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  • Dumbledore Won’t Be ‘Explicitly’ Gay In Fantastic Beast: The Crimes Of Grindelwald

    It was several years ago when J.K. Rowling revealed that beloved Hogwarts headmaster, Albus Dumbledore, is gay. By then, she finished writing her books and the “Harry Potter” films were also done. Now that the character will be brought back to life by Jude Law in “Fantastic Beasts: The Crimes of Grindelwald,” Potterheads were excited to see his sexuality explored. (more…)

  • How average are you?

    We took some data from various surveys we’ve done over the years and some national stats to come up with a (just for fun) poll to find out how average you are…

  • Probe into Indonesian police who shamed transgender people

    Indonesian police said Sunday they would press ahead with an investigation into officers accused of publicly shaming transgender people in conservative Aceh province despite an angry protest against the probe. (more…)

  • Call Me By Your Name wins big at the annual Dorian Awards

    The distinctly unique GALECA: The Society of LGBTQ Entertainment Critics, comprised of over 200 gay, lesbian, bisexual, transgender, queer and ally entertainment journalists in the US, Canada and UK, has announced its ninth annual Dorian Award winners.

    This year’s 26 TV and film categories, again running from mainstream to LGBTQ-centric, include inaugural awards for Supporting Film Performance. A handful of select recipients will join the group for GALECA’s annual Winners Toast on Saturday, February 24th in Beverly Hills.

    Call Me By Your Name, which led with nine nominations, was named 2017’s Film of the Year. The bittersweet story of two American men — a teen and a 20something — falling for each other in Italy also earned Timothée Chalamet a Dorian for Film Performance of the Year — Actor. Chalamet, seen in Dorian nominee Lady Bird as well, was also the group’s Rising Star pick. Meanwhile, Greta Gerwig, writer and helmer of the female-focused coming-of-age drama Lady Bird, was named Director of the Year.

    Jordan Peele, formerly of TV’s acclaimed Key and Peele sketch comedy series, earned Screenplay of the Year for Get Out, the heart-stopping thriller and acidic satire about a black man (Daniel Kaluuya) who discovers his white girlfriend’s “liberal” parents are secretly murderous racists. Peele was also crowned Wilde Artist of the Year (nominees included Gerwig, Patty Jenkins, David Lynch and Guillermo del Toro) and Wilde Wit of the Year (in a tie with Saturday Night Live fixture Kate McKinnon). For the second year in a row, the talented McKinnon scored TV Musical Performance of the Year for her wowza impersonation of Kellyanne Conway taking her “alternative facts” act to Broadway.

    Film icon and feminist activist Meryl Streep was the group’s latest choice for Timeless Star, a career achievement honour previously won by such equally beloved stars (and human-rights champions) Jane Fonda, Dame Angela Lansbury and Sir Ian McKellen.

    “Who doesn’t love Meryl Streep outside of non-feminist Donald Trump?” quipped Diane Anderson-Minshall, GALECA’s president as well as editorial director of The Advocate magazine. “Streep’s latest film, The Post, speaks to her commitment to playing, and supporting, strong women who push for or at least embody the need for equality. As The Washington Post’s firebrand Katherine Graham, she inhabited the role of the first female publisher of a major American newspaper — a woman who went from housewife to overseeing the revelations of both Watergate and the Pentagon Papers at a time when most of the men around her were too afraid to take on either. And this was all long before the #MeToo movement.”

    Adds John Griffiths, GALECA’s Executive Director, “From Sophie’s Choice to Postcards from the Edge, Streep’s an incredibly stirring and affecting actress who transports, delights and nails various accents like no other. I’d say she definitely qualifies as a timeless star — and amid all the headlines about sexual harassment in Hollywood, she’s also a very relevant current voice.” Fun fact: Streep won a Dorian Award for The Iron Lady back in 2012.

    In additional trademark races, God’s Own Country — 2017’s other visceral love story involving two gay men — won as GALECA’s Unsung Film of the Year (the competition included director Angela Robinson’s Professor Marston and the Wonder Women). Awards-season darling The Shape of Water impressed as Visually Striking Film of the Year. And mother!, Darren Aronofsky’s over-the-top psychological chiller starring Jennifer Lawrence, was deemed Campy Flick of the Year.

    Among TV categories, HBO’s sleek murder mystery Big Little Lies took TV Drama of the Year, with star Nicole Kidman (as a battered wife) triumphing too. Kyle MacLachlan was Kidman’s male counterpart for Twin Peaks: The Return. Starz’s provocative gods-among-us fantasy American Gods took Unsung TV Show, fittingly as its future, the freshman series’ future is reportedly up in the air. And programs each celebrating their second win in a row: TBS’ Full Frontal with Samantha Bee (Current Events Show of the Year) and the Lady Gaga-loved gay performance contest RuPaul’s Drag Race (LGBTQ Show).

    Below is the complete list of Dorian winners.

    GALECA, The Society of LGBTQ Entertainment Critics, previously known as the Gay and Lesbian Entertainment Critics Association, includes members who review, write and/or report on film and television for a diverse number of media outlets, including BuzzFeed, The Daily Beast, Entertainment Weekly, TV Guide, The Advocate, CNN, the Associated Press, People, Variety, The Hollywood Reporter, Collider, Vanity Fair, Screen Crush, The Los Angeles Times, The San Francisco Chronicle, New Now Next, The Guardian and the BBC. For more information, visit GALECA.org. Also find us at #DorianAwards, and enjoy our posts via @DorianAwards on Facebook • Twitter • Instagram

    GALECA 2017/18 DORIAN AWARDS — WINNERS

    FILM OF THE YEAR
    BPM (Beats Per Minute) – The Orchard
    Call Me By Your Name Sony Pictures Classics (WINNER)
    Get Out – Universal
    Lady Bird – A24
    The Shape of Water – Fox Searchlight

    DIRECTOR OF THE YEAR (FILM OR TELEVISION)
    Sean Baker, The Florida Project – A24
    Guillermo del Toro, The Shape of Water – Fox Searchlight
    Greta Gerwig, Lady Bird – A24 (WINNER)
    Luca Guadagnino, Call Me By Your Name – Sony Pictures Classics
    Christopher Nolan, Dunkirk – Warner Bros.
    Jordan Peele, Get Out – Universal

    BEST PERFORMANCE OF THE YEAR — ACTRESS
    Sally Hawkins, The Shape of Water – Fox Searchlight (WINNER)
    Frances McDormand, Three Billboards Outside Ebbing, Missouri – Fox Searchlight
    Margot Robbie, I, Tonya – Neon
    Saoirse Ronan, Lady Bird – A24
    Daniela Vega, A Fantastic Woman – Sony Pictures Classics

    BEST PERFORMANCE OF THE YEAR – ACTOR
    Nahuel Perez Biscayart, BPM (Beats Per Minute) — The Orchard
    Timothée Chalamet, Call Me By Your Name – Sony Pictures Classics (WINNER)
    James Franco, The Disaster Artist – A24
    Daniel Kaluuya, Get Out – Universal
    Gary Oldman, Darkest Hour – Focus Features

    SUPPORTING FILM PERFORMANCE OF THE YEAR — ACTRESS
    Mary J. Blige, Mudbound – Netflix
    Tiffany Haddish, Girls Trip – Universal
    Allison Janney, I, Tonya – Neon
    Laurie Metcalf, Lady Bird – A24 (WINNER)
    Michelle Pfeiffer, mother! – Paramount

    SUPPORTING FILM PERFORMANCE OF THE YEAR — ACTOR
    Willem Dafoe, The Florida Project – A24
    Armie Hammer, Call Me By Your Name– Sony Pictures Classics
    Richard Jenkins, The Shape of Water – Fox Searchlight
    Sam Rockwell, Three Billboards Outside Ebbing, Missouri – Fox Searchlight
    Michael Stuhlbarg, Call Me By Your Name – Sony Pictures Classics (WINNER)

    LGBTQ FILM OF THE YEAR
    BPM (Beats Per Minute) — The Orchard
    Battle of the Sexes – Fox Searchlight
    Call Me By Your Name – Sony Pictures Classics (WINNER)
    A Fantastic Woman – Sony Pictures Classics
    God’s Own Country – Samuel Goldwyn Films

    FOREIGN LANGUAGE FILM OF THE YEAR
    BPM (Beats Per Minute) — The Orchard (WINNER)
    A Fantastic Woman – Sony Pictures Classics
    First They Killed My Father – Netflix
    The Square – Magnolia Pictures
    Thelma – The Orchard

    SCREENPLAY OF THE YEAR (ORIGINAL OR ADAPTED)
    James Ivory, Call Me By Your Name – Sony Pictures Classics
    Jordan Peele, Get Out – Universal (WINNER)
    Greta Gerwig, Lady Bird – A24
    Guillermo del Toro, Vanessa Taylor, The Shape of Water – Fox Searchlight
    Martin McDonagh, Three Billboards Outside Ebbing, Missouri – Fox Searchlight

    DOCUMENTARY OF THE YEAR
    (theatrical release, TV airing or DVD release)
    Bombshell: The Hedy Lamarr Story – Zeitgeist/Kino Lorber
    The Death and Life of Marsha P. Johnson – Netflix
    Faces Places – Cohen Media Group (WINNER)
    Jane ­– National Geographic/Abramorama
    Kedi – Oscilloscope

    VISUALLY STRIKING FILM OF THE YEAR
    (honouring a production of stunning beauty, from art direction to cinematography)
    Blade Runner 2049 – Warner Bros.
    Call Me By Your Name – Sony Pictures Classics
    Dunkirk – Warner Bros.
    The Shape of Water – Fox Searchlight (WINNER)
    Wonderstruck – Amazon

    UNSUNG FILM OF THE YEAR
    BPM (Beats Per Minute) – The Orchard
    Beach Rats – Neon
    God’s Own Country – Samuel Goldwyn Films (WINNER)
    Professor Marston and the Wonder Women – Annapurna
    Wonderstruck – Amazon

    CAMPY FLICK OF THE YEAR
    Baywatch – Paramount
    The Disaster Artist – A24
    The Greatest Showman – 20th Century Fox
    I, Tonya – Neon
    mother! – Paramount (WINNER)

    TV DRAMA OF THE YEAR
    Big Little Lies – HBO (WINNER)
    The Crown – Netflix
    Feud: Bette and Joan – FX
    The Handmaid’s Tale – Hulu
    Twin Peaks: The Return – Showtime

    TV COMEDY OF THE YEAR
    Better Things – FX
    GLOW – Netflix
    The Good Place – NBC
    The Marvelous Mrs Maisel – Amazon (WINNER)
    Will & Grace – NBC

    TV PERFORMANCE OF THE YEAR – ACTRESS
    Clare Foy, The Crown – Netflix
    Nicole Kidman, Big Little Lies – HBO (WINNER)
    Jessica Lange, Feud: Bette and Joan – FX
    Elisabeth Moss, The Handmaid’s Tale – Hulu
    Reese Witherspoon, Big Little Lies – HBO

    TV PERFORMANCE OF THE YEAR — ACTOR
    Aziz Ansari, Master of None – Netflix
    Sterling K. Brown, This Is Us – NBC
    Jonathan Groff, Mindhunter – Netflix
    Kyle MacLachlan, Twin Peaks: The Return – Showtime (WINNER)
    Alexander Skaarsgård, Big Little Lies – HBO

    TV CURRENT AFFAIRS SHOW OF THE YEAR
    Full Frontal with Samantha Bee – TBS (WINNER)
    Last Week Tonight with John Oliver – HBO
    Late Night with Seth Meyers – NBC
    The Late Show with Stephen Colbert – CBS
    The Rachel Maddow Show – MSNBC

    TV MUSICAL PERFORMANCE OF THE YEAR
    Lady Gaga, “God Bless America,” “Born This Way,” etc., Super Bowl LI – Fox
    Kate McKinnon, “(Kellyanne) Conway!” Saturday Night Live – NBC (WINNER)
    Brendan McCreary, John Mulaney, “I’m Gay,” Big Mouth – Netflix
    Pink, “Beautiful Trauma,” American Music Awards – ABC
    Sasha Velour, “So Emotional,” RuPaul’s Drag Race – VH1

    LGBTQ SHOW OF THE YEAR
    Difficult People – Hulu
    RuPaul’s Drag Race – VH1 (WINNER)
    Sense8 – Netflix
    Transparent – Amazon
    Will & Grace – NBC

    UNSUNG TV SHOW OF THE YEAR
    American Gods – Starz (WINNER)
    Dear White People – Netflix
    Difficult People – Hulu
    At Home with Amy Sedaris – TruTV
    The Leftovers – HBO

    CAMPY TV SHOW OF THE YEAR
    Dynasty
    Feud: Betty and Joan (WINNER)
    Riverdale
    RuPaul’s Drag Race
    Will & Grace

    WE’RE WILDE ABOUT YOU!’ RISING STAR AWARD
    Timothée Chalamet (WINNER)
    Harris Dickinson
    Tiffany Haddish
    Daniel Kaluuya
    Daniela Vega

    WILDE WIT OF THE YEAR AWARD
    (honouring a performer, writer or commentator whose observations both challenge and amuse)
    Samantha Bee
    Stephen Colbert
    Kate McKinnon (WINNER – TIE)
    John Oliver
    Jordan Peele (WINNER – TIE)

    WILDE ARTIST OF THE YEAR
    (honouring a truly groundbreaking force in the fields of film, theatre and/or television)
    Guillermo del Toro
    Greta Gerwig
    Patty Jenkins
    David Lynch
    Jordan Peele (WINNER)

    TIMELESS STAR
    (to a living actor or performer whose exemplary career is marked by character, wisdom and wit)
    Meryl Streep (WINNER)

    GALECA’S MISSION
    Home of the Dorian Awards for the best in film and TV, GALECA aims to generate camaraderie in an unsettling media environment, and elevate professional entertainment criticism and journalism, all while bolstering art and humanity. Via panels, screenings, events and its occasional “Ten Best” lists, this 501 c-6 organization also strives to remind the everyone from at-risk youth to bullies that gay, lesbian, bisexual, transgender and queer people have a rich history of putting great movies and TV on the radar. How would the world fare without knowing what’s campy?

  • Oscars 2018 – The winners and the ones that should win

    Oscars 2018 – The winners and the ones that should win

    Once again it’s my annual review of the Oscars looking at who should win against who will win at the Kodak Theatre in barmy Hollywood on March 4th, 2018.

    Will this year’s Call Me By Your Name feature in Paul’s Oscar predictions?

    As always the top twenty movies of the last year are wholly absent from the nominations and there is such a wide chasm between what the critics ejaculate over and then win trophies as to what people actually want to go and see, buy popcorn and snuggle with a hot guy in the back row.

    If you are a true movie fan, read on and see what the Oscars should be like if they gave statuettes to people and films folks have heard off and those with a gay bent.

    BEST PICTURE – Should Win: Paddington 2 The highest rated movie in IMDB/Rotten Tomatoes history because every single critic loved it…

    Will Win: Three Billboards Outside Ebbing Missouri if the aged voters can put up with all the swearing ‘f*cks’ and ‘c*nts’ throughout, (it is f*cking good though)

    BEST ACTOR – Should Win: Chris Hemsworth’s member in bulging spandex in Thor Ragnarok or Arnie Hammer The Man From Uncle and Lone Ranger kissing a bloke and seeming to love it…

    Will Win: Gary Oldman for the Darkest Hour well that is good make-up for ya.

    BEST ACTRESS – Should Win: Gal Gadot for busting everyone’s balls in the megahit WonderWoman or Emma Watson who with Beauty and The Beast became the biggest box-office female earner of all time and she is British…

    Will Win: Frances McDormand who is very good in an Oscar-baiting way in Three Billboards.

    BEST SUPPORTING ACTOR – Should Win: Dwayne Johnson’s speedos in Baywatch and Jon Hamm’s tight jeans in Baby Driver or possibly Hugh Grant in Paddington 2

    Will Win: Sam Rockwell in a career-best performance in Three Billboards with the best character arc of all time.

    BEST SUPPORTING ACTRESS – Should Win: Keela Settle for her Top 10 charting great gay anthem showstopping song ‘This Is Me’ in The Greatest Showman

    Will Win: Laurie Metcalf in Ladybird but we preferred her on TV in Roseanne.

    ANIMATION – Should Win: Johnny Depp’s acting in the appalling Pirates 5.….

    Will Win: Coco, yes the incredible out of this world Coco…..is it the best-animated film in history?… quite possibly.

    Best Foreign Language Film – No such thing according to my dictionary but if so it should go to T2Trainspotting 2 as we could not understand a bloody word…

    Will win: the Swedish film nominated but there is a Russian nominee, and we all know how they like to fix results in their favour!

    Costume Design – Should Win: Baywatch great tight beach gear on Dwayne Johnson and sex god Zac Efron.

    Will Win: Unfortunately Victoria and Abdul which is the filmic equivalent of sleeping tablets.

    Directing – Should Win: Edgar Wright for the hit of the summer Baby Driver.

    Will win: Guillermo Del Toro for the monster shagging under the sea in The Shape Of Water.

    Editing – Should Win: Baby Driver as it was just so cool.

    Will Win: Dunkirk possibly the most overrated film of the year and boy did it do very poor business overseas.

    Makeup & Hair Styling – Should Win: War Of The Planet Of The Apes by a mile.

    Will Win: The Darkest Hour (Yawnnnnnn !).

    Music – Should Win: Beauty And The Beast or The Greatest Showman both great musicals BUT…

    Will Win: Dunkirk purely because of who the composer was. No more WW2 movies for a bit, please.

    Original Song – Should Win: “Days In The Sun” or “Evermore” from Beauty And The Beast

    Will Win: This Is Me The new great Gay Anthem from The Greatest Showman still climbing the charts one month on and a trophy will help it gain eternal popularity.

    Sound Mixing – Should Win: Thor Ragnarok, Marvel’s hit of the year and third biggest film ever.

    Will Win: Star Wars The Last Jedi.

    Visual Effects – Should Win: The genuinely incredible record-breaking Fast And Furious 8

    Will Win: Blade Runner 2049 now officially one of the year’s biggest flops.

    Adapted Screenplay – Should Win: Call Me By Your Name, and it will win too – simply the best gay film since a couple of cowboys f*cked on a mountain without any douching facilities.

    Original Screenplay – Should Win: Baby Driver

    Will Win: Get Out which was a very clever little profitable movie.

    The Gay Oscar Film of the YearBaywatch for the sex appeal, Wonderwoman for the camp and Call Me By your Name for taking the LGBT+ film world forward.

    Stunt of the year – Arnie Hammers tonsil cleaning scene with his hot younger lover in Call or 15 separate sections of Fast and Furious 8 THE action movie of the year and the second biggest earner worldwide and boy was The Stath funny.

    Hunk Of The Year – In a year where we had Zac Efron on the beach, pure hot man roles for Arnie Hammer, Chris Hemsworth and Chris Pratt the award goes to…..drum roll… Hugh Jackman who bowed out from Wolverine in Logan after nine movies and even more years with his shirt off showing an eight pack and sweating muscles which has been a work of pure gym and eating dedication for a decade.

    Lifetime GAYUK Achievement Award – Superstud and man mountain Dwayne ‘The Rock’ Johnson the former wrestler with a body to die for and die under started the year with the astonishing Fast and Furious 8 and finished it in the number one slot with Jumanji Welcome To The Jungle knocking Star Wars for six after just a fortnight and giving it a bloody nose or sore ass becoming the Winter surprise hit of the year.

    Obituary of the Year – The Transformers franchise – what a f*ck up, Celebrity cameos Beckham in Robin Hood, Sheeran in Game Of Thrones, McCartney in Pirates, Ade Edmondson in Star Wars… please please make it stop; Also the end of TV movie reboots as Baywatch and CHIPS suffer, and many other careers go pear-shaped (Tom cruise in the terrible Mummy!) as huge blockbusters bomb like never before….The Great Wall, Dark Tower, Pirates 5 and Assassins Creed to name some of the biggest bombs of 2017.

  • Meet the drag queen who isn’t letting her disability get in the way

    Meet the drag queen who isn’t letting her disability get in the way

    If you’ve read my past interviews with Sassi Afrika, you will know that she is indeed as sassy as the name suggests. However, there’s much more to this Queen than meets the eye. Living with a disability, but never letting that hold her back, Sassi Afrika is now on a mission to raise the visibility of people with disabilities at Pride events across the land.

    (C) VERINE LINTON

    “I am passionate because I have disabilities too. I have cerebral palsy that affects the left side of my body, and I have mild learning disabilities.”

     

    Daniel Browne: Sassi, it’s lovely to talk to you again. Thank you for taking the time out for this interview. How have you been?

    Sassi Afrika: Well honey I’ve been busy. You should know that. Everyone else does. I’ve had a great year, darling. My third album, Red Hot, came out at the end of last year. It’s been so well received. Of course, so it should be, but I am grateful for the support my music gets. No Grammys or Brit Awards yet, but I’m working on it. I’ve also been focusing more on the charity work that I do. It’s in my heart. Yes, I do have one.

    DB: That all sounds fantastic. Congratulations on the new album. Let’s talk more about your charity work. What have you been doing?

    SA: As you know, I support the LGBT+ community completely. Well, I am LGBT+, you know. But I’ve become a trustee with an amazing Pride charity and I take the lead on running the LGBT+ youth group, the parents support group, and the social group for LGBT+ people with learning disabilities. Everyone wants a piece of Sassi, but supporting the community comes before anything else. Someone’s got to serve the tea and cake.

    “…people with disabilities should always be included. We should be visible. We are human. We are the same as everyone else. We need a seat at the table, like Solange.”

     

    DB: I keep an eye on what you’re up to on social media and noticed that recently you’ve become more vocal about people with disabilities being visible and included at LGBT+ events. What sparked that?

    SA: Darling, people with disabilities should always be included. We should be visible. I’ve been to many Prides and sometimes feel disappointed that LGBT+ people with disabilities are nowhere to be seen. Especially not as part of the line-up. It’s upsetting. But rather than just be upset, I thought I would do something about it. So, I am working for change. I don’t mean working for the bit of loose change in your pocket, but for people with disabilities to be represented at Prides. I set up the group for LGBT+ people with learning disabilities so that we have somewhere to go. So we can meet new people and not be outcasts. We are human. We are the same as everyone else. We need a seat at the table, like Solange.

    DB: I hear you, and I feel your passion…

    SA: I am passionate because I have disabilities too. I have cerebral palsy that affects the left side of my body, and I have mild learning disabilities. I know what it’s like to be treated differently and not be included. But my disabilities don’t hold me back. I’m here to help others achieve the same thing. We can all be Kings and Queens. Someone told me that the word disability has the word ability in it. So, I focus on my ability and help others with theirs.

    “(Prides need to…) organise some chill out zones for people with physical disabilities and learning disabilities. Consider us. Include us.”

     

    DB: What do you think Pride events can do to promote inclusion and visibility of LGBT+ people with disabilities?

    SA: I think every Pride can do more. LGBT+ people with disabilities need more than access. We need a platform. We need to shine. I feel that some Prides have lots of non-LGBT+ performers, not enough LGBT+ performers, and none that have a disability. There are many LGBT+ people with disabilities who are talented and can bring that talent to Prides. So, people with disabilities need to be included on stage line-ups. For example, I am hosting the main stage at Warwickshire Pride again this year. There’s a plug. I mean, I’m not saying book me, but please do have LGBT+ people with disabilities represented. Talk to us. Get our views. Let us help you plan your Prides. It would also be nice to see stalls that focus on disabilities. Like having disability charities present. Organise some chill out zones for people with physical disabilities and learning disabilities. Consider us. Include us.

    DB: I agree that Prides need to represent LGBT+ people as much as possible, so I wish you well with your mission.

    SA: Thank you. I am sassy and all of that, but I am human too. I care. I want to make a difference.

    DB: What’s 2018 got in store for Sassi Afrika?

    SA: Well I have just told you, darling. Are you tuning in to the same programme? I will be campaigning, but I will also be bringing sass to stages everywhere. I am hoping that more Prides will book me. I have some gigs and hosting jobs coming up. Also, my new single Power Bottom will be out in time for Valentine’s Day. I know how romantic that sounds. I’m just going to be me. That’s 2018 for you.

    Sassi Afrika’s latest album Red Hot is available on Spotify and iTunes. You can follow her on Twitter @SassiAfrika.

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    Don’t attack people, groups or organisations. We just can’t afford the lawsuits.

    No Copying.

    If you copy someone’s work and pass it off as your own, without crediting the source, we will literally throw you off a cliff.

    Don’t Go Changing.

    Once you’ve written something and it’s been published you’re not permitted to change or delete it unless you absolutely must – reasons for changes or deletion could be legal, criminal or social but you must contact editorial if you want to make changes.

    No payments.

    If you have received payment to post on THEGAYUK.com you will be removed from THEGAYUK platform.

    Check out the Style Guide.

    So that every article adheres to a site-wide style please check out our style guide.

    What do you do with my signup information?

    We care about your privacy so here’s our pledge to you.

    Your details are kept in a high-security database, which requires a two-step authenticator sign in and only the editor has access to your signup information that you provided at the start. We will not share your details outside THEGAYUK.com company.

    We will not share your details outside THEGAYUK.com company.

    Your sign up email will be shared with Head of Strands (for the strands you signed up for) as a way of contacting you. All other details will be kept private.

    You may wish to open a separate email account rather than use your private email address.

    Writers’ Privacy Policy

    Here’s what we do the data that you provide us when you sign up as a contributor.

    Your details are stored on our secure database, which has an authenticator log in process, meaning that it’s incredibly difficult to hack.

    We do not share your details with ANYONE outside THEGAYUK.com companies.

    We will provide you will an account on THEGAYUK.com, which will only have your name and the public data that you provided us with during the sign up process, eg. your Twitter/Instagram accounts and the short bio that you provided.

    Your account will not have your home address or contact number on it. The account’s password that we provide will be an incredibly difficult password to hack. You can replace this, but you are responsible for your account and we suggest that if you change the password that you do so with a difficult to guess/hack password.

    We will add your email to our writers’ database so that we may send you information that is integral to the running of THEGAYUK.com.

    Our data is stored on secure servers outside of the UK and EU – in Utah, USA. All data transactions that take place on THEGAYUK.com are done under a secure connection.

  • Review Formats

    How do I format my tech review

    TITLE

    Introduction paragraph – hands on, first impressions. Expectations.

    FEATURE 1 paragraph – consider design.

    FEATURE 2 paragraph – consider features & performance.

    FEATURE 3 paragraph – consider bad points, or anything they could improve.

    LOVES

    ( points on what you love)

    LOATHES

    (point on stuff you hated)

    Conclusion paragraph – consider overall / the bottom line and include reason for rating…

    Our Rating: ★★★★★

     

    How do I format my film review?

    Here is the Film Review template that you should adhere to if you want your review to appear on THEGAYUK.

    TITLE: FILM REVIEW | Name Of the film

    SUBHEAD: A one-line headline for the review, should sum up the experience in a few words.

    STAR RATING: (1 to 5 stars) please see our star-rating document to properly assign a star.

    PICTURE: Please include any pictures sent to you by the press team, and don’t forget to include the credits.

    THE STORY: The brief synopsis of the piece. Should endeavour to introduce all the main characters with the actors’ names in (brackets) at first mention.

    THE PULL APART: This is the meat of your review. What was good, what wasn’t, who was outstanding; who wasn’t? Don’t forget you can focus on locations, design, wardrobe, directing, acting, music etc. Songs should be put into Italics.

    SUMMARY: Last paragraph, which rounds up your thoughts about the film.

    RELEASE DATE: 

    TRAILER: If you have been sent a trailer link please link it here

    Word Count: 500 words

    Deadline: ASAP – it is best for us to have the review up to 3 days before the release.

    Updated: 20/09/2015

    How do I format my restaurant review?

    Please use this template when writing up your restaurant reviews.

    TITLE: RESTAURANT REVIEW: Name of The Restaurant, Location

    SUBHEAD: A one-line headline for the review, should sum up the experience in a few words.

    PREMISES PICTURE: The first picture should always be a picture of the restaurant.

    THE OVERALL IMPRESSION:First paragraph should paint the picture of the restaurant.

    THE FIRST COURSE: Around 50 words to describe the first course

    THE SECOND COURSE: Around 50 words to describe the main course

    DESSERT: Around 50 words to describe the dessert

    THE DRINKS: Around 50 words to describe the drinks.

    THE SERVICE: An appraisal of the service.

    WHAT WAS PERFECT: Overall impression
    WHAT WAS BAD: Overall impression – if there was a negative.

    SUMMARY: A paragraph to sum up your feelings of the place.

    REVIEWED BY:

    ADDRESS:

    WEBSITE:

    STAR RATING:

    COST RATING: (please see our costing and star rating code)

    TIPPING POLICY:

    WORDS: No more than 700.

    Reviews must be delivered within 48 hours of visit.

     

    How do I format my theatre review?

    This is the theatre review template you should use for all submissions to TheGayUK

     

    TITLE: THEATRE REVIEW: Name Of the Show, Theatre, City

    STAR RATING: (1 to 5 stars) please see our star-rating document to properly assign a star. To get the star menu press CLRL CMD and the space bar and search for stars in your emoji menu. | The Theatre’s name should also be listed here. They should be set in PARAGRAPH 2 Style.

    SUBHEAD: A one-line headline for the review, should sum up the experience in a few words. This should be set in PARAGRAPH 2 Style.

    PICTURE: Please include any pictures sent to you by the press team at the theatre and don’t forget to include the credits.

    THE STORY: The brief synopsis of the piece. Should endeavour to introduce all the main characters with the actors’ names in (brackets) at first mention.

    THE PULL APART: This is the meat of your review. What was good, what wasn’t, who was outstanding; who wasn’t? Don’t forget you can focus on set, design, wardrobe, sound, music etc. Songs should be put into Italics.

    SUMMARY: Last paragraph, which rounds up your thoughts about the piece.

    Play’s name runs at Play’s Theatre Name until Play’s end date

     

    First Updated: 20/09/2015

    Second Update: 28/01/2017

    Word Count: 500 words

    Deadline: Always within 24-hours of press night.

  • Editorial Policy

    THEGAYUK aims to report on anything and everything that might interest an LGBT+ audience here in the UK and abroad.

    We don’t exclusively cover gay stories, but those with a wider appeal.

    THEGAYUK doesn’t endorse political ideals except those of equality. We do not sponsor or endorse any particular politics or ideology. However, our writers might – and as part of our mission statement, we will publish articles that may have particular political alignments.

    We aim to cover some LGBT+ news stories, but not all, taking a measured view on what will interest our core readership.

    The overall balance of THEGAYUK should consist of culture/entertainment reviews and news, politics, opinion, interviews and UK and World News.

    We also have a remit to cover local gay news to cities and counties in the UK.

    General Editorial Policy

    1. NEWS.
      1. A non-bias article based on as many facts as a writer can find. News articles can focus on one company, product or service, but the essence of the piece should not be to SELL or be an overly favourably review the company, product or service, but to provide content that our readership will find interesting.
      2. If you’re unsure what constitutes News then please contact the Editorial Team or review our GO documentation.
      3. We will not seek to promote events, business, venues or people that actively discriminate against people due to gender, sex, sexuality, colour, race or ability.
      4. Only in exceptional circumstance will a preview or forthcoming announcement of an event, businesses etc. be classified as news. These should be dealt with as advertising. Unless,
        1.  Only in exceptional circumstance will a preview or forthcoming announcement of an event, businesses etc. be classified as news. These should be dealt with as advertising. Unless,
          1. The event is a non-paid for charity event that directly impacts the gay community.
      5. Source quotes. Where possible named sources should be used, these can come from official spokespeople or from statements issued to the press. Please make sure the reader understands where the source came from.
      6. Anonymous quotes. Must be used with caution and we should strive, to be honest with our and about our sources. Where an anonymous quote is pejorative we should look to paraphrase the quote, quote just the meat of the quote.
      7. A source should never be given up. You may need to obtain legal representation if questioned about sources.
      8. Credit where credit is due. Please name the source of the quote and it should be accompanied with a hyperlink to the source.
      9. Agency credit. If an agency’s work is used significantly the agency should be credited. Agency is defined by the government office or another official source.
      10. If another website led you to a story please H/T at the end of the article.
      11. THEGAYUK never pays for stories.
    2. SOURCES
      1. At least two sources should be able to confirm any news before we publish any story. If a second is not available please consult with the editor.
      2. There maybe some sources that are acceptable as sources. Please consult with the editorial team, if unsure.
    3. INTERVIEWS
      1. Only in exceptional circumstance will THEGAYUK accept email interviews. They must be done in person or by phone.
      2. All interviews must be recorded on a digital device such as a handheld recorder or smartphone recorder.
      3. The recorder should be in plain site of the interviewee.
      4. Permission should be sought from the interviewee before the interview starts.
      5. Questions should not be sent ahead of time, but you may give an outline of what the interview will be about.
      6. Before embarking on an interview please consult editorial about your plans.
    4. COPY APPROVAL
      1. TheGayUK does not grant copy approval for interview or review purposes. Only in exceptional circumstances. Copy approval should not be used a bargaining tool to secure an interview or exclusive.
      2. Reviews never get copy approval.
      3. Interviews must be written as said and not be altered to change their context or meaning.
    5. CONTENT REMOVAL
      1. Content cannot be removed unless we’re legally obliged to do so. Content can be updated if necessary but a note must be made in the article if this done as to not mislead the reader.
      2. In the event that editorial does make a decision to remove content, it will be unpublished and unavailable to readers outside THEGAYUK.com. It will be trashed permanently after 30 days.
    6. CALLS TO ACTION
      1. Calls to actions cannot be placed in reviews. To do so may place even more emphasis or be seen as bias on our part and unduly influence a reader’s decision to buy into a product. CTAs may be used in other article types but must be discussed with editors before any agreements are made.
    7. REVIEWS
      1. Review content should be marked as such in their titles so that readers are aware that you are reviewing or previewing a product.
      2. Articles that only talk about one product or service are either a Review or Preview and their title should reflect that.
      3. With exception to culture and scene businesses, venues, products or services, we don’t publish reviews on singular entities i.e. a pair of underwear, a food blender etc. Unless:
        1. They are a startup or brand new organisation where promotion of new service or venture is of interest to our readership, or
        2. The owners are part of the LGBT+ community,
      4. Instead, singular products should be reviewed within a top list that details other products and competitors.
      5. Reviews should not be paid for.
      6. To upload a paid for review goes against everything that journalistic freedoms strive for. Reviews should reflect your true feelings about the product and or service in question.
      7. Reviews are at the discretion of the writer involved and publishing is at the sole discretion of the Editorial Team.
      8. Links to services and products are at the sole discretion of the Editorial Team.
      9. Links to our approved affiliates will be favoured over those that do not.
        1. For films and music, we allow links to iTunes and Amazon. We may allow other links please refer to Editorial.
      10. All Reviews should be rated by our star rating system, which is out of 5 stars.
      11. Reviews should be submitted as quickly as possible. The Editorial Team will strive to publish the review within 24 hours of upload.
    8. CONFLICTS OF INTEREST
      1. Conflict of Interests, it is important that any writer declares an interest or significant connection to anything that is being reviewed.
      2. If a writer is connected with or to a story, assignment or review item the connection must be made clear to editorial before undertaking the assignment.
        1. If the decision to go ahead with the assignment the connection must be made clear to the reader somewhere in the copy.
      3. Writers for THEGAYUK should not endorse products and services.
      4. They should not be involved in any discussions surrounding commercial considerations such as advertising. These should be passed to Brand Partnerships.
      5. They should not be involved in the making of any adverts or promotional copy unless green-lit by editorial.
      6. If a writer a financial interest attached to a lead or story it should be made known to the editorial team.
    9. PR CONTACT AND FREEBIES
      1. Writers who are threatened, overly chased or pressured by a PR or supplier should report this to Editorial. Please refer all questions from PRs or Supplier to the editorial team
      2. A freebie does not warrant a favourable review and you should not be pressured into reviewing a product.
      3. Writers for THEGAYUK should not use their position to gain or garner freebies or Stuff We Always Get, hereby now referred to as SWAG.
      4. SWAG should never undermine the fairness accuracy or independence of a review, story or copy.
      5. If SWAG was given for free this should be reflected in a writer’s copy.
      6. It should be made clear if a company bore the cost of hospitality or travel. The condition of which means that THEGAYUK is not beholden to mention the company.
    10. PAID FOR CONTENT
      1. Advertorials and other types of paid for content.
        1. Advertorials are similar but should be referred to the Editorial Team before uploading to the Submittable. Writers are not allowed to accept advertorial assignments from outside suppliers or Press Relations without the express permission of TheGayUK editorial.
        2. Articles that are written in an advertorial style may be edited or not published to reflect the in-house style of TheGayUK. Hyperlinks are at the complete discretion of the Editorial Team.
        3. Sometimes we may allow a PREVIEW article, which draws attention to a particular company, service or product. Usually, we’d like to work these articles with the advertising department unless the company, service or product in question is deemed as a subject with particular interest to our readership. To check on whether a subject is newsworthy for our reader please check our GO list.
        4. Previews articles should be labelled as such and should be uploaded no further than a week ahead of scheduled release.
        5. Advice articles should not focus on one particular company, product or service unless there is no other company that works in that field.
        6. Always try and include one or more company, product or service in order to give our readers a wide field of choice.
    11. COMMENT, COLUMNS, BLOGS and OPINION
      1. These articles should be a truly personal reflection on a subject. These can be positive or negative towards the subject.
      2. No payment must be exchanged for a comment, column or opinion piece.
      3. Articles may focus on one company, service or product, but usually from a political, emotional or ideological standpoint.
      4. Comment, Columns or Opinions should not be written as to persuade people to buy into a company, product or service.
        1. Nor should they be there to persuade people not to buy into a company, product or service.
      5. Be careful with libel and slanderous statements; make sure you have credible facts to back up any statements you make about an individual or organisation.
        1. At least two sources should be able to confirm any facts before we publish any story. These should be fully citable and linked within the text. If a second is not available please consult with the editor. There may be some sources that are acceptable as sources. Please consult with the editorial team, if unsure.
      6. You should not use your blog/column or opinion for your own monetary gains. Blog posts which look or sound too selly, or push people to a platform, service or website which is commercial will be rejected.
        1. If you wish to buy ad space or paid distribution please contact us to discuss options.
    12. ERRORS
      1. Reported errors will be fixed by THEGAYUK editorial within 24 hours of being notified.
      2. Writers have a duty to notify to report errors as soon as possible.
      3. Errors will be noted and rectified on the original article and if warranted a new article will be issued with a full correction.
    13. LANGUAGE
      1.  Use only swear words when directly quoting.
        1. We have relaxed this now. 
      2. Swear words uploaded will be censored out during the publishing process. We do this to ensure advertisers have no reason to complain about “adult” content on our site.
        1. We have relaxed this now. 
      3. Words deemed offensive please see our style guide for updated list should be used only when quoting a source.
    14. PLAGIARISM
      1. Writers and journalists will not plagiarise or copy without proper attribution to the original source.
      2. If you discover plagiarised content please report it immediately to editorial.
      3. Plagiarism is a contract ending infringement.
    15. COPYRIGHT 
      1. Unless stated all works delivered to THEGAYUK remains the copyright of the author and upon delivery of that content to THEGAYUK:
        1. Agrees that THEGAYUK may reproduce, store, change, alter, edit, redact, reformat that content in ways that will publicise the content and THEGAYUK.
        2. Agrees that no financial gain from that content will be sought unless agreed in writing before that content is uploaded to THEGAYUK systems.
        3. Agrees that the content delivered may be published again via a different published but not before two weeks of being published on THEGAYUK and must include an H/T to THEGAYUK. The exception to this is:
          1. The writer may reproduce the content on his or her own personal blogs or web pages.
          2. Agrees that content may be published on platforms that are not limited to THEGAYUK – these platforms may include:
            1. Facebook
            2. Twitter
            3. Our own app
            4. An RSS tool
            5. Other social media
    16. SUICIDE
      1. Stories surrounding suicide must tread carefully and not reveal too much detail about the cause of death. Details should be talked about in the broadest terms possible. Always aim to include helplines and signpost to services like Switchboard or the Samaritans.
     

    Updated 27.11.20

  • The law and being neutral

    At all times we must protect ourselves from legal action. Therefore you must be careful not to defame or make libellous allegations. You expose yourself and THEGAYUK to legal action and as a non-profit organisation, we do not have the resources to pay for these.

    Being Neutral.
    We strive to speak for the entire LGBT community and we come in all shapes, sizes, classes, religions, political persuasions and genders, therefore it is important to never exclude a demographic. If you do write a piece specifically about an organisation, you must write about it in the first person. ‘I feel…’ opposed to ‘We feel…’. The statement ‘These views expressed are my own and do not reflect those of THEGAYUK’ must appear somewhere within your copy. It is important that THEGAYUK remains politically impartial.

    Legality.
    Please read the BBC’s college of journalism guide to defamation and ensure that you understand it. You and TheGayUK are both liable if you submit actionable content. You and the company’s owners could be sued. Therefore please respect that fact before uploading anything that may cause such action. Any article that fails to meet these standards, will be removed without warning.

    Defamation is where you write, say or publish something about someone that:
    • lowers them in the estimation of right-thinking members of the public and/or • causes them to be shunned or avoided and/or
    • disparages them in their business, trade, office or profession and/or
    • exposes them to hatred, ridicule or contempt.

    You risk defaming someone if you repeat defamatory comments previously published by others – e.g. in newspapers – either by quoting them or using them in an interview or soundbite.

    Please visit: http://www.bbc.co.uk/journalism/law/defamation/ and take the short test to ensure you understand defamation. There is a principle of ‘fair comment’ in English law which provides a defence if your article meets all of the following:

    • It is supported by the facts,
    • It is honestly held,
    • It is on a matter of public interest,
    • It is not malicious.

    If the editorial team at TheGayUK believes that your work will expose us and you to ANY legal action we will delete and remove the offending article from our systems and services, such as Twitter, Facebook, etc.

    If you are accused of libel you must amend the offending article, by emailing thehub@thegayuk.comand let us know so we can remove the item immediately. Legal action will be sought for TheGayUK. You may need to seek your own legal counsel.

    • Do not Enter into a debate about the allegation. • Alert the editorial team.
    • Do not admit or deny ANYTHING.

    Google and other search engines cache our pages and if you’ve defamed or libelled someone it can exist forever. It is near impossible to delete a defamatory comment from the web once it’s been cached. It is best to never make the comment in the first place.