THEGAYUK

Tag: London News

All the latest from London, the capital of the UK, home to the UK’s largest gay community.

  • RESTAURANT REVIEW | Gaucho Restaurant Broadgate, London

    ★★★★★ | Gaucho Restaurant Broadgate

    Gaucho Restaurant Broadgate, London

    Are you looking for a perfect way to spend a Saturday afternoon? Look no further, Gaucho Restaurant Broadgate in the City is the place to go.

    Gaucho Restaurant, which sits right in the middle of the UBS buildings right near Broadgate Circle, is hosting Saturday Electro Brunch. It’s an excellent, fun and perfect mix of music, food, and alcohol, and it’s also the perfect place to while away a Saturday afternoon. And it’s not just brunch, it’s Electro Brunch, and it’s an orgy of food and alcohol, and a real live D.J. spinning electro beats, in a sumptuous and very classy atmosphere, all for the low price and excellent valued £49.99.

    Yes, for just £49.99 you get all you can eat and drink, from 11-4 on Saturdays, and the excellent price of £49.99.

    We went on a recent Saturday afternoon to have a taste, and we were not disappointed at all. Brunch being the keyword in the name, the food are all brunch items, and I tried to have as much as possible to get a real flavour, and taste, of the menu, as the portions are appetizer size, and that was not a problem. The 2 small sizes of the French Toast were perfect. Served with peanut butter and strawberries. The Avocado on Toast popular as it is now on menus, couldn’t have been fresher. And my lunch companion wanted gluten-free bread, and Gaucho accommodated her, no problem! She also asked for, and got, salmon on toast, a dish that wasn’t even on the menu!

    Of course, I had to have the Steak & Eggs, and it came out as ordered. Small portion, but the steak was mighty tender, and with Chimichurri dressing which is on every table, it made it all the more superb. And the oven baked chorizo was practically a main meal in itself and consisted of a nice slab or chorizo, fried eggs, delicious mushrooms and served in a small frying page, and while the chorizo was not as well cooked as I would’ve liked, it was very good. And the coup de gras were the pancakes. Though small, the two had almonds and just the right amount of syrup, dessert size portion, but a dish that I would highly recommend – tres Bueno! Also on the menu include Eggs Florentine, Fried Provoleta, Beans on Toast, Eggs Royale, and Bacon or Choripan Sandwich – there’s just so so so much!

    And let’s not forget the drinks. You get a choice of the Gaucho Bloody Mary, the Aperol Spritz, Rubia Pilsener Lager, and Domaine Chandon or non-alcoholic refreshing juices such as the Apple Gone Loupe or Orange Zinger, both very refreshing and cool. For £10 more you can upgrade to the Electro Brunch Premium, which includes the above as well Pornstar and Espresso Martinis! So you owe it yourself to experience this – you’ll have an amazing time with a staff that’s so very nice and lovely in a setting that’s delectable and delicious.

    Gaucho’s Electric Brunch is on every Saturday from 11 – 4 at Broadgate, Canary, Chancery, Piccadilly, Sloane, Smithfield, Tower Bridge

    £49.95 PER PERSON
    BIRMINGHAM, LEEDS & MANCHESTER – £45.00PP

    Gaucho requires a deposit of £10 per person to secure your booking
    Guests can have as many plates as they like within two hours.
    All dishes and beverages are included in the price for 2 hours from the time of seating, so indulge yourself.

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  • THEATRE REVIEW | The Black Cat Cabaret, Leicester Square, London

    ★★★★★ | The Black Cat Cabaret, Leicester Square, London

    The Black Cat team are riding high with their unique brand of impish entertainment. They’ve got regular shows at Live at Zedel at Piccadilly and now they’ve invaded the cheesy Christmas market in Leicester Square and landed in the glamorous, mirrored 1920s Paradiso Spiegeltent. Move over wooden huts, mulled wine in a plastic cup and greasy sausages. The Black Cat has infiltrated and is throwing all tackiness aside in favour of subversive fun.

    The line-up is ever changing but you can expect circus, cabaret and burlesque. There’s also bound to be some testosterone pumped male torsos to liven up a chilly winter evening. Regular host Dusty Limits is a deadpan joy as he oozes cynicism and wit. It’s a well-curated blend of acts and one with an eye on intelligent parody rather than cheap thrills. Naturally and thankfully, there are also cheap thrills.

    The problem with cabaret and burlesque is that after a few visits it can feel like you’ve seen it all and you can be left thinking: Oh, another fire-eater. Oh, another hula hooper. Oh, another semi-naked man in a giant wheel type thing. The Black Cat is careful to only chose acts that have a bit more to add, acts that play with the form and respectfully make fun of it, as well as themselves. I was lucky enough to see the hilarious drag star Meth strutting her stuff as well as an array of dark circus acts, a bizarre string quartet and the most comically disaffected hula hoop act that I’ve ever seen.

    Brighten up a winter night and stroke the pussy if you dare. The Black Cat can bite but he also entertains. Oh, wear a warm coat and knock a few Egg Nogs back too. It’s bloody freezing in that wooden tent.

    The Black Cat runs on Thu 30th Nov 7.30 PM, Sat 9th Dec 7.30pm, Sat 16th Dec 7.30 PM, Thu 28th Dec 7.30 PM, Sun 31st Dec 6.30 PM – 2 AM at Leicester Square

  • THEATRE REVIEW | The Tailor-Made Man, White Bear Theatre, London

    ★★★ | The Tailor-Made Man, White Bear Theatre, London

    Listen up! There’s a Hollywood film star who’s riding high with a string of hits. He’s handsome, suave and funny, bagging awards and melting hearts as he stares into the eyes of and kisses the faces off the hottest female stars around. The gossip is, though, he’s secretly gay: lacking in boundaries and groping handsome younger men on set, loitering in cruising grounds and having dalliances with fit sailors. The word is that he also has a sweet interior designer boyfriend waiting patiently at home. Oh, my is this about to come crashing down! You know this story from the internet gossip sites?

    Maybe you do, maybe you don’t but no, it’s not 2017 but the 1920s and the story of Billy Haines who’s films were consigned to the vaults after he refused to marry a ‘beard’ and was caught with his pants down once too often. It’s an interesting and prescient story and one that this play presents in technicolour glory.

    Handsome Mitchell Hunt (Mister Selfridge) heads up this universally strong cast and director Bryan Hodgson has tightened the occasionally clumsy script into something pacy (that’s pacy. Not Spacey). It’s not exactly deep and there’s minimal characterisation with it often feeling like a dramatised Wikipedia entry being put on show. The humour is the best aspect and hits more than it misses. None of that matters though with actors like these and the parade of stunning vintage costumes and props by set and costumes designer Mike Lees. There’s a mind boggling array of costume changes and some beautiful set pieces. It’s a joy to watch and an interesting story to witness unfold.

    The White Bear is a comfortable theatre space within a rather stylish and recently renovated pub and is only a short tube ride from Leicester Square. Head down to Kennington for a slice of gay history that has particular relevance today. Oh, those costumes too. You’ll be hard pressed not to want to sneak backstage and grab a few pairs of slacks and a jacket to take home.

    The Tailor-Made Man plays at the White Bear Theatre until 25th November 2017

  • THEATRE REVIEW | The Retreat, Park Theatre, Finsbury Park, London

    ★★★★ | The Retreat, Park Theatre, Finsbury Park, London

    THEATRE REVIEW | The Retreat, Park Theatre, Finsbury Park, London

    Buddha, Cocaine and a Porn Mag are surprising bedfellows in this funny, warm and thoughtful debut play by Peep-Show co-creator Sam Bain.

    Luke (Samuel Anderson) is in a Buddhist retreat – his every day a blissful mix of meditation, mindfulness and isolation in the Scottish Highlands. That is until his brother Tony (Adam Deacon) arrives. With him come memories of a troubled childhood, and reminders for Luke of the life he left behind in London. Is Tony everything that was wrong with Luke’s life, or the only one that can see into his soul? And is Luke’s fellow Buddhist Tara (Yasmine Akram) – beautiful, spiritual Tara, only keen to help Luke achieve karma, or does she hold ulterior motives?

    The Retreat is a play by Sam Bain – co-writer and co-creator of Peep Show, Fresh Meat and Four Lions. Bain spent an earlier period of his life living in a Buddhist retreat, and regularly practised meditation and mindfulness, so my initial fear was that this play could go one of two ways – either be packed full of pro-Buddhist PR, or full of jokes making fun of Buddhism and those who practice it. A misplaced fear, it turns out, as The Retreat treads a far more interesting path – exploring the collision between the Buddhist themes of calm, isolation and peace with the more western rush of drink, drugs, and money.

    Characters Luke and Tony serve as cleverly portrayed devices through which Bain explores his themes, and it works very well indeed – the script raises interesting questions to the audience but never veers into preaching or sneering at any particular life choice. With Bain’s resumé you may assume that The Retreat is packed full of jokes, and you’d be correct – they come thick and fast throughout but are set up naturally by the cast – Adam Deacon’s Tony delivering the vast majority of the punchlines with effortless calm, and a real highlight being a monologue about meditation, Will Smith and Harry Hill that had me, and the audience, in absolute stitches.

    My only real issue with the jokes is that the frequent nature of them meant a fair few were lost by the audience entirely – a shame, given just how high quality the calibre of comedic writing in the script is, and the switch between humour and philosophy can feel rather forced at times. Whether this is due to the script or the performances, I’m unsure – but there’s a good chance it’ll improve as the run goes on. In terms of cast, it’s Samuel Anderson’s Luke and Adam Deacon’s Tony who take the leading roles. Both have impressive CV’s with Anderson having starred in The History Boys, Emmerdale and Doctor Who, and Deacon starring in Brit films such as Kidulthood and Adulthood, as well as directing spoof film Anuvahood. Playing brothers in The Retreat they have an easy chemistry together – instantly believable as siblings who’ve been separated by years of differences and disagreements, and their interactions together are both hilarious and moving. Anderson does his best to make the often-patronising Luke a sympathetic character, and Deacon is a real stand out as Tony – his constant jokes a thin cover for the vulnerable and damaged soul at the heart of the man.

    Yasmine Akram’s Tara is a more supporting role to the two brothers, so lacks in terms of character a little compared to the two leads, but Akram delivers a strong performance with Tara a warm, funny, yet ultimately rather complicated character. Akram’s unforgettable entrance as Tara, covered head to toe in green body paint, is unforgettable– and whilst the real story at the heart of The Retreat is the relationship between the two brothers, Akram is an integral and beautifully delivered part of the evening’s entertainment.

    Fans of Peep Show may not be expecting quite as much warmth and emotion as is on display in The Retreat, but it’s there constantly throughout – with the humour making way for moments of genuine feeling repeatedly throughout the show. That may be, in part, due to the direction by Kathy Burke – an actor and director who, in my opinion, can bring warmth and humanity to any role she comes across.

    There’s no distancing here – the staging, light and sound welcome the audience into this small hut in the Scottish Highlands, with the relatively small size of the theatre allowing the characters to be exposed to the audience – removing some of the distancing that is provided in a regular theatre and making the experience all the more immediate.

    The Retreat is a clever and thoughtful contemporary play that explores modern day issues with warmth and fantastic humour. Strong performances enabled by superb direction allow this intelligent and entertaining script to shine. Go for the laughs and stay for the compelling commentary on life in the 21st Century – it’s not perfect but it’s an enjoyable watch and an impressive debut play by writer Sam Bain

    The Retreat runs at Park Theatre until 2nd December 2017

     

     

     

     

  • Police launch murder investigation after gay rights advocate killed in his home

    Police in London have launched a murder investigation after a prominent gay-rights advocate was killed earlier this week.

    Julian Aubrey, who was fifty-five, was pronounced dead at his home in west London, when emergency services attended a call out. They found a man with stab injuries. Police say the attack on him was violent and are calling for witnesses or anyone with information to come forward.

    Two men – [A] aged 48 and [B] aged 56 – were arrested at the scene on suspicion of murder; both remain in custody at a west London police station. A third man [C] was arrested yesterday and was been taken to a north London police station for questioning.

    Officers were called at approximately 13:45hrs on Monday, 30 October to reports of a man found suffering stab injuries at a residential address at Shaftesbury Place on Warwick Road, W14.

    A post-mortem examination took place at St Georges Hospital Mortuary on Tuesday, 31 October and gave the cause of death as multiple stab wounds.

    Julian previously worked with London’s Royal Borough of Kensington and Chelsea LGBT liaison group, he was also a counsellor with victims of sexual abuse.

    DCI Luke Marks, said, “I am appealing for anyone who was recently in the area of Shaftesbury Place and who may have heard a disturbance coming from one of the flats to contact us.

    “I would also like to hear from anyone who may know why Julian was targeted in his own home in such a violent way.

    “Any piece of information, however small, may prove vital to my investigation.”

    Anyone with information that could assist the investigation is asked to contact the incident room on 020 8358 0200 or call Crimestoppers anonymously on 0800 555 111.

  • THEATRE REVIEW | The Exorcist, Phoenix Theatre, London

    ★★★★ | The Exorcist

    THEATRE REVIEW | The Exorcist, Phoenix Theatre, London

    Breaking news: There is a young girl who is possessed by the devil in the West End.

    Her name is Regan, and she is 12 years old. She once used to be a playful little girl, happy, singing, always with a smile on her face. Then one day she started mentioning to her mom that she had an imaginary friend in her room. This friend, which went by the name Captain Howdy, would talk to her, and tell her to do things. But eventually Captain Howdy started to take over her life, and her body, while mysterious and strange goings-on take place in the house (windows opening, doors not closing, strange writing on the wall). But the worst was yet to come. Regan started to harm herself, and harm others, and the sight of blood didn’t phase her. But she was becoming extremely dangerous, not just to herself, but to the people in her household, which includes her actress mother’s best friend and film director, Burke Dennings. At some point, Regan needs to be tied to her bed, and it’s then, and only then, that we realize that Regan is possessed by the devil. She spews vomit, turns her head at a 360-degree angle, and levitates over her bed – actions that only can be performed by something that is very very evil – not of this world. Regan’s mother by this time has lost her wits – she doesn’t understand and can’t cope with all this, so she brings in Father Damien Karras whose job it is to determine if Regan is actually possessed, and soon enough he realises this is the case. So it’s time for the Exorcism and it will take the work, and expertise, of one Father Merrin to free Regan of the evil inside of her, an evil that could kill Regan if it’s not exorcised out of her in time.

    Based on the hit, and terrifying movie of the same name, and now cleverly adapted for the stage by John Pielmeier, The Exorcist is scaring audiences at The Phoenix Theatre, and scaring is putting it mildly. What the director, Sean Mathias, and cast have done is to have successfully brought the story to a live audience and all of its bone-chilling and terrifying moments. With the excellent performance by Clare Louise Connolly who lives and breathes Regan and the voice of the devil by Ian McKellan in tandem they practically make is a believable experience. Peter Bowles chews up his scenes as Father Merrin and Adam Garcia is a very good as Karras while Tristram Wymark as Dennings has the much needed funny lines in the show to relieve the chills. The Exorcist is downright scary, not suitable for children, but nice and scary for the adults. Perfect for this time of year.

     

    The Exorcist plays at the Phoenix Theatre until 10th March 2018

  • THEATRE REVIEW | Witness for the Prosecution, County Hall, London

    ★★★★★ | Witness for the Prosecution, County Hall, London

    REVIEW | Witness for the Prosecution

    Depending on your age and/or love of black and white films, you may know Witness for the Prosecution from the classic 1957 film with Charles Laughton and the divine Marlene Dietrich. No? Maybe you saw the recent BBC adaptation with Kim Cattrall as the murder victim, wealthy Emily French? No? Well, either way, you’re in for a treat. Even if you already know the deliciously cunning twists in this courtroom drama, you’re going to be knocked for six by the production.

    1950’s London and personable working class chap Leonard Vole is up before the courts, accused of bludgeoning to death a lonely (and rich) older woman in her St John’s Wood home. Things aren’t looking good for Leonard, especially as she’d just changed her will in his favour, and the gallows are looming. His only alibi is from his glamorous and frosty Teutonic wife, Romaine but will she vouch for him in court and help his cause or are things about to take a more complicated turn?

    Agatha Christie’s dramas are often wrongly seen as somewhat twee and cosy; the stuff of Sunday afternoons with a nice cup of tea. Here, you get to see Christie’s dark mind in all its sinister glory in a blood-splattered tale that is horrifying at times. OK so there’s the usual parade of thinly sketched and clichéd characters but that’s part of Christie’s charm too.

    One of the big draws of this production is the staging. Set in a courtroom, here we see it staged as authentically as is possible as we’re in…yes…a courtroom. Well, almost. It’s a debating chamber inside the sumptuous, disused, Art Deco County Hall (at the back of the London Eye, behind the aquarium) and it’s convincing. You could almost be in the public gallery watching the drama unfold. It’s high drama and more than a tad camp as there’s a soundscape of echoing footsteps, clanging doors and assorted gasps. It’s a thrill ride of chilling and thrilling twisty-turning fun.

    Forget The Mousetrap, Leave that for the West End tourists and head down to Westminster for a rare treat.

    Witness for the Prosecution plays at County Hall until 11th of March 2018

  • Five must see LGBT theatre you have to see this winter in London

    The nights are drawing in and the temperatures are getting cooler. That’s no excuse to stay in watching yet another reality TV show, though. 2017 has been a bumper year for theatrical smashes in the capital and it’s set to continue for the remainder of the year and into the New Year. Grab your mac, don your scarf and get yourself down there.

    Here’s the Top 5 must-see LGBT London shows for Autumn/Winter 2017/18:

    Everybody’s Talking About Jamie: The glorious posters are everywhere on the tube: Jamie’s upturned faced, painted lips and his artfully made up glittery eyes. Fresh from a highly acclaimed and multi-award-winning run in Sheffield, Jamie is about to enter the capital’s Apollo Theatre with previews from the 6th of November and booking till April 2018. This feel-good musical has a good pedigree. It’s based on a BBC documentary about the trials and tribulations of a wannabe teenage drag queen growing up on a rough estate  There’s new music by The Feeling’s Dan Gillespie-Sells and Tom McRae. We loved it so much we gave it a resounding 5-star endorsement. What more do you need to know? Book now.

    The York Realist: Turns out that Sheffield is at it again. Not only have they sent us some damn fine cutlery and The Human League but now we get another LGBT play. Set in 1960s Yorkshire, this is a touching tale of a farmhand straining against his roots. Directed by Robert Hastie (My Night with Reg), this promises to be a drama worth fighting for tickets for. This runs from February 2018 but don’t wait till the New Year to book. You need to act fast as tickets are almost sold out. 

    Matthew Bourne’s Cinderella: Christmas wouldn’t be Christmas without a trip to see a Matthew Bourne ballet at Sadler’s Wells. Cinderella is one of his campest and also one of my favourites of all his ballets and it makes a welcome return to the capital. Dashing airmen, a wicked stepmother based on Joan Crawford at her meanest and some Blitz glamour in the bombed out Café de Paris? Hell, there’s even a scene with dancing hookers and rent boys. What are you waiting for? It runs from 9th of December to January 2018.

    Strangers in Between: After two runs at the ultra LGBT + friendly theatre, The King’s Head, ‘Strangers in Between’ returns to the stage and this time in the West End at Trafalgar Studios 2. Tommy Murphy’s play is about something lots of us can identify with, being a small town boy and moving to the terrifying big city. We liked this a lot when it last ran. Don’t just take our word for it. It hits the stage again from the 10th of January to the 3rd Feb 2018

    Above the Stag: You may or may not have been to this gay-themed theatre venue in Vauxhall. OK, so it’s in a railway tunnel (although they’re planning a move) and some of the shows are hit and miss but it’s worth chancing it for one of the hits. They also have a very saucy annual pantomime and you can top off the evening experiencing the joys of the area (and I don’t mean Vauxhall Pleasure Gardens). Visit them now.

  • THEATRE REVIEW | Of Kith And Kin, Bush Theatre, London

    ★★★ | Of Kith And Kin, Bush Theatre, London

    After a run in Sheffield Theatres’ studio, gay surrogacy themed comedy-drama Of Kith and Kin hits London at The Bush Theatre. Oliver and Daniel are 21st-century gays married with good jobs and a flat. Now it’s time to take the natural next step, start a family with Oliver’s best girl-friend acting as surrogate.

    Chris Thompson’s play is a three-act drama and is mixed in tone and effectiveness. Starting out as a light sitcom with a twist, it morphs into a courtroom drama and ends with a more emotionally intelligent third act. There’s something distinctly dated about the first act in spite of the modern update. There’s all the classic sit-com ingredients: happy couple, monstrous mother-in-law descending, waters about to break and high camp. The difference, of course, being that there are two fathers and one mother. The humour is tired at times and whilst it has wryly amusing moments it’s never uproariously funny. Joanna Bacon does a good job as the brash mum from Woolwich but it still feels limp. Speaking of limp: James Lance has some unfortunate mannerisms. He’s playing a 46-year-old gay man with a mischievous sense of camp but to me, he didn’t quite nail this and it felt like an unfortunate and unintentional misfire. His swishy hips and flapping wrists didn’t convince me and it felt like a straight man’s imperfect attempt at portraying a slightly effeminate gay man which was grating rather than being entirely offensive.

    Act two moves on to the courtroom and again misses the mark. The key ingredient to a courtroom drama is a sense of tension but this felt slack in spite of strong performances from Donna Berlin as an improbably wisecracking judge. Finally, the third act is a more moving piece of drama and the play feels like it finds its feet but still, there’s a lot of holes and moments where the characters’ motivations feel unconvincing.

    On the positive side: James Lance is a nuanced performer (in spite of his poorly pitched 1970s style interpretation of a gay man’s mannerisms). Equally strong in supporting his work are Joshua Silver and Chetna Pandya. There’s also an interesting and well-thought set of themes to the play. Thompson looks at intergenerational differences in the expectations of his character. Oliver at 46, was kicked out of home for being gay and has difficult family relationships, never expecting that monogamy, marriage and children would be on the horizon. Conversely, Daniel who is over a decade younger has every expectation that these things are part of his agenda and in spite of all this progress, Priya’s teenage son doesn’t seem to be having an easy time of ‘having it all’. The confrontations of the final act are genuinely moving and raise interesting questions.

    It’s good to see a thought-provoking drama with some strong performances and emotive scenes. Whilst not excellent it has merits and is worth a look at the refurbished and plush Bush Theatre.

    Of Kith and Kin plays at the Bush Theatre until 25th November 2017

  • THEATRE REVIEW | Albion, Almeida Theatre, London

    ★★★★★ |  Albion, Almeida Theatre

    Mike Bartlett is riding on a high at the moment after the success of the second season of woman-scorned drama ‘Dr Foster’. As well as the much acclaimed TV drama he’s also a versatile and witty playwright with a string of theatre hits including the stellar “King Charles II” (what Prince Charlie did next), “Game” (the privileged classes shoot chavs for fun) and the epic “Earthquakes in London” (I think you can work that one out for yourself).

    His new play Albion is a sprawling three-hour epic concerning a successful businesswoman who uproots and plonks herself and her family down in a rural idyll with a dream of restoring an historic garden. Audrey is a bit of an uber bitch on one level. Suffering from profound grief following the death of her son in armed combat, she’s prickly and caustic, riding roughshod over her wet second husband and her disaffected daughter. Not to mention her guilt ridden middle class angst about the help, her strained relationship with her lesbian novelist best friend as well as her less than sympathetic views towards the local villagers who soon come to despise her. She’s also a strangely sympathetic character and is painfully real. It’s a tight script with echoes of Chekov (think disaffected people knowingly lurching towards disaster). Watching this feels a bit like settling down with a long but enthralling novel. It’s more than just a story. There’s a heavy layer of allegory and Bartlett turns his razor sharp gaze on to the people of England and their conflicted feelings towards their country.

    It’s a cracking play with multiple layers and is both thought provoking and emotionally involving without being preachy or patronising. The cast are universally strong, none more so than the fantastic Victoria Hamilton who plays Audrey. She’s been all over the TV of late as the put upon neighbour in Doctor Foster, The Queen Mum in Netfilx’s The Crown and the double crossing spy in the BBC2’s The Game. She’s magnetic and more than strong enough to carry this strong central role of a difficult but ultimately likeable woman.

    The stage set is absorbing and convincing. A huge tree dominates a long garden which the audience sit around in a horseshoe shape and it’s hard not to be taken in and feel like you’re out in an English country garden watching the human wild life fight it out.

    This is a rare treat. Go and see it while you can.

    Albion plays at the Almeida Theatre  24th of November 2017

  • THEATRE REVIEW | Venus In Fur, Theatre Royal Haymarket

    ★★★ | Venus In Fur, Theatre Royal Haymarket

    THEATRE REVIEW | Venus In Fur, Theatre Royal Haymarket

    A playwright/director bemoans the lack of female acting talent after a long day auditioning for the female lead in his new play. In walks Vanda, a ditzy and frenetic actress who’s turned up late but is determined that she’s going to audition for the part whether he wants her to or not.

    David Ives 2010 play is a twisting sexual and gender power play and a play within a play. The piece that Vonda is auditioning for is based around the 1870 novella of almost the same name (add an ‘s’ to the ‘fur’) by Leopold Von Sacher-Masoch. The clue is in the name: masochism was named after Sacher-Masoch and his desire to serve and be punished. The two characters read from the play and the roles they play both in reality and fantasy are in a state of constant flux. Thomas is a man who once stated that working in theatre was a great way to get laid but Vanda is more than prepared to take him on.

    It’s a slight play in some ways and is uneven at times with occasional absurd moments Whilst it has timely themes with the current Weinstein scandal, it’s not exactly searing. That doesn’t really matter here, though. It’s an OK play and is an entertaining 90 minutes but there’s an odd phenomena going on. The actress is far greater than the play. Nathalie Dormer (Margaery Tyrell in Game of Thrones) is totally hypnotising. Her co-star, David Oakes (currently on TV in Victoria), is more than adequate and is also easy on the eye but whatever your persuasion, I suspect you’re eyes will be drawn to every move, intonation and expression from the magnificent Nathalie Dormer. It’s sometimes hard to concentrate on anything but her central performance.

    Ignore the flimsiness of the play, although if S and M is your thing or you’ve ever contemplated this as a pastime then all the better. The main pleasure for most is the chance to watch such a virtuoso performance. Well worth seeing.

    Venue In Fur plays at the Theatre Royal Haymarket until 9th December 2018