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  • DVD REVIEW | In Bloom

    ★★★★ | In Bloom

    This is the rather gritty story of a hip very young gay couple in Chicago’s ‘Boystown’ coming to terms with how tough one’s first love can be.

    Kurt is a small time drug dealer who supplies pot to his peers, whilst Paul his boyfriend of two years has a dead-end job in a local grocery store that he can hardly tolerate. When the long summer starts, they are having fun and very much into each other and seem the perfect couple, but some seven months later they have separated and can barely talk to each other.

    Everything had been going well with them until one night one of Kurt’s good-looking customers puts the moves on him, and although he initially resists Kevin’s advances, it does open his mind to the possibility that there is more to life outside of his cosy relationship with Paul. Suddenly that relationship starts to look painfully inadequate to him and in a fit of impulse, he starts a ‘break-up’ that he will only regret when it is far too late.

    If that is not bad enough, the real world outside is even scarier than usual right now as there is a serial killer on the prowl whose victims have all been young gay men from the area. With Kurt making late night deliveries to hip parties all over he is probably more at risk than most.

    This look at contemporary edgy youth culture is the work of filmmaker Chris Michael Birkmeier who based this work of fiction on his own story of when he broke up with his first ever boyfriend. The plot is steeped in innocence and naivete and full of well-meaning intentions. It’s a remarkable debut feature and as such one can overlook the slow-moving story line that almost grinds to a halt at times.

    Credit too for the great wee cast full of untried talent, and very good photography too.

    The comparisons between Mr Birkmeier and the French/Canadian wunderkind Xavier Dolan who picked up Awards at Cannes for his first movie at the tender age of 19, are natural. Especially when Birkmeier makes no bones about the fact that he is a big Dolan fan. But there is very little similarity in their work and this movie is of a much simpler construction and far more straightforward. The two young filmmaker’s works complement each other, rather than complete.

    No doubt at all that C M Birkmeier (as he bills himself) is one to watch in LGBT cinema, and I for one cannot wait to see how he follows this fascinating first movie.

    Available from Amazon and iTunes

  • FILM REVIEW | My Straight Son

    ★★★★ | My Straight Son

    Diego a successful fashion photographer in Caracas has commitment phobia but the very night he is about to tell Fabrizio his Doctor boyfriend that he will move in with him after all, is the same night that Fabrizio is the victim of a vicious fatal gay bashing. It is also the same night that Armando, his estranged teenage son, turns up from Spain to stay with him for a few months whilst his mother goes to London to study for a Masters degree.

    This very melodramatic first 24 hours sets the tone for a hectic story packed full of characters that deliberately sets out to tug at your heartstrings for the next two hours. Father and son are like strangers and must learn how to adapt to each other. Armando to the unknown homosexual world of a father grieving for his partner that he had never met, and Diego to the closed attitude of his adolescent son.

    Added to the mix are both Diego’s own parents and Fabrizio’s too who are completely homophobic and are obsessed with watching Venezuela’s most popular TV Chat Show with its buxom bigoted host who loves to stir up fear of the unknown with her inflammatory remarks. Plus Diego’s female assistant/friend that keeps going back to her abusive boyfriend who beats her up most days, and the penniless transsexual choreographer who has to subsidise her modern dance troupe by still doing her lip-syncing drag act at a gay club at night to pay the rent. Between them all director/writer Miguel Ferrari insures that he covers the whole gamut of social issues from gay parenting and partners rights to gender identity.

    Despite its (too) many layers and all its plot complications there is something very compelling about the unraveling of the relationship between the father and son that ensures our investment in watching to the end to see how its all going to turn out. Maybe it’s the sonorous tones of the orchestra’s lush string section that pervades the dramatic soundtrack, or just seeing a cute nervous Armando mastering the art of the Tango so that he can win the heart of his new Internet girlfriend?

    It’s sweet and funny and immensely moving with some very fine performances from this handsome and talented cast, plus there is more than a hint of Almodovar about the whole thing. The movie has been wowing audiences already and in Spain it won the Best Foreign Picture Goya (their Oscars) when it still had the original and much better title of ‘Azul y No Tan Rosa’ which literally translates into ‘Blue, and Not So Pink’, and it should do just as well as here even with its newer clumsier title.

    Highly recommended.

  • FILM REVIEW | Boys In Brazil

    ★ | Boys In Brazil

    This painfully unfunny dramedy starts and ends with a group of four closeted gay friends at São Paulo’s Gay Parade, one of the largest in the world. As the Parade ends one of them is gay-bashed and after they beat the thugs off, the four make a pact that by the time of next year’s Parade they will all finally come out of the closet.

    Outrageously camp teenager Mauro has aspirations to be a Drag queen, something his devout evangelical parents are quick to put a stop too once they catch him midstream trying out his lip-synching routine. Their reaction is to drag around their local priest to exorcise the devil out of their son. Mauro’s rather shy best friend Rodrigo just needs a push to hook up with another handsome classmate, and telling his parents that he now has a boyfriend is rather a non-event.

    Mauro’s gay uncle Vicente who was also part of the group is a high-flying businessman who panics when his boss is in town from Paris and insists on having dinner with Vicente and his wife. Vicente’s best girlfriend is dragged into be his beard, but he needn’t have bothered as the boss turns out to be gay too. Who Vicente would have preferred to be dining with is Roger the rather hunky man he helped rescue from the gay bashing incident. Roger, however, is married and about to be a father a second time, and just cannot find the time to reach his part of the pact and come out to his wife. It’s not helped by the fact that his mother-in-law (played by a real-life drag queen!) practically lives with them.

    Then there is the angry and rather annoying self-righteous lesbian blogger who sits in judgement of them all and wants to publicly ‘out’ both Roger and Mauro against their wishes.

    The cliché driven very lame plot is packed full of old-fashioned stereotypes that seem so out of place in contemporary gay cinema. Even the coming-out aspect of the stories are handled so clumsily, that they are difficult to empathise with.

    I saw this one so you wouldn’t have too!

  • FILM REVIEW | Angel With Tethered Wings

    It seems like Steven Vasquez the director/writer/cinematographer/editor wants to corner the market in low-budget gay horror mystery movies the rate he is turning them out these days.

    This new one like his last recent one (Errodity) is essentially another piece of soft-core pornography, but this time with an extended and tangled plot, and where the script is as flaccid as the penises and the only thing stiff is the acting.

    It’s billed as a ‘back-from-the-grave revenge flick’, which is in three parts and is the story about a pair of gay twins, and their brother. I think. Anyway, there is a bad twin who is a callous producer of twink porn who owes the mysterious Carmine an awful lot of money that he plans to replay when a geeky Texan coughs up big time to have sex with the main porn star. The money disappears after the Texan has had his end away, and the rest of the movie is spent chasing the money and the Twink too.

    It’s not all played out chronologically so the rather lame story is not that easy to follow, and I wouldn’t be giving too much away by saying that soon after the Twink and his brother (!) come back as vampires, most of the cast get shot one way or another. Now that the Twink is dead he very sadly misses his boyfriend although they dated for just two days. However, the fact that he is played by a real (and hot) porn star Addison Graham makes that totally understandable. He actually puts in a very convincing performance even when he is fully clothed.

    Nearly everyone at one time or another gets completely naked and there are lots of full frontals and also some very noisy un-erotic simulated sex scenes, once even played out to some church lady singing ‘Ave Maria’.

    Making ambitious low budget gay movies like this is not easy and through sheer lack of resources often the script and the acting suffers. In this instance, it was both, and maybe if Vasquez hadn’t been trying to do everything behind the camera himself he would spot that too.

    If you are a fan of gay zombie B Movies then you may want to even try this, as there are not many others in this genre. If you are a fan of Mr Graham and want to literally see more of him (!) then you may want to check out some the steamy movies he stars in for Michael Lucas’s Studio.
    On Dvd/VOD July 13th from TLA

  • FILM REVIEW | Triple Crossed

    ★★ | Triple Crossed

    After he had finished his posting serving in the military in war-torn Afghanistan during which time he witnessed his best friend being killed, Chris Jensen is struggling to adapt back into civilian life. Unable to find a job, as no one seems prepared to want the services of a somewhat damaged ex-serviceman, he has resorted to living in his car.

    Out of the blue, he gets a call from Jackie who wants to offer a job that he would like to turn down. Her recently deceased half-brother has left his controlling share of the family’s multi-million business to his boyfriend Andrew, and she is having none of it. She wants to get his share but doesn’t want to pay a cent for it, but she is however prepared to pay Chris a handsome sum to kill Andrew so she can get her own way.

    He is desperate enough to take on the assignment but first he goes to check out his ‘target’ who naturally turns out to be as hot as hell. The two men are soon grappling with each but not quite in the way Jackie had wanted as they are naked and in bed. The question then is to kill or not? Not an easy one to answer as the title of this drama implies everyone has their own agenda, and so we are never sure how this will play out.

    What makes this small-budget indie stand out from others of this genre is that it marks the debut of Sean Paul Lockhart; aka ex-porn star Brent Corrigan behind the camera as well as in front for a change. Although it is full of the good intentions the movie does sadly fail to be a thriller in or out of the bedroom even though it does have a gun-toting finale.

    Sean doesn’t ever quite manage to convince us that he really did go to war, although he does put in a pretty good performance as a potential new boyfriend for Andrew who seems to have soon forgotten his ex dead one. If you are a fan of Sean aka Brent then you’ll want to see this,but if you are not, then you may just want to wait for a rainy afternoon when you have nothing better to do.

  • FILM REVIEW | Private Romeo

    ★★★★★ | Private Romeo

    Over a weekend eight male high school cadets are left behind when the rest of the McKinley Military Academy go away on an exercise and they are ordered to carry on with their studies regardless.

    In the English Literature Class, they are studying ‘Romeo and Juliet’ and the two young men reading the leads begin to take it all very seriously and live their roles as the star-crossed lovers for real.

    Rather than the city of Verona, the setting is the hallway, gym and dorms of the School, and whilst the script is punctuated with occasional references to their daily routine, it sticks faithfully to Shakespeare’s glorious text. It transforms the piece into a modern-day gay tragedy.

    This totally enchanting production by writer/director Alan Brown of shirtless teenagers falling in love with each other and spouting this magical prose is a real breath of fresh air. The energy and exuberance of the talented young cast oozes through, and what they may occasionally lack in technique certain more than compensates with such enthusiasm which makes all of their performances so very watchable, especially Hale Appleman as Mercutio.

    This is not one for Shakespearian purists but if you ever had the same good fortune of ever catching Joe Calcaro’s play ‘Shakespeare’s R & J’ (which I was lucky enough to see Off Broadway in the late 1990s) which served as the inspiration, then you will love this one.

    A refreshing wee gem of a movie.

  • FILM REVIEW | Broken Gardenias

    ★ | Broken Gardenias

    Jenni is a misfit and a nerd. She is so clumsy that she breaks most of the plant pots at the nursery where she works and that really annoys her boss.

    Her self-absorbed roommates all but one ignore her, and she is totally friendless. It gets even worse after she is hospitalised and loses both her job and her home. Clutching one cardboard box of her worldly possessions she makes tracks to the nearest park and sets about hanging herself from a tree.

    Even this does not go to plan as she is cut down and rescued by Sam (short for Samantha) a feisty lesbian with a buzz cut and ripped jeans and a great big grin. ‘This’ she tells a downcast Jenni ‘is the face of a nice person’. Something she feels the need to point out after listening to the miserable girl pour out her tale of woe as it seems likely that she has never encountered a nice person ever before in her life.

    Part of the story is Jenni’s father who she hasn’t seen since she was brought to the city and dumped there when she was very little. He is still in Los Angeles. Maybe. Jenni is very sketchy about details, but that doesn’t deter Sam who declares that they will set off for LA in search of him immediately. Even the fact they do not have a car, or even the faintest idea where in the vast city he will be is considered irrelevant by the overly optimistic Sam.

    Their road trip is littered with characters that Sam just shrugs off, but which wind up Jenni even more. When they arrive in the city and the search for the father starts, Sam has a detour when she runs into an old fling who invites her… and Jenni… to a wild party. Whilst Sam goes off to make out with her ex, wide-eyed Jenni ends up tripping on a psychedelic cupcake and getting into some bedroom action that she didn’t didn’t count on. She freaks out and then as she has angered the owner of the house as well, runs off into the city and is really on her own now. The question is will she survive, and will she find her father? Even more important will we have lost interest just like Sam does?

    Broken Gardenias is billed as a dark comedy and is the work of first-time director Kai Alexander whose bio states that he spent his childhood with his parents who were part of a travelling circus which may account for the bizarre roster of characters the two women encounter. The script is by newbie writer Alma S. Grey who also plays Jenni.

    The sole bright spot of this film is the performance of Ashley Morocco as the bubbly Sam as asides from this the movie just simply fails to really engage, and for a comedy, it is painfully unfunny.

  • FILM REVIEW: From Beginning To End

    There is good taste, and then there is incest.

    It’s surprising that we can sit and watch a lot of suspect and even deviant behaviour amongst (consenting) adults on the silver screen, but this is one topic that we feel is just a tad too icky even for us. Especially when it comes in the form of a melodramatic Brazilian telenova that is short on both substance as well as clothing, and is to all intents and purpose nothing more than a pretty piece of soft porn.

    It starts with two young half brothers, one 6 years old and the other 12, who are a little too close to each other for our comfort zone, and for their mother too who suspects there may be more here than what meets the eye. Flash-forward to the boys as grown men, one of the fathers dies, then the mother passes away too, and the boys seek solace in each other. Well that’s their excuse as they have barely stopped lusting after each other since they were kids.

    We are convinced that it’s not just lust, but real love, which is put to the test when the younger brother who is a potential Olympic swimming champion is told by his coach that he must move abroad to train. To Russia no less. Oh come on coach, you mean to tell us there are no decent swimming pools closer to Brazil?

    Love conquers all though and even a very pretty girl cannot steal the old brother away from his one true love, and this all plays out to a rather deafening over-laden heavy strings soundtrack. And we guess they will happily ever after? Who knows? More importantly, who cares?

    Why see it at all? Well the boys/men are rather stunning beefcakes that even with this limited script prove that they can actually act, and also writhe around naked together looking very sexy but without doing the act (it’s soft porn after all). It was a big box office hit in Brazil when it was released in 2009, and it has now surfaced on Amazon where you can waste £4.49 and more importantly 90 minutes of your time.

     

  • FILM REVIEW | Blackmail Boys

    When gay art student Sam ‘came out’ to his parents they disowned him and cut him off without a cent.

    Faced with high tuition fees, rent and living expenses to find in Chicago, he resorted to turning tricks as it pays so much better than any other manual labour. However when Aaron his long-term long-distance boyfriend moved to town and in with him, he resented the way that Sam earns his living.

    The first time one of Sam’s paying clients came for his weekly rough and tumble, the more worldly Aaron recognised him as an infamous gay-bashing bigot that had just written yet one more book denouncing the ‘evil ways of homosexuality. After his ‘appointment’ was over Aaron suggested that when the man came back for his next hook-up, that he should secretly film the whole naked encounter and use it to blackmail him. Not only would it possibly expose the hypocrite to the whole world, but if he wanted to buy the tape to keep them quiet, they could make enough money to insure that Sam could retire from his call boy career.

    It was a rather inconsequential plot for a lightweight movie made by the somewhat anonymous Shumanski filmmaking brothers from South Africa. Like their previous gay-themed movie Wrecked there is an abundant amount of full frontal nudity and explicit sex that at times just feels like porn with a plot. Its redeeming feature is its mumble core approach to filming (not often used in gay movies) that gave the whole piece an edgy feel to it.

    On the acting side indie actor/director Joe Swanberg who’s first ‘big’ feature Drinking Buddies was recently released to critical acclaim, plays the angry client Andrew Tucker. Looking at Swanberg’s resume to date you can see that he rarely keeps his clothes on through a whole movie, so it seemed no big deal for this straight actor to have explicit gay sex on screen. Interesting also to see young Nathan Adloff (playing Sam) in front of the camera after being so very impressed with his own writing/directing debut in a delightful sleeper from last year’s Nate & Margaret.

    It’s a harmless piece of boy-lite fare that by trying to push our buttons by what it thinks is daring, will only have us reaching for the remote control to skip over all those parts which fall flatter than some of the sexual encounters, to get to the end quicker.

  • FILM REVIEW: Drink Me

    ★★★ | Drink Me

    Young gay couple James and Andy seem to have everything, especially an extremely busy sex life.

    Life in the rather comfortable house they share couldn’t be more perfect and James wants to make it all even more permanent by getting down on his knees and proposing marriage. However timing is everything and Andy fesses up that he has just been laid off from his job, which puts a dampener on any ideas of paying for an expensive wedding right now.

    After he has trouble finding new work, money gets tight for the couple so James suggests taking in a lodger. Sebastian a handsome stranger moves in and all seems well until housebound Andy realises that the new member of the household is hiding a secret. He suspects that Sebastian could be the killer who has been stalking the streets of their neighbourhood and responsible for so many people seemingly disappearing into thin air. He will not have to wait long to find out the truth.

    This brand new thriller made on a micro-budget on by husband & husband team Daniel & Richard Mansfield is a rare genre i.e. gay vampire drama. Strangely enough it is not nearly as frightening as the overly dramatic soundtrack intonates it should be, and the slight plot unfurls at such a slow pace that there are neither any real scares nor surprises. It does however possess more male full frontal nudity than I have ever seen outside of a porn movie, and full credit to both director and cast, as they ensure that most of it is highly erotic.

    The movie following on from The Secret Path that the Mansfields made last year proves again that this young couple of talented British gay filmmakers are definitely a pair well worth watching.

     

  • FILM REVIEW | Brotherhood

    ★★★★★ | Brotherhood

    Lars is a young Danish soldier who is resentful because he has been thrown out of the Army after being accused of making a pass at some of his men.

    Frustrated at being back home with his pushy interfering mother, and at a loose end and unsure of where his life is going, he becomes easy prey for a local gang of xenophobic neo-Nazi thugs looking for new recruits. Although somewhat reluctant at first, he naïvely allows himself to be drawn into the group and is soon recognised by the leaders as being a brighter than average convert who they want to install as a fully-fledged member.

    Lars’ quick rise through the ranks doesn’t sit well with everyone, particularly as he is foisted onto the group’s hard-nutted lieutenant Jimmy who is bitterly resentful of Lars for usurping the position that he felt his psychotic brother should have got received. The angry Jimmy is ordered to be his trainer but the hate he shows however soon turns into lust, which ultimately turns to love in this most unlikely setting.

    This award-winning movie shows the sheer brutality, and the depth and bitterness of the far right’s racism and homophobia in a powerful and moving way. It’s both explicit and shocking and its subject matter is unquestionably disturbing, but the way that this drama unfolds, juxtaposing vitriolic violence and hatred with its edge of tenderness in the love that comes through, makes this film totally unmissable.