In what is the best action dramatic thriller you’ll see so far this year, Deepwater Horizon delivers on all levels. It’s also very inspirational and heartbreaking as we all know it’s a true story.
On April 20th, 2010, eleven men were killed when their drilling rig in the Gulf of Mexico off the coast of Louisiana exploded, creating the worst oil spill in history. Deepwater Horizon tells the events leading up to the disaster, then the actual explosion, and it’s aftermath and impact on the lives of the people who survived, and is also a tribute to the men who lost their lives.
Directed with much intensity by Peter Berg, a former actor turned director (2013’s Lone Survivor), and starring Mark Wahlberg as the real life Mike Williams – the Transocean chief electronics technician who worked for the company that owned the rig. Williams was the man who was overseeing the rig’s computers and electrical systems at the time of the explosion. ‘Deepwater Horizon’ shows, in detail, how family man Miller was in a race to save as many of the crew as possible, while putting his own life in danger. He also has a wife Felicia (Kate Hudson) and daughter back home he desperately wants to get back to.
On that fateful day, the Deepwater Horizon, an ultra-deep-water, advanced oil rig owned by the Swiss company Transocean and leased by British Petroleum, was drilling deep in a well named Macondo about 40 miles off the Louisiana coast. What’s ironic is that when the explosion occurred executives from British Petroleum (who chartered the rig) were present because the drilling for oil was 43 days and $50 million behind schedule. John Malkovich plays Donald Vidrine, a BP executive who was there to push the men to complete drilling the well as soon as possible. Against the wishes of Deepwater Horizon’s installation manager Jimmy Harrell (Kurt Russell, very effective and in one of his best performances ever), Vidrine orders the crew to perform negative pressure tests (an attempt to lower the pressure inside the well to ensure that the well can withstand that pressure without any leaks). These tests were the catalyst to what happens next; mud, oil and water starts seeping out of the drills, intensifying and then stabelising, but then tragedy strikes. And when it does, everyone is caught off guard, including Andrea Fleytas (Gina Rodriguez), the 23-year old woman who helped operate the rig’s navigation machinery. The BP executives are shell-shocked, and them and the crew scramble for lifeboats that would lead them to safety. These are harrowing scenes of explosions, fire, and survival.
‘Deepwater Horizon’ excels in the way the story is told and shown; we are witness to the emotional and physical impact of the explosion, but we also get to experience it with the flames and crackling of the metal, crashing down and hurting some of the workers, thanks to special effects (with the pulsating soundtrack which adds to the intensity) that doesn’t even look like special effects – they’re that real. The explosions and fire are so intense you can practically feel the heat come off the screen. And while some may blame the film for being about one man whose heroic efforts saved everyone (with Wahlberg in action star mode, perhaps maybe a bit too much), Mike Williams did save lots of lives and this is indeed his story, and this film is the chance to tell that story, and it does so extremely well. Berg’s human centred approach to the story brings us closer to the lives of the people who were caught up in the disaster – it’s the human element to the story that is the takeaway – the survivors as well as the dead.
Tim Baros writes film and theatre articles/ reviews for Pride Life and The American magazines and websites, as well as for Hereisthecity.com, Blu-RayDefinition.com and TheGayUK.com. He has also written for In Touch and TNT Magazines, SquareMile.com and LatinoLife.co.uk. He is a voting member for the UK Regional Critics Circle and the Gay & Lesbian Entertainment Critics Association (GALECA – of which he is the UK representative). In addition, he has produced and directed two films: The Shirt and Rex Melville Desire: The Musical.