually needing to check work emails in order to gain peace of mind, even while on holiday.

    “If you do need to be available on your holiday, set a particular time with your work colleagues, to highlight when you’ll be checking your emails, and make sure you stick to it.”

    WORDS: Rick Maughan

  • A Look At The Man Who Made David Walliams Go Gay

    David Walliams attracted a fair bit of criticism over the weekend for showing attraction to an act on BGT.

    ©THAMES/SYCO TV

    Actor, comedian, author and BGT judge David Walliams attracted a bit of criticism over the weekend after he was seen to be acting gay for laughs – although on further inspection, perhaps he was right to get excited.

    ©THAMES/SYCO TV ©THAMES/SYCO TV ©THAMES/SYCO TV

    Comments appeared on Twitter after David became excited when contestant Charlie Placais walked on to the BGT stage with his highly chiseled torso on show – and displayed incredible strength and poise during his acrobatics. As Charlie exited the stage David left his seat and ran after him to hug him.

    David Walliams told the Radio Times in an interview that he hated it when people “confessed” or “revealed” their sexuality.

    He suggesting that someone’s ‘heart and soul’ is more important than their sex.

    ©THAMES/SYCO TV

    Judging by these pictures we can see why.

  • Awkward | Karen Harding Misses Cue For Her Big National Anthem Moment

    Awkward | Karen Harding Misses Cue For Her Big National Anthem Moment

    Imagine it… Tens of thousands of eyes on you in the stadium and countless millions at home. It’s easy to miss something isn’t it?

    (C) BBC

    Well unfortunately for Karen Harding, the singer managed to miss the entire front section of her big TV moment, singing God Save The Queen in front of a live television audience and tens of thousands of footie fans in the stadium.

    It’s an opportunity of a lifetime to sing the National Anthem live at a sporting event, let alone the FA Cup Final.

    Karen Harding, who had a number 7 hit with the song Say Something in 2015,  can be seen fiddling with her ear piece as the anthem played in the background and was clearly the victim of a technical fault as she stood waiting for her cue.

    Say Something was playlisted on Gaydio and received a lot of airtime.

    Despite the brass band playing the instantly recognisable anthem and the entire stadium singing the song the 24-year-old star could not hear the music.

    ALSO READ: Remember Eoghan Quigg from X Factor, check out what he looks like now!

    She did manage however to sing the last few sentences.

    Social media users who were watching it at home flooded Twitter with messages of sympathy.

  • CAR REVIEW | Peugeot 208 GTi Sports Edition

    ★★★★★ | Peugeot 208 GTi Sports Edition

    I don’t quite know how to type the opening lyrics for Tight Fits “The Lion Sleeps Tonight” but shhh now please, there is a lion sleeping on my driveway. It’s the Peugeot 208 GTi Sport. If it wasn’t so bullish you could call it a lion cub because of its size. Driving it however releases the animal within.

    I’ll stop with the lion references now and I’ll ruin the wait for the star rating at the end because it gets Five  from me. Six if I could. It’s not a great car though so don’t be fooled into thinking it is. What you get for a mere £22,595 is an uncompromised hot hatch.

    There are no toys in this car. You can’t decide how you want to set the stiffness of the suspension. Peugeot’s sports division have done that for you while also lowering it 10mm over the original GTi and changing the wheel alignments. They have also given you the torsen differential. To you and me that means limited slip. All this makes for a car with go-kart like handling with almost no body roll. The ride is jarringly firm on potted streets. On main roads it’s quite liveable.

    On the inside you get the usual aircon, airbags, radio with DAB and cruise control but the satnav is a £450 extra. It is needed. The infotainment system is a tad sparse without it. That said you do get a calculator within it. It’s so random I thought it worthy of a mention. What you do get for your money though are 2 delightful bucket seats that both feel great and do their job. What these do however is turn the rear seat into nothing more than a padded parcel shelf. With the 208 being how it is anyway I doubt you’ll get a queue of friends eager to sit in the back anyway.

    Unlike the 207 that this replaced, it feels smaller. It looks smaller. Peugeot have always made the prettiest small cars. While the 207 was a huge mistake with no redeeming features, they have got this one right. Some of the trim and finish is a bit low rent. The paint within the boot shut looks unfinished. At first I thought the parcel shelf cheap by the way it’s been executed but. Simplicity in itself.

    I have kidded myself that this and some of the switch gears look very similar to those used on Peugeot cars from over 10 years ago –  is because the engineers have been busy spending money on the more fundamentals. I was right.

    Sitting behind the small leather bound steering wheel your eyes are directed to the the outside world and just below that the facia panel. For some reason it all sits above the line of the wheel. You then notice that the wheel in your hand is incredibly small. It all works so beautifully. Nice little touches of red stitching throughout and the red lights around the 2 contoured clocks are a really nice touch. You can switch them off if you like but you won’t. It becomes very intimate.

    Driving it is the fun part. It is also the reason why you would buy this model. In no way does it feel that “Health and Safety” have been involved with the development. It has a simple key to start the eager 208bhp engine. You don’t even need to press the clutch pedal to start it. Everything you do is by your choice. The 208 makes you accountable for your actions and this is what makes it such a breath of fresh air. You can even do left foot breaking. This is a car for the action man.

    It is its eagerness that overwhelms your senses. A 0-60mph time of 6.5 seconds is ridiculously rapid. The Torsen diff helping put all that power down without much fuss or wheel spin. Care should be taken when pulling out of a junction either left or right. Its tendency to dart away in your chosen direction is both exhilarating and addictive. Too addictive if I am honest. Those Michelin tyres won’t last long.

    To hell with the cost of the tyres though. The go-kart like handling is secure at higher than normal speeds though you will tend to cruise 40mph corners you’ve taken before at 60mph. Only then do you realise the potential that this car has. And that 205 GTi trait of lift-off-oversteer very much remains. Thankfully it is much more secure and manageable. Many 205 owners will tell you about the days they ended up facing the wrong way or worse, in a ditch. If however, at any point, you think your pants are going brown, the 4 disc brake set up with scrub off speed with alarmingly little fuss.

    The power pack in the 208 is a superb piece of engine. All the power of 208 horses comes in at 6000rpm while 300Nm of torque are there from only 3000rpm. This is puzzling because it does feel nearer 4000rpm when on the move. Change down a gear and then you find it at 3000rpm. The 6 speed gearbox has ratios that require chopping and changing. The throw of the gear shift is way to long in throw though. I’m sure a short throw shift could reduce the 0-60 time by 1/2 a second. It would also add to the already adrenaline fuelled eagerness.

    What was annoying was the boom from the exhaust at low revs and at 3000rpm on the motorway. The 208 suggests a gear on the screen and should you wish to get optimal fuel economy it might make sense. Ignore it, take it up another 500 rpm from the 1900rpm when it suggests and you will enjoy the exhaust note. Or keep it in 5th gear until you really need sixth and the boom vanishes but the fun and snappy throttle responses remains.

    I want one. I don’t think I would tire of it with its hard ride either. In this stripped down form it does what a car should do and that is allow YOU to drive it by human thought and not the computer. I almost forgot, it returns pretty good fuel economy too.

    Likes
    Price
    Very intimate
    No frills just thrills

    Loathes
    Some finishing details are poor
    Long throw of gear stick
    Boom from exhaust at low revs

    The Lowdown
    Car – Peugeot 208 GTi Peugeot Sport edition
    Price – £22,595 (as tested)
    MPG – 35.3mpg (combined)
    Power – 208 bhp 6000 rpm
    0-62mph – 6.5 seconds
    Top Speed – 143 mph
    Co2 – 125 (g/km)

    Find out more http://www.peugeot.co.uk/