ALBUM REVIEW | Lines And Circles, O-Town

★★★★ | Lines And Circles, O-Town

O-Town’s decade out of the pop limelight is a long time. In fact, some might say it’s a lifetime. Countless wannabes have flounced in and out of the charts, Mega stars have been created and wasted, sales have plummeted, and everything is starting to sound like everything else. The music industry is nothing like it was back in 2003. It was before the iPhone and iPod. People still bought CDs, and a band, arguably the last ‘out of the box’ boy-bands, O-Town went their separate ways, breaking the hearts of girls and gays worldwide.

Well, boys and girls, they are back, with their best, most honest and commercially viable album for a world that is unrecognisable since their last output.

What you’ll notice is that Lines and Circles is a straight-up pop record, crafted with strong melodies and a grownup sensibility in its production. No tricks needed. These guys have spent the last 10 years honing their craft and each of these tracks is a gem and deserves radio play in its own right. Their voices, with ten years of living, have become soulful, chilled; yet still retain a power and sexiness that made the lads successful in their formative years. They are back and this time it’s on their own terms.

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If you’re looking for teeny boppery hyped up crap, this album isn’t for you. If you’re looking for boy-band or rather man-band 2.0, then O-Town have excelled in bringing this to you in the shape of Lines And Circles.

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Highlights: The epic Skydive, the stripped back and unexpected Buried Alive and the anthemic Lines And Circles.

About the author: Jake Hook
The editor and chief of THEGAYUK. All in a previous life wrote and produced songs on multi-platinum records.
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