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  • The world’s first bisexual dating show is coming to the UK and Courtney Act is HOSTING

    There’s a brand new dating show launching and the focus is bisexual people.

    (C) Magnus Hastings

    How about this for representation?

    E! Entertainment Television UK & Ireland, NBCUniversal International Networks’ pop culture channel, has commissioned a ten-part reality dating series entitled The Bi Life, for the UK and Ireland markets. The original concept, produced by NBCUniversal International Studios’ Monkey, is the first UK broadcast series to focus exclusively on bisexual dating. It will see a group of bisexual+ (bi, pansexual, fluid, etc.) or questioning British singletons sent on an adventure to find love abroad.

    Fronted by entertainer, advocate and Celebrity Big Brother 2018 winner, Shane Jenek (also known as Courtney Act), The Bi Life will premiere in October 2018 and will be set against the cosmopolitan backdrop of Barcelona. The cast will live together, party together and help each other navigate the rocky road of bisexual+ dating as they observe and feedback on each other’s experiences. For some, this will mean exploring who they are, for the very first time.

    Throughout the experience, the cast will provide each other with support and encouragement as they share their stories, form new friendships and go looking for love. The series will chart their highs and lows as they embark on a life of dating and romance in Barcelona.

    Shane Jenek says: “As if this summer hasn’t been hot enough, we decided to crank it up another notch with The Bi Life on E! It’s high time there was a dating show for the large number of young people today, like me, who are attracted to more than one gender. In 2018 we know that sexuality is fluid and sharing the stories and experiences, the laughter and the love making, of young bi people is so important. So get ready to see the true stories of bisexual singles, who are the largest part of the LGBTQ+ community, but the least known.”

    “This new commission is a pivotal point for E! Entertainment Television in the UK as we bring a fresh take on the full diversity of modern British relationships,” commented Lee Raftery, Managing Director UK & Emerging Markets and Chief Marketing & Content Officer, NBCUniversal International. “With the number of British people identifying themselves as bisexual rising by 73% in four years*, we are incredibly excited to be introducing this pioneering series to our audiences in the UK and Ireland.

    Ros Coward, Monkey, Executive Producer comments: “A TV show that better reflects diversity within society’s dating pool has been long overdue. The Bi Life is a modern dating show for a modern generation of daters and E! is the perfect home for it.”

    The Bi Life was commissioned for NBCU International for E! Entertainment Television UK. It will be produced by Monkey, the award-winning makers of Made in Chelsea and The Real Housewives of Cheshire.

    Further details on the series format and cast members are set to be announced in the coming weeks.

  • Film star Garrett Clayton just came out

    Film star Garrett Clayton just came out

    Garrett Clayton just came out and introduced the world to his boyfriend, Blake Knight.

    King Cobra Movie
    CREDIT: YouTube

    Garrett just shared an emotional Instagram post with his 1.4 million users, in which he talks from the heart about why he’s taken on his latest film, Reach, a project which deals with timely issues which have affected the actor personally.

    In the post, he also refers to his boyfriend, Blake Knight, whom he says he has been with for a “very long time”.

    He wrote,

    “REACH deals with some very serious and timely topics that have affected me personally, and have likely influenced many of your lives as well,” wrote Clayton. “(I also prefer to share things that are particularly important for me here on my IG) instead of in some random magazine or online article – because you are the ones that have been rooting for me and following me on my professional and personal journey in life.”

    With the release of my new movie REACH coming up, I thought it was important to explain why I took on this project in the first place. REACH deals with some very serious and timely topics that have affected me personally, and have likely influenced many of your lives as well. (I also prefer to share things that are particularly important for me here on my IG) instead of in some random magazine or online article – because you are the ones that have been rooting for me and following me on my professional and personal journey in life. When I read the script for REACH, I immediately knew it was a film I had to be a part of. I have personally dealt with suicide within my own family, intense bullying in high school, and – on top of it all – myself and the man I’ve been in a relationship with for a long time (@hrhblakeknight) have both experienced shootings within our hometown school systems, and have witnessed the heartache that takes place in affected communities after such tragic events. These topics – not always easy to discuss- are all close to my heart, and, knowing how serious they are, I wanted to share this with you all. This film has come from the perspectives of people who care deeply about these issues, and if watching it helps even one person… then it was all worth it. ♥️

    A post shared by Garrett Clayton (@garrettclayton1) on

    “When I read the script for REACH, I immediately knew it was a film I had to be a part of. I have personally dealt with suicide within my own family, intense bullying in high school, and – on top of it all – myself and the man I’ve been in a relationship with for a long time (@hrhblakeknight) have both experienced shootings within our hometown school systems, and have witnessed the heartache that takes place in affected communities after such tragic events,” he continued. “These topics – not always easy to discuss- are all close to my heart, and, knowing how serious they are, I wanted to share this with you all. This film has come from the perspectives of people who care deeply about these issues, and if watching it helps even one person… then it was all worth it.”

    ?Summer daze ☀️

    A post shared by Garrett Clayton (@garrettclayton1) on

    Garrett Clayton is a former Disney star but one of his most recent film credits was the James Franco film King Cobra in which Clayton starred as gay porn actor Brent Corrigan.

    In response to Garrett’s big news, Blake took to IG himself to say how proud he was of his boyfriend saying, “So proud of @garrettclayton1 today! He’s overcome a lot, and still has one of the biggest hearts of anyone I’ve ever met. Handsome, talented, hilarious, kind… what’s not to love?! It’s been an awesome journey all over the world together so far, and I’m looking forward to many more years and trips and puppies and movies and naps and dinners and friends! I love you

  • THEATRE REVIEW | The Play That Goes Wrong, Princess Theatre Torquay

    ★★★☆☆ | The Play That Goes Wrong

    The Play That Goes Wrong, Princess Theatre Torquay

    There is an old saying in theatre that “the show must go on” and nowhere is that old adage put more to the test than in The Play That Goes Wrong, a comedy of errors which collates every actor’s worst nightmare and throws them at the cast who are determined to carry on regardless.

    Borrowing heavily from The Mousetrap, The Play That Goes Wrong is a scattergun comedy set around the fictitious Cornley Polytechnic Drama Society, who is performing The Murder at Haversham Manor, a murder mystery set in the roaring twenties. Despite the best endeavours of the cast, nothing quite goes right for them, as scenery collapses, actors are knocked unconscious, props break and unprepared understudies stand in.

    With a varied blend of visual gags, slapstick, farce, wordplay, one-liners, missed cues and a rather more animated corpse than one would expect, the gags come thick and fast; some hitting the bullseye and others missing the target; but the whole thing is so fast-paced, that there is always another gag heading your way imminently. Garnering some genuine laugh out loud moments, the show has a sensible one hour forty minute runtime meaning that even if a few of the gags begin to outstay their welcome, the show does not.

    Whilst there is plenty of fun to be found and a lot of chuckles, guffaws and belly-laughs to be had, the ending of the show descends into a rather shouty and chaotic handful of closing scenes which, unfortunately, slightly takes the edge off of what has come before. But that said, the cast is delightful, in particular, Kazeem Tosin Amore; and there is some excellent split second comedic timing and plenty of physical dexterity on offer as the fictional cast try desperately to keep their faces straight, their upper lips stiff and prevent the performance collapsing into a catastrophe.

    *This review was taken from the Sheffield production*

    Book tickets for Princess Theatre Torquay through our ticketing partner ATG Tickets

     

  • Edinburgh Fringe says it has “Zero tolerance” on harassment, abuse and bullying

    Edinburgh Fringe says it has “Zero tolerance” on harassment, abuse and bullying

    “No matter who you are or where you come from, you should feel at home at the Fringe”

    luxstorm / Pixabay

    Following on from the shocking news that a performer has suffered homophobic jeers and insults while trying to publicise his show at this year’s Fringe, the Edinburgh Festival Fringe Society has reaffirmed its stance on bullying behaviour towards performers and audience members.

    Nick Cassenbaum, the star of My Kind of Michael, which is currently playing at the Edinburgh Fringe festival has encountered a barrage of homophobic abuse on the streets of Edinburgh while trying to promote the show, which runs until the 26th August at the Summerhall.

    The show is about Cassenbaum’s childhood hero, Michael Barrymore, who was an incredibly popular TV star until a tragic incident at his home in 2001 left a young man dead and the star came out about his bisexuality. 

    ABOVE: The lifesize cut out which has caused controversy as some passersby resort to homophobia on the streets of Edinburgh.

    Unfortunately, the promotion has been met with “old-fashioned homophobia and trial by tabloid” comments.

    Speaking to THEGAYUK.com a spokesperson for the Edinburgh Festival Fringe Society said, “No matter who you are or where you come from, you should feel at home at the Fringe. The Fringe Society have a zero-tolerance policy on harassment, abuse and bullying and we take the safety and welfare of all of our participants and audience members extremely seriously. We provide advice on all aspects of performing and taking part in the Fringe and would encourage anyone who has been affected by issues such as this to contact us.”

     

  • Is the Gender Recognition Law ready for change?

    Is the Gender Recognition Law ready for change?

    Two solicitors, Craig Longhurst and Alex Watson from the leading law firm Fieldfisher write about the government’s plans to revisit the relevance of the Gender Recognition Act 2004 and some of the issues facing the transgender community today.

    vjohns1580 / Pixabay

    When it brought the Gender Recognition Act 2004 (GRA) into force on 4 April 2005, the UK became the first country in the world to allow a person to legally alter their gender without having had any surgical treatment.

    However, since coming into force, only 4,910 have been issued the Gender Recognition Certificate – which is required for a trans person’s new legal gender to be recognised. Given these figures and the concerning suicide and self-harm rates amongst the trans community, the issues are now being revisited by Government.

    The Government’s Equality Office is currently consulting on the legal gender recognition process and its effectiveness. The consultation (which commenced on 3 July 2018 and will close on 19 October 2018) is focussing on the possibility of removing an applicant’s need for a medical diagnosis of gender dysphoria before being able to apply for gender recognition.

    In acknowledgement of the complicated and contested nature of some terminology used in discussing matters, the consultation states that:

    “Throughout this consultation we have tried to use terminology that is generally accepted. No offence or omission is intended.”

    That also applies to this article and shall adopt the same definition of ‘Transgender/ Trans’ as adopted in the consultation:

    “Transgender / Trans: Umbrella terms used to describe individuals who have a gender identity that is different to the sex recorded at birth. Non-binary people may or may not consider themselves to be trans. This consultation document primarily uses ‘trans’.”

    The Law

    As it stands, for a person to legally change their gender, the applicant must be over 18 years old and must usually* meet the following “assessment based” requirements of the GRA:

    1. A medical diagnosis of gender dysphoria and a report from a medical professional detailing any medical treatment;
    2. Proof of having lived for at least two years in their acquired gender through, for example, bank statements, payslips and a passport (which can be changed without legally changing gender);
    3. A statutory declaration that they intend to live in the acquired gender until death;
    4. If married, the consent of their spouse;
    5. Payment of a fee of £140 (or proof of low income for reduction/removal of the fee); and
    6. Submission of this documentation to a Gender Recognition Panel, which the applicant does not meet in person.

    * N.B. there is a slightly different process for married/ civil partnered trans people who have socially and medically transitioned for at least 6 years prior to 10 December 2014 and for overseas trans people, which is outside the scope of this note.

    If a person is adjudged by the Gender Recognition Panel to have met the requirements, they will be issued with a Gender Recognition Certificate – which alters their birth certificate and (subject to a number of limitations) changes their birth gender to their newly-recognised gender. That person then assumes the legal rights of that gender, including: age of retirement, pension and marital rights.

    However, if a person is adjudged by the Gender Recognition Panel to have not met the requirements, his/ her birth gender shall continue to be that person’s legal gender and he/ she shall not have the right to appeal the decision, unless on a point of law. It is hard to see how it can be considered fair that an independent panel is able make such fundamental decisions regarding a person’s life without having actually met them and for an applicant to have no recourse if the application is unsuccessful.

    The view from the trans community

    The results of a recent LGBT Government Survey revealed that many trans people want legal recognition but feel that the current process is too bureaucratic, expensive and intrusive. Further, the Government feels that most trans people feel that the “assessment based” requirements detailed above are overly intrusive, humiliating and administratively burdensome and are denying people access to the legal recognition they are entitled to. More specifically arguments have been raised that:

    1. the requirement of the provision of a diagnostic psychiatric report perpetuates the false assumption that being trans is a mental illness – which both the Government and the World Health Organisation recognises is not the case (the latter has declassified ‘Gender Incongruence’ [i.e. dysphoria] as a ‘Mental and Behavioural Disorder’ in its International classification of Diseases);
    2. the trans person has to collect a range of personal documentation, including information about their medical history, finances and identity which they send to people who they do not meet who then make a decision about their gender identity; and
    3. The fee of £140 and associated costs are expensive and there is no right of appeal against the decision unless on a point of law.

    The Consultation

    Given the above, the Government’s consultation is focussing on many aspects of the GRA, including:

    1. The requirement for the trans person to provide two medical reports, one evidencing a diagnosis of gender dysphoria and the other outlining details of any treatment received;
    2. The requirement for the trans person to provide a range of documentation that proves they have lived in their acquired gender for at least two years;
      The requirement for the trans person to submit a statutory declaration of their intention to live in their acquired gender until death;
    3. The requirement for married applicants to obtain the consent of their spouse or end their marriage;
    4. The cost to the trans person of using the GRA process; and
    5. How the Act protects the privacy of individuals who have applied for a GRC.

    Comment

    Whilst we continue to await the results of the consultation, it is positive to see focus being placed revisiting legislation adopted 13 years ago with limited relevance to present day society’s approach to LGBT+ issues and it appears likely that legislative changes will make it easier for trans people to exercise rights to exist in the gender that they identify with.

    The consultation on the Reform of the Gender Recognition Act 2004 is open until 11pm on 19 October 2018 and can be located at https://www.gov.uk/government/consultations/reform-of-the-gender-recognition-act-2004

    Craig Longhurst and Alex Watson are from the leading law firm Fieldfisher

  • Edinburgh Fringe show rocked by homophobic jeers and slurs on the streets of Edinburgh

    Edinburgh Fringe show rocked by homophobic jeers and slurs on the streets of Edinburgh

    A show currently performing at this year’s Edinburgh Fringe festival has been rocked by persistent homophobic jeers and insults.

    (C) Danny Braverman

    Nick Cassenbaum, the star of My Kind of Michael, which is currently playing at the #Edinburgh Fringe festival has encountered a barrage of homophobic abuse on the streets of Edinburgh while trying to promote the show, which runs until the 26th August at the Summerhall.

    The show is about Cassenbaum’s childhood hero, Michael Barrymore, who was an incredibly popular TV star until a tragic incident at his home in 2001 left a young man dead and the star came out about his bisexuality. 

    The show, My Kind of Michael, chronicles Cassenbaum’s childhood infatuation with the Strike it Lucky presenter and how he was inspired by Barrymore to take to the stage himself.

    As part of the promotion for the show, a life-size cut out of Michael Barrymore has been used on Edinburgh’s streets.

    Speaking about the abuse, Cassenbaumn said, “After all this time I thought people may be prepared to accept him as a brilliant ‘working class boy made good’ entertainer, but it’s become apparent that not only do some people hold strong views about him but that they are prepared to use blatantly homophobic language to make their point.

    “Old-fashioned homophobia and trial by tabloid is alive and well at the Edinburgh Fringe”

    Cassenbaum then shared some of the abuse that the show and indeed Michael Barrymore (who is not part of the lineup) has endured,

    ‘He’s as bent as a ten-bob note. He killed a man. He raped a man. He’s a pervert’
    ‘He raped a man and drowned him’
    ‘He’s alwight in the back hole’
    ‘Get that murdering pervert away from me’ (referring to a cardboard cutout of Barrymore)

    Others have apparently accused him of being known for preying on young boys, said Cassenbaum.

    Cassenbaum continued, “I have been flyering for this show for two weeks now and this type of language has shocked and surprised me. Especially at a ‘liberal’ arts festival that is known for controversial and cutting-edge productions.

    “Barrymore has had to put up with this for nearly 20 years now. I want to make it clear that he was never charged for anything, yet people treat him as if he is a perverted murderer and child molester, tarring him with the same brush as those convicted following Operation Yewtree.

    “It seems that old-fashioned homophobia and trial by tabloid is alive and well at the Edinburgh Fringe.

    Essex Police admitted wrongful arrest – and never charged

    This year, Michael Barrymore won a court case against Essex Police over the wrongful arrest of the entertainer after the death of a man at his home in 2001.

    Stuart Lubbock, 31 was found dead at the star’s Essex home in March 2001. In June 2001 Police arrested Barrymore, his partner and another man in connection to Lubbock’s death but no charges were brought forward. The same three men were arrested again in 2007 but the case was dropped again after three months. No one was charged.

    Essex Police admitted the arrest was unlawful and that the arresting officer did not have reasonable grounds to suspect that Mr Barrymore was guilty.

    In 2009 the IPCC found multiple failings with the original police investigation.

    Speaking to THEGAYUK a spokesperson for Edinburgh Council said, “Hate crime is not tolerated and we would urge anyone who has been a victim of or has witnessed hate crime to report it to the Police“.

    The Edinburgh Fringe Festival Society told THEGAYUK.com “No matter who you are or where you come from, you should feel at home at the Fringe. The Fringe Society have a zero-tolerance policy on harassment, abuse and bullying and we take the safety and welfare of all of our participants and audience members extremely seriously. We provide advice on all aspects of performing and taking part in the Fringe and would encourage anyone who has been affected by issues such as this to contact us.

    “Please also take a look at our Your Rights section of our website :https://www.edfringe.com/take-part/your-rights”

  • FILM REVIEW | The Meg

    ★★★★☆ | The Meg

    Courtesy of Warner Bros. Pictures

    THE MEG – Sex God Jason Statham takes on the biggest nastiest shark in cinema history in the ultimate muscular monster movie showdown an instant camp & cult classic & he’s never looked hotter.

    Nutshell – Firstly this is a thriller, not a horror and the ultimate progression of The Stath’s career-long mano et mano film genre he has made all his own. A deep sea mission unwittingly releases the biggest beast known to man but a very big fish indeed. Can our hero stop the modern day Jaws from killing his crew and then hitting the nearby popular South East Asian beach?  It’s a non-stop, well thought out water bound action with serious bite, you will feel tense throughout but not scared.

    Running Time – 113 Minutes – Cert 12A. That family-friendly certificate obviously takes a lot of blood and the gore out of the movie – this is not the new Jaws nor sets out to be.

    Tagline – ‘Before Chasing Sea Monsters, Check Your Place On The Food Chain’

    The Gay UK Factor – This is the one we have been waiting for all Summer, Jason Statham topless for two hours in swimming trunks or even less. Slipping on the tightest wetsuit ever seems to show every bulge and muscle ripple he has.  The original 1950’s Kinsey report & test of whether you were gay or not is now officially replaced by this movie. Is there a big shark in it? As we didn’t notice.

    Cast – Jason Statham and no-one else you have ever heard of (Unless you watch endless Resident Evils) but frankly that is all you need, the others are just fish food, except the little dog as we loved him but oh dear he has fallen in the water too so now what will happen?

    Key Player – This is a one-man show. The movie wouldn’t have been greenlit, made and got past its first studio meeting without the hunky star’s signature. The UK’s biggest movie star probably of the last decade just gets action movies made around him like no other actor and they always hit at the box office – Our island should be very proud of the guy who now has a record-breaking six movie franchises to his name. Tom Cruise has one.

    Budget – $130 Million and in one week it has made double that back in profit totally pissing all over the other one man band Summer blockbuster Dwayne Johnson’s Skyscraper. This is the last big hit of the summer and fans are fucking lapping it up big time… but may not want to go back in the water for a bit!

    Best Bit – 0.47 mins; The Stath has to get a GPS tracker attached to the giant killer fish which means he has to swim real close to it. Cue the best heart-stopping scene of the film before the crazy good mad as a box of frogs climax.

    Worst Bit – 0.05 mins; The opening prologue sets the scene some months before the main action and it’s OK but is nothing special. Film reviewers often use the term ‘Roller Coaster Ride’ and it has never fitted better here. Once you get over the initial warm up its non-stop excitement until you breathlessly hit the credits. One more rider please and Scream if you want to go faster!

    Little Secret – Spot the Jaws music used here in the underwater cage scene plus numerous references to all four Jaws films & The Abyss. This was originally meant for George Clooney then when it was offered to director Eli Roth (Hostel and Inglorious Bastards etc) who wanted to cast himself as the hero but as an actor, his biggest role was as Frowny The Clown in a horror film so a star with more box office whoomph was sought.

    Further Viewing – Jaws 1-4, Piranha, The Deep, Open Water, Croc, Lake Placid, Orca, Deep Blue Sea and The Stath’s greatest hits Transporter, Crank. The Expendables, Fast & Furious 8, Spy, The Italian Job, The Pink Panther & of course Lock, Stock & Two Smoking Barrels.

    Any Good – You don’t need a review to know whether this is for you or not. If you like the actor or this type of monster film then this is a really great one. If you want some fun escapism then you will be very happy but if you thought I, Daniel Blake was the greatest movie of all time or worship at the feet of Dame Maggie Smith then move along.

    Rating – 70/100

  • CAR REVIEW | Honda Civic 1.6 i-DTEC EX 

    CAR REVIEW | Honda Civic 1.6 i-DTEC EX 

    ★★★☆☆ | Honda Civic 1.6 i-DTEC EX

    What Have We Got

    Here is Honda’s 10th generation Civic. It is the humble family car that has been a staple from Honda since the 70s. Now let’s be honest, before 2006’s 8th generation Civic, it had been largely thought of as a competent car and one that’s just alright.

    That all changed and again with this all-new Civic 10. Design-wise it is an elegant looking car that takes generation 8 Civic to a new level ignoring generation 9’s dumpy potato look. And it has paid off because the Civic 10 is a looker.

    Driving

    It’s a puzzler. Civic comes with two driving modes, normal and sport. The usual attributes happen when you press the button with the steering becoming artificially stiffer along with the damper rates, and throttle response is sharpened. What then would be nice is for a softer ride in normal mode. It isn’t a hard ride at all and on most surfaces, it is always composed, and very little throws it off its course. A softer ride though might just quieten the road noise and add some luxury quality.

    The diesel engine is rather torquey and once spinning, it will reach the rev limiter quickly. It catches you out too for a car with a 0-60 of over 10 seconds, so you need to be quick on first three gears. Thankfully the clutch is light with good feel, and the gear stick precise and slick.

    What I did find was the fuel economy a little disappointing at the pumps. Honda claim 80.7mpg for the combined. I was lucky to get 49mpg over my week with Civic. That’s some way off their claim.

    Inside

    Inside you are treated to a well-made interior. It all fits well together, and the controls are logically laid out. The infotainment system isn’t as clunky to use as some though it takes a bit of time to build up familiarity with it particularly with the heating. I’m in a 50/50 kind of mind if I like the split screen and button use for it. Screen de-mist is a button under the infotainment screen while the other setups are all contained within the touchscreen.

    Interior is also very dark with its use of black is everywhere. Some of the joins where one material meets another are not always successful. What is though is the centre console that is well made. All this black would become unbearable if it weren’t for two things. The big retractable glass roof and the masses of shoulder space. Depending on your build you’ll find there is either too much shoulder space, or the door armrests are not large enough. I found I was having to spread my arms out like having a broom shoved down my sleeves and holding the steering wheel at the precisely 5:35.

    Living with it

    I have a few gripes about the Civic as mentioned above. The hatchback opening is large and wide, and a neat feature that I do like is the fold away parcel shelf blind that when compacted looks like a printer ink cartridge. It’s genius thinking. The problem with a hatchback is the problem of where do you put the parcel shelf. 10/10 Honda.

    I also like the sense of space. Despite my moan about shoulder space, the car doesn’t feel too wide to drive through town. It’s quite nice to pilot around.

    Verdict?

    I’d have one. I wouldn’t feel cheated if I was thrown the keys and told, “That’s yours, get on with it”. You can’t argue with the cost and spec over its nearest rivals. Spec for spec, it’s cheaper than a Golf and better equipped than the Astra. The technology works well too. What I will say though is don’t rule out the zippy petrol version.

    Love

    Price

    Spec

    Looks

    Loathe

    Unrealistic fuel figures

    Heating controls

    Turbo lag

    The Lowdown

    Car – Honda Civic 1.6 i-DTEC EX

    Cost – £26,574 (as tested)

    MPG – 80.7 mpg (combined)

    Power – 120ps

    0-62mph – 10.2 seconds

    Top Speed – 125mph

    Co2 – 93 (g/km)

  • Kevin Spacey’s latest movie bombed – hard

    Kevin Spacey’s latest movie bombed – hard

    Just $126 on opening day.

    (C) BIGSTOCK

    Talk about a fall from grace. Kevin Spacey’s latest movie, Billionaire Boys Club has officially bombed, hard. It opened in just 10 theatres in the US and took a grand total of $126.

    In comparison before the allegations of sexual misconduct against the actor, Spacey’s previous bit hit, Baby Driver grossed over $20 m in its opening weekend.

    His biggest movies to date are American Beauty ($130 m)  A Bug’s Life ($162 m) and Superman Returns ($200 m).

    The Billionaires Boys Club was actually started in December 2015, well before the allegations of sexual misconduct were levelled against the actor by Star Trek Discovery actor Anthony Rapp. The film officially wrapped in early 2016. The film is set in the 1980s and is based on a true story about young men, who happen to be rich AF, getting caught up in a Ponzi scheme. It also stars Ansel Elgort, Taron Egerton and Emma Roberts.

    However the film, according to Box Office Mojo, has made over a $1m in other territories with Russia ($419,000) being its biggest market, followed by the Ukraine ($318,000).

  • MOTORCYCLE REVIEW | Suzuki Burgman 650 ABS

    MOTORCYCLE REVIEW | Suzuki Burgman 650 ABS

    ★★★★★ | Suzuki Burgman 650 ABS

    The bike

    One of the most unusual bikes I’ve ridden is the Suzuki Burgman 650. On one hand, it’s a twist and go scooter, on the other, it’s a luxurious tourer. In reality, it’s a bit of both. It’s one of the new crop of maxi scooters.

    The Burgman is powered by a silky smooth parallel twin 638cc engine putting out 55 bhp and 62 Nm of torque. It’s velvety smooth and it’s mated to a Suzuki Electronic CVT gearbox (Continuously Variable Transmission), that’s a kind of automatic gearbox.

    Riding

    The Burgman is a pleasure to ride. The feet forward riding position takes some getting used to as does the twist and go gearbox, but it’s such an easy bike to ride. It’s lively, It turns in sharply and holds a nice line and is very easy to manoeuvre. The suspension is supple like a French car, and the ride quality is great. Cornering is easy, it’s eager to turn and even fun to throw around. I actually touched down the centre stand a couple of times but I was being a little daring.

    Details


    The dashboard gives more information than you know what to do with, but it’s not intrusive or distracting. It tells you when you need to change the oil, oil level, air temp, water temp, the time, plus there’s a great trip computer with information on fuel consumption, range and more.

    A big seat, loads of storage, heated grips, electric folding mirrors, tall electric screen all add make it feel more like an adventure bike than a maxi scooter. Build quality was excellent, no exposed wires, no dodgy catches or rattling, squeaky panels.

    Living With It

    Brakes are very good, it doesn’t dive or push on. An electrically adjustable tall screen means motorway miles are a breeze, the wind hardly touched me and you sit up straight too which means you can see over the cars in front.

    I took the Burgman it on a 2-day road trip on all sorts of roads, 2 days luggage, my laptop and all manner of stuff crammed in the massive storage compartment under the seat. It’s practical, fun, easy to ride and economical. What’s not to like?

    The Verdict

    The Suzuki Burgman is bristling with equipment, it’s easy to ride, it’s comfortable and even economical. It sounds like the perfect do it all bike then right? It nearly is. The Burgman is a little long in the tooth, it’s a few years old now. It also suffers from an image problem in certain circles; is it a proper bike? But other than that, it really is a do it all motorcycle. Pop to the shops or ride across Europe, the Burgman will eat it up.

    Build quality is great and its pricing is easily comparable with the competition, most of which have smaller engines too.

    Loves

    Comfort

    Practicality

    Easy to live with

    Loathes

    Snatchy at very low speed

    In the company of big bikes, you feel inferior

    It’s very wide when you’re filtering through traffic

    Lowdown

    Motorcycle –  Suzuki Burgman 650 ABS
    Price – £9,199
    MPG – 60.5 mpg (combined)
    0-62 – 8.3 seconds
    Power – 55 bhp / 62 Nm of torque
    Top Speed – 110+ mph
    Co2 – 109 (g/km)

  • THEATRE REVIEW | Little Shop of Horrors – Regent’s Park Open Air Theatre, London

    THEATRE REVIEW | Little Shop of Horrors – Regent’s Park Open Air Theatre, London

    ★★★★☆ | Little Shop of Horrors – Regent’s Park Open Air Theatre

    There’s a human-eating plant in Regents Park, and the more it eats the bigger it gets – and it’s all at the wonderful Regent’s Park Open Air Theatre in the new show ‘Little Shop of Horrors.’

    On skid row in downtown Manhattan, a flower shop called Mushnik’s is not doing much business. But Seymour Krelborn (a wonderful Marc Antolin), who works at the shop owned by Mr Mushnick (Forbes Masson) has mysteriously acquired a plant, a plant so unlike any in the shop. It’s a plant that looks like a venus flytrap, but this plant is very different. It’s a plant he has called Audrey II (Vicky Vox plays the plant later in the show), named after the co-worker he is secretly in love with Audrey (Jemima Rooper). This plant doesn’t want water like all the other plants in the shop, as discovered by Seymour when he pricks his fingers and drips blood on the plant, and it’s happy drinking his blood. But the more blood Seymour feeds the plant, the bigger it grows, and soon enough Seymour can’t give any more blood to the plant, and it’s grown so huge that’s it’s become a celebrity (and so has Seymour). But how can Seymour continue to keep his plant happy and all the while attaining his new celebrity status (and the money that comes with it?). He has to give Audrey II more blood, and this includes people. The first to go into the plant is Audrey’s abusive boyfriend Orin Scrivello (Matt Willis – of pop group Busted). But who will be next? The plants keeps telling Seymour ‘I’m Hungry’ so he’s at odds as to what to do next. And this all takes place in the beautiful outdoor theatre.
    Playing until Saturday, September 22, ‘Little Shop of Horrors’ is great fun to watch. Let’s hope the good weather continues until the end of the shows run – as Little Shop of Horrors is best enjoyed when it’s not raining. The cast are all wonderful, and Vicky Vox is larger than life as the plant. With music and lyrics by Alan Menken and the late Howard Ashman, Little Shop of Horrors is still good fun and even better set amongst all those trees in Regent’s Park. Just be careful and don’t get too close to one, it might eat you!

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