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  • The cause of Icon Joni Sledge’s death has been revealed

    The cause of Icon Joni Sledge’s death has been revealed

    The details surrounding Joni Sledge’s death have been revealed by her family.

    Joni Sledge
    CREDIT: Camilla Camaglia

    Joni Sledge, who was part of the disco supergroup Sister Sledge died at the age of 60 over the weekend. She died at her home in Phoenix, Arizona.

    Her family have revealed that the singer died of “natural causes” from a pre-existing condition.

    The statement read,

    “The medical examiner and Joni’s personal physician determined on 10th March 2017, that her death was due to natural causes which arose from complications from a pre-existing condition. 

     Please continue to respect the family’s request for peaceful privacy during this very difficult time. Thank you &  God Bless You!”

    Speaking about the loss of their sister Debbie and Kim Sledge said,

    “We are experiencing painful loss, however at the same time we can honestly say that we have the “‘peace that passes all understanding” and the “Joy of the Lord”, which is our strength, because we know without a doubt that she is in heaven with our loving mother Florez Sledge and more importantly our Lord Jesus / Yeshua the Christ!

    “She is at peace, and knowing that, comforts us.

    “Our Joni was a beautiful person, a phenomenal artist and producer, a brilliant business woman and a powerhouse…truly Flo’s daughter! What an incredible privilege and honor for us to have known, lived and worked with such an enormous personality! Her greatest love and joy was her son Thaddeus (whom we are all very proud of), and performing live with her family.”

  • CAR REVIEW |  Toyota C-HR Excel Hybrid 1.8 CVT

    CAR REVIEW | Toyota C-HR Excel Hybrid 1.8 CVT

    ★★★★ | Toyota C-HR Excel Hybrid 1.8 CVT

    Never before has a car arrived into the avenue and caused quite a stir like that caused by the new Toyota C-HR.

    Next door has been looking to trade in the BMW 3 series for one while those opposite are also considering one to replace their Nissan Duke. 

    Prepare to see more of them because they are good and I’ll tell you why.

    The C-HR arrived brandishing the ‘Hybrid’ moniker and I had a few grumbles. Mainly that it would have a CVT gearbox and like the Prius, it would be noisy. It’s not a Lexus so I wasn’t expecting Lexus levels of serenity.

    On the first drive home, I ate some humble pie through a closed cake hole. It was surprisingly quiet even down to road noise. With the exception of rough and worn out roads, you would struggle to hear more than a gentle tyre roar.

    That drive home also happened to be on a horrendous Friday night. It was dark, wet and everyone was rushing to get home while trying to avoid the fouled up M25. The C-HR was a safe choice that evening. For your £28,885 it had all the usual pieces of kit that you would want. Adaptive cruise, blind spot alert and lane assist.

    This serenity heightened the enjoyment of driving the C-HR.

    I was summonsed to my sisters over the weekend and the 2 hours drive each way was an enjoyable experience. It’s not the most engaging car to drive. Handling at first is a bit of a puzzler. It plays it too safe. Fundamentally, it understeers first and scrabbles away any excess speed in corners if pushed. At first, it feels a bit lacklustre. That is until you look at the speed you approached the corners in. It travels faster than you think it actually going so you become thankful that the C-HR is a little safe.

    These gemstones and fluid surfaces of the body make a bold statement. Toyota is pinning a lot on this kind of architectural visual, love it or hate it. In the current climate of grey designs of similarities, it visually hits you. To quote Toyota, “C-HR’s combination of faceted, gemstone-like shapes with fluid surfaces and elegantly integrated detailing creates a delicate balance of precision and sensuality”. 

    Now I am perplexed at that description. Cut through all of that and just say the exterior architecture shows it to have muscles, angular poise and function. In the real world, its striking visuals don’t add up. It isn’t sporty despite its coupe-esque looks on top of a crossover.

    I like the door handle position. In a normal position, it would look out of place. What l don’t like though is the rest of the rear door. The large pillar within the door and the handles placement all make for a really small rear door window. Sitting in the spacious rear with surprisingly good headroom that belies the shape, your view of the outside world is somewhat limited. Large C-pillars and black colours make for a claustrophobic environment for those in the rear. What you do notice from the rear seat is the architecture of the headlining. I’ve never paid any attention to it in any car this side of a 70’s Rolls Royce Camargue.

    What I did absolutely love the most about the interior was the large infotainment screen. What made it even better is that it’s angled more towards the driver. It’s only ever-so-slightly done by a few degrees, making the screen very easy to read very quickly. A quick glance at the screen is all that is needed to find what you wanted to look at. The dashboard display is also typical Toyota and made to be easily read at a glance. 

    Most screens are centralised in a position to accommodate left and right-hand drive models. Let’s hope more start to do this.

    The ride is compliant and smooth. It restored my faith in the Toyota brand that they can make a hybrid that is quiet. The stereo is a little quiet too. Even on the loudest settings it wouldn’t blast out a Kylie tune. 

    My real quibble here though falls to the CVT gearbox. I just don’t like how they work. It’s not their working per se because in normal usage it works well. What ruins it is the moment you become the press-on motorist in a hurry. 

    The 1798cc engine does a great job in propulsion. Maximum torque of 142Nm is there at a useful wide range from 3600 to 4000 rpm. It’s just that you don’t really need to hear all of it and its 97 horses galloping at a higher 5200rpm as it spins away. Why Toyota can’t fit a step up or down system as fitted to the Lexus belies me. Or why they couldn’t give it a better automatic is beyond me. Always a better way Toyota say, a 9-speed auto would be better.

    I’m being hyper critical really and for a good reason. I don’t want to award the C-HR well and not warn of this pitfall. Try it and you might think I am talking rubbish. It’s a good car. I’d have one. It’s well thought out in design. It will carry you in the grimmest of weather on the foulest of days. There will be no fuss made. There are cars out there for more money that can’t do what this Toyota did for me on that Friday. It had me won over within the first 10 miles and it will you too.

    Love

    Ergonomics

    Economy

    Design

    Loathe

    CVT gearbox

    Small rear windows

    Stereo isn’t loud enough

    The Lowdown

    Car – Toyota C-HR Excel Hybrid 1.8 CVT

    Price – £28.885 (as tested)

    MPG – 72.4mpg (combined)

    Power – 120bhp @ 5200rpm petrol (bhp 90 for electric motors)

    0-62mph – 11 seconds

    Top Speed – 105 mph

    Co2 – 87(g/km)

  • The Boy with the Sun in his Eyes

    A funeral rockets John into the orbit of the flamboyant Solange, a B-movie actress best known in Europe for her roles in ’80s Italian horror movies. As John follows her into heady whirlwind romances with cute French pop stars and deadly (but hot!) Milanese model managers, he begins to realize that Solange’s world is far more complex and dangerous than he could possibly have imagined.

    Starring: Tim Swain, Mahogany Reynolds
    Runtime: 1 hour, 31 minutes
    Release: 2009
    IMDB: 3.8/10

     

    Other Genres: Action | Biography | Bollywood | Comedy  | Drama | Documentary | Horror | Lesbian | Musical | SciFi | Short | Thriller | Trans | TV Series

  • More Than Friends

    Growing up in Chicago, Angela (a heterosexual female) never realizes that her best friend Tennille (a dominant female) is deeply in love with her. After realizing the love that she’s been longing for has been right in front of her face all these years, Angela attempts to tell Tennille how she truly feels before its too late and Tennille marries someone else.

    Starring: Milon V. Parker, Toni Ashley
    Runtime: 2 hours, 13 minutes
    Release: 2016
    IMDB: 6.2/10

     

    Other Genres: Action | Biography | Bollywood | Comedy  | Drama | Documentary | Horror | Lesbian | Musical | SciFi | Short | Thriller | Trans | TV Series

  • The Shadows

    One fateful night, while out on a late night drive, horror novelist Stephen accidentally hits a young man and rushes him to the hospital. Stephen learns that in a strange twist, the young man, Emett, shares his last name. A friendship quickly erupts into a passionate and heated affair, but soon Stephen finds himself trapped in a sinister and dangerous plot hatched by Emett and his friends.

    Starring: Emett Allen, Trace Barnes
    Runtime: 1 hour, 20 minutes
    Release: 2017
    IMDB: 5.6/10

     

    Other Genres: Action | Biography | Bollywood | Comedy  | Drama | Documentary | Horror | Lesbian | Musical | SciFi | Short | Thriller | Trans | TV Series

  • The Gates of Vanity

    Ben, invites a homeless man to stay with him while his family is away. A harmless rejection triggers off a psychotic reaction from the young man who holds Ben captive. Ben takes drastic action to reclaim his life and protect his family.

    Starring: Eric Colvin, Ery Nzaramba, Kathryn Worth
    Runtime: 1 hour, 42 minutes
    Release: 2015
    IMDB: 4.5/10

    Other Genres: Action | Biography | Bollywood | Comedy  | Drama | Documentary | Horror | Lesbian | Musical | SciFi | Short | Thriller | Trans | TV Series

  • Between Something & Nothing

    Joe arrives at the prestigious Rhode Island School of Design and immediately befriends Jennifer. Together they tackle seemingly endless and outlandish art assignments while also exploring the music and drugs of the local scene. Joe secretly pursues love for a hustler, Ramon, while finding inspiration and freedom in his art and his dark side

    Starring: Philly Abe, Robert Axel
    Runtime: 1 hour, 45 minutes
    Release: 2008
    IMDB: 4.9/10

     

    Other Genres: Action | Biography | Bollywood | Comedy  | Drama | Documentary | Horror | Lesbian | Musical | SciFi | Short | Thriller | Trans | TV Series

  • The Silver Screen: Color Me Lavender

    Mark Rappaport takes us on a hilarious and provocative romp through the hidden and not so hidden gay undercurrents of Hollywood’s Golden Years. Dan Butler (Frasier) acts as tour guide as he uncovers, despite efforts to launder American cinema of even the faintest traces of gay influences, Hollywood’s squeamish fascination with gay eroticism and camp.

    Starring: Dan Butler, Don Ameche
    Runtime: 1 hour, 41 minutes
    Release: 1997
    IMDB: 6.6/10

    Other Genres: Action | Biography | Bollywood | Comedy  | Drama | Documentary | Horror | Lesbian | Musical | SciFi | Short | Thriller | Trans | TV Series

  • The Invisible Men

    Persecuted in Palestine and called criminals in Israel, gay Palestinian are the silent victims of the conflict. Louie has been hiding in Tel Aviv for ten years, Abdu was tortured and accused of espionage for his relationships with gay Israelis and Louis was almost killed by his family. Wherever they go they live in fear of discovery. Only in Israelis gay underground are they at home.

    Runtime: 1 hour, 7 minutes
    Release: 2012
    IMDB: 6.8/10

    Other Genres: Action | Biography | Bollywood | Comedy  | Drama | Documentary | Horror | Lesbian | Musical | SciFi | Short | Thriller | Trans | TV Series

  • Altitude Falling

    Horrified at the abuse of his invention, Greg moves to a small mountain town and falls in love with Danny. After landing his lover a government job, Greg discovers that Danny will soon be embarking on a mission that he won’t be coming back from. Now, in order to save Danny, Greg will have to make the ultimate sacrifice.

    Starring: Heath Allyn, Matt Beene
    Runtime: 1 hour, 33 minutes
    Release: 2010
    IMDB: 3.5/10

    Other Genres: Action | Biography | Bollywood | Comedy  | Drama | Documentary | Horror | Lesbian | Musical | SciFi | Short | Thriller | Trans | TV Series

  • STEPS: We’ve never been cool or relevant!

    STEPS: We’ve never been cool or relevant!

    Camptastic group, Steps have revealed that they’ve always danced to the beat of their own (uncool) drum.

    In an interview with Huffington Post today, Ian “H” Watkins joked that Steps, who managed to land an iTunes Number 1 with their new (rather marvellous) single, “Scared Of The Dark”, have never been “cool” or “relevant”.

    We’d have to argue otherwise. In their 20 year existence, they’ve managed to rack up a whopping 15 top 20 singles with 13 of those reaching the top 5. That’s pretty darn cool to us.

    When asked by HuffoPo what Steps brought they bring to today’s charts, they said,

    Lisa: We’ve brought colour to the charts.

    Faye: And a bit of drama.

    Claire: I think everyone is so concerned with being cool – or relevant – these days.

    H: We’ve never been cool or relevant! (laughs).

    Claire: Lots of stuff follows the same formula. There’s no diversity anymore. That’s probably why people like Adele and Ed Sheeran do so well because they’re not that.

    Still not heard the song yet – check it out below.