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  • Naked Rugby Players – What More Do You Need From An Article

    Sometimes we love our job.

    As they say a picture says a thousand words and these minxy pictures are painting quite the essay – mainly about how perky rugby players’ bottoms are.

    The Ipswich Rugby Club are selling their naked calendar full of tasteful nudes in support of Prostate Cancer UK.

    One of the players, Tom Ives, Centre, remarked about getting naked for the calendar in the cold, he said,

    “Normally a nude photo shoot, outside, in cold weather wouldn’t be my cup of tea but given the fact that the proceeds are helping to partially fund our tour and sizeable portion is going to a great cause (Prostate Cancer UK), it more than made sense to brave the nippy breeze in order to come up with this beauty of a calendar.

    “As to the choice of charity; I spend Monday to Friday working for an NHS end of life team, in which I bear witness to the effects end stage cancer has on people and their loved ones, so I felt the cause was more than just given the pain and upset caused by such a horrific condition”.

     

    Visit their shop to buy a copy

     

     

     

  • Life Manual For Gay Men Launches Today

    MENRUS a brand new “encyclopedic life manual” has launched today with an aim to answer all those questions that exasperate the gay community in 2015.

    (more…)

  • YouTuber Tests Men’s Reactions To Bikini Girl With “Balls” In Trans Murder Capital

    A prankster YouTuber called David Mafra has tested men’s reactions to a woman with a “dong” in the world’s most dangerous places for trans people.

    (more…)

  • Naked Rugby Players – What More Do You Need From An Article NSFW

    Sometimes we love our job.

    As they say a picture says a thousand words and these minxy pictures are painting quite the essay – mainly about how perky rugby players’ bottoms are.

    The Ipswich Rugby Club are selling their naked calendar full of tasteful nudes in support of Prostate Cancer UK.
    One of the players, Tom Ives, Centre, remarked about getting naked for the calendar in the cold, he said,

    “Normally a nude photo shoot, outside, in cold weather wouldn’t be my cup of tea but given the fact that the proceeds are helping to partially fund our tour and sizeable portion is going to a great cause (Prostate Cancer UK), it more than made sense to brave the nippy breeze in order to come up with this beauty of a calendar.

    “As to the choice of charity; I spend Monday to Friday working for an NHS end of life team, in which I bear witness to the effects end stage cancer has on people and their loved ones, so I felt the cause was more than just given the pain and upset caused by such a horrific condition”.

    Visit their shop to buy a copy

  • FILM REVIEW | Under Milk Wood, earthily sexy

    Under Milk Wood | ★★★★

    I studied Dylan Thomas’s “Under Milk Wood” for my English A Level, rather more years ago now than I choose to mention and it came as quite a surprise to me to realise that I still remembered, almost word for word the narrator’s first long speech, beautifully spoken here by Rhys Ifans.

    “Under Milk Wood” is really an extended dramatic poem for voices. It was first conceived as a radio play, commissioned by the BBC in 1954, with Richard Burton voicing the narrator. Later it was turned into a stage play, and there is at least one previous film (1972) with Burton reprising his narrator role, and with such luminaries as Elizabeth Taylor, Peter O’Toole and Glynis Johns amongst the cast.

    Whilst remaining absolutely true to Thomas’s original text, the screenplay of this new film, brings out more than any I’ve seen or heard, the sheer earthy, lascivious and hilariously funny filthiness of Thomas’s dreamscape, a true celebration of the joys of sex. Only most of the sex in this story takes place in people’s minds, their fantasies and desires brought out in full, luscious technicolour glory. The film looks superb, for which director of photography Andy Hollis deserves enormous credit.

    Director Kevin Allen has at his disposal an excellent cast of Welsh actors, many of them faces well-known from TV, all perfect for their roles. Rhys Ifans, who also doubles as Captain Cat, is quite as effective as Richard Burton in his long opening speech, his accent, though perfectly intelligible, just that bit more Welsh, where Burton, targeting a 1950s audience, slightly Anglicised his tones.

    Charlotte Church, making a very successful screen debut, is cast as Polly Garter. She has a plump, rounded, wholesome sexiness that is absolutely perfect for the fertile baby machine, that the rest of the village like to gossip about.

    Ultimately, though, the film is also about loss; loss of community, loss of a way of life. Captain Cat is old and dying and his demise is symbolic of the death of the village Llareggub (Bugger All spelt backwards). There hangs over the film a purveying sense of nostalgia for a time that never waa. Gritty realism is swept away with a click of the camera, and for 85 minutes we can escape into a world of dreams and fantasy. I enjoyed it immensely.

  • X FACTOR Anton Stephans Backs Gay Men Blood Campaign

    Singer Anton Stephans has given his support to Blood Pact, a campaign that is fighting for the rights of gay men to be able to donate blood.

    As the law currently stands in the UK, gay and bisexual men are forbidden to donate blood if they have had sex in the last 12 months with another man. A rule that many argue is discriminatory. Blood Pact calls the 12-month ban on sex “Discouraging, unrealistic and unfair”.

    X FACTOR star Anton Stephans has given his support to the campaign calling the ban “archaic & uneducated” and has even starred their promotional video.

    The group is calling for supporters to sign a petition on Change.org which has already attracted 9206 signatures at the time of publish.

    ALSO READ: 8 thing you didn’t know about Anton Stephans from X FACTOR

    Anton is just one of a number of celebrities who have back the various campaigns which supports the end of the gay blood ban in the UK. Stephen Fry and Andrew Hayden-Smith are both openly gay celebs who have campaigned on the issue.
    At the end of the video Anton says to camera, “I would give blood, if I could.”

    ALSO READ: 9 things you didn’t know about Nick Grimshaw

  • 8 Things You Did Not Know About X Factor Anton Stephans

    He’s wowed judges and audience with his powerhouse vocals, but who is Anton Stephans, we do a little digging to find out a little bit more.

    Anton is 45-years-old which makes him the oldest contestant in this year’s series of X Factor. It places him in the overs which gives the smooth toned vocalist a good chance of winning as the previous two winners, Ben Haenow and Sam Bailey have both come from the overs.

    He chose the ever so camp song I Am Changing by gay icon Jennifer Hudson. So impressed were the judges by his finals that he winged his way into the finals.

    He supports the Blood Pact campaign that backs the rights for gay and bi men being able to give blood without discrimination in the UK. Anton called the existing ban, which forbids the donations from gay men who have had sex within 12 months “archaic & uneducated”.

    He’s a big of a recycler. In an interview, he said “I’ve not shopped or bought anything new for years. The shirt that I am wearing during Judges’ Houses is one I bought in 1987 in India.”

    He’s become known, affectionately, by the other contestants as “Uncle”. He said he’s become a bit of an agony aunt for them… Which he said was “sweet.”

    He’s a cancer survivor. He was given just weeks to live after doctors found a rare melanoma, a rare skin cancer. He was given the all clear 18-months-ago after battling for six years with the disease.

    He’s sassy… After Simon Cowell criticised him for pulling weird faces Anton said,

    “If you’re in an environment… where lots of people have botox, so your face doesn’t move, that becomes your norm. But if you’re a bit poor like me, and your friends are poor and can’t afford botox, your face kind of moves when you speak.”

    Cue side-eye.

    He’s been a backing singer for the likes of Tina Turner and George Michael and he’s massive fan of the late Luther Vandross.

  • X FACTOR’s Sean Miley Moore: “I’m A Proud Gay Man”

    In an interview with Now Magazine Sean Miley Moore, who is starring in X FACTOR said that despite the haters, he is the voice of confidence and a “proud gay man”

    Seann Miley Moore has put the haters in their place by telling Now Magazine,

    “I’m a proud gay man. Haters are gonna hate, but they’re usually the insecure ones. I just blow them a kiss. Hopefully I can be a voice of confidence.”

    The confident singer wowed the judges in his first audition when he sang Queen’s hit The Show Must Go On.

    He told the audience and judges that he had flown half way around the world and put his entire life on hold in order to audition for X FACTOR UK.
    His confidence hasn’t always been strong. He spoke about a time he was “afraid” and said that how he dressed and behaves is “the new normal”.

    He also told Now how he has in the past suffered verbal and physical abuse. He said,

    “I’ve gone through verbal and physical abuse and people will still shout things as I walk down the street, but it doesn’t faze me any more”.

    He was chosen by Nick Grimshaw to become one of the openly gay Radio 1 presenter’s boys, ensuring his place as one of 12 finalists who are to go head to head in the live shows that start tonight (31st October).

  • Seann Miley Moore X Factor Make Over Revealed

    The X FACTOR make overs are revealed and fan favourite Seann Miley Moore looks amazing.

    Seann Miley Moore looks incredible after his X FACTOR makeover which will be revealed in tonight’s episode as it moves into the Live Shows. The show’s theme is This Is Me, where contestants will perform a song that reflects the artist they want to be.

    Returning to the show is 2014 winner Ben Haenow, who will be performing his debut single Second Hand Heart.

     

  • 10 Intimate Health Symptoms Men Should Not Ignore

    10 Intimate Health Symptoms Men Should Not Ignore

    The human body is a cruel temptress. Even though you are meant to be able to read your own body like a book, sometimes signs and symptoms are just too hard to read, or even find in the first place.

    (more…)

  • COMMENT | Germaine Greer And The Case Of No-Platforming

    Irony is dead, and Germaine Greer killed it.

    Last week, the legendary radical feminist went on Newsnight, the BBC’s flagship current affairs programme, to complain about being no-platformed. She was meant to give a talk about “Women in Power: The Lessons of the 20th Century” at Cardiff University when the student union’s women’s officer, Rachel Melhuish launched a petition to disinvite Greer because she has “demonstrated time and again her misogynistic views towards trans women….” Greer was indignant, indicating she would not speak at the university before reversing course and agreeing to appear as planned. This hasn’t stopped the chattering classes from fiercely debating the merits of no-platforming, with the consensus being that it’s an unacceptable affront to free speech.

    They’re missing the point, the lot of them. No-platforming doesn’t infringe on anyone’s right to free speech.

    Rather, no platforming is an exercise in free speech. As the feminist blogger Stavvers wrote, no-platforming is a “bottom up” movement where “those who organise events can democratically and transparently decide who to invite, and who not to.” We can choose to whom we listen, which she rightly contends is an oft overlooked exercise of free speech.

    Yet critics of no-platforming argue it “censors” controversial opinions—a baseless claim in light of the fact that we’ve spent much of the last week debating Greer’s position on trans people and her right to espouse it wherever and whenever she likes. That’s partly down to the fact that Germaine Greer already has a massive platform. Hell, simply being protested landed Greer right back on the BBC, where she makes regular appearances. So she has plenty of opportunities to speak her mind.

    But just because someone has a platform doesn’t mean we have to listen. Earlier this year comedian Kate Smurthwaite’s gig at Goldsmiths College was pulled because of low ticket sales and a student protest. Smurthwaite’s views on sex workers and Muslim women, in particular, were singled out by those against her appearance. Opponents of no-platforming rallied to her defence, leading the writer and long-time opponent of no-platforming, Ian Dunt, to write that “the potential for offence is trumping the right to free speech.”

    But this completely ignores the fact that the feminist group which organised the protest was itself exercising its rights. It’s not some Orwellian conspiracy that kept Smurthwaite from performing, but rather the free market. People have a right to choose whom they see, support, or engage with. Even if Smurthwaite wasn’t going to reference sex work or hijab in her performance (the same as Greer wasn’t invited to Cardiff to speak on trans issues), her positions were known and unpalatable enough to spark a backlash—one that worked.

    And this is where opponents of no-platforming miss the mark. Freedom of speech does not actually guarantee you a right to a platform, nor does it guarantee you freedom from the consequences of your speech. It doesn’t mean that you can say something incredibly offensive and then expect it to be forgiven or ignored. It, quite simply, guarantees that the government won’t arrest you for expressing a dissenting opinion.

    Several years ago, I wrote a blog defending Pauline Howe, a Norwich grandmother who was visited by the police for writing a letter to her local council about “sodomites” like me and our “perverted sexual practises.” Six years later, I still stand by Howe. But I sure as hell wouldn’t share a platform with her, because I’m not interested in debating my identity or equality with someone who clearly disparages the former and denies the latter.

    Yet even at 23, I could still recognise that Howe had the right to expressing her opinion without the police knocking round. When I blogged about Howe, I was still a student, a fact that may come as a shock to opponents of no-platforming. Many of them have designated universities as ground zero in the battle over free speech. The ever-enlightened Brendan O’Neill (himself a frequent target of no-platforming) penned a scathing indictment of what he termed “Stepford students” but what I would consider people with better things to do than rehash the previous generation’s culture wars. “Where once students might have allowed their eyes and ears to be bombarded by everything from risqué political propaganda to raunchy rock,” O’Neill whinges, in today’s PC-gone-mad world “the ‘no platform’ policy of various student unions is forever being expanded to keep off campus pretty much anyone whose views don’t chime perfectly with the prevailing groupthink”.

    It’s a gross oversimplification, particularly when it comes with no-platforming those who would deny trans identities. When earlier this month both the radical feminist Julie Bindel and, later, the conservative gay writer Milo Yiannopoulos were effectively no-platformed by the University of Manchester’s Student Union(ironically in debate they were to square off in over free speech and feminism), pundits were outraged, with the Telegraph’s Rod Ardehali writing that “it is not up to unions to start creating their own laws and policing which views are acceptable and which are not.”

    Except, that is exactly the role of student unions, who are meant to represent the concerns of the students who elected them. The University of Manchester’s Student Union were concerned about some particularly vicious comments by Bindel and Yiannopoulos and the climate their presence (and likely comments) would create on campus. They valued the emotional wellbeing of their trans students over allowing a debate between a couple of cis people with a record of pretty terrible comments on trans individuals (Milo has referred to trans folks as suffering a “psychiatric disorder,” even though this is medically inaccurate). They also, likely, didn’t wish to be associated with such prejudice.

    This isn’t an affront to free speech, but rather a democratically elected union doing its job and refusing its platform to speakers it feels do not advance intellectually rigorous or particularly relevant arguments. Universities should be a place for debating ideas, not people, and both Bindel and Yiannopoulos have a history of doing the latter. By no-platforming them, the Student Union are not saying they don’t have a right to speak, but rather that they will not co-sign on oppressive and divisive bigotry by offering them a platform.

    Critics contend that Greer, Smurthwaite, Bindel and Yiannopoulos were all invited to speak on issues apart from those for which they were no-platformed, and this is a valid criticism. After all, we are all problematic in our own ways. We are also the sum total of our ideology, though. Writing at the Guardian, Kate Lyons pointed out that for those who advocated no-platforming Greer “it’s not a matter of weighing up the sum of Greer’s work and deciding that on the balance of things she has done more for women than not,” but rather taking a principled stand for transgender people and letting it be known that “as long as she speaks in certain ways about trans issues, she will not be listened to on anything.” Lyons is decidedly sceptical of this approach, but it’s a perfectly valid response to oppressive rhetoric, as well as an excellent tool at highlighting problematic views and drawing attention to just why they’re so damaging and, well, wrong.

    That’s the great triumph of no-platforming. Rather than limiting the debate, it is opening it up, but with marginalised voices centred. Yes, Greer still went on Newsnight, Bindel still wrote for the Guardian, and Yiannopoulos is still contributing at Breitbart. Their platforms are intact. But the national conversation being had about trans identities and even free speech would not be happening had a few plucky students not stood up and exercised their own right to speak their minds by saying that “no, actually, we won’t tolerate your intolerance.” So cheers, kids. I’ll share a platform with you any day.

     

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